Eumenides. Aeschylus. ed. F. A. Paley. Cambridge. 1885.
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Commentary on the Eumenides (OCR draft) (English) (Brief English notes on Aeschylus' Eumenides by F. A. Paley, 1885.)
Provisional text from uncorrected OCR; expect errors.
Editions (12)
Εὐμενίδες First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 299-396 focus
Χορός
οὔτοι σ᾽ Ἀπόλλων οὐδ᾽ Ἀθηναίας σθένος
ῥύσαιτ᾽ ἂν ὥστε μὴ οὐ παρημελημένον
300
ἔρρειν, τὸ χαίρειν μὴ μαθόνθ᾽ ὅπου φρενῶν,
ἀναίματον βόσκημα δαιμόνων, σκιάν.
1
οὐδ᾽ ἀντιφωνεῖς, ἀλλ᾽ ἀποπτύεις λόγους,
ἐμοὶ τραφείς τε καὶ καθιερωμένος;
2
καὶ ζῶν με δαίσεις οὐδὲ πρὸς βωμῷ σφαγείς:
305
ὕμνον δ᾽ ἀκούσει τόνδε δέσμιον σέθεν.
307
Χορός
ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ
μοῦσαν στυγερὰν
ἀποφαίνεσθαι δεδόκηκεν,
λέξαι τε λάχη τὰ κατ᾽ ἀνθρώπους
310
ὡς ἐπινωμᾷ στάσις ἁμά.
3
τὸν μὲν καθαρὰς χεῖρας προνέμοντ᾽
6
οὔτις ἐφέρπει μῆνις ἀφ᾽ ἡμῶν,
7
ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ:
315
χεῖρας φονίας ἐπικρύπτει,
μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν
παραγιγνόμεναι
10
πράκτορες αἵματος
αὐτῷ τελέως ἐφάνημεν.
320
321
Χορός
μᾶτερ ἅ μ᾽ ἔτικτες, ὦ μᾶτερ
Νύξ, ἀλαοῖσι
11
καὶ δεδορκόσιν
ποινάν, κλῦθ᾽. ὁ Λατοῦς γὰρ ἶ-
νίς μ᾽ ἄτιμον τίθησιν
τόνδ᾽ ἀφαιρούμενος
325
πτῶκα,
12
ματρῷον ἅγ-
νισμα κύριον φόνου.
328
Χορός
ἐπὶ δὲ τῷ τεθυμένῳ
τόδε μέλος, παρακοπά,
παραφορὰ
13
φρενοδαλής,
330
ὕμνος ἐξ Ἐρινύων,
δέσμιος φρενῶν, ἀφόρ-
μικτος, αὐονὰ βροτοῖς.
334
Χορός
τοῦτο γὰρ λάχος διανταία
Μοῖρ᾽ ἐπέκλωσεν ἐμπέδως ἔχειν,
335
ξυμπέσωσιν
16
μάταιοι,
τοῖς ὁμαρτεῖν, ὄφρ᾽ ἂν
γᾶν ὑπέλθῃ: θανὼν δ᾽
οὐκ ἄγαν ἐλεύθερος.
340
341
Χορός
ἐπὶ δὲ τῷ τεθυμένῳ
τόδε μέλος, παρακοπά,
παραφορὰ
17
φρενοδαλής,
ὕμνος
18
ἐξ Ἐρινύων,
δέσμιος φρενῶν, ἀφόρ-
345
μικτος, αὐονὰ βροτοῖς.
347
Χορός
γιγνομέναισι λάχη τάδ᾽ ἐφ᾽ ἁμὶν ἐκράνθη,
ἀθανάτων δ᾽ ἀπέχειν χέρας, οὐδέ τις ἐστὶ
350
ξυνδαίτωρ
19
μετάκοινος.
παλλεύκων δὲ πέπλων ἀνέορτος
20
ἄκληρος ἐτύχθην.
354
Χορός
δωμάτων
21
γὰρ εἱλόμαν
ἀνατροπάς: ὅταν Ἄρης
355
ἐπὶ τὸν ὧδ᾽ ἱέμεναι
24
κρατερὸν ὄνθ᾽ ὅμως ἀμαυ-
360
Χορός
σπευδομένα
27
δ᾽ ἀφελεῖν
360
τινὰ τάσδε
28
μερίμνας,
θεῶν δ᾽ ἀτέλειαν ἐμαῖς
μελέταις
29
ἐπικραίνειν,
μηδ᾽ εἰς
30
ἄγκρισιν ἐλθεῖν—
Ζεὺς δ᾽ αἱμοσταγὲς
31
ἀξ-
365
ιόμισον ἔθνος τόδε λέσχας
ἇς ἀπηξιώσατο—
μάλα γὰρ οὖν ἁλομένα
ἀνέκαθεν
32
βαρυπεσῆ
καταφέρω ποδὸς ἀκμάν,
370
σφαλερὰ τανυδρόμοις <ὅμως
33
>
373
Χορός
δόξαι τ᾽ ἀνδρῶν καὶ μάλ᾽ ὑπ᾽ αἰθέρι σεμναὶ
τακόμεναι κατὰ γᾶν μινύθουσιν ἄτιμοι
ἁμετέραις ἐφόδοις μελανείμοσιν, ὀρχησ-
375
μοῖς τ᾽ ἐπιφθόνοις
36
ποδός.
377
Χορός
πίπτων δ᾽ οὐκ οἶδεν τόδ᾽ ὑπ᾽ ἄφρονι λύμᾳ:
τοῖον [γὰρ
37
] ἐπὶ κνέφας ἀνδρὶ μύσος πεπόταται,
καὶ δνοφεράν τιν᾽ ἀχλὺν κατὰ δώματος αὐδᾶ-
ται πολύστονος φάτις.
380
381
Χορός
μένει γάρ: εὐμήχανοί
τε
38
καὶ τέλειοι, κακῶν
τε μνήμονες, σεμναὶ
καὶ δυσπαρήγοροι βροτοῖς,
λάχη θεῶν διχοστατοῦντ᾽ ἀνηλίῳ
λάμπᾳ, †δυσοδοπαίπαλα
41
δερκομένοισι καὶ δυσομμάτοις ὁμῶς.
389
Εὐμενίδες Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 299-396 focus
Χορός
οὔτοι σʼ Ἀπόλλων οὐδʼ Ἀθηναίας σθένος
ῥύσαιτʼ ἂν ὥστε μὴ οὐ παρημελημένον
300
ἔρρειν, τὸ χαίρειν μὴ μαθόνθʼ ὅπου φρενῶν,
ἀναίματον βόσκημα δαιμόνων, σκιάν.
οὐδʼ ἀντιφωνεῖς, ἀλλʼ ἀποπτύεις λόγους,
ἐμοὶ τραφείς τε καὶ καθιερωμένος;
καὶ ζῶν με δαίσεις οὐδὲ πρὸς βωμῷ σφαγείς·
305
ὕμνον δʼ ἀκούσῃ τόνδε δέσμιον σέθεν.
307
Χορός
ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ
μοῦσαν στυγερὰν
ἀποφαίνεσθαι δεδόκηκεν,
λέξαι τε λάχη τὰ κατʼ ἀνθρώπους
310
ὡς ἐπινωμᾷ στάσις ἁμά.
εὐθυδίκαιοι δʼ οἰόμεθʼ εἶναι·
τὸν μὲν καθαρὰς χεῖρας προνέμοντʼ
οὔτις ἐφέρπει μῆνις ἀφʼ ἡμῶν,
ἀσινὴς δʼ αἰῶνα διοιχνεῖ·
315
ὅστις δʼ ἀλιτὼν ὥσπερ ὅδʼ ἁνὴρ
χεῖρας φονίας ἐπικρύπτει,
μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν
παραγιγνόμεναι πράκτορες αἵματος
αὐτῷ τελέως ἐφάνημεν.
320
Χορός
μᾶτερ ἅ μʼ ἔτικτες, ὦ μᾶτερ
Νύξ, ἀλαοῖσι καὶ δεδορκόσιν
ποινάν, κλῦθʼ. ὁ Λατοῦς γὰρ ἶ-
νίς μʼ ἄτιμον τίθησιν
τόνδʼ ἀφαιρούμενος
325
πτῶκα, ματρῷον ἅ-
γνισμα κύριον φόνου.
Χορός
ἐπὶ δὲ τῷ τεθυμένῳ
τόδε μέλος, παρακοπά,
παραφορὰ φρενοδαλής,
330
ὕμνος ἐξ Ἐρινύων,
δέσμιος φρενῶν, ἀφόρ-
μικτος, αὐονὰ βροτοῖς.
Χορός
τοῦτο γὰρ λάχος διανταία
Μοῖρʼ ἐπέκλωσεν ἐμπέδως ἔχειν,
335
θνατῶν τοῖσιν αὐτουργίαι
ξυμπέσωσιν μάταιοι,
τοῖς ὁμαρτεῖν, ὄφρʼ ἂν
γᾶν ὑπέλθῃ· θανὼν δʼ
οὐκ ἄγαν ἐλεύθερος.
340
Χορός
ἐπὶ δὲ τῷ τεθυμένῳ
τόδε μέλος, παρακοπά,
παραφορὰ φρενοδαλής,
ὕμνος ἐξ Ἐρινύων,
δέσμιος φρενῶν, ἀφόρ-
345
μικτος, αὐονὰ βροτοῖς.
Χορός
γιγνομέναισι λάχη τάδʼ ἐφʼ ἁμὶν ἐκράνθη·
ἀθανάτων δʼ ἀπέχειν χέρας, οὐδέ τις ἐστί
350
συνδαίτωρ μετάκοινος·
παλλεύκων δὲ πέπλων ἀπόμοιρος ἄκληρος ἐτύχθην
¯˘¯˘¯˘¯
Χορός
δωμάτων γὰρ εἱλόμαν
ἀνατροπάς, ὅταν Ἄρης
355
τιθασὸς ὢν φίλον ἕλῃ.
ἐπὶ τὸν ὧδʼ ἱέμεναι
κρατερὸν ὄνθʼ ὅμως ἀμαυ-
ροῦμεν ὑφʼ αἵματος νέου.
Χορός
σπεύδομεν αἵδʼ ἀφελεῖν τινὰ τάσδε μερίμνας,
360
θεῶν δʼ ἀτέλειαν ἐμαῖς μελέταις ἐπικραίνειν,
μηδʼ εἰς ἄγκρισιν ἐλθεῖν·
Ζεὺς δʼ αἱμοσταγὲς ἀξιόμισον ἔθνος τόδε λέσχας
365
ἇς ἀπηξιώσατο.
Χορός
δωμάτων γὰρ εἱλόμαν
ἀνατροπάς, ὅταν Ἄρης
τιθασὸς ὢν φίλον ἕλῃ.
ἐπὶ τὸν ὧδʼ ἱέμεναι
κρατερὸν ὄνθʼ ὅμως ἀμαυ-
ροῦμεν ὑφʼ αἵματος νέου.
Χορός
δόξαι τʼ ἀνδρῶν καὶ μάλʼ ὑπʼ αἰθέρι σεμναὶ
τακόμεναι κατὰ γᾶν μινύθουσιν ἄτιμοι
ἁμετέραις ἐφόδοις μελανείμοσιν, ὀρχη-
370
σμοῖς τʼ ἐπιφθόνοις ποδός.
Χορός
μάλα γὰρ οὖν ἁλομένα
ἀνέκαθεν βαρυπεσῆ
καταφέρω ποδὸς ἀκμάν,
σφαλερὰ
καὶ τανυδρόμοις
375
κῶλα, δύσφορον ἄταν.
Χορός
πίπτων δʼ οὐκ οἶδεν τόδʼ ὑπʼ ἄφρονι λύμᾳ·
τοῖον
γὰρ ἐπὶ κνέφας ἀνδρὶ μύσος πεπόταται,
καὶ δνοφεράν τινʼ ἀχλὺν κατὰ δώματος αὐδᾶ-
ται πολύστονος φάτις.
380
Χορός
μάλα γὰρ οὖν ἁλομένα
ἀνέκαθεν βαρυπεσῆ
καταφέρω ποδὸς ἀκμάν,
σφαλερὰ καὶ τανυδρόμοις
κῶλα, δύσφορον ἄταν.
Χορός
μένει γάρ. εὐμήχανοί
τε καὶ τέλειοι, κακῶν
τε μνήμονες σεμναὶ
καὶ δυσπαρήγοροι βροτοῖς,
ἄτιμʼ ἀτίετα διόμεναι
385
λάχη θεῶν διχοστατοῦντʼ ἀνηλίῳ
λάμπᾳ, δυσοδοπαίπαλα
δερκομένοισι καὶ δυσομμάτοις ὁμῶς.
Χορός
τίς οὖν τάδʼ οὐχ ἅζεταί
τε καὶ δέδοικεν βροτῶν,
390
ἐμοῦ κλύων θεσμὸν
τὸν μοιρόκραντον ἐκ θεῶν
δοθέντα τέλεον; ἔτι δέ μοι
μένει γέρας παλαιόν, οὐδʼ ἀτιμίας
κύρω, καίπερ ὑπὸ χθόνα
395
τάξιν ἔχουσα καὶ δυσήλιον κνέφας.
Εὐμενίδες (1518 edition; OCR draft) Experimental (Aeschylus, Eumenides, 1518 edition. VLM-assisted OCR with native lineation and automated correspondence to the Smyth edition.) — 334 focus
Χορὸς Εὐμενίδων
μοῖρ' ἐπέκλωσεν ἐκ πέδως. ἔχειν θανάτων τοῖ-
σιν αὐτουργίαις,
ξύμπασῶσιν μάταιοι. τοῖς δ' μαρτᾶν ιοφρ' ἂν,
γᾶν ὑπέλθῃ θανὼν δ' οὐκ ἄγαν ἐλεύθερος.
320
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Guilielmus Dindorfius, 1882.) — 334 focus
τοῦτο γὰρ λάχος διανταία
Μοῖρ᾽ ἐπέκλωσεν ἐμπέδως ἔχειν,
335
θνατῶν τοῖσιν αὐτουργίαι ξυμπέσωσιν μάταιοι,
τοῖς ὁμαρτεῖν, ὄφρ᾽ ἂν γᾶν ὑπέλθῃ· θανὼν δ᾽
οὐκ ἄγαν ἐλεύθερος.
340
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Gottfried Hermann, 1852.) — 334 focus
τοῦτο γὰρ λάχος διανταία
Μοῖρ᾽ ἐπέκλωσεν ἐμπέδως ἔχειν, θνατῶν
τοῖσιν αὐτουργίαι
ξυμπέσωσιν μάταιοι,
335
τοῖς ὁμαρτεῖν, ὄφρ᾽ ἂν
γᾶν ὑπέλθῃ· θανὼν δ᾽
οὐκ ἄγαν ἐλεύθερος.
ΕΥΜΕΝΙΔΕΣ (OCR draft) Experimental (ΕΥΜΕΝΙΔΕΣ. Paul Mazon, 1920-1925.) — 334 focus
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Arthur Sidgwick, 1887.) — 334 focus
ΧΟ.
τοῦτο γὰρ λάχος διανταία
ἀντ. α΄.
1
μοῖρ᾽ ἐπέκλωσεν ἐμπέδως ἔχειν,
335
θνατῶν τοῖσιν
αὐτουργίαι
ξυμπέσωσιν μάταιοι,
τοῖς ὁμαρτεῖν, ὄφρ᾽ ἂν
γᾶν ὑπέλθῃ· θανὼν δ᾽
οὐκ ἄγαν ἐλεύθερος.
340
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. N. Wecklein, 1885.) — 334 focus
τοῦτο γὰρ λάχος διανταία
335
Μοῖρ᾽ ἐπέκλωσεν ἐμπέδως ἔχειν,
θνατῶν τοῖσιν αὐτουργίαις
ξύμπασ᾽ ὦσιν μάταιοι,
τοῖς ὁμαρτεῖν, ὄφρ᾽ ἂν
γᾶν ὑπέλθῃ· θανὼν δ᾽
340
οὐκ ἄγαν ἐλεύθερος.
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Martin L. West, 1990.) — 334 focus
τοῦτο γὰρ λάχος διαν-
ταία Μοῖρ᾽ ἐπέκλωσεν ἐμπέδως ἔχειν· θνατῶν
335
τοῖσιν αὐτουργίαι ξυμπαγῶσιν μάταιοι,
τοῖς ὁμαρτεῖν, ὄφρ’ ἂν γᾶν ὑπέλθηι· θανὼν δ’
οὐκ ἄγαν ἐλεύθερος.
340
Aeschyli Eumenides (OCR draft) Experimental (Aeschyli Eumenides. Ulrich von Wilamowitz-Moellendorff, 1914.) — 334 focus
Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by F. A. Paley, 1885.) — 334 focus
τοῦτο γὰρ λάχος διανταία
320
μοῖρ᾽ ἐπέκλωσεν ἐμπέδως ἔχειν,
θνατῶν τοῖσιν αὐτουργίαι ξυμπέσωσιν μάταιοι,
τοῖς ὁμαρτεῖν, ὄφρ᾽ ἂν
γἂν ὑπέλθῃ· θανὼν δ᾽ οὐκ ἄγαν ἐλεύθερος.
Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by Friedrich Blass, 1907.) — 334 focus
τοῦτο γὰρ λάχος διανταία
ἀντ. α
Μοῖρ᾽ ἐπέκλωσεν ἐμπέδως ἔχειν, θνατῶν
335
τοὶ σὺν αὐτουργίαις ξυμπέσωσιν μάταιοι,
τοῖς ὁμαρτεῖν, ὄφρ᾽ ἂν γᾶν ὑπέλθηι· θανὼν δ᾽ οὐκ
ἄγαν ἐλεύθερος.
340
Translations (10)
Eumenides Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1926. (Modernized by Perseus.)) — 299-395 focus
Chorus
No, neither Apollo nor Athena’s strength
can save you from perishing abandoned, not knowing where joy is in your heart—a bloodless victim of the gods below, a shadow.
You do not answer, but scorn my words, you who are fattened and consecrated to me?
300
Living, you will be my feast, not slain at an altar; now you will hear this hymn, a spell to bind you.
305
307
You do not answer, but scorn my words, you who are fattened and consecrated to me?
Chorus
Come now, let us also join the dance, since we are resolved to display our hated song
and to declare our allotted office, how our party directs the affairs of men. We claim to be just and upright. No wrath from us will come stealthily to the one who holds out clean hands,
310
and he will go through life unharmed; but whoever sins, as this man has, and hides his blood-stained hands, as avengers of bloodshed we appear against him to the end, presenting ourselves as upright witnesses for the dead.
315
Chorus
O mother Night, hear me, mother who gave birth to me as a retribution for the blind and the seeing. For Leto’s son dishonors me
by snatching away this cowering wretch, a proper expiation for his mother’s blood.
325
Chorus
This is our song over the sacrificial victim—frenzied,
maddened, destroying the mind, the Furies’ hymn, a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
330
Chorus
For this is the office that relentless
Fate spun for us to hold securely: when rash murders of kin come upon mortals, we pursue them until they go under the earth; and after death,
335
they have no great freedom.
340
Chorus
This is our song over the sacrificial victim—frenzied, maddened, destroying the mind,the Furies’ hymn,
a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
345
Chorus
This office was ordained for us at birth;
but the immortal gods must hold back their hands from us, nor does any of them share a feast in common with us; and I have neither lot nor portion of pure white ceremonial robes
350
Chorus
For I have chosen the overthrow of houses,
whenever violence raised in the home seizes someone near and dear. So speeding after this man, we weaken him, even though he is strong, because of the fresh blood.
355
Chorus
We are eager to take these cares away from another, and to establish for the gods exemption from my concerns, so that it will not come to trial;
360
for Zeus has considered us, a blood-dripping, hateful band, unworthy of his council.
365
Chorus
For I have chosen the overthrow of houses,
whenever violence raised in the home seizes someone near and dear. Speeding after this man, we weaken him, even though he is strong, because of the fresh blood.
Chorus
And men’s thoughts, very proud under the sky, waste away and dwindle in dishonor beneath the earth,
at our attack in black robes and the vindictive dance of our feet.
370
Chorus
For surely with a great leap from above I bring down the heavily falling force of my foot,
my limbs that trip even swift runners—unendurable ruin.
375
Chorus
But, as he falls, he does not know it, because of his senseless folly; pollution hovers over the man in such darkness, and mournful rumor speaks of
a dark mist over his house.
380
Chorus
For surely with a great leap from above I bring down the heavily falling force of my foot,
my limbs that trip even swift runners—unendurable ruin.
Chorus
For it remains. We are skilled in plotting, powerful in execution, and we remember evil deeds; we are revered and hard for mortals to appease,
pursuing our allotted office which is without rights, without honor, separated from the gods in sunless light—our office that makes the path rough for seeing and dim-sighted alike.
385
Chorus
What mortal, then, does not
stand in awe and dread of this, when he hears from me the law ordained by Fate, given by the gods for perfect fulfilment? My ancient privilege still remains, I do not meet with dishonor,
390
although I have my place under the earth and in sunless darkness.
395
The Eumenides (OCR draft) Experimental (The Eumenides. Theodore Alois Buckley, 1849.) — 334 focus
LES EUMÉNIDES (OCR draft) Experimental (LES EUMÉNIDES. Paul Mazon, 1920-1925.) — 334 focus
de faire escorte au mortel qu'une fureur a jeté dans les voies du meurtre, jusqu'à ce qu'il descende aux enfers; et, pour lui, la mort même ne sera pas — tant s'en faut! — la délivrance.
(Fiévreux.)
The Furies (OCR draft) Experimental (The Furies. Robert Potter, 1779.) — 334 focus
Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 334 focus
Coro
Aeschylus, Eumenides: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Eumenides: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 334 focus
Aeschylus, Die Eumeniden: German translation (OCR draft) Experimental (Aeschylus, Die Eumeniden: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 334 focus
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, The Furies — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 334 focus
Fate, all-pervading Fate, this service spun, commanding
That I should bide therein:
Whosoe'er of mortals, made perverse and lawless,
395
Is stained with blood of kin,
By his side are we, and hunt him ever onward,
Till to the Silent Land,
The realm of death, he cometh; neither yonder
In freedom shall he stand.
400
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 334 focus
Denn des Schicksals Allgewalt theilte
320
Unserm Geschlecht für ew'ge Zeiten dies Loos zu :
Wessen Haupt frevelhaft grause Blutschuld sich auflud,
Dessen Spur geh'n wir nach, bis ihn deckt Grabesnacht;
Auch der Tod befreit ihn nicht.
English (Smyth; revised Bannon and Nagy, CHS) (OCR draft) Experimental (CHS Primary Sources revision of Herbert Weir Smyth’s translation by Cynthia Bannon and Gregory Nagy, with transliterated Greek terms tagged and aligned to the Smyth edition.)
No corresponding passage available
Commentary
Commentary on Aeschylus: Eumenides (Aeschylus. Eumenides. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1887.)
320. τελέως , unfailingly: it goes with παραγιγ. πρακ. and expresses the persistent and complete vengeance.
374.
κατὰ γᾶν
,
on earth, is the MS. reading: but as Hermann said, the sense
below the earth, κατὰ γᾶs, is required in antithesis to ὑπ᾿ αἰθέρι. The same mistake occurs again 11. 838, 871. 11. 375, 376. Bold and imaginative expressions :
Wecklein’s commentary on Eumenides (1888; German; OCR draft) (Explanatory commentary, pp. 251–322; HW42J8 and HXJHA8 OCR collated, with missing comparison pages 294–295 explicitly marked. Unresolved OCR and provisional reference mappings are explicitly marked.) focus
mvp-comment-161-1 Wecklein 1888, p. 272
mvp-comment-161-2 zweites Epeisodion. Orestes ruft Athena zu Hilfe. Die Chorführerin weist jeden Beistand zurück.
mvp-comment-182-1 Wecklein 1888, p. 275
mvp-comment-182-2 Unter der Begleitung der Anapäste, welche der Koryphaios vorträgt, ordnet sich der Chor in Reih und Glied, um sein Bannlied (322 ff.) zu singen und mit entsprechendem Tanz zu begleiten, indem die Figuren ( σχήματα) des Reigens, besonders bei den Ephymnien, die Idee des Bannenden und Bestrickenden zum Ausdruck bringen.
mvp-comment-190-1 Wecklein 1888, p. 275
mvp-comment-190-2 πράκτορες, vgl. χερὶ πράκτορι Ag. 113 und φόνου πράκτορα Soph. El. 953 . τελέως: τα 954.
mvp-comment-190-3 1
Commentary (Arthur Sidgwick, 1887) (OCR draft) (Arthur Sidgwick's commentary on the Eumenides, aligned to the canonical Greek text.) focus
τελέως , unfailingly: it goes with παραγιγ. πρακ. and expresses the persistent and complete vengeance.