193-396.
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193-396. First Episode. 193- 283. First Scene: Prometheus and the Coryphaeus. The scholiast says:
τὴν
ὑπόθεσιν (that is, the expo- sition of the events supposed to pre- cede the opening of the play)
βουλό-
μενος
διδάξαι,
τὸ
περίεργον (curiosity)
τοῦ
γυναικώδους
ήθους
προσέλαβεν (availed himself of, as a motive).
οὐκ
ἂν
γὰρ
ὁ
᾿Ὠκεανds (who enters later)
ἠξίωσεν
ἐρωτῆσαι
εἰδώς. The curiosity of the chorus is a natural conse- quence of their awakened sympathy. Still it is to be observed that Prome- theus on his part is moved to tell his story by the longing to unburden his heart to sympathizing friends (see 198). He needs only the request in order to comply at once. - The Pro- logue and this first scene of the first episode constitute the first act of the drama, which expounds the situation and prepares the way for the follow- ing dramatic development.
284-396.
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284-396. Second Scene of the First Episode. Oceanus, father of the Oceanids, enters (from the right), mounted upon a winged steed
(τετρασκελής
οἰωνός 395) like 285.
290 Pegasus. The scholiast understands a griffin, because of this word
οἰωνός, but
sea-gods, in older Greek art, are often seen riding on hippocamps or
sea-horses. The machine here used was the
αἰώρημα, a sort of crane with hanging ropes, by which persons could be swung aloft, moved through the air, and let down again. The scholiast remarks,
καιρὸν
δίδωσι
τῷ
χορῷ
καθήκασθαι
(καθιμᾶσθαι ?)
τῆς
μηχανῆς
᾿Ὠκεανὸς
ἐλθών·
ὑπερβολῇ
δὲ
ἐχρήσατο,
ὅπου
γε
Ὅμηρος
οὐκ
εἰσήγα-
γεν
᾿Ὠκεανὸν
εἰς
τὸν
σύλλογον
τῶν
θεῶν (on this cp. Il. xx. 7
οὔτε
τις
οὖν
Ποταμῶν
ἀπέην
νόσφ᾽
᾿Ὠκεανοῖο). The anapaests of Oceanus accompany the descent of the chorus from their chariot into the orchestra. - This scene and the second episode form the second act, the beginning of the action which leads to the catastrophe. See on 307 and 436.
333.
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333 f.
πάντως ...
οὐ: see 1053, Eur. Hipp. 1062
πάντως
οὐ
πίθοιμ᾽
ἄν. –
εὐπιθής :
cр. 34. –
ὁδῷ : errand. See 325. For the dative cp.
λόγῳ 196. The alliteration of enhances the force of these two verses.
336.
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336. On asyndeton in clauses that state the reason, see Krüger II. § 59, 1,7.
—ἔργῳ
κοὐ
λόγῳ: cp. 1080.
337.
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337.
ὁρμώμενον: sc.
με. Cp. 176.
338.
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338. See on 266. –
αὐχῶ:
Ι flatter myself. See on 688, and cp. Eur. Med. 582
γλώσσῃ
γὰρ
αὐχῶν
τἄδικ᾽
εὖ
περιστελεῖν.
339.
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340.
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340 f.
τὰ
μέν: the sentence takes a slight turn, and instead of
τὰ
δέ (on the other hand),
ἀτάρ follows.
342.
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342.
μάτην
οὐδὲν
ὠφελῶν : cp. Cho. 881
καθεύδουσιν
μάτην
ἄκραντα
βάζω. —
ὠφελεῖν often takes the dative, not only in dramatic poetry (Krüger II. § 46, 8, 2), but even in prose; so Hdt. ix. 103
προσωφελέειν
ἐθέλοντες
τοῖς
Ἕλλησι.