193-396.
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193-396. First Episode. 193- 283. First Scene: Prometheus and the Coryphaeus. The scholiast says:
τὴν
ὑπόθεσιν (that is, the expo- sition of the events supposed to pre- cede the opening of the play)
βουλό-
μενος
διδάξαι,
τὸ
περίεργον (curiosity)
τοῦ
γυναικώδους
ήθους
προσέλαβεν (availed himself of, as a motive).
οὐκ
ἂν
γὰρ
ὁ
᾿Ὠκεανds (who enters later)
ἠξίωσεν
ἐρωτῆσαι
εἰδώς. The curiosity of the chorus is a natural conse- quence of their awakened sympathy. Still it is to be observed that Prome- theus on his part is moved to tell his story by the longing to unburden his heart to sympathizing friends (see 198). He needs only the request in order to comply at once. - The Pro- logue and this first scene of the first episode constitute the first act of the drama, which expounds the situation and prepares the way for the follow- ing dramatic development.
284-396.
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284-396. Second Scene of the First Episode. Oceanus, father of the Oceanids, enters (from the right), mounted upon a winged steed
(τετρασκελής
οἰωνός 395) like 285.
290 Pegasus. The scholiast understands a griffin, because of this word
οἰωνός, but
sea-gods, in older Greek art, are often seen riding on hippocamps or
sea-horses. The machine here used was the
αἰώρημα, a sort of crane with hanging ropes, by which persons could be swung aloft, moved through the air, and let down again. The scholiast remarks,
καιρὸν
δίδωσι
τῷ
χορῷ
καθήκασθαι
(καθιμᾶσθαι ?)
τῆς
μηχανῆς
᾿Ὠκεανὸς
ἐλθών·
ὑπερβολῇ
δὲ
ἐχρήσατο,
ὅπου
γε
Ὅμηρος
οὐκ
εἰσήγα-
γεν
᾿Ὠκεανὸν
εἰς
τὸν
σύλλογον
τῶν
θεῶν (on this cp. Il. xx. 7
οὔτε
τις
οὖν
Ποταμῶν
ἀπέην
νόσφ᾽
᾿Ὠκεανοῖο). The anapaests of Oceanus accompany the descent of the chorus from their chariot into the orchestra. - This scene and the second episode form the second act, the beginning of the action which leads to the catastrophe. See on 307 and 436.
330.
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330 ff.
ζηλῶ
σε: thou art to be en- vied, thou canst thank fortune. –
καὶ
τετολμηκώς : having so much as of fered. For
καί cp. 197, for
τετολμηκώς 381. Prometheus means, "one might expect that the mere disposition to show me sympathy would bring Zeus's displeasure on you."
πάντων gives no good sense; Weil writes
πόνων
μετα-
σχεῖν (cp. 274), following the scholion
ἐμοὶ
συναλγῶν. The sense would be best satisfied by
τούτων
μετασχεῖν. –
ἔασον: let it be, have done, as in Soph.
Ο. C. 593
ὅταν
μάθης
μου,
νουθέτει,
τὰ
νῦν
δ᾽
ἔα. Cp. the phrase
ἔα
τοῦτο.
333.
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333 f.
πάντως ...
οὐ: see 1053, Eur. Hipp. 1062
πάντως
οὐ
πίθοιμ᾽
ἄν. –
εὐπιθής :
cр. 34. –
ὁδῷ : errand. See 325. For the dative cp.
λόγῳ 196. The alliteration of enhances the force of these two verses.
336.
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336. On asyndeton in clauses that state the reason, see Krüger II. § 59, 1,7.
—ἔργῳ
κοὐ
λόγῳ: cp. 1080.
337.
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337.
ὁρμώμενον: sc.
με. Cp. 176.
338.
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338. See on 266. –
αὐχῶ:
Ι flatter myself. See on 688, and cp. Eur. Med. 582
γλώσσῃ
γὰρ
αὐχῶν
τἄδικ᾽
εὖ
περιστελεῖν.
339.
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