193-396.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-145
193-396. First Episode. 193- 283. First Scene: Prometheus and the Coryphaeus. The scholiast says:
τὴν
ὑπόθεσιν (that is, the expo- sition of the events supposed to pre- cede the opening of the play)
βουλό-
μενος
διδάξαι,
τὸ
περίεργον (curiosity)
τοῦ
γυναικώδους
ήθους
προσέλαβεν (availed himself of, as a motive).
οὐκ
ἂν
γὰρ
ὁ
᾿Ὠκεανds (who enters later)
ἠξίωσεν
ἐρωτῆσαι
εἰδώς. The curiosity of the chorus is a natural conse- quence of their awakened sympathy. Still it is to be observed that Prome- theus on his part is moved to tell his story by the longing to unburden his heart to sympathizing friends (see 198). He needs only the request in order to comply at once. - The Pro- logue and this first scene of the first episode constitute the first act of the drama, which expounds the situation and prepares the way for the follow- ing dramatic development.
284-396.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-203
284-396. Second Scene of the First Episode. Oceanus, father of the Oceanids, enters (from the right), mounted upon a winged steed
(τετρασκελής
οἰωνός 395) like 285.
290 Pegasus. The scholiast understands a griffin, because of this word
οἰωνός, but
sea-gods, in older Greek art, are often seen riding on hippocamps or
sea-horses. The machine here used was the
αἰώρημα, a sort of crane with hanging ropes, by which persons could be swung aloft, moved through the air, and let down again. The scholiast remarks,
καιρὸν
δίδωσι
τῷ
χορῷ
καθήκασθαι
(καθιμᾶσθαι ?)
τῆς
μηχανῆς
᾿Ὠκεανὸς
ἐλθών·
ὑπερβολῇ
δὲ
ἐχρήσατο,
ὅπου
γε
Ὅμηρος
οὐκ
εἰσήγα-
γεν
᾿Ὠκεανὸν
εἰς
τὸν
σύλλογον
τῶν
θεῶν (on this cp. Il. xx. 7
οὔτε
τις
οὖν
Ποταμῶν
ἀπέην
νόσφ᾽
᾿Ὠκεανοῖο). The anapaests of Oceanus accompany the descent of the chorus from their chariot into the orchestra. - This scene and the second episode form the second act, the beginning of the action which leads to the catastrophe. See on 307 and 436.
340.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-241
340 f.
τὰ
μέν: the sentence takes a slight turn, and instead of
τὰ
δέ (on the other hand),
ἀτάρ follows.
342.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-242
342.
μάτην
οὐδὲν
ὠφελῶν : cp. Cho. 881
καθεύδουσιν
μάτην
ἄκραντα
βάζω. —
ὠφελεῖν often takes the dative, not only in dramatic poetry (Krüger II. § 46, 8, 2), but even in prose; so Hdt. ix. 103
προσωφελέειν
ἐθέλοντες
τοῖς
Ἕλλησι.
343.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-243
343.
καὶ...
θέλοις: there is a shade of contemptuous doubt in these words.
345
350
344.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-244
344.
“σαυτὸν
ἐκποδὼν
ἔχων: and keep out of the matter. Cp. Xen. Cyr. vi. 1. 37
οἱ
δὲ
φίλοι
προσιόντες
συμβου-
λεύουσιν
ἐκποδὼν
ἔχειν
ἐμαυτόν.
345.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-245
345.
εἵνεκα: epic form of
ἕνεκα, used by the tragedians for the sake of the metre, like
ξεῖνος for
ξένος,
κεινός for
κενός,
κεῖνος for
ἐκεῖνος,
εἱλίσσειν (138, 1085) for
ἑλίσσειν,
μοῦ- vos (804, see on 543) for
μόνος.
346.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-246
346.
πλείστοισι
πημονὰς
τυχεῖν : cp. Pers. 706
ἀνθρώπεια
δ᾽
ἄν
τοι
πήματ᾽
ἂν
τύχοι
βροτοῖς. - The scholiast says,
Προμηθικῶς·
οὐ
γὰρ
κατὰ
τὸν
ἀνθρώπινον
λογισμὸν
πολλοὺς
αὑτῷ
συνατυχεῖν
βού-
λεται
ὁ
Προμηθεύς. (The commoner feeling is expressed by the proverb solamen miseris socios habu- isse malorum.) The poet uses this thought to introduce a matter quite foreign to the play. From the mention of Atlas he passes to the de- scription of Typhon, and this enables him to bring in the eruption of Aetna (367-369). ...
347.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-247
347.
οὐ
δῦτ᾽,
ἐπεί: cp. Soph. O. C. 431
εἴποις
ἂν
ὡς
θέλοντι
τοῦτ᾽
ἐμοὶ
τότε
πόλις
τὸ
δῶρον
εἰκότως
κατήνεσεν.
οὐ
δῆτ᾽,
ἐπεί
τοι
τὴν
μὲν
αὐτίχ᾽
ἡμέραν
οὐδεὶς
ἔρωτος
τοῦδ᾽
ἐφαίνετ᾽
ὠφελῶν, Eur. Heracl. 505
αὐτοὶ
δὲ
προστιθέντες
ἄλλοισιν
πόνους,
παρόν
σφε
σῶσαι,
φευ-
ξόμεσθα
μὴ
θανεῖν;
οὐ
δῆτ᾽,
ἐπεί
τοι
καὶ
γέλωτος
ἄξια
κτέ., also Alc. 555. - The thought, which forms the transi- tion to the following description, is this: "I will not involve others in my misfortunes; the afflictions of my brother Atlas and of Typhon distress me sorely as it is." - For the following, cp. Hesiod Theog. 517
῎Ατλας
δ᾽
οὐρανὸν
εὐρὺν
ἔχει
κρατερῆς
ὑπ᾿
ἀνάγκης,
πείρασιν
ἐν
γαίης,
πρόπαρ
Εσπερίδων
λιγυφώνων
ἑστηώς,
κεφαλῇ
τε
καὶ
ἀκαμάτοισι
χέρεσσιν·
ταύτην
γάρ
οἱ
μοῖραν
ἐδάσσατο
μητίετα
Ζεύς.
348.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-248
348.
πρὸς
ἑσπέρους
τόπους: that is, far toward the west,
πρός with accusative, because the speaker thinks of the direction which one must take to reach the place. Cp. Frg. 327
Αἴγινα
δ᾽
αὕτη
πρὸς
νότου
κεῖται
πνοάς, Od. xiii. 240
ἠμὲν
ὅσοι
ναίουσι
πρὸς
ἠῶ
τ'
ἠέλιόν
τε
ἠδ᾽
ὅσσοι
μετόπισθε
ποτὶ
ζόφον
ἠερόεντα. ...
τοῦτον
349.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-249
349. Pindar Pyth. i. 35 calls Aetna
α
κίων
οὐρανία, and just so Hdt. iv. 184 says of Mount Atlas,
ἔστι
δὲ
στει-
νὸν
καὶ
κυκλοτερὲς
πάντῃ,
ὑψηλὸν
δὲ
οὕτω
δή
τι
λέγεται
ὡς
τὰς
κορυφὰς
αὐ-
τοῦ
οὐκ
οἷά
τε
εἶναι
ἰδέσθαι
κίονα
τοῦ
οὐρανοῦ
λέγουσι
οἱ
ἐπιχώριοι
εἶναι. A mountain rising into the clouds seemed to the imagination a pillar supporting the vault of the sky. See Verg. Aen. iv. 247. This 'bearer'
(ἄτλας) in the legend be- came a Titan, who as punishment for his sins had to carry the burden of the sky upon his shoulders (see the passage of Hesiod quoted just above). Conversely, colossal crea-
tures are compared to mountain- peaks; thus in Od. x. 113 the queen of the Laestrygones is described,
τὴν
δὲ
γυναῖκα
εὗρον
ὅσην
τ᾿
ὄρεος
κορυφήν, and in Od. ix. 191 Poly. phemus resembles
ῥίῳ
ὑλήεντι
ὑψη-
λῶν
ὀρέων. – In Homer, however, we read, Od. i. 53,
ἔχει (sc.
῎Ατλας)
δέ
τε
κίονας
αὐτὸς
μακράς,
αἳ
γαῖάν
τε
καὶ
οὐρανὸν
ἀμφὶς
ἔχουσιν. Here the orig- inal conception of supporting pillars still remains, and the pillars are not entirely replaced by a personal Atlas. The 'columns which keep earth and sky apart' still exist as such, and Atlas is only the person who 'holds' them. Aeschylus has followed Homer. In view of the familiar Homeric pas- sage he says briefly
κίον
οὐρανοῦ
τε
καὶ
χθονός, leaving the office of the pillar,
γαῖαν
τε
καὶ
οὐρανὸν
ἀμφὶς
ἔχειν, to be understood; this office, indeed, is partly fulfilled by Atlas's own per- son standing on the earth.