Supplices. Aeschylus. ed. Gottfried Hermann. Lipsiae. 1852.
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Critical apparatus to The Suppliant Women (OCR draft) (Latin) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of The Suppliant Women.)
Provisional text from uncorrected OCR; expect errors.
Editions (9)
Ἱκέτιδες First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 843-901 focus
<Χοροσ>
ἁλμιόεντα
3
πόρον
δεσποσίῳ ξὺν ὕβρει,
845
γομφοδέτῳ τε δόρει
4
διώλου.
†αἵμονες ὡς ἐπάμιδα
ἠσυδουπιάπιτα†
5
849
<Κηρυξ>
κελεύω βοᾶν
6
μεθέσθαι
†ἴχαρ φρενί τ᾽ ἄταν.†
7
850
ἰοὺ ἰού.
8
λεῖφ᾽ ἕδρανα,
9
κί᾽ ἐς δόρυ,
ἀτίετ᾽ ἂμ πόλιν εὐσεβῶν.
854
<Χοροσ>
ἀλφεσίβοιον ὕδωρ,
855
ἔνθεν ἀεξόμενον
12
ζώφυτον αἷμα βροτοῖσι θάλλει.
†ἄγειος
13
ἐγὼ βαθυχαῖος
βαθρείας βαθρείας γέρον.†
14
860
861
<Κηρυξ>
σὺ δ᾽ ἐν ναῒ ναῒ βάσει
τάχα θέλεος ἀθέλεος,
†βάτεαι βαθυμιτροκακὰ παθῶν
[ὀλόμεναι παλάμαις.†
17
865
866
<Χοροσ>
αἰαῖ αἰαῖ.
δι᾽ ἁλίρρυτον ἄλσος,
κατὰ Ζαρπηδόνιον
χῶμα πολύψαμμον
20
ἀλαθεὶς
870
872
Κῆρυχ
ἴυζε καὶ λάκαζε καὶ κάλει θεούς.
Αἰγυπτίαν γὰρ βᾶριν οὐχ ὑπερθορεῖ.
[ἴυζε καὶ
23
]
876
<Χοροσ>
οἰοῖ οἰοῖ,
λύμας, ᾇ σὺ πρὸ γᾶς ὑλάσκων
26
περί, χάμψα,
27
βρυάζεις:
ὃς ἐπωπᾷ δ᾽,
28
ὁ μέγας
Νεῖλος, ὑβρίζοντά σ᾽ ἀποτρέ-
880
ψειεν ἄιστον
29
ὕβριν.
882
Κηρυξ
βαίνειν κελεύω βᾶριν εἰς ἀμφίστροφον
30
ὁλκὴ γὰρ οὔτοι πλόκαμον οὐδάμ᾽ ἅζεται.
33
885
Χορος
οἰοῖ, πάτερ, βρετῶν ἀπο-
885
σπάσας μ᾽ ἅλαδ᾽ ἄγει
34
ἄραχνος ὡς βάδην.
ὄναρ ὄναρ μέλαν,
ὀτοτοτοῖ,
μᾶ Γᾶ μᾶ Γᾶ, βοᾷ
35
890
φοβερὸν ἀπότρεπε,
ὦ βᾶ Γᾶς παῖ Ζεῦ.
893
Κηρυξ
οὔτοι φοβοῦμαι δαίμονας τοὺς ἐνθάδε:
οὐ γάρ μ᾽ ἔθρεψαν, οὐδ᾽ ἐγήρασαν τροφῇ.
895
Ἱκέτιδες Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1922.) — 843-901 focus
Χορός
εἴθʼ ἀνὰ πολύρυτον
ἁλμήεντα πόρον
δεσποσίῳ ξὺν ὕβρει,
845
γομφοδέτῳ τε δόρει διώλου.
αἵμονες ὡς ἐπάμιδα
ησυδουπιάπιτα
849
Κῆρυξ
κελεύω βοᾶν μεθέσθαι
ἴχαρ φρενί τʼ ἄταν.
850
ἰοὺ ἰού.
λεῖφʼ ἕδρανα, κίʼ ἐς δόρυ.
ἀτίετον ἄπολιν οὐ σέβω.
Χορός
μήποτε πάλιν ἴδοιμʼ
ἀλφεσίβοιον ὕδωρ,
855
ἔνθεν ἀεξόμενον
ζώφυτον αἷμα βροτοῖσι θάλλει.
ἔγγαιος ἐγὼ βαθυχαῖος
βαθρείας βαθρείας, γέρον.
860
861
Κῆρυξ
σὺ δʼ ἐν ναῒ ναῒ βάσῃ
τάχα θέλεος ἀθέλεος,
βίᾳ βίᾳ τε πολλᾷ φροῦδα.
βάτεαι βαθυμιτροκακὰ παθῶν
ὀλόμεναι παλάμαις.
865
Χορός
αἰαῖ αἰαῖ.
αἲ γὰρ δυσπαλάμως ὄλοιο
διʼ ἁλίρρυτον ἄλσος,
κατὰ Σαρπηδόνιον
χῶμα πολύψαμμον ἀλαθεὶς
870
Εὐρεΐαισιν αὔραις.
872
Κῆρυξ
ἴυζε καὶ λάκαζε καὶ κάλει θεούς.
Αἰγυπτίαν γὰρ βᾶριν οὐχ ὑπερθορῇ.
ἴυζε καὶ
βόα, χέον πικρότερον οἰζύος νόμον.
875
Χορός
οἰοῖ οἰοῖ,
λύμας, ᾇ σὺ πρὸ γᾶς ὑλάσκων
περί, χάμψα, βρυάζεις·
ὃς ἐπωπᾷ σʼ, ὁ μέγας
Νεῖλος, ὑβρίζοντά σʼ ἀποτρέ-
880
ψειεν ἄιστον ὕβριν.
882
Κῆρυξ
βαίνειν κελεύω βᾶριν εἰς ἀμφίστροφον
ὅσον τάχιστα· μηδέ τις σχολαζέτω.
ὁλκὴ γὰρ οὔτοι πλόκαμον οὐδάμʼ ἅζεται.
Χορός
οἰοῖ, πάτερ, βρέτεος ἄρος
885
ἀτᾷ μʼ·· ἅλαδʼ ἄγει
ἄραχνος ὡς βάδην.
ὄναρ ὄναρ μέλαν,
ὀτοτοτοτοῖ,
μᾶ Γᾶ μᾶ Γᾶ, βοὰν
890
φοβερὸν ἀπότρεπε,
ὦ πᾶ, Γᾶς παῖ, Ζεῦ.
893
Κῆρυξ
οὔτοι φοβοῦμαι δαίμονας τοὺς ἐνθάδε·
οὐ γάρ μʼ ἔθρεψαν, οὐδʼ ἐγήρασαν τροφῇ.
Χορός
μαιμᾷ πέλας δίπους ὄφις·
895
ἔχιδνα δʼ ὥς μέ τις
πόδα δακοῦσʼ ἔχει.
ὀτοτοτοτοῖ,
μᾶ Γᾶ μᾶ Γᾶ βοὰν
φοβερὸν ἀπότρεπε,
900
ὦ πᾶ, Γᾶς παῖ, Ζεῦ.
Greek (Editio princeps, 1518) (OCR draft) Experimental (Aeschylus, Suppliants, 1518 edition. Native printed lineation, page markers, and automated correspondence to the Perseus/Smyth edition.) — 872 focus
Κῆρυξ
κήλει θεύς.
αἰγυπτίην γὰρ βᾶριν ὀχ ὑπβθορῇ.
ἴϋζε καὶ βόα πικρότερ’ ἀχέων ὀϊζύος ὄνομ’
735
ἔχων.
Ἱκέτιδες (OCR draft) Experimental (Ἱκέτιδες. Joannes Cornelius de Pauw, 1745.) — 872 focus
Ἱκέτιδες (OCR draft) Experimental (Ἱκέτιδες. Guilielmus Dindorfius, 1882.) — 872 focus
ΚΗ.
ἴυζε καὶ λάκαζε καὶ κάλει θεούς.
Αἰγυπτίαν γὰρ βᾶριν οὐχ ὑπερθορεῖ.
ἴυζε καὶ βόα πικρότερ᾽ ἀχέων οἰζύος ὄνομ᾽ ἔχων.
875
Ἱκέτιδες (OCR draft) Experimental (Ἱκέτιδες. Gottfried Hermann, 1852.) — 872 focus
Κῆρυξ
ἵιζε καὶ λάκαζε καὶ κάλει θεούς·
Αἰγυπτίαν γὰρ βᾶριν οὐχ ὑπερθορεῖ,
χέουσα καὶ πικρότερον οἰζύος νόμον.
840
ΙΚΕΤΙΔΕΣ (OCR draft) Experimental (ΙΚΕΤΙΔΕΣ. Paul Mazon, 1920-1925.) — 872 focus
ΚΗΡΥΞ
Ἴυζε καὶ λάκαζε καὶ κάλει θεούς·
Αἰγυπτίαν γὰρ βᾶριν οὐχ ὑπερθορῇ
Ἴυζε καὶ βόα πικρότερ' ἀχέων
οἰζύος ὄνομ' ἔχων.
875
Ἱκέτιδες (OCR draft) Experimental (Ἱκέτιδες. N. Wecklein, 1885.) — 872 focus
ἴυζε καὶ λάκαζε καὶ κάλει θεούς.
Αἰγυπτίαν γὰρ βᾶριν οὐχ ὑπερθορῇ.
885
ἴυζε καὶ βόα πικρότερ᾽ ἀχέων διζύος ὄνομ᾽ ἔχων.
ΧΟ.
Aeschyli Supplices (OCR draft) Experimental (Aeschyli Supplices. Ulrich von Wilamowitz-Moellendorff, 1914.) — 872 focus
ΚΗ.
ἴυζε καὶ λάκαζε καὶ κάλει θεούς.
Αἰγυπτίαν γὰρ βᾶριν οὐχ ὑπερθορῆι.
[ἴυζε καὶ βόα]
πικρότερ᾽ ἀχέων ὀιζύος ὄνομ᾽ ἔχων. –
875
Translations (8)
Suppliant Maidens Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1922. (Modernized by Perseus.)) — 843-900 focus
Chorus
Would that you had perished on your course over the great briny flood
along with your lordly arrogance and your riveted ship! ...
845
849
Herald
I order you to stop your shrieking.
... Ho there! leave the sanctuary: be off to the ship! I do not respect one without honor and city.
850
Chorus
Never again may my eyes behold
the cattle-nurturing stream from which increase comes to men and vigor of the blood of life. I am a native here, of ancient nobility
855
. . . old man.
860
861
Herald
You will get yourself speedily on board, on board, I say, whether you will or not, by force, by force. . . .
865
Chorus
Alas, alas! So may you perish past all help, driven from your course over the surging waves by eastern breezes off
the sandy tomb of Sarpedon!
870
872
Herald
Wail and shout and call upon the gods—you will not escape the Egyptian ship.
Cry out, utter a strain of woe more bitter still.
875
Chorus
Alas, alas the brutal outrage with which, you crocodile, you boast arrogantly, bellowing on the sea. May the mighty
Nile, who watches you, overwhelm your arrogance and destroy you.
880
882
Herald
Go to the double-prowed ship as quickly as possible. Let no one delay, for dragging by force has no mercy on locks of hair.
Chorus
Alas, father; the help of the sacred images deludes me. Like a spider, he is carrying me seaward step by step—a nightmare, a black nightmare! Oh! Oh!
885
Mother Earth, mother Earth, avert his fearful cries! O father Zeus, son of Earth!
890
893
Herald
I do not fear the native gods, be assured. They did not rear me, nor by their nurture did they bring me to old age.
Chorus
He rages close to me, the two-footed serpent. Like some viper he lays hold of me and bites my foot. Alas, alas! Mother Earth, mother Earth,
895
avert his fearful cries! O father Zeus, son of Earth!
900
The Suppliant Women. (OCR draft) Experimental (The Suppliant Women.. Theodore Alois Buckley, 1849.) — 872 focus
CHORUS
LES SUPPLIANTES (OCR draft) Experimental (LES SUPPLIANTES. Paul Mazon, 1920-1925.) — 872 focus
LE HÉRAUT
Crie, hurle, appelle les dieux : une fois
The Suppliants (OCR draft) Experimental (The Suppliants. Robert Potter, 1779.) — 872 focus
CHORUS.
Eschilo, Le Supplici: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Le Supplici: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 872 focus
CORO
Aeschylus, Supplices: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Supplices: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 872 focus
English (E. D. A. Morshead, 1908) (OCR draft) Experimental (Aeschylus, Suppliant Maidens — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 872 focus
Shrill ye and shriek unto what gods ye may,
Ye shall not leap from out Aegyptus' bark,
915
How bitterly soe'er ye wail your woe.
Chorus
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 872 focus
Wehklaget nur und jammert, ruft die Götter an!
Aegyptos' Barken überspringt ihr nimmerdar,
825
Und ob ihr bittrer jammert noch im Ton der Angst!
Erste Gegenstrophe.
Zweiter Halbchor.
Commentary
Critical apparatus to The Suppliant Women (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of The Suppliant Women.) focus
836.
mvp-aeschylus-tlg0085-tlg001-hermann1852-appcrit-lat1-646
Commentary (N. Wecklein, 1902; German; OCR draft) (Suppliants, explanatory commentary pp. 24–120. Single-witness OCR; source readings and all reference placements require scan review.) focus
832-1028.
mvp-aeschylus-tlg0085-tlg001-wecklein1902-com-ger1-520
836.
mvp-aeschylus-tlg0085-tlg001-wecklein1902-com-ger1-523