Sophocles Ajax 72

Thomas Francklin (Translator)

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Chorus
\The doors are thrown open and Ajax discovered. Scene II. 348
\aside to Tecmessa]. What thou saidst, alas !
Was but too true ; he seems indeed distracted.

Ajax. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (4)
Αἴας μαστιγοφόρος First1KGreek (Sophocles. Sophoclis Aiax. Lobeck Christian, editor. Berlin: Weidmann, 1866.) — 1-171 focus
Αἴας First1KGreek (Sophocles. Sophoclis Fabulae. Pearson, Alfred Chilton, editor. Oxford: Clarendon Press, 1924.) — 1-171 focus
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 72 focus
δεσμοῖς ἀπευθύνοντα προσμολεῖν καλῶ·
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-171 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 72 focus
CH
331
Teleutas’ child! we shudder at thy tale
That fatal frenzy wastes our hero’s soul.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 74 focus
Was thust du, Pallas? Nimmermehr ruf' ihn heraus -
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 72 focus
Ajax
Ah me, unhappy me!
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-170 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-221-1 This kommos serves, like the last (201—262), as a lyric expression of tragic pathos; after which the situation is further developed, as in the former case, by iambic dialogue. But in one respect this kommos differs from its predecessor. In order to bring the mind of Ajax into fuller relief, the lyrics are given to him alone, while the Chorus and Tecmessa speak only trimeters.

mvp-comment-221-2 The structure is as follows:—1st strophe 348—355=1st antistr. 356—363: 2nd str. 364—378=2nd ant. 379—393: 3rd str. 394—411=3rd ant. 412—429. For the metres see Metrical Analysis.

mvp-comment-221-3 ἰὼ φίλοι ναυβάται 1

mvp-comment-221-4 ἐμμένοντες 2

mvp-comment-221-5 ὀρθῷ νόμῳ 3

mvp-comment-222-1 ἴδεσθέ μ’ 4

mvp-comment-222-2 κῦμα 5 ζάλης 6 φοινίας 7

mvp-comment-222-3 ἀμφίδρομον 8 κυκλεῖται 9 κυκλοῦται 10

mvp-comment-223-1 οἴμ’ 11

mvp-comment-223-2 ἀφροντίστως ἔχει 12

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

348. mvp-comment-250-1 The lyrical numbers of this commos are chiefly dochmiac, mixed with iambic and trochaic rhythms, which increase in the third strophe and antistrophe. The scheme is the following...

348. mvp-comment-250-2 The arrangement of the latter part of γ' is rendered doubtful by the manifest corruption of ll. 406, 7. Perhaps- εἰ τἀμὰ μὲν φθίνει, φίλοι, πάλαι· μώραις δ᾽ ἄγραισι ταῖσδ᾽ ὁμοῦ προσκείμεθα. And in the antistrophe, 424, 5, τύδ᾽ ἐξερῶ μέγ᾽ οἷον οὔτινα Τροία στρατοῦ δέρχθη χθονὸς μολόντ' ἀπό. Or, reading τάδε for τά, and omitting τοῖσδ᾽ ὁμοῦ, στρατοῦ, and ἀπό, - εἰ τάδε μὲν φθίνει, φίλοι, πάλαι· μώραις δ᾽ ἄγραις προσκείμεθα, | πᾶς.

348. mvp-comment-250-3 and- ἐξερέω μέγ', οἷον οὔτινα Τροία χθονὸς δέρχθη μολόνθ' | Ἑλ.. See note on 405 foll.

348. mvp-comment-250-4 Ajax at once perceives the mariners. 'The great rage, you see, is killed in him,' but the ground-swell of his passion is still heard.

349. mvp-comment-251-1 μόνοι ἐμῶν φίλων] Sc. παρόντες, or some such word, which is expanded in what follows.

350. mvp-comment-252-1 ὀρθῷ νόμῳ] Sc. τῷ τῆς φιλίας.

351. mvp-comment-253-1 ἴδεσθέ μ᾽ οἷον, κ.τ.λ.] με is to be taken (1) after ἴδεσθε, and (2) after ἀμφίδρομον κυκλεῖται, the latter being a picturesque expansion of ἀμφικυκλεῖται. φοινίας ὑπὸ ζάλης] 'Lashed by a cruel storm.' ζάλη is a squall accompanied with rain or hail. The surge surrounding Ajax is the heap of mangled victims, together with the horror which they symbolize. For the boldness of this image, cp. El. 733, κλύδων᾿ ἔφιππον ἐν μέσῳ κυκώμενον.