301–450
ὑπάξας διὰ θυρῶν] 'Issuing suddenly through the doorway.'
ὑπό = 'from beneath the tent.'
σκιᾷ τινί «In converse with some shadow.' The dative as with
διαλέγεσθαι. Tecmessa, not seeing or hearing Athena, supposes Ajax to be addressing some 'bodiless creation' of his brain.
Cp. Shak. Hamlet, 3, 4, 'How is't with you, That you do bend your eye on vacancy, And with the incorporal air do hold discourse?'
ἀνέσπα] «Heaved forth.'
Cp. Plat. Theaet. 180 Α,
ὥσπερ ἐκ φαρέτρας ῥηματίσκια αἰνιγματώδη ἀνασπῶντες ἀποτοξεύουσιν : Αr. Ran. 903,
ῥήματα γομφοπαγή. πινακηδὸν ἀποσπῶν.
συντιθείς] Sc.
τοῖς λόγοις. Εp.
προστίθημι.
ὅσην. . ἰών] 'What insults he had gone and wreaked upon them.' This clause depends at once on
λόγους and on
γέλων. The participle adds liveliness,-'how he had gone and paid them.'
ἐπάξας] L. has
ἀπάξας both here and
supr. 301. Supposing this were right, the same word would be used in two different senses, 'rushing off' and 'rushing back;' but the two words,
ὑπάξας, ἐπάξας, seem more appropriate.
μόλις πως] ‘By slow stages.' The phrase recalls the anxiety with which Tecmessa had watched the gradual awakening.
Cp. Thuc. 8. 86, § 2,
ἔπειτα μέντοι μόλις ἡσυχάσαντες ἤκουσαν.
'As he cast his eye along the room, and saw that it was full of ruin.'
ἄτη is calamity caused by infatuation.
Cp. infr. 351 foll.
ἐν δ᾽ ἐρειπίοις . . ἀρνείου φόνου] 'Amidst the carnage of the flock he sate, a ruin amongst ruins.' The tautology,
ἐν ἐρειπίοις ἐρειφθείς, is here expressive. The 2nd genitive,
ἀρνείου φόνου (see Essay on L. § 23. p. 37 a), is added to give greater distinctness to
ἐρειπίοις νεκρῶν as a single notion.
'With clenched nails grasping his hair with his hand.'
ὄνυξι adds force to
ἀπρίξ.
The order (Essay on L. § 41. p. 76) shows that
πλεῖστον is an afterthought. 'For some while, indeed for most of the time.'
τὰ δείν᾽ . . ἔπη] 'Those dreadful words,' which I remember so vividly.
Cp. Ant. 408,
τὰ δείν᾽ ἐκεῖν᾽ ἐπηπειλημένοι. Not merely, 'Words that are dreadful.'
φανοίην] Fut. opt. Ajax' words were
εἰ μὴ φανεῖς.
ἐν τῷ πράγματος]
Cp. Trach. 375,
ποῦ ποτ᾽ εἰμὶ πράγματος;
δείσασα,] 'Being overcome with fear.' As the deprecating
φίλοι shows, Tecmessa is excusing herself to the chorus for having told Ajax, under the influence of his threats, that which only plunged him into fresh sorrow. For the participle thus used without an express object,
cp. Ant. 1005,
δείσας δ' εὐθὺς ἐμπύρων ἐγευόμην. Hermann punctuates as in the text. Others join
δείσασα τοὐξειργασμένον, which is less simple.
ὅσονπερ ἐξηπιστάμην] For this limitation,
cp. supr. 295,
καὶ τὰς ἐκεῖ μὲν οὐκ ἔχω λέξαι πάθας.
(1) 'He used to teach us that such complainings indicated a degraded and leaden soul.' The infinitive is added epexegetically to complete the abrupt expression
ἐξηγεῖτο τοὺς τοιούσδε γόους πρὸς βαρυψύχου ἀνδρός. For
ἔχειν, sc.
τοὺς τοιούσδε γόους, cp. Il. 18. 495,
αὐλοὶ φόρμιγγές τε βοὴν ἔχον. (2) But an inf. after
ἐξηγεῖτο is rather required:
cp. Aesch. Eum. 595,
ὁ μάντις ἐξηγεῖτό σοι μητροκτονεῖν. Can
ἔχειν with the adverbial phrase
πρὸς... ἀνδρός be used intransitively (= 'proceed from') (
εἶναι appears as a gloss), or should
ἄγειν be read, 'He taught us to esteem'?
Cp. Ant. 34,
καὶ τὸ πρᾶγμ᾽ ἄγειν | οὐχ ὡς παρ᾿ οὐδέν. For
βαρυψύχου it is possible that
βραχυψύχου ought to be read.
ἀλλ᾽ ἀψόφητος, κ.τ.λ.]
ἀλλά opposes what follows to the general sense of what precedes.
ἀψόφητος ὀξέων κωκυμάτων] ‘Uttering no sound of shrill lamentation.'
'He breathed deep groans like a lowing bull.'
ὑπὸ in comp. implies 'not loud, but deep.'
νῦν δ'] At first he uttered shrill lamentings, unlike the deep mutterings which before expressed his discontent. 'But now' he is silent.
κείμενος] 'Prostrate.'
Cp. supr. 207,
infr. 427.
ἥσυχος] « Without sound or motion.' The quietness of Ajax' present mood is ominous. This description prepares the spectator for what he is to see
infr. 346.
τοιαῦτα] Sc.
ὥς τι δρασείων κακόν. Tecmessa already apprehends the danger of suicide.
εἰσελθόντες] When Ajax is discovered by the
ἐκκύκλημα, infr. 346, this is equivalent to the scene being changed to within the hut.
οἱ τοιοίδε] · Men in such mood;' i. e. gloomily bent on self-destruction.
λόγοις] This word, to be joined with
φίλων, is restored from the quotation of Stobaeus. The reading of the MSS. is hardly possible.
λόγοις may have been lost from its similarity to
λέγεις in the termination of the next line, and
φίλοι may have been added to supply the gap.
On the order, see Essay on L. § 41. p. 77.
'That our hero is frenzied with his trouble.' The mariners apprehend that the madness of Ajax is in some way connected with his disappointment.
Cp. infr. 925-32.
ἡμῖν is dative of the person interested. See Essay on L. § 13. p. 19 f, and
cp. supr. 216,
ἡμὶν ὁ κλεινὸς | Αἴας ἀπελωβήθη:
infr. 733,
ἀλλ᾽ ἡμὶν Αἴας ποῦ ᾿στιν, ὡς φράσω τάδε ; κακοῖς]
Supr. 275,
infr. 532.
The voice of Ajax is heard from within.
μᾶλλον] Sc.
δεινά σοι λέξω, or
γνώσεσθε ταῦτα.
οἵαν] She judges from the intonation of the cry, which the chorus,
infr. 337, do not know whether to interpret as importing madness or grief.
ἢ τοῖς . . παρών] 'Or to grieve at witnessing the effects of past madness which remain with him.'
Cp. supr. 307. The addition of
παρών suggests that Ajax, seeing the carnage in the tent, is the eye-witness of his own madness.
Ajax calls upon Teucer.
παῖ is frequently addressed by an elder person to a younger, even by the Corinthian messenger to Oedipus, O. Τ. 1008, and by Electra (under excitement) to the supposed Phocian stranger, El. 1220. The picture in the Iliad, 8. 271, of Teucer retiring behind the shield of Ajax,
παῖς ὡς ὑπὸ μητέρα, suggests that Teucer was the younger brother. And it is natural to suppose Ajax to have been born before Telamon's expedition in which he won Hesione, the mother of Teucer.-According to Pindar in the fifth (or sixth) Isthmian ode, Ajax was given to Telamon in answer to the prayer of Heracles before the expedition. But in such details the legends are not constant. See O. C. 375, and note. Lycophr. 445 and schol. -The need of Teucer's presence is Ajax' first thought on coming to himself. Tecmessa at first thinks of the child, until, in l. 342, Ajax calls Teucer by name. He does not ask to see the child till l.530, after his attention has been vividly drawn that way by Tecmessa.
τάλαιν᾽ ἐγώ] Tecmessa is distracted between the fear of crossing Ajax and the fear of harm to the child. The division of the line helps to mark this distraction of the wife and mother.
λεηλατήσει] Teucer is gone foraging into the Mysian highlands,
infr. 720. Compare Thuc. 1. 11,
φαίνεται .. πρὸς γεωργίαν τῆς · Χερσονήσου τραπόμενοι καὶ λῃστείαν τῆς τροφῆς ἀπορίᾳ. ἐγὼ δ'] · While that I.'
κἀπ᾿ ἐμοὶ βλέψας] ‘Even at me, on seeing me.' The abrupt expression,
αἰδῶ λαβεῖν ἐπί τινι, is supplemented by the addition of the participle, i.e.
εἰς ἐμὲ βλέψας. αἰδώς is the feeling which prompts
σωφροσύνη.
ἐκκύκλημα. Ajax is disclosed with signs of slaughter about him. He is sitting upright. The slaughtered sheep are the evidence of his situation (
τὰ τοῦδε πράγη): his wild, dishevelled appearance betrays the condition of his mind (
αὐτὸς ὡς ἔχων κυρεῖ).
The lyrical numbers of this commos are chiefly dochmiac, mixed with iambic and trochaic rhythms, which increase in the third strophe and antistrophe. The scheme is the following...
The arrangement of the latter part of γ' is rendered doubtful by the manifest corruption of ll. 406, 7. Perhaps-
εἰ τἀμὰ μὲν φθίνει, φίλοι, πάλαι· μώραις δ᾽ ἄγραισι ταῖσδ᾽ ὁμοῦ προσκείμεθα. And in the antistrophe, 424, 5,
τύδ᾽ ἐξερῶ μέγ᾽ οἷον οὔτινα Τροία στρατοῦ δέρχθη χθονὸς μολόντ' ἀπό. Or, reading
τάδε for
τά, and omitting
τοῖσδ᾽ ὁμοῦ, στρατοῦ, and
ἀπό, -
εἰ τάδε μὲν φθίνει, φίλοι, πάλαι· μώραις δ᾽ ἄγραις προσκείμεθα, | πᾶς.
and-
ἐξερέω μέγ', οἷον οὔτινα Τροία χθονὸς δέρχθη μολόνθ' | Ἑλ.. See note on 405 foll.
Ajax at once perceives the mariners. 'The great rage, you see, is killed in him,' but the ground-swell of his passion is still heard.
μόνοι ἐμῶν φίλων] Sc.
παρόντες, or some such word, which is expanded in what follows.
ὀρθῷ νόμῳ] Sc.
τῷ τῆς φιλίας.
ἴδεσθέ μ᾽ οἷον, κ.τ.λ.]
με is to be taken (1) after
ἴδεσθε, and (2) after
ἀμφίδρομον κυκλεῖται, the latter being a picturesque expansion of
ἀμφικυκλεῖται. φοινίας ὑπὸ ζάλης] 'Lashed by a cruel storm.'
ζάλη is a squall accompanied with rain or hail. The surge surrounding Ajax is the heap of mangled victims, together with the horror which they symbolize. For the boldness of this image,
cp. El. 733,
κλύδων᾿ ἔφιππον ἐν μέσῳ κυκώμενον.
'Alas! It is clear thou art too true a witness.' The chorus do not immediately respond to Ajax: but, being horror-struck at what they see, express their reflections on the situation to Tecmessa. The description she has given is only too true. The meaning of
μαρτυρεῖν and the coldness of l. 355, as addressed to Ajax, prove this to be the right way of understanding the words.
ὡς ἀφροντίστως ἔχει] (1) ‘How far he is from sane,' sc.
ὁ Alas, replying to
supr. 347. Or possibly (2), sc.
τοὔργον, 'How little of sane thought is present in it.' 'Indeed, the fact declares that thought has had no part in what is done.' For the transference of a personal attribute from the agent to the act,
cp. O. C. 240, 977,
τό γ' ἆκον πρᾶγμα: Aesch. Ag. 1377,
ἀγὼν . . οὐκ ἀφροντίστως. · Notandus euphemismus pro
μανικῶς, Herm.
Cp. Shak. King Lear, 4. 6. 81, 'The safer sense will ne'er accommodate | His master thus.'
γένος .. τέχνας] Ο brother-band of helpers, who help by shipcraft.'
ναΐας . τέχνας is a descriptive genitive explaining
ἀρωγόν.
'Who didst go on board the ship and ply' (
ἑλίσσων proleptic) 'the oar of the sea,' viz. in coming to Troy. A change in the MS. reading is necessary. Some prefer to read
ὃς ἁλίαν .. ἔβας, 'Who camest plying,' etc.
ναῦν, suggested by
πλάταν, is to be supplied with
ἐπέβας.
(1) Ajax, although recovering his sanity, is still haunted by the impressions of the night, and the sight of the mariners reminds him of the shepherds, who had failed to defend the flock (
supr. 27,232). Begging for death from them, he bids them do what the shepherds could not. (Shak. Ant. and Cleo. 4. 14, 'Shall I do that which all the Parthian darts | Though enemy, lost aim, and could not?') 'In thee I behold the only shepherd to support the flock; come, lay me dead beside them!' This explanation has the advantage of supposing only one ellipse with both verbs, viz.
τῇ ποίμνῃ. In this case
μόνον ποιμένων is to be explained as an idiomatic expression, in which, as in
μόνος τῶν ἄλλων, the privative word has a negative force: i.e. 'You, and not the shepherds, shall avenge the sheep.'
Cp. Ant. 773,
ἔρημος.. στίβος. (The sense might be made clearer by reading
ποιμνίοις for
ποιμένων.) Others (2) suppose 'shepherds' to be put figuratively for 'comforters,' or (3) take
ποιμένων as gen. obj. = 'to defend thy lord.' Others conjecture
πημονὰν ἐπαρκέσοντ᾽, πημονῶν ἔτ᾿ ἄρκος ὄντ᾽.
'Do not (1) aggravate the blow of disaster;' or (2) 'Make the sorrow worse than the calamity.' For the whole sentence,
cp. Thuc. 5. 65,
κακὸν κακῷ ἱᾶσθαι: O. C. 438.
'Redoubtable in valour amongst harmless beasts.' For
ev,
cp. infr. 1315,
μᾶλλον ἢ ἐν ἐμοὶ θρασύς. The phrase
ἀφόβοις θηρσί is clearly an oxymoron, but has been diversely explained either as (1) 'harmless' (
τοῖς μὴ φόβον ἐμο ποιοῦσι, Schol.), or (2) 'game that flies not' ('
quibus sanus quisque parcit, non solum quia nihil periculi nobis creant sed etiam quia fidei nostrae confidunt,' Lobeck.) The former is more in point. Ajax had been valiant 'where no fear was.' His prey was even less glorious than the boar or lion, which, though not human, are still formidable.
οἷον] Sc.
γέλωτα. 'What insulting mockery has been heaped on me!'
The sight of Tecmessa, whom he must abandon, provokes Ajax to new rage. He first breaks forth on her impatiently, and then laments aloud. In what follows he is regardless both of her and the chorus.
ὃς χερὶ μέν] For the position of
μέν, which belongs properly to the verb, see Essay on L. § 41. pp. 78,9. The instrumental dative is used, with a fore-feeling of the latter part of the sentence, for
ἐκ χερός. Mr. Jebb understands Ajax to mean that 'he had let off the Greeks in respect of personal chastisement, and merely damaged them in property.' But this softens the antithesis too much. The difficulty may be avoided by reading (with Schndw.)
ὃς χεροῖν, and
προγύνων πάτερ in the antistrophe, l. 387.
The epithets here are echoes of the epic style, but possibly with some variation of meaning. 'Goodly,' which is the meaning of
κλυτός in such expressions as
κλυτὰ μῆλα (Od. 9. 308), is not sufficiently pointed here, and the Scholiast may be right in saying
κλυτὰ λέγει τὰ αἰπόλια διὰ τὰς ἐν αὐτοῖς ταραχὰς καὶ φωνάς. 'The horned kine and bleating herds of goats.'
'I rained forth dark-flowing blood.'
ἐρεμνόν is another Homeric epithet, not merely signifying 'dark' (and so recalling
μέλαν αἷμα), but ' darkling,' with reference to the gloom of night and other circumstances of horror which surrounded the act.
ὅπως οὐχ ὧδ᾽ ἔχειν]
ὅπως is here simply an indefinite
ὡs, and is construed with the infinitive as
ὡς might have been.
The former outburst was towards the Atreidae. He now breaks forth against Odysseus.
πάνθ᾽ ὁρῶν]
Cp. supr. 29, Phil. 1013, 4,
ἀλλ᾿ ἡ κακὴ σὴδιὰ μυχῶν βλέπουσ᾽' ἀεὶ | ψυχή, κ.τ.λ.
κακοπινέστατον.. ἄλημα στρατοῦ] 'Abominable misleader of the host.' So the Scholiast seems to understand the words,
κακοπινέστατον, 'defiled,' i. e. by continual base practices. Musgrave suggested an allusion to the act of disguising himself as a wandering beggar mentioned in Od. 4. 242 foll., but preferred to derive
ἄλημα (=
παιπάλη) from
ἀλέω. The earlier explanation is here preferable to both these, and in
infr. 390,
ἄλημα may quite well mean, 'cause of error' (
τῶν Ἑλλήνων, gl. Pal.).
Cp. the causative use of
ἄλη in Aesch. Ag. 195,
δύσορμοι | βροτῶν ἄλαι. The error of which Ajax most complains is the misjudgment about the arms of Achilles.
ἄγεις] 'Dost prolong.'
ξὺν τῷ θεῷ] The article is not added to
θεός elsewhere in Sophocles without special reason, and the conjecture of Schndw.
ξύν τοι θεῷ supplies a article of connexion. But the asyndeton is rather impressive, and
τῷ θεῷ may be explained 'the god who gives the laughter or the tears.' 'Laughter and sorrow are in the hands of God;' i. e. 'we must be patient and the position may be reversed.' The chorus reflect that the Divine power which now favours Odysseus and oppresses Ajax may hereafter work the opposite effect.
Cp. Trach. 131 foll.
ἀλλ᾽ ἐπὶ πῆμα καὶ χαρὰ | πᾶσι κυκλοῦσιν, οἷον | ἄρκτου στροφάδες κέλευθοι.
The syllable which has been probably lost from this line has been variously restored,
μέν, νῦν, μήν, etc., the Triclinian reading is harmless, and is followed in the text, in the absence of better MS. authority. Ajax prays to see his enemy, that, even ruined as he is, he may avenge himself.
Cp. infr. 388-91, Trach. 1107 foll.
ἀλλ᾽ εὖ γέ τοι τύδ᾽ ἴστε, κἂν τὸ μηδὲν ὦ, | κἂν μηδὲν ἔρπω, τὴν γε δράσασαν τάδε | χειρώσομαι κἀκ τῶνδε προσμόλοι μόνον, κ.τ.λ. This is more probable than an aposiopesis of
ὀδυρόμενον.
or the like, though this may be suggested by comparing Phil. 1113 foll.
ἰδοίμαν δε νιν, | τὸν τάδε μησάμενον, τὸν ἴσον χρόνον | ἐμὰς λαχόντ᾽ ἀνίας.
προγόνων προπάτωρ] Zeus was only the great-grandsire of Ajax, but the feeling of Sophocles and his age required that the Divine source should seem more remote. For similar vagueness in speaking of the past,
cp. Ant. 981, 2, where
σπέρμα. ἀρχαιογόνων | ἄντασ᾿ Ερεχθειδᾶν is said of the grand-daughter of Erechtheus. Also
supr. 190.
ὀλέσσας] The
σ is doubled Epicè.
Cp. Aesch. Pers. 864,
ὅσσας δ' είλε πόλεις.
τέλος θάνοιμι καὐτός] Ajax desires death, but death would be sweeter if he could first be avenged on his enemies. The feeling here is slightly different from Aesch. Choeph. 438,
ἔπειτ' ἐγὼ νοσφίσας ὀλοίμαν, where the participle has an exclusive emphasis ('if I could only take their lives'), and there is no real desire of death.
Ajax, who had once prayed for light, now prays for darkness as his only light.
φαεννότατον, ὡς ἐμοί] Most brilliant, in my sight.'
Cp. Ant. 1161,
Κρέων γὰρ ἦν ζηλωτός, ὡς ἐμοί, ποτέ.
ἕλεσθ᾽ ἔλεσθέ μ'] In the spirit of polytheism the two names
σκότος and
έρεβος are imagined to denote two beings. Hence the plural. For the middle voice,
cp. Ο. Τ. 887,
κακά νιν ἔλοιτο μοίρα.
i. e.
οὐκέτι γὰρ ἄξιός εἰμι βλέπειν οὔτε εἰς θεῶν γένος οὔτε εἰς ὄνασιν τινα ἁμερίων ἀνθρώπων. For the omission of the preposition in the former clause,
cp. Ant. 789, 90,
καί σ' οὔτ᾽ ἀθανάτων φύξιμος οὐδείς, | οὔθ᾽ ἁμερίων ἐπ᾿ ἀνθρώπων : and for
βλέπειν εἰς,
cp. Ant. 922, 3,
τί χρή με τὴν δύστηνον εἰς θεοὺς ἔτι | βλέπειν; Others (see v. rr.) join
τινὰ ἀνθρώπων, making
εἰς ὅνασιν adverbial, and understand
βλέπειν with the accusative to be equivalent to
βλέπειν εἰς.
†ὀλέθριον αἰκίζει] The MS. reading is unmetrical, unless on the somewhat forced supposition that
εὔφρονες in the antistrophe may be scanned
ἐύφρονες. Wunder conjectured
οὔλιον, which restores the metre. But
ούλιος is everywhere active, and we can hardly venture to introduce it passively here. All that can be said is that
ὀλέθριον has probably taken the place of some equivalent word (such as
πάμμορον), unless we may be satisfied with
ὀλέθρι', the adverbial plural. Hermann's attempt to scan the two lines thus,
ἀλκίμα θεὸς ὁ λέθριον αἰκίζει, -υ-νου-ου- is unusually violent.
ποῖ . μενῶ] 'Whither shall I go and find rest?' The subjunctive in
φύγῃ is excused by the implication of the first person in the third.
The Scholion,
διὰ (τὴν κατὰ L) τὴν κρίσιν τῶν ὅπλων, is not inconsistent with the reading in the text, which admits of being construed thus, 'Seeing that things here are perishing together with these victims by my side.' But the language is at once obscure and feeble, and the metre does not agree with the antistrophe. There must be something wrong. The general meaning is, 'I am finally ruined, and at this moment am involved in ridicule and disgrace.' The simplest change is to read
τάδε μέν for
τὰ μὲν (Elmsl.), and
τίσις δ᾽ for
τοῖσδ' (Lobeck), i. e. (405-8)
εἰ τάδε μὲν φθίνει φίλοι, τίσις δ᾽ | ὁμοῦ πέλας: and (423-6)
ἐξερέω μέγ' οἷον οὔτινα Τροία στρατοῦ. But even so, there is too much of repetition for a lyric passage, and it is reasonable to suppose some deeper corruption. For example,
τοῖσδ᾽ ὁμοῦ may have grown out of
πέλας, and this may be a corruption of
πάλαι. Then supposing (with Schndw.) that
στρατοῦ and
ἀπό are excrescences in the antistrophe, we might read (405-8),
εἰ τάδε μὲν φθίνει, φίλοι, πάλαι, | μώραις δ' ἄγραις προσκείμεθα, and (423-6),
εξερέω μέγ', οἷον οὔτινα | Τροία χθονὸς δέρχθη μολόνθ' | etc. See note on l. 348. But nothing can be asserted confidently about this passage. For
προσκείμεθα, cp. El. 1040,
ᾧ σὺ πρόσκεισαι κακῷ.
Cp. supr. 251.
δίπαλτος] «With spears in both hands' -
δύο δοῦρε παλλόμενοι. On this use of the adjective, see Essay on L. § 5.3. p. 98, also § 42. p. 80y; and
cp. esp. El. 1494,
κού πρόχειρος εἶ κτανεῖν: Aesch. Ag. 1652,
πρόκωπος.. θανεῖν. ἂν.. φονεύοι] The sentence, although introduced with
el, is continued independently of the hypothetical construction.
χρήσιμον] 'Serviceable,' here answers to the Epic
βοὴν ἀγαθός, ‘good at need.' The essential value of Ajax' services to the army is emphasized throughout.
Cp. esp.
supr. 119, 20.
πόροι ἁλίρροθοι] 'Paths of the surging sea,' i. e. either generally, or with reference to the narrow seas of the Aegean, called
πόντιαι αὐλῶνες in Trach. 100, which separated Ajax from his home; or, possibly, to the Hellespont, which had witnessed his exploits, and is called by Xerxes, in Hdt. 7.35,
ἁλμυρὸς ποταμός. Cp. infr. 884, Aesch. Pers. 367.
πάραλά τ᾽ ἄντρα, κ.τ.λ.] These were especially familiar to Ajax from his position at the end of the line towards Rhoeteum.
ἀμπνοὰς ἔχοντα] i. e. 'If you keep me here, it will not be in life.'
φρονῶν] ‘If he have sense to perceive.'
εὔφρονες ᾿Αργείοις] i.e. 'Kind to me no longer, but to my enemies.' In a different mood he afterwards (
infr. 863) bids farewell to the rivers of Troy as his nurses.
οἷον, κ.τ.λ.] In Homeric fashion Ajax boasts himself to be the bravest of the Greeks.
Cp. II. 18. 104, 5,
τοῖος ἐὼν οἷος οὔτις᾿ Ἀχαιῶν χαλκοχιτώνων | ἐν πολέμῳ. That he is the bravest next to Achilles is the Homeric tradition, and he is acknowledged to be so by his enemy Odysseus,
infr. 1341. The arrangement of this part of the antistrophe must be adapted to the change made in the strophe. See note on 405 foll. For
μέγα,
cp. Pind. Nem. 6. 45, 6,
ἔλπομαι μέγα εἰπὼν σκοποῦ ἄντα τυχεῖν.
The hiatus after
ἀπό at the end of the (lyric) iambic line is doubtful.
The reading
πρόκειται is not wholly impossible.
οὔθ᾽ ὅπως] Elmsley would read
οὐδ᾽, because there is no
te preceding. But this is too strict.
For a
ῥῆσις similarly following
μέλη ἀπὸ σκηνῆς,
cp. El. 254 foll.; Trach. 1046 foll.; O. T. 1369 foll.; O. C. 258 foll. Ajax, in his solitude (for he hardly feels the presence of Tecmessa) in passing to a more collected mood, first utters the note of sadness, and then is struck by the correspondence of the repeated syllable with his own name. Many poets have observed how the mind in moments of intense feeling becomes engaged with trifles:- 'Strange, that the mind, when fraught With a passion so intense One would think that it well Might drown all life in the eye That it should, by being so overwrought, Suddenly strike on a sharper sense For a shell, or a flower, little things, Which else would have been past by.' TENNYSON's Maud. The cry of woe,
alaî, sounds to Ajax like the reverberation of his name, and with the superstitious feeling which attached to words casually spoken, he dwells on the resemblance. 'Ay me! -Who ever could have thought that my name would thus be the appropriate expression for my woes?'
Cp. esp. Fr. 877,
ὀρθῶς δ' Ὀδυσσεύς εἰμ', ἐπώνυμος κακοῖς· | πολλοὶ γὰρ ὠδύσαντο δυσμενεῖς ἐμοί. And see Essay on L. § 44. p. 83, Lersch, Sprach-philosophie, vol. 3. pp. 3 foll.
ἐπώνυμον supplements the predication of
ξυνοίσειν, 'Agree in the way of naming.' (The conj.
ξυνάσειν, although ingenious, is quite unnecessary.)
δίς refers to the repetition of the syllable in
alaῖ.
τοιούτοις] Sc.
ὥστε πρέπον εἶναι πολλάκις αἰάζειν ἐπ᾿ αὐτοῖς.
ὅτου] For this pathetic use of
ὅστις,
cp. esp. Ο.Τ. 1184,
ὅστις πέφασμαι, κ.τ.λ. The clauses with
μέν and
dé do not quite correspond. In l. 437 the sentence passes out of the relative construction.
'Having won from all the host by his supreme valour the fairest prize.'
καλλιστεία can hardly be taken as equivalent to
ἀριστεῖα. It is probably used with an inaccurate sense of its derivation from
κάλλιστος: - i. e. 'the prize of beauty' is understood to mean, not the prize given to the most beautiful, but the most beautiful given as a prize. The accusative is cognate after
ἀριστεύσας, i.e.
ἀριστεύσας κάλλιστα ἀριστεία. Cp. Eur. Phoen. 214, 5,
πόλεος ἐκπροκριθεῖσ᾽ ἐμᾶς | καλλιστεύματα Λοξία.
The bisected line following the smooth preceding verses has a grating effect, which is here expressive.
For the genitive
Τροίας, see E. on L. § 10. p. 17, 6.
ἐπελθών] 'Coming in my turn.'
οὐκ ἐλάσσονι σθένει] In saying that he was not less in might or in achievements than Telamon, Ajax has the same feeling that is expressed by Sthenelus in the Iliad, 4. 405,
ἡμεῖς τοι πατέρων μέγ᾿ ἀμείνονες εὐχόμεθ᾽ εἶναι.
ἀρκέσας] «Having achieved.' In Thuc. 2. 47,
οὔτε γὰρ ἰατροὶ ἤρκουν θεραπεύοντες ἀγνοίᾳ,
ἀρκεῖν is used absolutely 'to avail.' Here in the same sense it takes a 'cognate' accusative of that in which effort is successful.
Cp. infr. 535,
τοῦτό γ᾽ ἀρκέσαι : Aesch. Pers. 278,
οὐδὲν γὰρ ἤρκει τόξα.
The dative is to be joined with
ἄτιμος, =
πρὸς ᾿Αργείων and
ἐν ᾿Αργείοις. The Argives are at once the agents and the witnesses of Ajax' dishonour. His mind reverts to the critical moment- the judgment of the arms.
'Were Achilles alive, and had he to decide the question of his arms and to adjudge the meed of valour to some one.'
αὔτ᾽]
αὐτά.
ἔμαρψεν] "Grasped.' The vivid word expresses Ajax' sense of his right to the arms, and of the violent usurpation of Odysseus.
ἄλλος ἀντ᾿ ἐμοῦ] · Another and not I.' Essay on L. § 40. p. 75, 5.
φωτί παντουργῷ φρένας] « Το an all-accomplished rogue.' Although
παντουργῷ is said contemptuously, it is not necessary to suppose that it has all the associations of
πανουργός. φρένας has probably an emphasis in opposition to
κράτη in l. 446. Ajax speaks with scorn of those varied mental resources of which he does not feel the need.
ἔπραξαν] «Made them over,' or, as we say in common parlance. 'jobbed them.'
πράσσειν often means to 'intrigue' in a bad sense.
Cp. esp. O. T. 124, 5,
εἴ τι μὴ ξὺν ἀργυρῷ ἐπράσσετ' ἐνθένδ', and note.
ἀπώσαντες] 'Setting aside my deeds of valour,' i. e. rejecting from consideration my valiant services.
διάστροφοι | γνώμης ἀπῇξαν] 'Started aside from my purpose.'
διάστροφοι is (1) supplem. predicate, or perhaps (2) =
διάστροφοι οὖσαι. Ср. supr. 258.
ἐψήφισαν] 'Determined by vote.' The judges would be said
ψηφίζεσθαι, 'to give their votes.' The generals, who conducted the voting, are said
ψηφίζειν, 'to manage by votes,' as Menelaus is accused of having done dishonestly,
infr. 1135. On rare uses of the active voice in Soph., see Essay on L. § 30. p. 516; § 53. p. 98.
Instead of
γλαυκώπις, the usual epithet for Athena, Ajax resentfully uses
γοργῶπις, with some recollection of the grim appearance of the goddess as she hounded him to the mad onset,
supr. 59, 60.
ἀδάματος is 'invincible,' not merely 'unwedded,' though the latter notion may be contained in the word.
Ajax. Lewis Campbell. ed. Lewis Campbell. Oxford. 1879.