Sophocles Ajax 71

Thomas Francklin (Translator)

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Tecmessa
I'll open them — now see
Your master there, and judge of his condition.
The name of friends, ye see the dreadful storm
How it o'er whelms me.

Ajax. Sophocles. Thomas Francklin (Translator). London. 1758–1759.

Current edition Experimental

English (Thomas Francklin, 1758–1759) (OCR draft) (English) (English (Thomas Francklin, 1758–1759))

Provisional text from uncorrected OCR; expect errors.

Editions (4)
Αἴας μαστιγοφόρος First1KGreek (Sophocles. Sophoclis Aiax. Lobeck Christian, editor. Berlin: Weidmann, 1866.) — 1-171 focus
Αἴας First1KGreek (Sophocles. Sophoclis Fabulae. Pearson, Alfred Chilton, editor. Oxford: Clarendon Press, 1924.) — 1-171 focus
Greek (Lewis Campbell, 1879) (OCR draft) Experimental (Greek (Lewis Campbell, 1879)) — 71 focus
οὗτος, σὲ τὸν τὰς αἰχμαλωτίδας αἰχμαλωτιδας αἰχμαλώτιδας χέρας
Greek (F. Storr, 1912) (OCR draft) Experimental (Greek (F. Storr, 1912)) — 1-171 focus
Translations (4)
English (Lewis Campbell, 1906) (OCR draft) Experimental (English (Lewis Campbell, 1906)) — 71 focus
TEC
284
It toucheth you indeed, and ye shall hear
All from the first. ’Twas midnight, and the lamp
Of eve had died, when, seizing his sharp blade,
He sought on some vain errand to creep forth.
I broke in with my word: ‘Aias, what now?
285
Why thus uncalled for salliest thou? No voice
285
Of herald summoned thee. No trumpet blew.
285
What wouldst thou when the camp is hushed in sleep?’
He with few words well known to women’s ears
Checked me: ‘The silent partner is the best.’
I saw how ’twas and ceased. Forth then he fared
Alone—What horror passed upon the plain
This night, I know not. But he drags within,
Tied in a throng, bulls, shepherd dogs, and spoil
Of cattle and sheep. Anon he butchers them,
Felling or piercing, hacking or tearing wide,
Ribs from breast, limb from limb. Others in rage
He seized and bound and tortured, brutes for men.
Last, out he rushed before the doors, and there
Whirled forth wild language to some shadowy form,
Flouting the generals and Laërtes’ son
With torrent laughter and loud triumphing
290
What in his raid he had wreaked to their despite.
290
Then diving back within—the fitful storm
290
Slowly assuaging left his spirit clear.
290
And when his eye had lightened through the room
Cumbered with ruin, smiting on his brow
He roared; and, tumbling down amid the wreck
Of woolly carnage he himself had made,
Sate with clenched hand tight twisted in his hair.
Long stayed he so in silence. Then flashed forth
Those frightful words of threatening vehemence,
That bade me show him all the night’s mishap,
And whither he was fallen I, dear my friends,
Prevailed on through my fear, told all I knew.
And all at once he raised a bitter cry,
Which heretofore I ne’er had heard, for still
He made us think such doleful utterance
Betokened the dull craven spirit, and still
Dumb to shrill wailings, he would only moan
295
With half heard muttering, like an angry bull.
295
But now, by such dark fortune overpowered,
295
Foodless and dry, amid the quivering heap
His steel hath quelled, all quietly he broods;
And out of doubt his mind intends some harm:
Such words, such groans, burst from him. O my friends.—
Therefore I hastened,—enter and give aid
If aught ye can! Men thus forgone will oft
Grow milder through the counsel of a friend.
German (J. J. C. Donner, 1875; OCR review) (OCR draft) Experimental (German (J. J. C. Donner, 1875; OCR review)) — 74 focus
Was thust du, Pallas? Nimmermehr ruf' ihn heraus -
English (Robert Potter, 1788) (OCR draft) Experimental (English (Robert Potter, 1788)) — 71 focus
Tecmessa
To greater height it soon will rise, I fear,
Did you not hear his loud and mournful groans ?
335
English (Sir Richard Jebb, 1904) (OCR draft) Experimental (English (Sir Richard Jebb, 1904)) — 1-170 focus

Commentary

Commentary (R. C. Jebb) (OCR draft) (Commentary (R. C. Jebb))

mvp-comment-220-1 διοίγω 1

mvp-comment-220-2 πράγη 2

mvp-comment-220-3 The

ἐκκύκλημα
is now pushed on through the central door. It was a small stage, but large enough to allow of Ajax being shown surrounded by some of the slaughtered animals. The word
πράγη
in 347, and the language of vv. 351 ff., show that the carnage was represented. The other plays in which Soph <*>es has used the eccyclema are the Antigone (1294, where see n.), and the Electra (1464 f., n.).

mvp-comment-220-4 Ajax, sitting among his victims, and meditating his own destruction, was the subject of a famous picture by Timomachus of Byzantium. Philostratus ( Vit. Apoll. 2. 22 § 5) thus describes it:

τὸν Αἴαντα τὸν Τιμομάχου..ἀπεκτονότα τἀν τῇ Τροίᾳ βουκόλια καθῆσθαι ἀπειρηκότα
[cp. v. 325
ἥσυχος θακεῖ
],
βουλὴν ποιούμενον καὶ
ἑαυτὸν διαφθεῖραι
. The picture was at Cyzicus in 70 B.C. ( Cic. In Verr. 2. 4. 60 ), but was afterwards bought by Julius Caesar for the Temple of Venus Genetrix in Rome ( N. H. 7. 38 § 126). See Introduction § 20.

Commentary (Lewis Campbell, 1879) (OCR draft) (Commentary (Lewis Campbell, 1879)) focus

346. mvp-comment-249-1 ἐκκύκλημα. Ajax is disclosed with signs of slaughter about him. He is sitting upright. The slaughtered sheep are the evidence of his situation ( τὰ τοῦδε πράγη): his wild, dishevelled appearance betrays the condition of his mind ( αὐτὸς ὡς ἔχων κυρεῖ).