331.
mvp-comment-239-1
On the order, see Essay on L. § 41. p. 77.
332.
mvp-comment-240-1
'That our hero is frenzied with his trouble.' The mariners apprehend that the madness of Ajax is in some way connected with his disappointment.
Cp. infr. 925-32.
ἡμῖν is dative of the person interested. See Essay on L. § 13. p. 19 f, and
cp. supr. 216,
ἡμὶν ὁ κλεινὸς | Αἴας ἀπελωβήθη:
infr. 733,
ἀλλ᾽ ἡμὶν Αἴας ποῦ ᾿στιν, ὡς φράσω τάδε ; κακοῖς]
Supr. 275,
infr. 532.
333.
mvp-comment-241-1
The voice of Ajax is heard from within.
334.
mvp-comment-242-1
μᾶλλον] Sc.
δεινά σοι λέξω, or
γνώσεσθε ταῦτα.
335.
mvp-comment-243-1
οἵαν] She judges from the intonation of the cry, which the chorus,
infr. 337, do not know whether to interpret as importing madness or grief.
337.
mvp-comment-244-1
ἢ τοῖς . . παρών] 'Or to grieve at witnessing the effects of past madness which remain with him.'
Cp. supr. 307. The addition of
παρών suggests that Ajax, seeing the carnage in the tent, is the eye-witness of his own madness.
339.
mvp-comment-245-1
Ajax calls upon Teucer.
παῖ is frequently addressed by an elder person to a younger, even by the Corinthian messenger to Oedipus, O. Τ. 1008, and by Electra (under excitement) to the supposed Phocian stranger, El. 1220. The picture in the Iliad, 8. 271, of Teucer retiring behind the shield of Ajax,
παῖς ὡς ὑπὸ μητέρα, suggests that Teucer was the younger brother. And it is natural to suppose Ajax to have been born before Telamon's expedition in which he won Hesione, the mother of Teucer.-According to Pindar in the fifth (or sixth) Isthmian ode, Ajax was given to Telamon in answer to the prayer of Heracles before the expedition. But in such details the legends are not constant. See O. C. 375, and note. Lycophr. 445 and schol. -The need of Teucer's presence is Ajax' first thought on coming to himself. Tecmessa at first thinks of the child, until, in l. 342, Ajax calls Teucer by name. He does not ask to see the child till l.530, after his attention has been vividly drawn that way by Tecmessa.
341.
mvp-comment-246-1
τάλαιν᾽ ἐγώ] Tecmessa is distracted between the fear of crossing Ajax and the fear of harm to the child. The division of the line helps to mark this distraction of the wife and mother.
343.
mvp-comment-247-1
λεηλατήσει] Teucer is gone foraging into the Mysian highlands,
infr. 720. Compare Thuc. 1. 11,
φαίνεται .. πρὸς γεωργίαν τῆς · Χερσονήσου τραπόμενοι καὶ λῃστείαν τῆς τροφῆς ἀπορίᾳ. ἐγὼ δ'] · While that I.'
345.
mvp-comment-248-1
κἀπ᾿ ἐμοὶ βλέψας] ‘Even at me, on seeing me.' The abrupt expression,
αἰδῶ λαβεῖν ἐπί τινι, is supplemented by the addition of the participle, i.e.
εἰς ἐμὲ βλέψας. αἰδώς is the feeling which prompts
σωφροσύνη.
346.
mvp-comment-249-1
ἐκκύκλημα. Ajax is disclosed with signs of slaughter about him. He is sitting upright. The slaughtered sheep are the evidence of his situation (
τὰ τοῦδε πράγη): his wild, dishevelled appearance betrays the condition of his mind (
αὐτὸς ὡς ἔχων κυρεῖ).
348.
mvp-comment-250-1
The lyrical numbers of this commos are chiefly dochmiac, mixed with iambic and trochaic rhythms, which increase in the third strophe and antistrophe. The scheme is the following...
348.
mvp-comment-250-2
The arrangement of the latter part of γ' is rendered doubtful by the manifest corruption of ll. 406, 7. Perhaps-
εἰ τἀμὰ μὲν φθίνει, φίλοι, πάλαι· μώραις δ᾽ ἄγραισι ταῖσδ᾽ ὁμοῦ προσκείμεθα. And in the antistrophe, 424, 5,
τύδ᾽ ἐξερῶ μέγ᾽ οἷον οὔτινα Τροία στρατοῦ δέρχθη χθονὸς μολόντ' ἀπό. Or, reading
τάδε for
τά, and omitting
τοῖσδ᾽ ὁμοῦ, στρατοῦ, and
ἀπό, -
εἰ τάδε μὲν φθίνει, φίλοι, πάλαι· μώραις δ᾽ ἄγραις προσκείμεθα, | πᾶς.
348.
mvp-comment-250-3
and-
ἐξερέω μέγ', οἷον οὔτινα Τροία χθονὸς δέρχθη μολόνθ' | Ἑλ.. See note on 405 foll.
348.
mvp-comment-250-4
Ajax at once perceives the mariners. 'The great rage, you see, is killed in him,' but the ground-swell of his passion is still heard.
349.
mvp-comment-251-1
μόνοι ἐμῶν φίλων] Sc.
παρόντες, or some such word, which is expanded in what follows.
350.
mvp-comment-252-1
ὀρθῷ νόμῳ] Sc.
τῷ τῆς φιλίας.
351.
mvp-comment-253-1
ἴδεσθέ μ᾽ οἷον, κ.τ.λ.]
με is to be taken (1) after
ἴδεσθε, and (2) after
ἀμφίδρομον κυκλεῖται, the latter being a picturesque expansion of
ἀμφικυκλεῖται. φοινίας ὑπὸ ζάλης] 'Lashed by a cruel storm.'
ζάλη is a squall accompanied with rain or hail. The surge surrounding Ajax is the heap of mangled victims, together with the horror which they symbolize. For the boldness of this image,
cp. El. 733,
κλύδων᾿ ἔφιππον ἐν μέσῳ κυκώμενον.
354-355.
mvp-comment-254-1
'Alas! It is clear thou art too true a witness.' The chorus do not immediately respond to Ajax: but, being horror-struck at what they see, express their reflections on the situation to Tecmessa. The description she has given is only too true. The meaning of
μαρτυρεῖν and the coldness of l. 355, as addressed to Ajax, prove this to be the right way of understanding the words.
355.
mvp-comment-255-1
ὡς ἀφροντίστως ἔχει] (1) ‘How far he is from sane,' sc.
ὁ Alas, replying to
supr. 347. Or possibly (2), sc.
τοὔργον, 'How little of sane thought is present in it.' 'Indeed, the fact declares that thought has had no part in what is done.' For the transference of a personal attribute from the agent to the act,
cp. O. C. 240, 977,
τό γ' ἆκον πρᾶγμα: Aesch. Ag. 1377,
ἀγὼν . . οὐκ ἀφροντίστως. · Notandus euphemismus pro
μανικῶς, Herm.
Cp. Shak. King Lear, 4. 6. 81, 'The safer sense will ne'er accommodate | His master thus.'
356.
mvp-comment-256-1
γένος .. τέχνας] Ο brother-band of helpers, who help by shipcraft.'
ναΐας . τέχνας is a descriptive genitive explaining
ἀρωγόν.
357.
mvp-comment-257-1
'Who didst go on board the ship and ply' (
ἑλίσσων proleptic) 'the oar of the sea,' viz. in coming to Troy. A change in the MS. reading is necessary. Some prefer to read
ὃς ἁλίαν .. ἔβας, 'Who camest plying,' etc.
ναῦν, suggested by
πλάταν, is to be supplied with
ἐπέβας.
