Aristotle Poetics 20.9

ed. Henry James Pye

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but HE WALKS and HE WALKED, do, one a present, the other a past time. A case is incident both to the noun and the verb and either marks such relations as of or from or to, a thing; or shews the number, whether it be one or many as MAN or MEN;

Poetics. Aristotle. ed. Henry James Pye. London. 1792.

Current edition Experimental

The Poetic of Aristotle (Henry James Pye, revised 1792) (OCR draft) (English) (Henry James Pye's revised 1792 English translation, corrected against the 1788 first edition, aligned to the Kassel reference edition, and supplied with a selective apparatus of substantive 1788 readings.)

Provisional text from uncorrected OCR; expect errors.

Editions (4)
Περὶ ποιητικῆς (OCR draft) (Aristotle, Poetics. Immanuel Bekker, editor, Aristotelis Opera, volume 2. Oxford: Oxford University Press, 1837.) — 20 focus
Περὶ ποιητικῆς (OCR draft) Perseus (Aristotle, De arte poetica liber. Rudolf Kassel, editor. Oxford: Clarendon Press, 1965. Reference edition for passage alignment.) — 20 focus
Poetics, Greek text (Ingram Bywater, 1909) (OCR draft) Experimental (Ingram Bywater's Greek text of Aristotle's Poetics, published in 1909.) — 20 focus
Poetics, Greek text (Franz Ritter, 1839) (OCR draft) Experimental (Franz Ritter's 1839 Greek edition, corrected against OCR of the represented copy and aligned to the conventional Perseus chapter-and-subchapter sequence.) — 20 focus
Translations (13)
Poetics (W. H. Fyfe) (OCR draft) Perseus (William Hamilton Fyfe's English translation of Aristotle's Poetics, Loeb Classical Library, 1939 printing.) — 20 focus
Arabic Poetics (Badawī edition, 1953) (OCR draft) (The ancient Arabic translation of Aristotle's Poetics in ʿAbd al-Raḥmān Badawī's 1953 edition.) — 20 focus
Poetics (S. H. Butcher, 1911) (OCR draft) Experimental (S. H. Butcher's English translation from Aristotle's Theory of Poetry and Fine Art, fourth edition, 1911.) — 20 focus
Aristotle on the Art of Poetry (Ingram Bywater, 1909) (OCR draft) Experimental (Ingram Bywater's English translation of Aristotle's Poetics, published in 1909.) — 20 focus
Poetics (Thomas Twining, 1789) (OCR draft) Experimental (Thomas Twining's English translation of Aristotle's Poetics, published in 1789 and aligned to the Kassel reference passage sequence.) — 20.9 focus
A verb, is a sound composed of other sounds;-significant-with expression of time: and of which, as of the noun, no part is by itself significant. Thus, in the words, man, white, indication of time is not included: in the words, he walks, he walked, &c. it is included; the one expressing the present time, the other the past.
The Poetic of Aristotle (Theodore Alois Buckley) (OCR draft) Experimental (Theodore Alois Buckley's English translation, first published in 1850 and represented from the Henry G. Bohn 1857 printing; corrected against a second OCR and aligned to the Kassel reference passage sequence.) — 20.9 focus
A verb is a composite sound, significant with time, 01 which no part is of itself significant, in the same manner also as in nouns. For man or white does not signify time; but he walks, or he did walk, signify, the former indeed the present, and the latter the past time. 1 But case pertains to noun or verb. And one case, indeed, [in nouns] signifies that something is said of this thing, or is attributed to this thing, and the like; 2 3 but another is that which pertains to one thing or many things; as men, or man.
Poetica Latine conversa (Franciscus Ritter, 1839) (OCR draft) Experimental (Franz Ritter's Latin translation, corrected against OCR of the represented copy and aligned to the conventional Perseus chapter-and-subchapter sequence.) — 20 focus
La poëtique d'Aristote (André Dacier, 1692) (OCR draft) Experimental (André Dacier's French translation of Aristotle's Poetics, published in 1692.) — 20.9 focus
Le verbe eſt un ſon compoſé, qui ſignifie quelque choſe, & dont les parties ſeparées ne ſignifient rien non plus que dans les noms. Mais le verbe a cet avantage ſur le nom qu'il marque le temps, ce que le nom ne fait pas. Par exemple, quand je dis homme, ou blanc, je ne marque aucun temps; mais ſi je dis, il marche, il a marché, je marque un preſent, ou un preterit.
Poetica d'Aristotile (Bernardo Segni, 1549) (OCR draft) Experimental (Bernardo Segni's 1549 Florentine Italian translation, aligned to the Kassel reference passage sequence.) — 20 focus
De poetica (Antonio Riccobono, 1587) (OCR draft) Experimental (Antonio Riccobono's Latin translation, first published in 1587; text represented from Immanuel Bekker's 1831 edition.) — 20 focus
De arte poetica liber (William of Moerbeke, ca. 1277) (OCR draft) Experimental (William of Moerbeke's medieval Latin translation, represented by the 1953 Aristoteles Latinus edition.) — 20 focus
Arabic Poetics (Abū Bishr Mattā; Tkatsch edition) (OCR draft) Experimental (The Arabic translation attributed to Abū Bishr Mattā, edited by Jaroslaus Tkatsch in 1928 and aligned to the Kassel reference passage sequence.) — 20 focus
Arabic Poetics (Abū Bishr Mattā; Tkatsch edition, unaligned) (OCR draft) Experimental (Tkatsch's edition of the medieval Arabic translation in its original, unaligned segmentation.) — 20 focus

Commentary

Commentary on the Poetics (Ingram Bywater, 1909) (OCR draft) (Ingram Bywater's English commentary on Aristotle's Poetics.) focus

9. mvp-aristotle-comment-738

ῥῆμα: De interpr. 3, 16b 6
ῥῆμα δέ ἐστι τὸ προσσημαῖνον χρόνον, οὐ μέρος οὐδὲν σημαίνει χωρίς, καὶ ἔστιν ἀεὶ τῶν καθ᾽ ἑτέρου λεγομένων σημεῖον. λέγω δ᾽ ὅτι προσσημαίνει χρόνον, οἷον ὑγίεια μὲν ὄνομα, τὸ δὲ ὑγιαίνει ῥῆμα προσσημαίνει γὰρ τὸ νῦν ὑπάρχειν ... 16 τὸ ὑγίανεν ἢ τὸ ὑγιανεῖ οὐ ῥῆμα ἀλλὰ πτώσεις ῥήματος διαφέρει δὲ τοῦ ῥήματος, ὅτι τὸ μὲν τὸν παρόντα προσσημαίνει χρόνον, τὰ δὲ τὸν πέριξ
. In this passage (though not in De interpr. 10, 19b 13 ) the past and future tenses of the verb are set aside as πτώσεις, the verb in the logical theory of predication being always in the present (comp. Mansel, Prolegomena Logica p. 273). It is to be noted that in these instances of verbs, the verb is in the third person singular of the present; the reason for this is that a proper name like Κλέων οι Κορίσκος is tacitly assumed to be its subject. With Plato, it may be observed, the ῥῆμα includes the predicative adjective as well as the verb (v. Crat. 399 A ).

9. mvp-aristotle-comment-739

προσσημαίνει. Boethius, In Aristot. de Interpr. 2 p. 66 Meiser , translates this by
consignificat
, thus identifying its sense with that of the later word συσσημαίνειν.

9. mvp-aristotle-comment-741

ἄνθρωπος: Phys. 3. 7, 207 b 34
ἄνθρωπος εἷς ἄνθρωπος καὶ οὐ πολλοί
.

Remarques sur la poëtique d'Aristote (André Dacier, 1692) (OCR draft) (André Dacier's French commentary on Aristotle's Poetics.) focus

15. mvp-aristotle-comment-480

20.9 15. Mais le verbe a cet avantage ſur le nom qu'il marque le temps, ce que le nom ne fait pas.] 1

Commentary on the Poetics (Thomas Twining, 1789) (OCR draft) (Thomas Twining's notes on Aristotle's Poetics, aligned to the Kassel reference edition.) focus

173. mvp-aristotle-comment-173

NOTE 173. P. 106.

20.9 INDICATION OF TIME IS NOT INCLUDED, &c. —
Ου ΠΡΟΣΣΗΜΑΙΝΕΙ το ποτε
. See Hermes, I. 6, note (d), p. 96 . Aristotle has given a fuller definition of the verb, in the book περι Ἑρμ. cap. iii.

Commentary on the Poetics (Henry James Pye, 1792) (OCR draft) (Henry James Pye's 1792 English commentary, aligned to the Kassel reference edition.) focus

20.5. mvp-aristotle-comment-85 20.9

A CASE IS INCIDENT BOTH TO THE NOUN AND THE VERB.

AS much of the elegance and peculiarity of speech depends on the inflection of verbs, and as most languages in this respect deviate at times from what may be called the rules of universal grammar, I shall venture briefly to mention a few cursory observations that I have made on this point in the course of my reading. Dr. Lowth has mentioned the confufion frequently made even by good writers, of the participle and preterite of such verbs as form the participle in En, as 'wrote,' ' written,' ' rode,' ' ridden;' which has indeed been more carefully avoided, even in conversation by those who are tolerably accurate, since his admonition. But he has either overlooked, or neglected to mention the distinction custom has made as to the impropriety of using the preterite for the participle, in the different circumstance of its being connected with the auxiliary verb ' to have,' ' to be,' or being connected with a substantive as a verbal adjective. 'It is wrote' seems to convey a more ungrammatical found to the ear than ' I have ' wrote;' but no person whatever would say, ' wrote language' for • written language.' This appears even in cafes where the proper participle, as used with the auxiliary verbs, is nearly obsolete. It might favour a little of pedantry to say, in common conversation, ' I have beaten him,' ' I have • eaten it; but we always say 'weather-beaten,'' moth-eaten.' 3 G The
The two auxiliary verbs, ' shall' and 'will, which constitute the future tense in English, are perpetually confounded not only by foreigners, but by the Scotch and Irish. The proper fimple future is this, ' I shall,' 'Thou wilt,' or 'You will,' 'He will,' 'We shall,' 'You, or Ye ' will,'' They will.' Were I to say ' I will go,' or • You shall go,' it is no longer the simple future, but speaks determination in one instance, and command or compulfion in the other. What a difference between these expreffions, • I shall not succeed in this but you will,' and I will not fucceed in this but you shall.' The last part is nonsense, fince the verb 'fucceed' being accidental requires only the simple future; but for 'fucceed,' substitute ' attempt,' which is in the power of the agent, the fimple future will be the fame; but change the signs, say ' I will not attempt this, you shall ; and determination on one part, and command on the other are clearly expressed. On this principle it is that our neighbours often raise a laugh at their own expence, by telling us they will break their necks, and that their friends shall win a rubber at whift. It feems very wonderful that two languages so very different, and in all apparent circumstances fo entirely unconnected as the English and modern Greek, should unite in the fingular circumstance of using the verb ' I will' for a fign of the future tenfe, the latter ufing θέλω for this purpose. A fanciful writer might perhaps be tempted to impute this corruption of the Greek tongue to the conversation of the Barangi, a body of English guards, to whom the particular defence of the Grecian Emperor's person was entrusted, and who preferved the use of their native language to the last age of the empire [o]. [o] See a quotation from Codinus in Note 48, on Chap. LV. of Mr. Gibbon's History. Πολυχρονιζᾶσι ὁι Βάραγγοι καλὰ τῶν παλρίον γλῶσσαν ἀνθῶν, ἡτὸι Ιγκληνισὶ. There
POETIC OF ARISTOTLE. There is a distinction in the passive voice of the ancient languages to which all the modern ones I have any knowledge of are strangers, I mean the perfect and imperfect present, AMATUS SUM and AMOR. This is observed by the later editor of Lilly's grammar; but AMO being the example it is not so clear, it not being very easy in that verb to mark the distinction, though by accurate investigation it may be traced. AMOR means simply, that at the present time I am beloved; AMATUS SUM has in this verb a kind of retrospect. It is the word Prior's Henry would have used to express his situation. • When industry and time, (the mighty two • That bring our wishes nearer to our view,) • Made him perceive that the inclining fair • Received his vows with no reluctant ear.'- The distinction is more obvious in DOCEOR, which means ' I am now learning,' or ' in the act of being taught; whereas DOCTUS SUM fignifies the completion of my purpose, ' I am instructed.' The same advantage that the Latin has over the English in the passive, the English in its turn has over the Latin in the active voice, from using the auxiliary, 'I am,' with the participle, ' I think, I am thinking.' In verbs deponent in Latin, the active voice has also the same advantage and from the same cause. There is an anomaly in the Italian verb substantive exactly resembling the Latin deponent. It is conjugated by itself, assuming, as an auxiliary, the power of TO HAVE, SONO STATO, 'I have been.' The cause appears to be this. The Latin verb sum having nothing like the 3G 2 paffive
paffive participle, its derivative the Italian borrowed one for the verb STARE; and SONO STATO literally means ' I AM PLACED.' There is a remarkable nicety in Spanish between SER and ESTAR, the first always fignifying only fimple essence; as for instance, SER QUATRO LUGARES DI LONDRA, would not signify being four leagues distant from London; but being actually the four leagues, the proper verb here iS ESTAR. In fome languages, the Hebrew for instance, the genders of the perfons are fignified by the termination of the verb itself. At first sight this may appear an advantage, but in fact it is a defect, for it often enforces difcrimination where difcrimination cannot be really made. What happens from this to the Hebrew in all its persons, happens to the French, Italian, and Spanish in the third person of both numbers, from the use of the pronoun. Here Greek and Latin have manifeftly the advantage, as where discrimination is necessary they can employ the pronoun or nominative cafe, or otherwise, omit them. In the fingular pronoun the English is in the fame cafe with the other modern languages; and we feel an inconvenience when we wish to mention a circumstance relating to a person, whose sex we either do not know or wish to conceal; and we must either use a periphrafis, or have recourse to the colloquial barbarism of substituting the third person plural, ' They.' CHAP.

Commentarius in Aristotelis Poeticam (Franciscus Ritter, 1839) (OCR draft) (Ritter's Latin commentary, extracted from the 1839 volume, divided by Ritter's chapters and sections, and linked to the corresponding Perseus reference subsections.) focus

9. mvp-aristotle-comment-143

Ritter, cap. 20 § 9

ῥῆμα δὲ φωνὴ συνθετή, σημαντική μετὰ χρόνου: melius verus Aristoteles de Interpr. c. 3. ῥῆμα δὲ ἐστι τὸ προσσημαῖνον χρόνον, οὗ μέρος οὐδὲν σημαίνει χωρίς, καὶ ἔστιν ἀεὶ τῶν καθ' ἑτέρου λεγομένων σημεῖον. exempla quae definitionem sequuntur hominem male sedulum lectoribusque non multum tribuentem produnt.