Libation Bearers. Aeschylus. ed. Gottfried Hermann. Lipsiae. 1852.
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Critical apparatus to The Libation Bearers (OCR draft) (Latin) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of The Libation Bearers.)
Provisional text from uncorrected OCR; expect errors.
Editions (8)
Χοηφóρoι First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 585-651 focus
Χορός
πολλὰ μὲν γᾶ
1
τρέφει
585
δεινὰ [καὶ
2
] δειμάτων ἄχη,
πόντιαί τ᾽ ἀγκάλαι κνωδάλων
ἀνταίων βρύουσι:
3
πλάθουσι [βλαστοῦσι
4
] καὶ πεδαίχμιοι
λαμπάδες πεδάοροι,
5
590
πτανά τε καὶ πεδοβά-
μονα κἀνεμοέντ᾽ ἂν
6
αἰγίδων φράσαι κότον.
594
Χορός
ἀλλ᾽ ὑπέρτολμον ἀν-
δρὸς φρόνημα τίς λέγοι
595
παντόλμους ἔρωτας
ἄταισι συννόμους βροτῶν;
ξυζύγους δ᾽ ὁμαυλίας
θηλυκρατὴς ἀπέρω-
τος ἔρως παρανικᾷ
600
κνωδάλων τε καὶ βροτῶν.
602
θηλυκρατὴς ἀπέρω-
Χορός
ἴστω δ᾽ ὅστις οὐχ ὑπόπτερος
φροντίσιν δαεὶς,
τὰν ἁ παιδολυ-
μὰς τάλαινα Θεστιὰς μήσατο
605
πυρδαῆτιν
10
πρόνοιαν,
καταίθουσα
11
παιδὸς δαφοινὸν
δαλὸν ἥλικ᾽, ἐπεὶ μολὼν
ματρόθεν κελάδησε,
ξύμμετρόν τε διαὶ
12
βίου
610
μοιρόκραντον
13
ἐς ἆμαρ.
612
Χορός
ἄλλαν δ᾽ ἔστιν
14
ἐν λόγοις στυγεῖν
φοινίαν κόραν,
15
ἅτ᾽ ἐχθρῶν ὑπαὶ
615
φῶτ᾽ ἀπώλεσεν
16
φίλον Κρητικοῖς
χρυσοκμήτοισιν
17
ὅρμοις
Νῖσον ἀθανάτας τριχὸς
νοσφίσασ᾽ ἀπροβούλως
620
πνέονθ᾽
20
ἁ κυνόφρων ὕπνῳ.
κιγχάνει
21
δέ μιν Ἑρμῆς.
623
Χορός
ἐπεὶ δ᾽ ἐπεμνασάμην
22
ἀμειλίχων
πόνων, †ἀκαιρως δὲ δυσφιλὲς γαμή-
λευμ᾽ ἀπεύχετον δόμοις
625
γυναικοβούλους τε μήτιδας φρενῶν
ἐπ᾽ ἀνδρὶ τευχεσφόρῳ,
τίω
25
δ᾽ ἀθέρμαντον ἑστίαν δόμων
γυναικείαν <τ᾽
26
> ἄτολμον αἰχμάν.
630
631
Χορός
κακῶν δὲ πρεσβεύεται τὸ Λήμνιον
λόγῳ: γοᾶται δὲ δὴ πάθος
27
κατά-
πτυστον: ᾔκασεν δέ τις
τὸ δεινὸν αὖ Λημνίοισι πήμασιν.
θεοστυγήτῳ δ᾽ ἄγει
28
635
βροτῶν ἀτιμωθὲν οἴχεται γένος.
σέβει γὰρ οὔτις τὸ δυσφιλὲς θεοῖς.
τί τῶνδ᾽ οὐκ ἐνδίκως ἀγείρω;
639
Χορός
τὸ δ᾽ ἄγχι πλευμόνων ξίφος
διανταίαν ὀξυπευκὲς οὐτᾷ
29
640
διαὶ Δίκας. †τὸ μὴ θέμις γὰρ <οὐ>
λὰξ πέδοι πατούμενον, τὸ πᾶν Διὸς
σέβας παρεκβάντος οὐ θεμιστῶς.
30
†
645
646
Χοηφóρoι Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 585-651 focus
Χορός
πολλὰ μὲν γᾶ τρέφει
585
δεινὰ
καὶ δειμάτων ἄχη,
πόντιαί τʼ ἀγκάλαι κνωδάλων
ἀνταίων βρύουσι·
πλάθουσι
βλαστοῦσι καὶ πεδαίχμιοι
λαμπάδες πεδάοροι,
590
πτανά τε καὶ πεδοβά-
μονα κἀνεμοέντʼ ἂν
αἰγίδων φράσαι κότον.
Χορός
ἀλλʼ ὑπέρτολμον ἀν-
δρὸς φρόνημα τίς λέγοι
595
καὶ γυναικῶν φρεσὶν τλαμόνων
καὶ
παντόλμους ἔρωτας
ἄταισι συννόμους βροτῶν;
ξυζύγους δʼ ὁμαυλίας
θηλυκρατὴς ἀπέρω-
τος ἔρως παρανικᾷ
600
κνωδάλων τε καὶ βροτῶν.
Χορός
ἴστω δʼ, ὅστις οὐχ ὑπόπτερος
φροντίσιν, δαεὶς
τὰν ἁ παιδολυ-
μὰς τάλαινα Θεστιὰς μήσατο
605
πυρδαῆτιν πρόνοιαν,
καταίθουσα παιδὸς δαφοινὸν
δαλὸν ἥλικʼ, ἐπεὶ μολὼν
ματρόθεν κελάδησε,
ξύμμετρόν τε διαὶ βίου
610
μοιρόκραντον ἐς ἆμαρ.
Χορός
ἄλλαν δεῖ τινʼ ἐν λόγοις στυγεῖν
φοινίαν κόραν,
ἅτʼ ἐχθρῶν ὑπαὶ
615
φῶτʼ ἀπώλεσεν φίλον Κρητικοῖς
χρυσοκμήτοισιν ὅρμοις
πιθήσασα δώροισι Μίνω,
Νῖσον ἀθανάτας τριχὸς
νοσφίσασʼ ἀπροβούλως
620
πνέονθʼ ἁ κυνόφρων ὕπνῳ.
κιγχάνει δέ μιν Ἑρμῆς.
Χορός
ἐπεὶ δʼ ἐπεμνασάμαν ἀμειλίχων
πόνων, ὁ καιρὸς δὲ δυσφιλὲς γαμή-
λευμʼ ἀπεύχετον δόμοις
625
γυναικοβούλους τε μήτιδας φρενῶν
ἐπʼ ἀνδρὶ τευχεσφόρῳ,
ἐπʼ ἀνδρὶ δᾴοις ἐπεικότως σέβαι.
τίω δʼ ἀθέρμαντον ἑστίαν δόμων
γυναικείαν
τʼ ἄτολμον αἰχμάν.
630
Χορός
κακῶν δὲ πρεσβεύεται τὸ Λήμνιον
λόγῳ· γοᾶται δὲ δὴ πάθος κατά-
πτυστον· ᾔκασεν δέ τις
τὸ δεινὸν αὖ Λημνίοισι πήμασιν.
θεοστυγήτῳ δʼ ἄχει
635
βροτῶν ἀτιμωθὲν οἴχεται γένος.
σέβει γὰρ οὔτις τὸ δυσφιλὲς θεοῖς.
τί τῶνδʼ οὐκ ἐνδίκως ἀγείρω;
Χορός
τὸ δʼ ἄγχι πλευμόνων ξίφος
διανταίαν ὀξυπευκὲς οὐτᾷ
640
διαὶ Δίκας. τὸ μὴ θέμις γὰρ οὖν
λὰξ πέδοι πατούμενον, τὸ πᾶν Διὸς
σέβας παρεκβάντος οὐ θεμιστῶς.
645
Χορός
Δίκας δʼ ἐρείδεται πυθμήν·
προχαλκεύει δʼ Αἶσα φασγανουργός·
τέκνον δʼ ἐπεισφέρει δόμοισιν
αἱμάτων παλαιτέρων τίνειν μύσος
650
χρόνῳ κλυτὰ βυσσόφρων Ἐρινύς.
Χοηφόροι (OCR draft) Experimental (Χοηφόροι. Guilielmus Dindorfius, 1882.) — 623 focus
Χοηφόροι (OCR draft) Experimental (Χοηφόροι. Gottfried Hermann, 1852.) — 623 focus
ἐπεὶ δ᾽ ἐπεμνησάμην ἀμειλίχων
πόνων, (ἄκαιρος δ᾽ ὁ δυςφιλὴς γαμη-
λεύματ᾽ ἀπεύχετον δόμοις)
615
γυναικοβούλους τε μήτιδας φρενῶν
ἐπ' ἀνδρὶ τευχεσφόρῳ,
ἐπ' ἀνδρὶ δᾴοις ἐπικλύτῳ, σέβας
τίων τ᾽ ἀθέρμαντον ἑστίαν δόμων
γυναικείαν τ' ἄτολμον αἰχμάν.
620
ἀντ. γ'.
ΧΟΗΦΟΡΟΙ (OCR draft) Experimental (ΧΟΗΦΟΡΟΙ. Paul Mazon, 1920-1925.) — 623 focus
Ἐπεὶ δ'
ἐπεμνασάμαν
ἐπεμνήσαμεν (α supra η M1) ἀμειλίχων
Str. 3.
ΧΟΡΟΣ
πόνων, ἀκαίρως δὲ δυσφιλὲς γαμή-
λευμ' ἀπεύχεται δόμος
λευμα ἀπεύχετον δόμοις
γυναικοβούλους τε μήτιδας φρενῶν
ἐπ' ἀνδρὶ τευχεσφόρῳ,
625
ἐπ' ἀνδρὶ
δῄοισιν
δηΐοις ἐπικότῳ σέβας,
τίων
τίων δ' ἀθέρμαντον ἑστίαν δόμων,
γυναικείαν ἄτολμον
αἰχμάν
-μᾶν prius M ;
Χοηφόροι (OCR draft) Experimental (Χοηφόροι. N. Wecklein, 1885.) — 623 focus
Χοηφόροι (OCR draft) Experimental (Χοηφόροι. Martin L. West, 1990.) — 623 focus
ἐπεὶ δ’ ἐπεμνασάμαν ἀμειλίχων
πόνων, ἄκαιρ’ οὐδὲ δυσφιλὲς γαμή-
λευμ’ ἀπεύχετον δόμοις
625
γυναικοβούλους τε μήτιδας φρενῶν
ἐπ’ ἀνδρὶ τευχεσφόρωι
†ἐπ’ ἀνδρὶ δηΐοις ἐπικότω σέβας†.
τίω δ’ ἀθέρμαντον ἑστίαν δόμων,
γυναικείαν ἄτολμον αἰχμάν.
630
Aeschyli Choephori (OCR draft) Experimental (Aeschyli Choephori. Ulrich von Wilamowitz-Moellendorff, 1914.) — 623 focus
Testimonia
Numeri
Apparatus Criticus
ἀπέρωπος ἀπέρωτος †δαείς παιδευθεὶς ὑποπτέροις φροντίσιν; 1 πυρδαῆ πυρδαής καταίθουσα κ᾿ αἰθοῦσα κ᾿ αἴθουσα corr. Canter 2 διαὶ διά corr. Canter μοιρόκραντον μοιρόκραντος δ᾽ del. Canter ἄλλαν δ᾽ ἀλλὰ corr. Portus ἔστιν δή τιν’ corr. Herm. ὑπὲρ ὑπαὶ corr. Porson ἀπώλε- ἀπόλεσεν πιθήσασα δώροισι πειθήσ. δόροισι νοσφίσασα προβούλως -σασ᾿ ἀπροβ. dist. Porson κιγχάνει κιχάνει radendo factum νιν μιν ἐπεμνησάμην ἐπεμνή (-μνα v. 1.) σαμεν corr. Heath φέρων φρενών correxi
ΧΟ.
ἐπ᾿ ἀνδρὶ δήιοισιν ἐπικότωι σέβας,
τίων δ᾽ ἀθέρμαντον ἑστίαν δόμων,
γυναικείαν ἄτολμον αἰχμάν.
630
Translations (9)
Libation Bearers Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1926. (Modernized by Perseus.)) — 585-650 focus
Chorus
Many are the horrors, dread and appalling, bred of earth, and the arms of the deep teem with hateful monsters. Likewise between heaven and earth
585
lights
1
hung high in the air draw near; and winged things and things that walk the earth can also tell of the stormy wrath of whirlwinds.
590
Chorus
But who can tell of man’s overweening spirit,
and of the reckless passions of women hardened of soul, partners of the woes of mortals? Inordinate passion, overmastering the female,
595
gains a fatal victory over the wedded unions of beasts and humans alike.
600
Chorus
Let whoever is not flighty in his wits know this, when he has learned of the device of a lit brand contrived
by Thestius’ heartless daughter:
2
she destroyed her own child by burning the charred brand of the same age as he when, coming from his mother’s womb, he cried out,
605
and it aged in pace with him through his life to the day decreed by fate.
610
Chorus
And there is in legend another murderous virgin to be loathed,
3
who ruined a loved one at the bidding of his foes, when, lured by Minos’ gift, the Cretan necklace forged of gold, she with her dog’s heart despoiled Nisus of his immortal lock
615
as he drew breath in unsuspecting sleep. And Hermes
4
overtook him.
620
Chorus
But since I have recalled tales of pitiless afflictions, it is the right time to tell of a marriage void of love,
an abomination to the house, and the plots devised by a wife’s cunning against her warrior lord, against her lord revered with reason by his foes. But I honor the hearths of homes not heated by passion’s fires,
625
and in woman a spirit that shrinks from audacious deeds.
630
Chorus
Indeed the Lemnian
5
holds first place among evils in story: it has long been told with groans as an abominable calamity. Men compare each new horror to Lemnian troubles;
and because of a woeful deed abhorred by the gods a race has disappeared, cast out in infamy from among mortals. For no man reveres what is hated by the gods. Is there one of these tales I have gathered that I do not justly cite?
635
Chorus
But the keen and bitter sword is near the breast and drives home its blow at the bidding of Justice.
For truly the injustice of him who has unjustly transgressed the sovereign majesty of Zeus
640
lies on the ground trampled under foot.
6
645
Chorus
The anvil of Justice is planted firm. Destiny fashions her arms and forges her sword quickly, and the famed and deeply brooding Fury is bringing the son into our house,
to requite at last the pollution of blood shed long ago.
650
The Libation Bearers (OCR draft) Experimental (The Libation Bearers. Theodore Alois Buckley, 1849.) — 623 focus
LES CHOÉPHORES (OCR draft) Experimental (LES CHOÉPHORES. Paul Mazon, 1920-1925.) — 623 focus
Et puisque j'ai ici rappelé ces tristes forfaits, n'est-ce pas l'heure pour ce palais de honnir aussi l'épouse abominable,
LE CHŒUR
la traîtrise d'un cœur de femme à l'égard
The Choephoræ (OCR draft) Experimental (The Choephoræ. Robert Potter, 1779.) — 623 focus
Enroll’d be all that female hate
Form’d 'gainſt the chief in arms renown’d;
The chief, whoſe glorious, aweful ſtate
700
Foes 'midſt their rage with reverence own’d:
Those glories, tho’ they blaze no more,
Quench’d by a woman’s hand, I still adore.
EPODE.
Eschilo, Le Coefore: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Le Coefore: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 623 focus
Aeschylus, Choephori: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Choephori: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 623 focus
Cho.
Aeschylus, Die Totenspende: German translation (OCR draft) Experimental (Aeschylus, Die Totenspende: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 623 focus
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, The Libation-Bearers — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 623 focus
And since of the crimes of the cruel I tell, let my singing record
The bitter wedlock and loveless, the curse on these halls outpoured,
The crafty device of a woman, whereby did a chieftain fall,
710
A warrior stern in his wrath, the fear of his enemies all,—
A song of dishonour, untimely! and cold is the hearth that was warm,
And ruled by the cowardly spear, the woman's unwomanly arm.
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 623 focus
Doch nun ich so kundgethan so schweres Leid,
Was nennt' ich noch dieser Ch' unholden Bund,
Die der Fluch des Hauses ward,
Und wie des Weib's arge Listen ihn umstrickt,
625
Den Mann im erzhellen Kleid,
Den Mann, der einst aller Feinde Schrecken war?
Was ehrt' ich noch diesen ausgebrannten Herd,
Der Unmacht feigen Weibeszepter?
Dritte Gegenstrophe.
Commentary
Critical apparatus to The Libation Bearers (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of The Libation Bearers.) focus
608.
mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-391
Wecklein’s commentary on Choephoroi / Libation Bearers (1888; German; OCR draft) (Explanatory commentary, pp. 163–234; single HW42J8 OCR witness, conservatively retained. Unresolved OCR and provisional reference mappings are explicitly marked.) focus
607-608.
mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-336