Agamemnon. N. Wecklein. . 2026-09-06.
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Wecklein’s commentary on Agamemnon (1888; German; OCR draft) (German) (Explanatory commentary, pp. 30–140; Iowa and Harvard OCR collated conservatively. Unresolved OCR and provisional reference mappings are explicitly marked.)
Provisional text from uncorrected OCR; expect errors.
Editions (8)
Ἀγαμέμνων First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 367-487 focus
Χορός
Διὸς πλαγὰν ἔχουσιν εἰπεῖν,
πάρεστιν
1
τοῦτό γ᾽ ἐξιχνεῦσαι.
ἔπραξαν
2
ὡς ἔκρανεν. οὐκ ἔφα τις
θεοὺς βροτῶν ἀξιοῦσθαι μέλειν
370
ὅσοις ἀθίκτων χάρις
πατοῖθ᾽: ὁ δ᾽ οὐκ εὐσεβής.
πέφανται δ᾽ ἐκτίνου-
σα τόλμα τῶν
3
Ἄρη
375
πνεόντων μεῖζον ἢ δικαίως,
φλεόντων δωμάτων ὑπέρφευ
ὑπὲρ τὸ βέλτιστον. ἔστω δ᾽ ἀπή-
μαντον, ὥστ᾽ ἀπαρκεῖν
4
εὖ πραπίδων λαχόντα.
380
οὐ γὰρ ἔστιν ἔπαλξις
πλούτου πρὸς κόρον ἀνδρὶ
λακτίσαντι μέγαν
5
Δίκας
βωμὸν εἰς ἀφάνειαν.
Χορός
βιᾶται δ᾽ ἁ τάλαινα πειθώ,
385
προβούλου παῖς
6
ἄφερτος ἄτας.
ἄκος δὲ πᾶν μάταιον. οὐκ ἐκρύφθη,
πρέπει δέ, φῶς αἰνολαμπές, σίνος:
κακοῦ δὲ χαλκοῦ τρόπον
390
τρίβῳ τε
7
καὶ προσβολαῖς
μελαμπαγὴς πέλει
δικαιωθείς, ἐπεὶ
διώκει παῖς ποτανὸν
8
ὄρνιν,
πόλει πρόστριμμ᾽ ἄφερτον ἐνθείς.
9
395
λιτᾶν δ᾽ ἀκούει μὲν οὔτις θεῶν:
τὸν δ᾽ ἐπίστροφον τῶν
10
φῶτ᾽
11
ἄδικον καθαιρεῖ.
οἷος καὶ Πάρις ἐλθὼν
ἐς δόμον τὸν Ἀτρειδᾶν
400
ᾔσχυνε ξενίαν τράπε-
ζαν κλοπαῖσι γυναικός.
Χορός
λιποῦσα δ᾽ ἀστοῖσιν ἀσπίστοράς
τε καὶ
12
κλόνους λογχίμους
ναυβάτας <θ᾽>
13
ὁπλισμούς,
405
ἄγουσά τ᾽ ἀντίφερνον Ἰλίῳ φθορὰν
βέβακεν ῥίμφα διὰ πυλᾶν
ἄτλητα τλᾶσα: πολλὰ δ᾽ ἔστενον
14
τόδ᾽ ἐννέποντες δόμων προφῆται:
“ἰὼ ἰὼ δῶμα δῶμα καὶ πρόμοι,
410
ἰὼ λέχος καὶ στίβοι φιλάνορες.
πάρεστι σιγὰς ἀτίμους ἀλοιδόρους
15
πόθῳ δ᾽ ὑπερποντίας
φάσμα δόξει δόμων ἀνάσσειν.
415
εὐμόρφων δὲ κολοσσῶν
ἔχθεται χάρις ἀνδρί:
ὀμμάτων δ᾽ ἐν ἀχηνίαις
ἔρρει πᾶσ᾽ Ἀφροδίτα.
Χορός
ὀνειρόφαντοι δὲ πενθήμονες
420
πάρεισι δόξαι φέρου-
σαι χάριν ματαίαν.
μάταν γάρ, εὖτ᾽ ἂν ἐσθλά τις δοκῶν ὁρᾷ,
18
παραλλάξασα διὰ χερῶν,
βέβακεν ὄψις οὐ μεθύστερον
425
πτεροῖς ὀπαδοῦσ᾽
19
ὕπνου κελεύθοις.”
τὰ μὲν κατ᾽ οἴκους ἐφ᾽ ἑστίας ἄχη
τάδ᾽ ἐστὶ καὶ τῶνδ᾽ ὑπερβατώτερα.
τὸ πᾶν δ᾽ ἀφ᾽ Ἕλλανος
20
αἴας συνορμένοις
πένθεια τλησικάρδιος
21
430
δόμων ἑκάστου πρέπει.
πολλὰ γοῦν θιγγάνει πρὸς ἧπαρ:
οὓς μὲν γάρ <τισ>
22
ἔπεμψεν
οἶδεν, ἀντὶ δὲ φωτῶν
τεύχη καὶ σποδὸς εἰς ἑκά-
435
στου δόμους ἀφικνεῖται.
Χορός
ὁ χρυσαμοιβὸς δ᾽ Ἄρης σωμάτων
καὶ ταλαντοῦχος ἐν μάχῃ δορὸς
πυρωθὲν ἐξ Ἰλίου
440
φίλοισι πέμπει βραχὺ
23
ψῆγμα δυσδάκρυτον ἀν-
τήνορος σποδοῦ γεμί-
ζων λέβητας εὐθέτους.
24
στένουσι δ᾽ εὖ λέγοντες ἄν-
445
δρα τὸν μὲν ὡς μάχης ἴδρις,
τὸν δ᾽ ἐν φοναῖς καλῶς πεσόντ᾽
ἀλλοτρίας διαὶ
25
γυναι-
κός: τὰ δὲ
26
σῖγά τις βαΰ-
ζει: φθονερὸν δ᾽ ὑπ᾽ ἄλγος ἕρ-
450
πει προδίκοις Ἀτρείδαις.
οἱ δ᾽ αὐτοῦ περὶ τεῖχος
θήκας Ἰλιάδος γᾶς
εὔμορφοι κατέχουσιν: ἐ-
χθρὰ δ᾽ ἔχοντας ἔκρυψεν.
455
Χορός
βαρεῖα δ᾽ ἀστῶν φάτις ξὺν κότῳ:
δημοκράντου
27
δ᾽ ἀρᾶς τίνει χρέος.
μένει δ᾽ ἀκοῦσαί τί μου
μέριμνα νυκτηρεφές.
460
τῶν πολυκτόνων γὰρ οὐκ
ἄσκοποι θεοί. κελαι-
ναὶ δ᾽ Ἐρινύες χρόνῳ
τυχηρὸν ὄντ᾽ ἄνευ δίκας
παλιντυχεῖ
28
τριβᾷ βίου
465
τιθεῖσ᾽ ἀμαυρόν, ἐν δ᾽ ἀί-
στοις τελέθοντος οὔτις ἀλ-
κά: τὸ δ᾽ ὑπερκόπως
29
κλύειν
εὖ βαρύ: βάλλεται γὰρ ὄσ-
σοις Διόθεν κεραυνός.
470
κρίνω δ᾽ ἄφθονον ὄλβον:
μήτ᾽ εἴην πτολιπόρθης
μήτ᾽ οὖν αὐτὸς ἁλοὺς ὑπ᾽ ἄλ-
λων βίον κατίδοιμι.
Χορός
πυρὸς δ᾽ ὑπ᾽ εὐαγγέλου
30
475
πόλιν διήκει θοὰ
βάξις: εἰ δ᾽ ἐτήτυμος,
31
τίς οἶδεν, ἤ τι θεῖόν ἐστί πῃ
32
ψύθος.—
τίς ὧδε παιδνὸς ἢ φρενῶν κεκομμένος,
φλογὸς παραγγέλμασιν
480
νέοις πυρωθέντα καρδίαν ἔπειτ᾽
ἀλλαγᾷ λόγου καμεῖν;—
[ἐν]
33
γυναικὸς αἰχμᾷ πρέπει
πρὸ τοῦ φανέντος χάριν ξυναινέσαι.—
πιθανὸς ἄγαν ὁ θῆλυς ὅρος
34
ἐπινέμεται
485
ταχύπορος: ἀλλὰ ταχύμορον
γυναικογήρυτον ὄλλυται κλέος.—
Ἀγαμέμνων Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 367-487 focus
Χορός
Διὸς πλαγὰν ἔχουσιν εἰπεῖν,
πάρεστιν τοῦτό γʼ ἐξιχνεῦσαι.
ὡς ἔπραξεν ὡς ἔκρανεν. οὐκ ἔφα τις
θεοὺς βροτῶν ἀξιοῦσθαι μέλειν
370
ὅσοις ἀθίκτων χάρις
πατοῖθʼ· ὁ δʼ οὐκ εὐσεβής.
πέφανται δʼ ἐκτίνουσʼ
ἀτολμήτων ἀρὴ
375
πνεόντων μεῖζον ἢ δικαίως,
φλεόντων δωμάτων ὑπέρφευ
ὑπὲρ τὸ βέλτιστον. ἔστω δʼ ἀπή-
μαντον, ὥστʼ ἀπαρκεῖν
εὖ πραπίδων λαχόντα.
380
οὐ γὰρ ἔστιν ἔπαλξις
πλούτου πρὸς κόρον ἀνδρὶ
λακτίσαντι μέγαν Δίκας
βωμὸν εἰς ἀφάνειαν.
Χορός
βιᾶται δʼ ἁ τάλαινα πειθώ,
385
προβούλου παῖς ἄφερτος ἄτας.
ἄκος δὲ πᾶν μάταιον. οὐκ ἐκρύφθη,
πρέπει δέ, φῶς αἰνολαμπές, σίνος·
κακοῦ δὲ χαλκοῦ τρόπον
390
τρίβῳ τε καὶ προσβολαῖς
μελαμπαγὴς πέλει
δικαιωθείς, ἐπεὶ
διώκει παῖς ποτανὸν ὄρνιν,
πόλει πρόστριμμʼ ἄφερτον ἐνθείς.
395
λιτᾶν δʼ ἀκούει μὲν οὔτις θεῶν·
τὸν δʼ ἐπίστροφον τῶν
φῶτʼ ἄδικον καθαιρεῖ.
οἷος καὶ Πάρις ἐλθὼν
ἐς δόμον τὸν Ἀτρειδᾶν
400
ᾔσχυνε ξενίαν τράπε-
ζαν κλοπαῖσι γυναικός.
Χορός
λιποῦσα δʼ ἀστοῖσιν ἀσπίστοράς
τε καὶ κλόνους λογχίμους
ναυβάτας
θʼ ὁπλισμούς,
405
ἄγουσά τʼ ἀντίφερνον Ἰλίῳ φθορὰν
βέβακεν ῥίμφα διὰ
πυλᾶν ἄτλητα τλᾶσα· πολλὰ δʼ ἔστενον
τόδʼ ἐννέποντες δόμων προφῆται·
ἰὼ ἰὼ δῶμα δῶμα καὶ πρόμοι,
410
ἰὼ λέχος καὶ στίβοι φιλάνορες.
πάρεστι σιγὰς ἀτίμους ἀλοιδόρους
ἄλγιστʼ ἀφημένων ἰδεῖν.
πόθῳ δʼ ὑπερποντίας
φάσμα δόξει δόμων ἀνάσσειν.
415
εὐμόρφων δὲ κολοσσῶν
ἔχθεται χάρις ἀνδρί·
ὀμμάτων δʼ ἐν ἀχηνίαις
ἔρρει πᾶσʼ Ἀφροδίτα.
Χορός
ὀνειρόφαντοι δὲ πενθήμονες
420
πάρεισι δόξαι φέρου-
σαι χάριν ματαίαν.
μάταν γάρ, εὖτʼ ἂν ἐσθλά τις δοκῶν ὁρᾷ,
παραλλάξασα διὰ
χερῶν βέβακεν ὄψις οὐ μεθύστερον
425
πτεροῖς ὀπαδοῦσʼ ὕπνου κελεύθοις.
τὰ μὲν κατʼ οἴκους ἐφʼ ἑστίας ἄχη
τάδʼ ἐστὶ καὶ τῶνδʼ ὑπερβατώτερα.
τὸ πᾶν δʼ ἀφʼ Ἕλλανος αἴας συνορμένοις
πένθειʼ ἀτλησικάρδιος
430
δόμων ἑκάστου πρέπει.
πολλὰ γοῦν θιγγάνει πρὸς ἧπαρ·
οὓς μὲν γάρ
τις ἔπεμψεν
οἶδεν, ἀντὶ δὲ φωτῶν
τεύχη καὶ σποδὸς εἰς ἑκά-
435
στου δόμους ἀφικνεῖται.
Χορός
ὁ χρυσαμοιβὸς δʼ Ἄρης σωμάτων
καὶ ταλαντοῦχος ἐν μάχῃ δορὸς
πυρωθὲν ἐξ Ἰλίου
440
φίλοισι πέμπει βαρὺ
ψῆγμα δυσδάκρυτον ἀν-
τήνορος σποδοῦ γεμί-
ζων λέβητας εὐθέτους.
στένουσι δʼ εὖ λέγοντες ἄν-
445
δρα τὸν μὲν ὡς μάχης ἴδρις,
τὸν δʼ ἐν φοναῖς καλῶς πεσόντʼ—
ἀλλοτρίας διαὶ γυναι-
κός· τάδε σῖγά τις βαΰ-
ζει, φθονερὸν δʼ ὑπʼ ἄλγος ἕρ-
450
πει προδίκοις Ἀτρείδαις.
οἱ δʼ αὐτοῦ περὶ τεῖχος
θήκας Ἰλιάδος γᾶς
εὔμορφοι κατέχουσιν· ἐχ-
θρὰ δʼ ἔχοντας ἔκρυψεν.
455
Χορός
βαρεῖα δʼ ἀστῶν φάτις ξὺν κότῳ·
δημοκράντου δʼ ἀρᾶς τίνει χρέος.
μένει δʼ ἀκοῦσαί τί μου
μέριμνα νυκτηρεφές.
460
τῶν πολυκτόνων γὰρ οὐκ
ἄσκοποι θεοί. κελαι-
ναὶ δʼ Ἐρινύες χρόνῳ
τυχηρὸν ὄντʼ ἄνευ δίκας
παλιντυχεῖ τριβᾷ βίου
465
τιθεῖσʼ ἀμαυρόν, ἐν δʼ ἀί-
στοις τελέθοντος οὔτις ἀλ-
κά· τὸ δʼ ὑπερκόπως κλύειν
εὖ βαρύ· βάλλεται γὰρ ὄσ-
σοις Διόθεν κάρανα.
470
κρίνω δʼ ἄφθονον ὄλβον·
μήτʼ εἴην πτολιπόρθης
μήτʼ οὖν αὐτὸς ἁλοὺς ὑπʼ ἄλ-
λων βίον κατίδοιμι.
Χορός
πυρὸς δʼ ὑπʼ εὐαγγέλου
475
πόλιν διήκει θοὰ
βάξις· εἰ δʼ ἐτήτυμος,
τίς οἶδεν, ἤ τι θεῖόν ἐστί πῃ ψύθος.—
τίς ὧδε παιδνὸς ἢ φρενῶν κεκομμένος,
φλογὸς παραγγέλμασιν
480
νέοις πυρωθέντα καρδίαν ἔπειτʼ
ἀλλαγᾷ λόγου καμεῖν;—
ἐν γυναικὸς αἰχμᾷ πρέπει
πρὸ τοῦ φανέντος χάριν ξυναινέσαι.—
πιθανὸς ἄγαν ὁ θῆλυς ὅρος ἐπινέμεται
485
ταχύπορος· ἀλλὰ ταχύμορον
γυναικογήρυτον ὄλλυται κλέος.—
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Guilielmus Dindorfius, 1882.) — 420 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Gottfried Hermann, 1852.) — 420 focus
ὀνειρόφαντοι δὲ πενθήμονες
πάρεισι δόξαι φέρουσαι χάριν ματαίαν.
μάταν γάρ, εὖτ᾽ ἂν ἐσθλά τις δοκῶν ὁρᾶν,
παραλλαγαῖσι διὰ χερῶν
405
βέβακεν ὄψις οὐ μεθύστερον
πτεροῖς ὀπαδοῦσ᾽ ὕπνου κελεύθοις.
τὰ μὲν κατ' οἴκους ἐφ᾽ ἑστίας ἄχη
τάδ᾽ ἐστὶ καὶ τῶνδ᾽ ὑπερβατώτερα.
τὸ πᾶν δ᾽ ἀφ᾽ Ἑλλανίδος γᾶς ὁρμωμένοις
410
πένθεια πλησικάρδιος
δόμων ἑκάστου πρέπει.
στρ. γ'.
πολλὰ γοῦν θιγγάνει πρὸς ἧπαρ·
οὓς μὲν γάρ τις ἔπεμψεν
οἶδεν, ἀντὶ δὲ φωτῶν
415
τεύχη καὶ σποδὸς εἰς ἑκά-
στου δόμους ἀφικνεῖται.
ΑΓΑΜΕΜΝΩΝ (OCR draft) Experimental (ΑΓΑΜΕΜΝΩΝ. Paul Mazon, 1920-1925.) — 420 focus
ὀνειρόφαντοι δὲ πενθήμονες
420
πάρεισι δόξαι φέρου-
σαι χάριν ματαίαν·
μάταν γάρ, εὖτ' ἂν ἐσθλά τις δοκῶν ὁρᾶν,
παραλλάξασα διὰ
χερῶν
χειρῶν βέβα-
κεν ὄψις οὐ μεθύστερον,
425
πτεροῖς
ὀπαδοῦσ'
-δοῖς ὕπνου κελεύθοις. »
Τὰ μὲν κατ' οἴκους ἐφ' ἑστίας ἄχη
τάδ' ἐστί, καὶ τῶνδ' ὑπερβατώτερα·
τὸ πᾶν δ' ἀφ'
Ἕλλανος
Ἑλλάδος αἴας συνορμένοις
πένθει' ἀτλησικάρδιος
πένθεια τλη-
430
δόμῳ 'ν
δόμων ἑκάστου πρέπει· πολλὰ γοῦν
θιγγάνει πρὸς ἦπαρ·
οὓς μὲν γάρ <
τις
om.>
ἔπεμψεν
πέμψεν
οἶδεν, ἀντὶ δὲ
φωτῶν
βροτῶν
ΧΟΡΟΣ
τεύχη καὶ σποδὸς
εἰς
πρὸς ἑκά-
435
στου
δόμους ἀφ-
τοὺς δόμους εἰσαφ-ικνεῖται.
Str. 3.
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. N. Wecklein, 1885.) — 420 focus
ΑΓΑΜΕΜΝΩΝ
πένθεια τλησικάρδιος
δόμων ἑκάστου πρέπει.
πολλὰ γοῦν θιγγάνει πρὸς ἤπαρ'
440
Οὓς μὲν γάρ τις ἔπεμψεν
οἶδεν, ἀντὶ δὲ φωτῶν
τεύχη καὶ σποδὸς εἰς ἑκά-
στου δόμους ἀφικνεῖται.
3
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Martin L. West, 1990.) — 420 focus
Aeschyli Agamemnon (OCR draft) Experimental (Aeschyli Agamemnon. Ulrich von Wilamowitz-Moellendorff, 1914.) — 420 focus
Translations (9)
Agamemnon Perseus (Aeschylus. The poetical works of Robert Browning, Volume 13. Browning, Robert, translator; Berdoe, Edward, editor. London: Smith, Elder and Co., 1889.) — 367-487 focus
CHOROS.
The stroke of Zeus — they have it, as men say!
This, at least, from the source track forth we may!
As he ordained, so has he done.
No — said someone —
The gods think fit to care
370
Nowise for mortals, such
As those by whom the good and fair
Of things denied their touch
Is trampled! but he was profane.
That they do care, has been made plain
375
To offspring of the over-bold,
Outbreathing
Ares greater than is just —
Houses that spill with more than they can hold,
More than is best for man. Be man’s what must
Keep harm off, so that in himself he find
380
Sufficiency — the well-endowed of mind!
For there’s no bulwark in man’s wealth to him
Who, through a surfeit, kicks — into the dim
And disappearing — Right’s great altar.
385
Yes —
385
It urges him, the sad persuasiveness,
Até’s insufferable child that schemes
Treason beforehand: and all cure is vain.
It is not hidden: out it glares again,
A light dread-lamping-mischief, just as gleams
The badness of the bronze;
390
Through rubbing, puttings to the touch,
Black-clotted is he, judged at once.
He seeks — the boy — a flying bird to clutch,
The insufferable brand
Setting upon the city of his land
395
Whereof not any god hears prayer;
While him who brought about such evils there,
That unjust man, the god in grapple throws.
Such an one, Paris goes
Within the Atreidai’s house —
400
Shamed the guest’s board by robbery of the spouse.
403
And, leaving to her townsmen throngs a-spread
With shields, and spear-thrusts of sea-armament,
And bringing
Ilion
, in a dowry’s stead,
405
Destruction — swiftly through the gates she went,
Daring the undareable. But many a groan outbroke
From prophets of the House as thus they spoke.
Woe, woe the House, the House and Rulers, — woe
The marriage-bed and dints
410
A husband’s love imprints!
There she stands silent! meets no honour — no
Shame — sweetest still to see of things gone long ago!
And, through desire of one across the main,
A ghost will seem within the house to reign.
415
And hateful to the husband is the grace
Of well-shaped statues: from — in place of eyes
Those blanks — all Aphrodite dies.
420
But dream-appearing mournful fantasies —
420
There they stand, bringing grace that’s vain.
For vain ’t is, when brave things one seems to view;
The fantasy has floated off, hands through;
Gone, that appearance, — nowise left to creep, —
425
On wings, the servants in the paths of sleep!
Woes, then, in household and on hearth, are such
As these—and woes surpassing these by much.
But not these only: everywhere —
For those who from the land
Of
Hellas
issued in a band,
Sorrow, the heart must bear,
430
Sits in the home of each, conspicuous there.
Many a circumstance, at least,
Touches the very breast.
For those
Whom any sent away, — he knows:
And in the live man’s stead,
Armour and ashes reach
435
The house of each.
437
For Ares, gold-exchanger for the dead,
And balance-holder in the fight o’ the spear,
Due-weight from
Ilion
sends —
What moves the tear on tear —
440
A charred scrap to the friends:
Filling with well-packed ashes every urn,
For man — that was — the sole return.
And they groan — praising much, the while,
Now this man as experienced in the strife,
445
Now that, fallen nobly on a slaughtered pile,
Because of — not his own — another’s wife.
But things there be, one barks,
When no man harks:
A surreptitious grief that’s grudge
450
Against the Atreidai who first sought the judge.
But some there, round the rampart, have
In Ilian earth, each one his grave:
All fair-formed as at birth,
It hid them — what they have and hold — the hostile earth.
455
456
And big with anger goes the city’s word,
And pays a debt by public curse incurred.
And ever with me— as about to hear
A something night-involved — remains my fear:
460
Since of the many-slayers — not
Unwatching are the gods.
The black Erinues, at due periods —
Whoever gains the lot
Of fortune with no right —
Him, by life’s strain and stress
465
Back-again-beaten from success,
They strike blind: and among the out-of-sight
For who has got to be, avails no might.
The being praised outrageously
Is grave, for at the eyes of such an one
Is launched, from Zeus, the thunder-stone.
470
Therefore do I decide
For so much and no more prosperity
Than of his envy passes unespied.
Neither a city-sacker would I be,
Nor life, myself by others captive, see.
475
A swift report has gone our city through,
475
From fire, the good-news messenger: if true,
Who knows? Or is it not a god-sent lie?
Who is so childish and deprived of sense
That, having, at announcements of the flame
480
Thus novel, felt his own heart fired thereby,
He then shall at a change of evidence,
Be worsted just the same?
It is conspicuous in a woman’s nature,
Before its view to take a grace for granted:
Too trustful, — on her boundary, usurpature
485
Is swiftly made;
But swiftly, too, decayed,
The glory perishes by woman vaunted.
The Agamemnon (OCR draft) Experimental (The Agamemnon. Theodore Alois Buckley, 1849.) — 420 focus
AGAMEMNON (OCR draft) Experimental (AGAMEMNON. Paul Mazon, 1920-1925.) — 420 focus
Et, dans ses rêves, des apparitions douloureuses ne lui apportent que vaines joies ; car c'est bien vanité, si du bonheur
qu'on croit voir la vision glisse rapide entre vos bras, pour s'enfuir à tire d'ailes sur le sillage du sommeil 1 . » Tels sont les chagrins qu'aux pieds mêmes de son foyer enferme cette demeure — tels, et plus cruels encore. Mais dans toutes les maisons d'où des guerriers partirent loin de la terre grecque
le deuil règne, pour chacune accablant. Une pensée obsédante, en tout cas, point les cœurs.
LE CHŒUR
l'on a vus partir ;
l'on a vus partir ;
Agamemnon (OCR draft) Experimental (Agamemnon. Robert Potter, 1779.) — 420 focus
Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 420 focus
CORIFEO
2
di scorgere t'illudi, la parvenza dileguasi
dalle man', rapidissima,
pei tramiti del sogno sovra penne leggere ».
Tale nei lari, tale nella reggia il cordoglio.
Ed altri puoi vederne anche piú miserevoli :
485
ché quanti dalla terra partian d'Ellade a schiere,
nelle lor case, duolo
che sopra i cuori aggravasi
omai domina solo.
Ché il novero ciascun fa dei suoi cari
490
che mossero alla gesta;
ma riede or la funesta
urna, ma riede cenere
d'uomini invece, ai lari.
3
Aeschylus, Agamemnon: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Agamemnon: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 420 focus
Aeschylus, Agamemnon: German translation (OCR draft) Experimental (Aeschylus, Agamemnon: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 420 focus
Chor.
Missetat hat ihr eigen furchtbar Licht, das birgt man nicht.
390
An den Tag kommt sie, schwarz wie falsches Geld,
dem die Zeit den erlog'nen Silberschimmer abgerieben.
425
Eitel wie des Knaben Sprünge, der den flücht'gen Vogel hascht,
395
ist sein Ringen. Das Verderben wälzt er von den Seinen nicht.
Keinen Gott rührt sein Fleh'n.
400
Seine Taten seh'n sie an.
Ihr Gericht schlägt den Frevler nieder.
430
So kam Alexandros
ins Haus der Atreiden,
entweihte den Frieden des Gastrechts,
entführte die Herrin des Hauses.
435
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, Agamemnon — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 420 focus
And when the night is deep,
Come visions sweet and sad and bearing pain
Of hopings vain—
500
Void, void and vain, for scarce the sleeping sight
Has seen its old delight,
When thro' the grasps of love that bid it stay
It vanishes away
On silent wings that roam adown the ways of sleep.
505
Such are the sights, the sorrows fell,
About our hearth—and worse, whereof I may not tell.
But, all the wide town o'er,
Each home that sent its master far away
From Hellas' shore,
510
Feels the keen thrill of heart, the pang of loss, to-day.
For, truth to say,
The touch of bitter death is manifold!
Familiar was each face, and dear as life,
That went unto the war,
515
But thither, whence a warrior went of old,
Doth nought return,
Only a spear and sword, and ashes in an urn!
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos, Band I, Agamemnon. Independent Donner line citations, Smyth card correspondence, twelve located textual notes and opening metrical facsimiles. Unfinished OCR proofreading and note attribution are documented in the review inventory.) — 420 focus
In Traumgestalt schmeicheln Wahnbilder ihm,
Sein sehnsüchtig Leid weckend, voll nichtig süßen Truges.
400
Denn wenn du schlummernd Holdes wähnst zu schau'n, entschlüpft
Das eitle Traumgesicht und schwingt
Sich flüchtig unter deiner Hand hinweg
Auf Flügeln, die des Schlafes Bahnen folgen.
So lagert sich rings um Haus und Herd das Leid,
405
Und andres droht, bittrer, ungeheurer noch.
Wo Männer aus Achäa mit hinausgeschifft,
Da tönt in jedes Hause, herz-
zerschneidend, endloses Leid.
Vieles rührt bang an's tiefste Leben:
410
Denn wen Einer gesendet,
Weiß er; doch an des Mannes
Statt kehrt heim in jegliches Haus
Nur die Wehr mit der Asche.
Dritte Strophe.
Notes on the current edition
Agamemnon
Commentary
Critical apparatus to Agamemnon (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Agamemnon.) focus
429.
mvp-aeschylus-tlg0085-tlg005-hermann1852-appcrit-lat1-281
Wecklein’s commentary on Agamemnon (1888; German; OCR draft) (Explanatory commentary, pp. 30–140; Iowa and Harvard OCR collated conservatively. Unresolved OCR and provisional reference mappings are explicitly marked.) focus
379-480.
mvp-aeschylus-tlg0085-tlg005-wecklein1888-com-ger1-224
429.
mvp-aeschylus-tlg0085-tlg005-wecklein1888-com-ger1-249