Aeschylus Agamemnon 420

Theodore Alois Buckley (Translator)

And melancholy visions, appearing in dreams, present themselves, bringing a vain delight; for vain it is when any one seeming to see blessings, the vision having slipped through his hands, passes away forthwith on the pinions that lackey on the paths of sleep.” These, indeed, are the sorrows at the hearth 2 , within the mansion, but there are sorrows surpassing these. And universally because of the heroes who went together from the land of Hellas, the sorrow of a patient spirit from the families of each is plainly observable. Many things of a truth touch them to the core; for those whom any one sent forth, he knows, but, instead of men, urns and ashes come back to the dwellings of each.

Agamemnon. Aeschylus. Theodore Alois Buckley (Translator). London. 1849.

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Funding provided by Volunteer.

Current edition Experimental

The Agamemnon (OCR draft) (English) (The Agamemnon. Theodore Alois Buckley, 1849.)

Provisional text from uncorrected OCR; expect errors.

Editions (8)
Ἀγαμέμνων First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 367-487 focus
Ἀγαμέμνων Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 367-487 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Guilielmus Dindorfius, 1882.) — 420 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Gottfried Hermann, 1852.) — 420 focus
ὀνειρόφαντοι δὲ πενθήμονες
πάρεισι δόξαι φέρουσαι χάριν ματαίαν.
μάταν γάρ, εὖτ᾽ ἂν ἐσθλά τις δοκῶν ὁρᾶν,
παραλλαγαῖσι διὰ χερῶν
405
βέβακεν ὄψις οὐ μεθύστερον
πτεροῖς ὀπαδοῦσ᾽ ὕπνου κελεύθοις.
τὰ μὲν κατ' οἴκους ἐφ᾽ ἑστίας ἄχη
τάδ᾽ ἐστὶ καὶ τῶνδ᾽ ὑπερβατώτερα.
τὸ πᾶν δ᾽ ἀφ᾽ Ἑλλανίδος γᾶς ὁρμωμένοις
410
πένθεια πλησικάρδιος
δόμων ἑκάστου πρέπει.
στρ. γ'.
πολλὰ γοῦν θιγγάνει πρὸς ἧπαρ·
οὓς μὲν γάρ τις ἔπεμψεν
οἶδεν, ἀντὶ δὲ φωτῶν
415
τεύχη καὶ σποδὸς εἰς ἑκά-
στου δόμους ἀφικνεῖται.
ΑΓΑΜΕΜΝΩΝ (OCR draft) Experimental (ΑΓΑΜΕΜΝΩΝ. Paul Mazon, 1920-1925.) — 420 focus
ὀνειρόφαντοι δὲ πενθήμονες
420
πάρεισι δόξαι φέρου-
σαι χάριν ματαίαν·
μάταν γάρ, εὖτ' ἂν ἐσθλά τις δοκῶν ὁρᾶν,
παραλλάξασα διὰ χερῶν χειρῶν βέβα-
κεν ὄψις οὐ μεθύστερον,
425
πτεροῖς ὀπαδοῦσ' -δοῖς ὕπνου κελεύθοις. »
Τὰ μὲν κατ' οἴκους ἐφ' ἑστίας ἄχη
τάδ' ἐστί, καὶ τῶνδ' ὑπερβατώτερα·
τὸ πᾶν δ' ἀφ' Ἕλλανος Ἑλλάδος αἴας συνορμένοις
πένθει' ἀτλησικάρδιος πένθεια τλη-
430
δόμῳ 'ν δόμων ἑκάστου πρέπει· πολλὰ γοῦν
θιγγάνει πρὸς ἦπαρ·
οὓς μὲν γάρ < τις om.> ἔπεμψεν πέμψεν
οἶδεν, ἀντὶ δὲ φωτῶν βροτῶν
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. N. Wecklein, 1885.) — 420 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Martin L. West, 1990.) — 420 focus
ὀνειρόφαντοι δὲ πενθήμονες
420
πάρεισι δόξαι φέρουσαι χάριν ματαίαν·
μάταν γάρ, εὖτ᾽ ἂν ἐσθλά τις δοκῶν ὁρᾶν,
παραλλάξασα διὰ
χερῶν βέβακεν ὄψις, οὐ μεθύστερον
425
πτεροῖς ὀπαδοῦσ᾽ ὕπνου κελεύθοις.᾽
τὰ μὲν κατ᾽ οἴκους ἐφ᾽ ἑστίας ἄχη
τάδ᾽ ἐστὶ καὶ τῶνδ᾽ ὑπερβατώτερα·
τὸ πᾶν δ᾽ ἀφ᾽ Ἕλλανος αἴας ξυνορμένων ἀπέν- τὸ πᾶν δ᾽ ἀφ᾽ Ἕλλανος αἴας ξυνορμένων ⟨ἀλ⟩πέν-
θεια τλησικάρδιος
430
δόμοις ἑκάστου πρέπει,
πολλὰ δ᾽ οὖν θιγγάνει πρὸς ἧπαρ᾽
- x οὓς μὲν ἔπεμψεν
οἶδεν, ἀντὶ δὲ φωτῶν
τεύχη καὶ σποδὸς εἰς ἑκάσ-
435
του δόμους ἀφικνεῖται.
Aeschyli Agamemnon (OCR draft) Experimental (Aeschyli Agamemnon. Ulrich von Wilamowitz-Moellendorff, 1914.) — 420 focus
ὀνειρόφαντοι δὲ πενθήμονες
πάρεισι δόξαι φέρουσαι χάριν ματαίαν.
420
μάταν γάρ, εὔτ᾽ ἂν ἐσθλά τις δοκῶν ὁρᾶι,
παραλλάξασα διὰ χερῶν βέβα-
κεν ὄψις οὐ μεθύστερον
πτεροῖς ὀπαδοῦσ᾽ ὕπνου κελεύθοις.
τὰ μὲν κατ᾿ οἴκους ἐφ᾽ ἑστίας ἄχη
425
τάδ᾽ ἐστὶ καὶ τῶνδ᾽ ὑπερβατώτερα.
τὸ πᾶν δ᾽ ἀφ᾽ Ἕλλαδος αἴας συνορμένοις ἀπέν-
θεια τλησικάρδιος
δόμοις ἑκάστου πρέπει.
πολλὰ γοῦν θιγγάνει πρὸς ἦπαρ·
430
οὓς μὲν γάρ τις ἔπεμψεν
οἶδεν, ἀντὶ δὲ φωτῶν
τεύχη καὶ σποδὸς εἰς ἑκά-
στου δόμους ἀφικνεῖται.
Translations (8)
Agamemnon Perseus (Aeschylus. The poetical works of Robert Browning, Volume 13. Browning, Robert, translator; Berdoe, Edward, editor. London: Smith, Elder and Co., 1889.) — 367-487 focus
AGAMEMNON (OCR draft) Experimental (AGAMEMNON. Paul Mazon, 1920-1925.) — 420 focus
commander dans cette maison.
Agamemnon (OCR draft) Experimental (Agamemnon. Robert Potter, 1779.) — 420 focus
“Tho’ careless of her former loves
470
“Far o’er the rolling ſea the wanton roves:
Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 420 focus
Antistrofe II
E a far piú grave il lutto, surgon nei sogni immagini
che vana gioia arrecano: ben vana allor che un gaudio
480
Aeschylus, Agamemnon: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Agamemnon: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 420 focus
Aeschylus, Agamemnon: German translation (OCR draft) Experimental (Aeschylus, Agamemnon: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 420 focus
giebt ihm den Gedanken,
zeugt den Trug
420
süßer Selbstverführung.
Er erliegt: seine Schuld kann er nimmer löschen.
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, Agamemnon — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 420 focus
And when the night is deep,
Come visions sweet and sad and bearing pain
Of hopings vain—
500
Void, void and vain, for scarce the sleeping sight
Has seen its old delight,
When thro' the grasps of love that bid it stay
It vanishes away
On silent wings that roam adown the ways of sleep.
505
Such are the sights, the sorrows fell,
About our hearth—and worse, whereof I may not tell.
But, all the wide town o'er,
Each home that sent its master far away
From Hellas' shore,
510
Feels the keen thrill of heart, the pang of loss, to-day.
For, truth to say,
The touch of bitter death is manifold!
Familiar was each face, and dear as life,
That went unto the war,
515
But thither, whence a warrior went of old,
Doth nought return,
Only a spear and sword, and ashes in an urn!
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos, Band I, Agamemnon. Independent Donner line citations, Smyth card correspondence, twelve located textual notes and opening metrical facsimiles. Unfinished OCR proofreading and note attribution are documented in the review inventory.) — 420 focus
In Traumgestalt schmeicheln Wahnbilder ihm,
Sein sehnsüchtig Leid weckend, voll nichtig süßen Truges.
400
Denn wenn du schlummernd Holdes wähnst zu schau'n, entschlüpft
Das eitle Traumgesicht und schwingt
Sich flüchtig unter deiner Hand hinweg
Auf Flügeln, die des Schlafes Bahnen folgen.
So lagert sich rings um Haus und Herd das Leid,
405
Und andres droht, bittrer, ungeheurer noch.
Wo Männer aus Achäa mit hinausgeschifft,
Da tönt in jedes Hause, herz-
zerschneidend, endloses Leid.
Vieles rührt bang an's tiefste Leben:
410
Denn wen Einer gesendet,
Weiß er; doch an des Mannes
Statt kehrt heim in jegliches Haus
Nur die Wehr mit der Asche.
Dritte Strophe.

Commentary

Critical apparatus to Agamemnon (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Agamemnon.) focus

108. mvp-aeschylus-tlg0085-tlg005-hermann1852-appcrit-lat1-66

ἥβας Hunc quoque versum habet Aristophanes Ran. v.1317. (1284.) apud quem vulgo ut in Aeschyli libris
ἥβαν
legitur, sed codices Rav. Ven. aliique veram lectionem
ἥβας
conservarunt. Scholiastes ibi
δίθρονον δὲ κράτος, αὐτόν τε καὶ τὸν Μενέλαον. ἀκμὴν δὲ τὴν νεότητα. ἔστι δὲ ἀναπόδοτον.
Scilicet
ἥβαν
erant
ἀκμήν
interpretati, ex quo in nonnullis Aristophanis codicibus ad
ἥβας
adscriptum est
ἀκμῆς, ἰσχύος
.
108

Wecklein’s commentary on Agamemnon (1888; German; OCR draft) (Explanatory commentary, pp. 30–140; Iowa and Harvard OCR collated conservatively. Unresolved OCR and provisional reference mappings are explicitly marked.) focus

40-269. mvp-aeschylus-tlg0085-tlg005-wecklein1888-com-ger1-26

Parodos, bestehend (wie die Parodos der Perser und der Hiketides) aus drei Teilen, dem Recitativ des Chorführers in Anapästen 40-103, dem Gesang des Chorführers mit ἐπιφθέγματα (124) des Gesamtchores 104-169, dem Chorgesang 170-269. Der erste Teil beginnt mit der Schuld und Sühne der Trojaner, legt die äufseren Verhältnisse dar und giebt mit dem Verlangen zu erfahren, was die überall auf den Altären der Stadt angezündeten Opferfeuer zu bedeuten haben (83-87) die Motivierung für das Auftreten des Chors. Der zweite Teil berichtet eine Weissagung des Kalchas, welche ängstliche Besorgnis in betreff des Heerführers weckt. Der dritte begründet diese Besorgnis mit sittlichen Grundsätzen und erklärt das Leiden, das den siegreichen Agamemnon erwartet, als Sühne für eine Schuld, für die unerhörte Opferung der eigenen Tochter.