Aeschylus Agamemnon 238

Theodore Alois Buckley (Translator)

And pouring to the ground her vestments of saffron dye, she smote each of her sacrificers with a piteous glance from her eye, and remarkable in her beauty as in a picture , wishing to speak; since oft times in the hospitable halls of her father she was wont to sing, and undeflowered in maidenhood, to do honour with fond respect by her voice to the life of her father happy to a third libation 1 .

Agamemnon. Aeschylus. Theodore Alois Buckley (Translator). London. 1849.

Sponsored by Perseus Project, Tufts University.

Funding provided by Volunteer.

Current edition Experimental

The Agamemnon (OCR draft) (English) (The Agamemnon. Theodore Alois Buckley, 1849.)

Provisional text from uncorrected OCR; expect errors.

Editions (8)
Ἀγαμέμνων First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 258-366 focus
Ἀγαμέμνων Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 258-366 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Guilielmus Dindorfius, 1882.) — 238 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Gottfried Hermann, 1852.) — 238 focus
βίᾳ χαλινῶν τ' ἀναύδῳ μένει.
στρ. ς'.
κρόκου βαφὰς δ᾽ ἐς πέδον χέουσα
ἔβαλλ᾽ ἕκαστον θυτήρων
225
ἀπ᾽ ὄμματος βέλει φιλοίκτῳ,
πρέπουσα θ᾽ ὡς ἐν γραφαῖς, προςεννέπειν
θέλουσ', ἐπεὶ πολλάκις
πατρὸς κατ' ἀνδρῶνας εὐτραπέζους
ἔμελψεν· ἁγνᾷ δ᾽ ἀταύρωτος αὐδᾷ πατρὸς φίλου
230
τριτόσπονδον εὔποτμον
παιῶνα φίλως ἐτίμα.
ἀντ. ς'.
ΑΓΑΜΕΜΝΩΝ (OCR draft) Experimental (ΑΓΑΜΕΜΝΩΝ. Paul Mazon, 1920-1925.) — 238 focus
βίᾳ χαλινῶν τ' δ' ἀναύδῳ -δων μένει·
Str. 5.
κρόκου βαφὰς δ' βαφὰς ἐς πέδον χέουσα
ἔβαλλ' ἕκαστον θυτή-
ρων ἀπ' ὄμματος ὀμμάτων βέλει
235
φιλοίκτῳ, πρέπουσά θ' ὡς
ἐν γραφαῖς προσεννέπειν
θέλουσ', ἐπεὶ πολλάκις
πατρὸς κατ' ἀνδρῶνας εὐτραπέζους
ἔμελψεν, ἁγνᾷ ἁγνὰ δ' ἀταύ-
240
ρωτος αὐδᾷ αὐδὰ πατρὸς
φίλου τριτόσπονδον εὔ-
ποτμον
εὐπόταμον εὔποτον
παιᾶνα αἰῶνα φίλως ἐτίμα.
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. N. Wecklein, 1885.) — 238 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Martin L. West, 1990.) — 238 focus
βίαι χαλινῶν τ᾽ ἀναύδωι μένει.
κρόκου βαφὰς δ᾽ εἰς πέδον χέουσα
ἔβαλλ᾽ ἕκαστον θυτήρων ἀπ᾽ ὄμματος βέλει
240
φιλοίκτωι, πρέπουσα τὼς
ἐν γραφαῖς, προσεννέπειν
θέλουσ᾽, ἐπεὶ πολλάκις
πατρὸς κατ' ἀνδρῶνας εὐτραπέζους
ἔμελψεν, ἁγνᾶι δ᾽ ἀταύρωτος αὐδᾷ πατρὸς
245
φίλου τριτόσπονδον εὔ-
ποτμον παιῶνα φίλως ἐτίμα. ποτμον ⟨αἰ⟩ῶνα φίλως ἐτίμα.
Aeschyli Agamemnon (OCR draft) Experimental (Aeschyli Agamemnon. Ulrich von Wilamowitz-Moellendorff, 1914.) — 238 focus
βίαι χαλινῶν τ᾽ ἀναύδωι μένει
κρόκου βαφὰς [δ᾽] ἐς πέδον χέουσα
ἔβαλλ᾽ ἕκαστον θυτήρων ἀπ᾿ ὄμ-
240
ματος βέλει φιλοίκτωι,
πρέπουσ᾽ ὅπως ἐν γραφαῖς, προσεννέπειν
θέλουσ᾽, ἐπεὶ πολλάκις
πατρὸς κατ᾿ ἀνδρῶνας εὐτραπέζους
ἔμελψεν. ἁγνᾶι δ᾽ ἀταύρωτος αὐδᾶι πατρὸς
245
φίλου τριτόσπονδον εὔ-
ποτμον παιῶνα φίλως ἐτίμα. –
Translations (9)
Agamemnon Perseus (Aeschylus. The poetical works of Robert Browning, Volume 13. Browning, Robert, translator; Berdoe, Edward, editor. London: Smith, Elder and Co., 1889.) — 258-366 focus
AGAMEMNON (OCR draft) Experimental (AGAMEMNON. Paul Mazon, 1920-1925.) — 238 focus
pour que, telle une chèvre, au-dessus de l'autel, couverte de ses voiles et désespérément s'attachant à la terre,
elle soit saisie, soulevée, cependant qu'un bâillon fermant sa belle bouche arrêtera toute imprécation sur les siens 1 Cela par la force, la brutalité muette d'un frein ! Mais, tandis que sa robe teinte de safran coule sur le sol 2 , le trait
de son regard va blesser de pitié chacun de ses bourreaux. Elle semble
Agamemnon (OCR draft) Experimental (Agamemnon. Robert Potter, 1779.) — 238 focus
Rent on the earth her maiden veil ſhe throws
That emulates the roſe;
And on the ſad attendants rolling
The trembling luſtre of her dewy eyes,
255
Their grief-empaſſion’d ſouls controlling,
Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 238 focus
Strofe VI
265
Al suolo essa le crocee
vesti gittò: dal guardo
su ciascuno di quei che l'immolavano
vibrò, di pianto evocatore, un dardo,
bella come dipinta immagine, ansia
270
di parlar: ché sovente, d'Agamènnone
nei virili concilii,
Aeschylus, Agamemnon: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Agamemnon: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 238 focus
Vi frenorum, multo animi robore.
Croci colorem in campum fundens,
230
Eiecit quemq; ſacrificorum ab oculos iaculo
Lugubri, decens ut in tabulis loqui
Volens ſæpiſsime postquam
Patris iuxta uiriles conuiuas
Debuit caſta ſine iugo loquutio
235
Patris chari beatum ter confæderatum
Seculum charè honorabat.
Que uerò inde, neq; noui, neq; dicam,
Aeschylus, Agamemnon: German translation (OCR draft) Experimental (Aeschylus, Agamemnon: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 238 focus
des Hauses Stolz, tauch' ich am Altare
210 die Vaterhand in das Blut der Jungfrau.
Was ist hier nicht Verbrechen?
240
215 Nein, die Gefährten, die Flotte
kann ich nicht feige verraten,
und zu dem Blute der Jungfrau,
zum windstillenden Opfer
treibt es mich unwiderstehlich.
245
Agamemnon (OCR draft) Experimental (Agamemnon. Anna Swanwick, 1886.) — 238 focus
Chorus
Be boastful and be bold, like cock beside his partner strutting.
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, Agamemnon — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 238 focus
Bade them, as with the bit that mutely tames the steed,
Her fair lips' speech refrain,
Lest she should speak a curse on Atreus' home and seed.
So, trailing on the earth her robe of saffron dye,
With one last piteous dart from her beseeching eye
285
Those that should, smite she smote—
Fair, silent, as a pictur'd form, but fain
To plead Is all for got?
How oft those halls of old,
Wherein my sire high feast did hold,
290
Rang to the virginal soft strain,
When I, a stainless child,
Sang from pure lips and undefiled,
Sang of my sire, and all
His honoured life, and how on him should fall
295
Heaven's highest gift and gain!
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos, Band I, Agamemnon. Independent Donner line citations, Smyth card correspondence, twelve located textual notes and opening metrical facsimiles. Unfinished OCR proofreading and note attribution are documented in the review inventory.) — 238 focus
Mit Zwang und lautlosen Zaums starrer Macht.
220
Ihr Safrankleid floß zur Erde nieder,
Des Auges Blick traf mit Mitleids
Geschossen ihrer Opf'rer jeden,
Und reizend schön, einem Bild gleich, wollte sie
Wie sonst ihn anreden, da
225
Ihr Lied im mahlreichen Vätersaale
Erklungen. Oft sang sie da liebevoll, kindlichfromm, 1
Die Heldenjungfrau, das heitre Glück
Das selige Loos des Vaters.
Fünfte Gegenstrophe.

Commentary

Critical apparatus to Agamemnon (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Agamemnon.) focus

103. mvp-aeschylus-tlg0085-tlg005-hermann1852-appcrit-lat1-61

τῆς θυμοβόρου φρενολύπης
τὴν θυμοφθόρον λύπης φρένα
M. Bess. G. Ald. Rob.
τὴν θυμοβόρον λυποφρένα
Farn.
τὴν θυμοβόρον λύπης φρένα
Vict. ex Flor.
τὴν θυμοβόρον φρένα λύπην
ex coniectura Turn. Porsonus ex Pauwii coniectura
τὴν θυμοβόρον φρενὶ λύπην
. Languet haec appositio. Quam nonneminis coniecturam in Annalibus Heidelbergensibus memoratam dicit Blomfieldius,
τῆς θυμοβόρου φρενολύπης
, mea est, non illa quidem a genere dicendi Aeschyleo aliena et, ut mihi videtur, aliis coniecturis melior. Requiritur enim genitivus ad
ἄπληστον
. Et sane cogitatio insatiabilis est sollicitudinis de capta urbe et salute Agamemnonis.
103

103.note. mvp-aeschylus-tlg0085-tlg005-hermann1852-appcrit-lat1-62

Non respondet choro Clytaemnestra. Scilicet quum ante aedes regias in scena complures arae cerni videantur, in quibus ignis vel accensus erat vel iam accendebatur, egressa ex aedibus regina, ut mos est, cum duabus ancillis, ad eas aras deinceps accedit, tus et suffimenta in ignes iniiciens. Deinde videtur spectatoribus a dextra abire, ut in urbe sacra factura; tum redire finito chori carmine. Postquam igitur chorus parodum et coniunctum cum ea stasimon cecinit, propius ad orchestram accedente Clytaemnestra, unde v. 241.
τόδ᾽ ἄγχιστον Ἀπίας γαίας ἕρκος
vocatur, iterum eam compellat, spectareque ad illud quod antea non responderat videntur haec verba v. 248.
οὐδὲ σιγώσῃ φθόνος
. Parodum autem quum chorus canere incipit, aliquid nuntii acceptum esse ex accensis ignibus coniiciens, adhuc se de reditu sperare significat. Ceterum parodus haec chori similiter composita est ut illa quae est in Persis, ut anapaestos sequantur stropha, antistropha, epodus, tum autem carmen quod iusti chorici carminis formam habeat a totoque choro cani videatur, praegressum autem carmen epodicum inter partes quasdam chori sit distributum. Quomodo ea distributio facta sit, certo dici non potest. Illud patet, non esse de hemichoriis cogitandum, quae strophas cecinerint, epodum deinde universo choro canente. Id enim fieri non patiebatur Calchantis oratio, coepta in antistropha, finita autem in epodo. Multo credibilius est hanc trium partium distinctionem ad tres στοίχους pertinuisse. Atque haud scio an pauci, ac fortasse non plures quam cuiusque στοίχου medius, simul cecinerint stropham, antistropham, epodum; versum autem intercalarem,
αἴλινον αἴλινον εἰπέ, τὸ δ᾽ εὖ νικάτω
, in stropha totus secundus στοῖχος, in antistropha totus tertius, in epodo vel totus primus vel omnes tres στοῖχοι cecinerint. Certe si aequalitatis studium respicimus, quod tam magnum apud tragicos invenitur, consentaneum est ordines sic fuisse dispositos, Quae O. Müllerus in Eumenidibus p. 196. de parodo excogitavit, ab ipso conficta sunt, nec sane perite.

Wecklein’s commentary on Agamemnon (1888; German; OCR draft) (Explanatory commentary, pp. 30–140; Iowa and Harvard OCR collated conservatively. Unresolved OCR and provisional reference mappings are explicitly marked.) focus

40-269. mvp-aeschylus-tlg0085-tlg005-wecklein1888-com-ger1-26

Parodos, bestehend (wie die Parodos der Perser und der Hiketides) aus drei Teilen, dem Recitativ des Chorführers in Anapästen 40-103, dem Gesang des Chorführers mit ἐπιφθέγματα (124) des Gesamtchores 104-169, dem Chorgesang 170-269. Der erste Teil beginnt mit der Schuld und Sühne der Trojaner, legt die äufseren Verhältnisse dar und giebt mit dem Verlangen zu erfahren, was die überall auf den Altären der Stadt angezündeten Opferfeuer zu bedeuten haben (83-87) die Motivierung für das Auftreten des Chors. Der zweite Teil berichtet eine Weissagung des Kalchas, welche ängstliche Besorgnis in betreff des Heerführers weckt. Der dritte begründet diese Besorgnis mit sittlichen Grundsätzen und erklärt das Leiden, das den siegreichen Agamemnon erwartet, als Sühne für eine Schuld, für die unerhörte Opferung der eigenen Tochter.

102-103. mvp-aeschylus-tlg0085-tlg005-wecklein1888-com-ger1-68

Die eigentliche Ursache der bangen Stimmung des Chors erklärt der folgende Teil. – ἄπληστον λύπης wie ἄπληστον κακῶν Eum. 977, μάχης ἄπληστον Suppl. 750 . φρενοδαλής auch Eum. 331 . Das handschriftliche θυμοφθόρον ist Erklärung zu φρενοδαλῆ. Vgl. Anhang.
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