Seven Against Thebes. Aeschylus. ed. Gottfried Hermann. Lipsiae. 1852.
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Critical apparatus to Seven Against Thebes (OCR draft) (Latin) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Seven Against Thebes.)
Provisional text from uncorrected OCR; expect errors.
Editions (7)
Ἑπτὰ ἐπὶ Θήβας First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 822-956 focus
Χορος
ὦ μεγάλε Ζεῦ καὶ πολιοῦχοι
1
δαίμονες, οἳ δὴ Κάδμου πύργους
2
τούσδε ῥύεσθε,
πότερον χαίρω κἀπολολύξω
825
πόλεως ἀσινεῖ †σωτῆρι . .,
3
ἢ τοὺς μογεροὺς καὶ δυσδαίμονας
ἀτέκνους κλαύσω πολεμάρχους;
οἳ δῆτ᾽ ὀρθῶς κατ᾽ ἐπωνυμίαν
καὶ
4
πολυνεικεῖς
830
ὤλοντ᾽ ἀσεβεῖ διανοίᾳ.
832
Χορος
ὦ μέλαινα καὶ τελεία
γένεος Οἰδίπου τ᾽ ἀρά,
κακόν με καρδίαν
5
τι περιπίτνει κρύος.
ἔτευξα τύμβῳ μέλος
835
Θυιὰς ὥς, αἱμοσταγεῖς
6
νεκροὺς κλύουσα δυσμόρως
7
θανόντας: ἦ δύσορνις ἅ-
δε ξυναυλία δορός.
840
Χορος
ἐξέπραξεν, οὐδ᾽ ἀπεῖπεν
840
πατρόθεν εὐκταία φάτις:
βουλαὶ δ᾽ ἄπιστοι Λαΐου διήρκεσαν.
μέριμνα δ᾽ ἀμφὶ πτόλιν:
θέσφατ᾽ οὐκ ἀμβλύνεται.
ἰὼ πολύστονοι, τόδ᾽ εἰρ-
845
γάσασθ᾽ ἄπιστον: ἦλθε δ᾽ αἰ-
ακτὰ πήματ᾽ οὐ λόγῳ.
τάδ᾽ αὐτόδηλα, προῦπτος
8
ἀγγέλου λόγος:
διπλαῖ μέριμναι, διδυμάνορα
9
κάκ᾽ αὐτοφόνα, δίμοιρα τέ-
850
λεια τάδε πάθη. τί φῶ;—
τί δ᾽ ἄλλο γ᾽ ἢ πόνοι πόνων
δόμων ἐφέστιοι;—
ἀλλὰ γόων,
10
ὦ φίλαι, κατ᾽ οὖρον
ἐρέσσετ᾽ ἀμφὶ κρατὶ πόμπιμον χεροῖν
855
πίτυλον, ὃς αἰὲν δι᾽ Ἀχέροντ᾽ ἀμείβεται,
τὰν ἀστιβῆ ʼπόλλωνι, τὰν ἀνάλιον,
πάνδοκον εἰς ἀφανῆ τε χέρσον.
13
860
ἀλλὰ γὰρ ἥκουσ᾽ αἵδ᾽ ἐπὶ πρᾶγος
πικρὸν Ἀντιγόνη τ᾽ ἠδ᾽ Ἰσμήνη,
θρῆνον ἀδελφοῖν: οὐκ ἀμφιβόλως
οἶμαί σφ᾽ ἐρατῶν ἐκ βαθυκόλπων
στηθέων ἥσειν ἄλγος ἐπάξιον.
865
ἡμᾶς δὲ δίκη πρότερον φήμης
<τῶνδε κλυούσας
14
>
τὸν δυσκέλαδόν θ᾽ ὕμνον Ἐρινύος
ἀχεῖν
15
Ἀίδα τ᾽
ἐχθρὸν παιᾶν᾽ ἐπιμέλπειν.
870
ἰώ. δυσαδελφόταται πασῶν ὁπόσαι
στρόφον ἐσθῆσιν περιβάλλονται,
κλαίω, στένομαι, καὶ δόλος οὐδεὶς
μὴ ʼκ φρενὸς ὀρθῶς με λιγαίνειν.
875
Χορος
ἰὼ ἰὼ δύσφρονες,
875
φίλων ἄπιστοι καὶ κακῶν ἀτρύμονες,
δόμους πατρῴους
16
ἑλόν-
τες μέλεοι σὺν αἰχμᾷ.
17
Χορος
μέλεοι δῆθ᾽ οἳ μελέους θανάτους
ηὕροντο δόμων ἐπὶ λύμῃ.
880
881
Χορος
ἰὼ ἰὼ δωμάτων
ἐρειψίτοιχοι
18
καὶ πικρὰς μοναρχίας
ἰδόντες, ἤδη διήλ-
λαχθε σὺν σιδάρῳ.
19
885
Χορος
κάρτα δ᾽ ἀληθῆ πατρὸς Οἰδιπόδα
πότνι᾽ Ἐρινὺς ἐπέκρανεν.
888
Χορος
δι᾽ εὐωνύμων τετυμμένοι,
τετυμμένοι δῆθ᾽,
ὁμοσπλάγχνων τε πλευρωμάτων
890
αἰαῖ δαιμόνιοι,
αἰαῖ δ᾽ ἀντιφόνων
<δὴ
21
> θανάτων ἀραί.
διανταίαν λέγεις [πλαγὰν
22
] δόμοισι καὶ
895
σώμασιν πεπλαγμένους, [ἐννέπω
23
]
ἀναυδάτῳ μένει
ἀραίῳ τ᾽ ἐκ πατρὸς
<οὐ
24
> διχόφρονι πότμῳ.
900
Χορος
διήκει δὲ καὶ πόλιν στόνος,
900
στένουσι πύργοι,
στένει πέδον φίλανδρον: μενεῖ
κτέανα τάδ᾽
25
ἐπιγόνοις,
δι᾽ ὧν αἰνομόροις,
δι᾽ ὧν νεῖκος ἔβα
905
καὶ θανάτου τέλος.
ἐμοιράσαντο δ᾽ ὀξυκάρδιοι
κτήμαθ᾽, ὥστ᾽ ἴσον λαχεῖν.
διαλλακτῆρι δ᾽ οὐκ
ἀμεμφεία
26
φίλοις,
οὐδ᾽ ἐπίχαρις Ἄρης.
910
911
ἀμεμφεία 26 φίλοις,
Χορος
σιδαρόπλακτοι
27
μὲν ὧδ᾽ ἔχουσιν,
σιδαρόπλακτοι δὲ τοὺς μένουσι,
τάχ᾽ ἄν τις εἴποι, τίνες;
τάφων πατρῴων λαχαί.
δόμων μάλ᾽ ἀχάεσσ᾽
28
ἰὰ τοὺς
915
προπέμπει δαϊκτὴρ γόος αὐ-
τόστονος, αὐτοπήμων,
δαϊόφρων,
29
οὐ φιλογαθής, ἐτύμως
δακρυχέων ἐκ
30
φρενός, ἃ
κλαιομένας μου μινύθει
920
τοῖνδε δυοῖν
31
ἀνάκτοιν.
922
Χορος
πάρεστι δ᾽ εἰπεῖν ἐπ᾽ ἀθλίοισιν
ὡς ἐρξάτην πολλὰ μὲν πολίτας,
32
ξένων τε πάντων στίχας
33
πολυφθόρους ἐν δαΐ.
925
πρὸ πασᾶν
36
γυναικῶν ὁπόσαι
τεκνογόνοι κέκληνται.
παῖδα τὸν αὑτᾶς πόσιν αὑτᾷ θεμένα
τούσδ᾽ ἔτεχ᾽, οἱ δ᾽ ὧδ᾽ ἐτελεύ-
930
τασαν ὑπ᾽ ἀλλαλοφόνοις
χερσὶν ὁμοσπόροισιν.
933
Χορος
ὁμόσποροι δῆτα καὶ πανώλεθροι,
37
διατομαῖς ἀφίλοις,
38
ἔριδι μαινομένᾳ,
935
νείκεος ἐν τελευτᾷ.
Χορος
πέπαυται δ᾽ ἔχθος, ἐν δὲ γαίᾳ
ζόα φονορύτῳ
39
μέμικται: κάρτα δ᾽ εἴσ᾽ ὅμαιμοι.
πικρὸς λυτὴρ νεικέων ὁ πόντιος
940
ξεῖνος ἐκ πυρὸς συθεὶς
θηκτὸς σίδαρος: πικρὸς δὲ χρημάτων
κακὸς δατητὰς Ἄρης ἀρὰν πατρῴ-
αν
40
τιθεὶς ἀλαθῆ.
945
Ἑπτὰ ἐπὶ Θήβας Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1922.) — 822-956 focus
Χορός
ὦ μεγάλε Ζεῦ καὶ πολιοῦχοι
δαίμονες, οἳ δὴ Κάδμου πύργους
τούσδε ῥύεσθε,
πότερον χαίρω κἀπολολύξω
825
πόλεως ἀσινεῖ
σωτῆρι . .,
ἢ τοὺς μογεροὺς καὶ δυσδαίμονας
ἀτέκνους κλαύσω πολεμάρχους;
830
οἳ δῆτʼ ὀρθῶς κατʼ ἐπωνυμίαν
καὶ πολυνεικεῖς
ὤλοντʼ ἀσεβεῖ διανοίᾳ.
Χορός
ὦ μέλαινα καὶ τελεία
γένεος Οἰδίπου τʼ ἀρά,
κακόν με καρδίαν τι περιπίτνει κρύος.
ἔτευξα τύμβῳ μέλος
835
Θυιὰς αἱματοσταγεῖς
νεκροὺς κλύουσα δυσμόρως
θανόντας· ἦ δύσορνις ἅ-
δε ξυναυλία δορός.
Χορός
ἐξέπραξεν, οὐδʼ ἀπεῖπεν
840
πατρόθεν εὐκταία φάτις·
βουλαὶ δʼ ἄπιστοι Λαΐου διήρκεσαν.
μέριμνα δʼ ἀμφὶ πτόλιν·
θέσφατʼ οὐκ ἀμβλύνεται.
ἰὼ πολύστονοι, τόδʼ ἠρ-
845
γάσασθʼ ἄπιστον· ἦλθε δʼ αἰ-
ακτὰ πήματʼ οὐ λόγῳ.
Χορός
τάδʼ αὐτόδηλα, προῦπτος ἀγγέλου λόγος·
διπλαῖ μέριμναι,
διδυμάνορα
κάκʼ αὐτοφόνα, δίμοιρα τέ-
850
λεια τάδε πάθη. τί φῶ;
τί δʼ ἄλλο γʼ ἢ πόνοι πόνων
δόμων ἐφέστιοι;
ἀλλὰ γόων, ὦ φίλαι, κατʼ οὖρον
ἐρέσσετʼ ἀμφὶ κρατὶ πόμπιμον χεροῖν
855
πίτυλον, ὃς αἰὲν διʼ Ἀχέροντʼ ἀμείβεται
τὰν ἄστολον μελάγκροκον
ναύστολον θεωρίδα,
τὰν ἀστιβῆ Ἀπόλλωνι, τὰν ἀνάλιον
πάνδοκον εἰς ἀφανῆ τε χέρσον.
860
ἀλλὰ γὰρ ἥκουσʼ αἵδʼ ἐπὶ πρᾶγος
πικρὸν Ἀντιγόνη τʼ ἠδʼ Ἰσμήνη,
θρῆνον ἀδελφοῖν· οὐκ ἀμφιβόλως
οἶμαί σφʼ ἐρατῶν ἐκ βαθυκόλπων
στηθέων ἥσειν ἄλγος ἐπάξιον.
865
ἡμᾶς δὲ δίκη πρότερον φήμης
τὸν δυσκέλαδόν θʼ ὕμνον Ἐρινύος
ἰαχεῖν Ἀίδα τʼ
ἐχθρὸν παιᾶνʼ ἐπιμέλπειν.
870
ἰώ, δυσαδελφόταται πασῶν ὁπόσαι
στρόφον ἐσθῆσιν περιβάλλονται,
κλαίω, στένομαι, καὶ δόλος οὐδεὶς
μὴ ʼκ φρενὸς ὀρθῶς με λιγαίνειν.
Χορός
ἰὼ ἰὼ δύσφρονες,
875
φίλων ἄπιστοι καὶ κακῶν ἀτρύμονες,
δόμους πατρῴους ἑλόν-
τες μέλεοι σὺν αἰχμᾷ.
μέλεοι δῆθʼ οἳ μελέους θανάτους
εὕροντο δόμων ἐπὶ λύμῃ.
880
Χορός
ἰὼ ἰὼ δωμάτων
ἐρειψίτοιχοι καὶ πικρὰς μοναρχίας
ἰδόντες, ἤδη διήλ-
λαχθε σὺν σιδάρῳ.
885
κάρτα δʼ ἀληθῆ πατρὸς Οἰδιπόδα
πότνιʼ Ἐρινὺς ἐπέκρανεν.
Χορός
διʼ εὐωνύμων τετυμμένοι,
τετυμμένοι δῆθʼ,
ὁμοσπλάγχνων τε πλευρωμάτων
890
αἰαῖ δαιμόνιοι,
αἰαῖ δʼ ἀντιφόνων
θανάτων ἀραί.
διανταίαν λέγεις
πλαγὰν δόμοισι καὶ
895
σώμασιν πεπλαγμένους,
ἐννέπω
ἀναυδάτῳ μένει
ἀραίῳ τʼ ἐκ πατρὸς
οὐ διχόφρονι πότμῳ.
Χορός
διήκει δὲ καὶ πόλιν στόνος,
900
στένουσι πύργοι,
στένει πέδον φίλανδρον· μένει
κτέανα δʼ ἐπιγόνοις,
διʼ ὧν αἰνομόροις,
διʼ ὧν νεῖκος ἔβα
905
καὶ θανάτου τέλος.
ἐμοιράσαντο δʼ ὀξυκάρδιοι
κτήμαθʼ, ὥστʼ ἴσον λαχεῖν.
διαλλακτῆρι δʼ οὐκ
ἀμεμφεία φίλοις,
οὐδʼ ἐπίχαρις Ἄρης.
910
Χορός
σιδαρόπλακτοι μὲν ὧδʼ ἔχουσιν,
σιδαρόπλακτοι δὲ τοὺς μένουσι,
τάχʼ ἄν τις εἴποι, τίνες;
τάφων πατρῴων λαχαί.
ὅδʼ ἁμῶν μάλʼ ἀχέτας τοὺς
915
προπέμπει δαϊκτὴρ γόος αὐ-
τόστονος, αὐτοπήμων,
δαϊόφρων
δʼ·, οὐ φιλογαθής, ἐτύμως
δακρυχέων ἐκ φρενός, ἃ
κλαιομένας μου μινύθει
920
τοῖνδε δυοῖν ἀνάκτοιν.
Χορός
πάρεστι δʼ εἰπεῖν ἐπʼ ἀθλίοισιν
ὡς ἐρξάτην πολλὰ μὲν πολίτας,
ξένων τε πάντων στίχας
πολυφθόρους ἐν δαΐ.
925
δυσδαίμων σφιν ἁ τεκοῦσα
πρὸ πασᾶν γυναικῶν ὁπόσαι
τεκνογόνοι κέκληνται.
παῖδα τὸν αὑτᾶς πόσιν αὑτᾷ θεμένα
τούσδʼ ἔτεχʼ, οἱ δʼ ὧδʼ ἐτελεύ-
930
τασαν ὑπʼ ἀλλαλοφόνοις
χερσὶν ὁμοσπόροισιν.
Χορός
ὁμόσποροι δῆτα καὶ πανώλεθροι,
διατομαῖς οὐ φίλοις,
ἔριδι μαινομένᾳ,
935
νείκεος ἐν τελευτᾷ.
πέπαυται δʼ ἔχθος, ἐν δὲ γαίᾳ
ζόα φονορύτῳ
μέμεικται· κάρτα δʼ εἴσʼ ὅμαιμοι.
πικρὸς λυτὴρ νεικέων ὁ πόντιος
940
ξεῖνος ἐκ πυρὸς συθεὶς
θακτὸς σίδαρος· πικρὸς δὲ χρημάτων
κακὸς δατητὰς Ἄρης ἀρὰν πατρῴ-
αν τιθεὶς ἀλαθῆ.
Χορός
ἔχουσι μοῖραν λαχόντες οἱ μέλεοι
945
διοδότων ἀχθέων·
ὑπὸ δὲ σώματι γᾶς
πλοῦτος ἄβυσσος ἔσται.
ἰὼ πολλοῖς ἐπανθίσαντες
πόνοισι γενεάν·
950
τελευταῖαι δʼ ἐπηλάλαξαν
Ἀραὶ τὸν ὀξὺν νόμον, τετραμμένου
παντρόπῳ φυγᾷ γένους.
ἕστακε δʼ Ἄτας τροπαῖον ἐν πύλαις,
ἐν αἷς ἐθείνοντο, καὶ δυοῖν κρατή-
955
σας ἔληξε δαίμων.
Ἑπτὰ ἐπὶ θήβας (OCR draft) Experimental (Ἑπτὰ ἐπὶ θήβας. Guilielmus Dindorfius, 1882.) — 875 focus
ΗΜ.
ἰὼ ἰὼ δύσφρονες,
φίλων ἄπιστοι καὶ κακῶν ἀτρύμονες,
875
πατρώους δόμους ἑλόντες μέλεοι σὺν ἀλκᾷ.
ΗΜ.
μέλεοι δῆθ᾽ οἳ μελέους θανάτους
ηὕροντο δόμων ἐπὶ λύμῃ.
Ἑπτὰ ἐπὶ θήβας (OCR draft) Experimental (Ἑπτὰ ἐπὶ θήβας. Gottfried Hermann, 1852.) — 875 focus
Ἡμιχόριον Α
στρ. α'.
ἰὼ ἰὼ δύςφρονες,
φίλων ἄπιστοι καὶ κακῶν ἀτρύμονες,
πατρῴους δόμους ἑλόν-
τες μέλεοι σὺν ἀλκᾷ.
855
Ἡμιχόριον Β
μέλεοι δῆθ᾽, οἳ μελέους θανάτους
εὕροντο δόμων ἐπὶ λύμῃ.
ΕΠΤΑ ΕΠΙ θΗΒΑΣ (OCR draft) Experimental (ΕΠΤΑ ΕΠΙ θΗΒΑΣ. Paul Mazon, 1920-1925.) — 875 focus
Ἰὼ ἰὼ δύσφρονες,
875
Str.
φίλων ἄπιστοι καὶ κακῶν ἀτρύμονες,
δόμους ἑλόντες πατρῴ-
ους
πατρῴους δόμους ἑλόντες μέλεοι σὺν
ἀλκᾷ
αἰχμᾷ.
Μέλεοι δῆθ' οἳ μελέους θανάτους
ηὕροντο
εὕροντο δόμων ἐπὶ λύμῃ.
880
ους πατρῴους δόμους ἑλόντες μέλεοι σὺν ἀλκᾷ αἰχμᾷ.
Ἑπτὰ ἐπὶ θήβας (OCR draft) Experimental (Ἑπτὰ ἐπὶ θήβας. N. Wecklein, 1885.) — 875 focus
Ἰὼ ἰὼ δύσφρονες,
860
φίλων ἄπειστοι καὶ κακῶν ἀτρύμονες,
πατρῴους δόμους ἑλόν-
τες μέλεοι σὺν αἰχμᾷ.
Μέλεοι δῆθ᾽ οἳ μελέους θανάτους
ηὕροντο δόμων ἐπὶ λύμῃ.
865
AESCHYLI
ΧΟΡΟΣ
antistr.
Aeschyli Septem contra Thebas (OCR draft) Experimental (Aeschyli Septem contra Thebas. Ulrich von Wilamowitz-Moellendorff, 1914.) — 875 focus
ΗΜΙΧ. Β
ἰὼ ἰὼ δύσφρονες,
875
φίλων ἄπιστοι καὶ κακῶν ἀτρύμονες,
δόμους ἑλόντες πατρώιους μέλεοι σὺν αἰχμᾶι.
μέλεοι δῆθ᾽, οἳ μελέους θανάτους
ηὕροντο δόμων ἐπὶ λύμηι. —
Translations (8)
Seven Against Thebes Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1922. (Modernized by Perseus.)) — 822-955 focus
Chorus
O great Zeus and the divine powers that guard our city, you who indeed protect these walls of Cadmus,
should I rejoice and shout in triumph for the unharmed safety of the city, or should I lament our leaders in war,
825
now wretched, ill-fated and childless? Indeed, in exact accordance with their name and as
men of much strife, they have perished through their impious intent.
830
Chorus
O black curse on the family, Oedipus’ curse, now brought to fulfillment! A chill of horror falls about my heart.
In frenzy like a maenad I make my song for the grave as I hear of their corpses dripping with blood, how they died through the workings of cruel fate. This song of the spear, sung to the flute, is indeed born of an ill omen.
1
835
Chorus
The curseful utterance of their father has done its work and not fallen short. Laius’ plans, made in disobedience, have kept their force. I am anxious for our city; divine decrees do not lose their edge.
The funeral procession with the bodies of the brothers comes into view.
840
Chorus
O bringers of immense grief, you have done in this a deed beyond belief, yet lamentable troubles have indeed come.
845
848
The events are self-evident; the messenger’s report is plain to see. Twofold is our distress—double disaster
of kindred murder, this double suffering has come to fulfillment. What shall I say? What else indeed than that sorrow born of sorrows surround this house’s hearth?
But sail upon the wind of lamentation, my friends,
850
and about your head row with your hands’ rapid stroke in conveyance of the dead,
2
that stroke which always causes the sacred slack-sailed, black-clothed ship to pass over Acheron to the unseen land where Apollo does not walk,
855
the sunless land that receives all men.
But here come Antigone and Ismene to do their bitter duty, the dirge over their brothers both. With all sincerity, I think, will they
860
pour forth their fitting grief from their lovely, deep-bosomed breasts. But it is right for us, before their singing, to cry out the awful hymn of the Erinys and thereafter
865
sing the hated victory song of Hades.
Ah, sisters most unfortunate in your kin of all women who clasp their girdle about their robes, I weep, I groan, and there is no feigning in the shrill cries that come straight from my heart.
870
But sail upon the wind of lamentation, my friends,
But here come Antigone and Ismene to do their bitter duty, the dirge over their brothers both. With all sincerity, I think, will they
Ah, sisters most unfortunate in your kin of all women who clasp their girdle about their robes, I weep, I groan, and there is no feigning in the shrill cries that come straight from my heart.
Chorus
Ah, pity you senseless men, whom friends could not persuade and evils could not wear down! To your misery you have captured your father’s house with the spear.
875
Chorus
To their misery, indeed,
they found a miserable death in the outrage done their house.
880
881
Ah, you brothers who were poised to cast over the walls of your home and looked—to your sorrow—for sole rule, now you have been
reconciled by the iron sword.
The great Erinys of your father Oedipus has fulfilled it all truly.
885
The great Erinys of your father Oedipus has fulfilled it all truly.
Chorus
Pierced through your left sides, pierced indeed—
through those sides that were born from one womb! Ah, strange ones! Ah, the curses that demand death for death!
890
Right through, as you say, were they struck, with blows to house and body by an unspeakable wrath and by the doom, called down by their father’s curse, which they shared without discord.
895
Chorus
Groaning spreads throughout the city, too: the walls groan; the land that loves its sons groans. But for those who come after them there remains their property, on which account the strife
900
of those terrible-fated men came to fulfillment in death.
In their haste to anger they apportioned their property so that each has an equal share. To those who loved them their reconciler is not blameless,
905
nor is Ares agreeable.
910
In their haste to anger they apportioned their property so that each has an equal share. To those who loved them their reconciler is not blameless,
Chorus
Under strokes of iron they are come to this, and under strokes of iron there await them—what, one might perhaps ask—shares in their father’s tomb.
3
Our shrill, heart-rending wail goes with them—product of lamentation and pain felt of its own accord—a wail from a distressed mind, joyless, pouring forth tears from a heart
915
that wastes away as I weep for these two princes.
920
Chorus
Over these poor men it can be said that they did much to harm our citizens and also the ranks of all the foreigners
who died in abundance in the fighting.
Ill-fated beyond all women who are called by the name of mother is she who bore them. After she made her own child her own husband,
925
she gave birth to these sons, who have thus ended their lives with kindred hands giving death for death.
930
Ill-fated beyond all women who are called by the name of mother is she who bore them. After she made her own child her own husband,
Chorus
Of the same seed, in truth, they were utterly destroyed in unloving divisions,
in maddened discord, in the ending of their strife.
Their hatred has ceased. Their life has been mingled in the blood-soaked earth. Now truly their blood is one.
935
Ruthless is that which resolved their strife, the stranger from across the sea, sharpened iron rushed from the fire. Ruthless, too, was Ares, the cruel divider of their property, who made their father’s curses come true.
940
Their hatred has ceased. Their life has been mingled in the blood-soaked earth. Now truly their blood is one.
Chorus
They hold in misery their allotted portion of god-given sorrows. Beneath their corpses there will be boundless wealth of earth.
Ah, you have wreathed
945
your race with many troubles! In the final outcome the Curses have raised their piercing cry, now that the family is turned to flight in all directions. A trophy to Ruin now stands at the gate
950
where they struck each other and where, having conquered them both, the divine power stayed its hand.
955
Ah, you have wreathed
The Seven against Thebes. (OCR draft) Experimental (The Seven against Thebes.. Theodore Alois Buckley, 1849.) — 875 focus
Semi-Chorus
Wretched in sooth were they who found a wretched death to the bane of their houses.
Semi-Chorus
LES SEPT CONTRE THÈBES (OCR draft) Experimental (LES SEPT CONTRE THÈBES. Paul Mazon, 1920-1925.) — 875 focus
The Seven Chiefs against Thebes (OCR draft) Experimental (The Seven Chiefs against Thebes. Robert Potter, 1779.) — 875 focus
2d SEMICHORUS.
Eschilo, I Sette a Tebe: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, I Sette a Tebe: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 875 focus
CORO
Aeschylus, Septem ad Thebas: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Septem ad Thebas: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 875 focus
Miseri uidelicet, qui infœlicem mortem
815
Inuenerunt cum pernicie domorum.
English (E. D. A. Morshead, 1908) (OCR draft) Experimental (Aeschylus, Seven against Thebes — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 875 focus
(
To the dead.)
Children of bitterness, and sternly brave—
One, proud of heart against persuasion's voice,
One, against exile proof! ye win your choice—
Each in your fatherland, a separate grave!
Alack, on house and heritage
895
They brought a baneful doom, and death for wage!
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 875 focus
O Graun! Ihr Unsinnigen,
Der Freunde Rath unfolgsam, ungeschreckt vom Leid,
Des Vaters Haus nahmt ihr Unseligen ein im Speerkampf!
845
Zweiter Halbchor.
Unselig gewiß! Unseliger Tod
Ward ihnen im Sturz des Geschlechtes !
Erster Halbchor.
Commentary
Critical apparatus to Seven Against Thebes (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Seven Against Thebes.) focus
843.
mvp-aeschylus-tlg0085-tlg004-hermann1852-appcrit-lat1-908
Commentary (N. Wecklein, 1902; German; OCR draft) (Seven Against Thebes, explanatory commentary pp. 15–100. Single-witness OCR; source readings and all reference placements require scan review.) focus
833-845.
mvp-aeschylus-tlg0085-tlg004-wecklein1902-com-ger1-557