193-396.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-145
193-396. First Episode. 193- 283. First Scene: Prometheus and the Coryphaeus. The scholiast says:
τὴν
ὑπόθεσιν (that is, the expo- sition of the events supposed to pre- cede the opening of the play)
βουλό-
μενος
διδάξαι,
τὸ
περίεργον (curiosity)
τοῦ
γυναικώδους
ήθους
προσέλαβεν (availed himself of, as a motive).
οὐκ
ἂν
γὰρ
ὁ
᾿Ὠκεανds (who enters later)
ἠξίωσεν
ἐρωτῆσαι
εἰδώς. The curiosity of the chorus is a natural conse- quence of their awakened sympathy. Still it is to be observed that Prome- theus on his part is moved to tell his story by the longing to unburden his heart to sympathizing friends (see 198). He needs only the request in order to comply at once. - The Pro- logue and this first scene of the first episode constitute the first act of the drama, which expounds the situation and prepares the way for the follow- ing dramatic development.
250.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-179
250. As in dealing with the myth of the golden and silver ages, 232, Aeschylus here uses great freedom in treating the myth of Pandora (Hesiod O. D. 94: see Introduction, p. 6), so that the original form of
the story is no longer recognizable, and only the deeper significance re- mains. Man, never deserted by Hope, strives ceaselessly for the attainment of his ends, unmindful of death and untroubled by the thought that he may be cut off before his goal is reached. Cp. Simonides Amorg. Frg. 1, 3
ἐφήμεροι
ἃ
δὴ
βότ᾽
αἰεὶ
ζῶμεν,
οὐδὲν
εἰδότες
ὅπως
ἕκαστον
ἐκτελευτή-
σει
θεός.
ἐλπὶς
δὲ
πάντας
κἀπι-
πειθείη
τρέφει
ἄπρηκτον
ὁρμαίνοντας, Soph. Ant. 615
ὁ
γὰρ
δὴ
πολύπλαγκτος
ἐλπὶς
πολλοῖς
μὲν
ὄνασις
ἀνδρῶν,
πολ-
λοῖς
δ᾽
ἀπάτα
κουφονόων
ἐρώτων.