1-127.
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1-127: Prologue
(πρόλογος).
1-87.
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1-87: First Scene. Cratos and Bia, dragging the figure representing Prometheus, enter on the left; He- phaestus with smith's tools accompa- nies them.
3.
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3.
Ήφαιστε,
σοὶ
δέ: for
σοὶ
δέ,
"Ηφαιστε. The vocative is often placed first in this way, to attract more promptly the attention of the person addressed. Cp. Od. xvi. 130
ἄττα,
σὺ
δ᾽
ἔρχεο
θᾶσσον,
Ιl. i. 282
᾿Ατρείδη,
σὺ
δὲ
παῦε
τεὸν
μένος,
vi. 429
Ἕκτορ,
ἀτὰρ
σύ
μοί
ἐσσι
πατήρ. Frequent in Sophocles: cp. Ai. 1409,
Εl. 150,
Ο.
Τ. 203, 1096, 1503, О. С. 237, 332, 507, 592, Ant. 1087, Phil. 799. Also [Plato] Theages 127 c &
Σώκρατες,
πρὸς
σὲ
δ᾽
ἂν
ἤδη
εἴη
ὁ
μετὰ
τοῦτο
λόγος. --
μέλειν : personal;
ἐπιστολάς is its subject. See Krüg. I. § 47, 11, 5 and II. § 47, 11, 2. –
ἐπιστολάς : =
ἐν-
τολάς, commands. Cp. Suppl. 1012
φυλάξαι
τάσδ'
ἐπιστολὰς
πατρός, Pers. 783
κού
μνημονεύει
τὰς
ἐμὰς
ἐπιστολάς, Frg. 423
ἄκουε
τὰς
ἐμὰς
ἐπιστολάς.
4.
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4.
πατήρ: is said of Zeus not only by the menials, 40 and 53, and by Hermes, 947, 984, but even by He- phaestus, 17.
5.
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5.
λεωργόν :
κακοῦργον,
πανοῦργον,
ἀνδροφόνον, Hesych. Of these, the interpretation
πανούργος agrees ex- actly with the derivation of the word from
λέως, an adverb which the an- cient lexicographers explain by
re-
λέως,
παντελῶς,
ἅπαν. Cp. Archil. Frg. 112 Bergk
λείως
γὰρ
οὐδὲν
ἐφρό-
νεον =
πάντως
γὰρ
οὐδὲν
ἐφρόνεον, and the words
λεώλης,
λεώλεθρος =
πανώλης,
πανώλεθρος. Accordingly
λεωργός sig- nifies one who acts recklessly, in dis- tinction from one whose conduct is regulated by principle. Cp. Archil. Frg. 88
πάτερ
Ζεῦ,
σὸν
μὲν
οὐρανοῦ
κράτος,
σὺ
δ᾽
ἔργ᾽
ἐπ᾿
ἀνθρώπων
ὁρᾷς
λεωργὰ
καὶ
θεμιστά, Xen. Mem. i. 3. 9
αὐτὸν
θερμουργότατον
εἶναι
καὶ
λεωρ-
γότατον. Hesychius gives also the form
λαοργός (with the interpreta- tion
ἀνόσιος·
Σικελοί). The adverb
λέως is related to the intensive prefix
λᾶ-
(λάμαχος,
λακαταπύγων,
λακατάρα-
τος) as
λεώς is to
λαός,
νεώς
τo
ναός.
6.
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6.
ἀδαμαντίνων:
ἀδάμας·
γένος
σιδή-
ρου, Hesych. Cp. 64; also Pind. Pyth.
ⅳν. 125
κρατεροῖς
ἀδάμαντος
δῆσεν
ἅλοις, with iron nails, Pind. Frg. 88
ἐξ
ἀδάμαν-
τος
ἢ
σιδάρου. The meaning diamond is not found before Theophrastus (Pindar, de adamante; Comm. Antiqu. p. 19). –
ἀρρήκτοις
πέδαις : cp. Il. xiii. 36
ἀμφὶ
δὲ
ποσσὶ
πέδας
ἔβαλε
χρυσείας
ἀρρήκτους
ἀλύτους, 19 below
δυσλύ-
τοις
χαλκεύμασι.
πέδαι are fetters,
δεσμά bonds, a more general term. The reverse combination in Eur. Bacch. 447
δεσμὰ
διελύθη
πεδῶν. Cp. Ag. 850
πῆμα
νόσου, Pers. 543
λέκ-
τρων
εὐνάς. - Aeschylus admits an anapaest only in the first foot of the trimeter. The one exception is Sept. 569, where the proper name could hardly have been otherwise brought into the verse. (In 840 below there is no anapaest; see note.) This ana- paest, like the tribrach and dactyl in the same place (see on 2 and 730), is never divided between two words: it generally consists of a trisyllabic word, but sometimes of the beginning of a longer word, as here and 64, 353, 796, 805, 811. There are thirteen such anapaests in the Prometheus.
7.
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7.
τὸ
σὸν
ἄνθος:
τὸν
σὸν
κόσμον, Schol. In Theognis 452, the 'clear lustre' of gold is called its
καθαρὸν
ἄνθος. –
παντέχνου
πυρός : cp. 110, and Xen. Mem. iv. 3. 7
τὸ
δὲ
καὶ
τὸ
πῦρ
πορίσαι
ἡμῖν,
ἐπίκουρον
μὲν
ψύχους,
ἐπίκουρον
δὲ
σκότους,
συνεργὸν
δὲ
πρὸς
πᾶσαν
τέχνην
καὶ
πάντα
ὅσα
ὠφελείας
ἕνεκα
ἄνθρωποι
κατασκευάζονται, Plat. Protag. 321
cὁ
Προμηθεὺς ...
κλέπτει
Ηφαίστου
καὶ
᾿Αθηνᾶς
τὴν
ἔντεχνον
σοφίαν
σὺν
πυρί. -
πυρὸς
σέλας: said by Homer Il. xix. 375. Cp. Hesiod Theog. 566
κλέψας
ἀκαμάτοιο
πυρὸς
τηλέσκοπον
αὐγήν.
9.
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9.
σφέ: =
αὐτόν, as Sept. 615, Soph.
Αί. 51, O. C. 40, Trach. 234, Eur. Ion 54, 71, and often. The tragedians use
σφέ for the accusative singular as well as plural, whereas in Homer it occurs only as plural. Krüg. II. § 51, 1, 14.
10.
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10.
ἄν: in final clauses after
ὡς and
ὅπως, very common in Attic; cp. 654, 706, 824. Aristophanes always uses
ὡς
ἄν, and in Attic inscriptions
ὅπως
ἄν is frequent.
11.
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11.
φιλανθρώπου
κτἑ. : that is, "turn his affections away from men to a worthier object."
13.
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13.
ἔχει
τέλος : =
τετέλεσται.
Εp. Soph. O. C. 1780
πάντως
ἔχει
τάδε
κῦρος (=
κεκύρωται). —
οὐδὲν
ἐμποδών : nihil vos detinet.
14.
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14.
συγγενή: the scholiast explains,
τὸν
ἀπὸ
μιᾶς
ὁρμώμενον
τέχνης, that is, "my
fellow-craftsman." Rather we must understand the word of
blood-relationship; cp. 39, 289. He- phaestus is the son of Zeus and Hera (Il. i. 577 ff.), or according to Hesiod Th. 927, the fatherless son of Hera; Prometheus is the son of Themis. Now Themis is the daughter of Ura- nus, and Hera his
grand-daughter.
17.
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17.
εὐωριάζειν:
ὀλιγωρεῖν,
μὴ
ἔχειν
φροντίδα,
παρακούειν, Hesych. One who is confident and unconcerned
(εὔωρος, securus) in
executing_a duty, is apt to take less pains. Cp. our colloquial expression 'take it easy.'
18.
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18.
Θέμιδος : see Introduction, p. 17.
αἰπυμῆτα : contrasted with
ὀρθο-
βούλου.
αἰπυμήτης, of towering thoughts, is one who in his shrewdness and sagacity aspires to too lofty things. Cp.
εὔβουλος
Θέμις, Pind. Isth. vii. 32. - The dactyl substituted for the third iambus of the tragic trimeter is very frequent; whereas in the first foot Aeschylus uses it seldom, and chiefly in proper names (730). In this play the dactyl in the third foot occurs eighteen times: it is always divided in the middle by the caesura, its long first syllable being either the end of a polysyllabic word, or a word of one syllable closely connected with the foregoing
(δέ 1009,
τὶς 1027). Ср. note on 2.
19.
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19.
ἄκοντα
σ'
ἄκων: cp. 671
ἄκου-
σαν
ἄκων, 218
ἑκόνθ᾽
ἑκόντι, Eur. Cycl. 258
ἑκὼν
ἑκοῦσι,
Ηipp. 319
οὐχ
ἑκοῦσαν
οὐχ
ἑκών. The poets are very fond of repetitions like this, in which the same word is twice used, referring to different persons. Further instances are Od. v. 155
παρ᾿
οὐκ
ἐθέλων
ἐθε-
λούσῃ =
οὐκ
ἐθέλων
παρ᾽
ἐθελούσῃ, iii. 272
τὴν
δ᾽
ἐθέλων
ἐθέλουσαν
ἀνήγαγεν,
ν.97
εἰρωτᾷς
μ᾽
ἐλθόντα
θεὰ
θεόν, Aesch. Cho. 89
παρὰ
φίλης
φίλῳ
φέρειν
γυναι-
κὸς
ἀνδρί, and below 29, 192, 276, 762, 921.