561-886.
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561-886. Third Episode. Io and Prometheus. The myth of Io is connected with that of Prometheus by the person of Heracles, the libera- tor of Prometheus, who is descended from
paphus, the son of Zeus and Io (see on 774). The appearance of Io therefore prepares the way for the introduction of Heracles in the
Προ-
μηθεὺς
λυόμενος. But the immediate significance of this scene consists in the present relation of Zeus and Io. Io appears as innocent and yet perse- cuted; her sufferings, superficially considered, put Zeus in the worst possible light. Accordingly the in- dignation of Prometheus rises more and more, till at last, carried away by passion, he vaunts his secret in such terms that the interposition of Zeus becomes inevitable. So the transition to the catastrophe is pre- pared. The geographical part of this episode, with its description of marvels, like the scene of Heracles in the
Προμηθεὺς
λυόμενος (see below, Frg. VII. and VIII.), doubtless had a peculiar charm for the Athenians of the period. On the origin of the myth of Io, see Introd. p. 9, footnote. Io appears as a horned maiden (588, 674; so indi- cated by her mask). In early Greek art, especially in
vase-paintings, she has the figure of a cow outright. On the throne of the Amyclaean Apollo, a work of the sculptor Bathycles (about Ol. 60), Hera was represented as glaring at Io, 'who is already a cow' (Paus. iii. 18. 7). On an archaic
black-figured vase of the Munich collection (No. 573; see Panofka, Argos Panoptes, plate 5), Argus is seen, seated on the ground, a fero- cious figure with long hair and beard, and a huge eye in his shaggy breast; he holds in his hand a long cord, attached to the horns of a cow. Near by stands Hermes, grasping the cord near the horns with his left hand, and about to draw his sword with his right. Argus's dog
stands at bay in front of his master. Through the influence of this trag- edy, Io came later to be depicted in art as a maiden with horns. So, for instance, on a
red-figured vase of the Berlin Museum (Panofka, l.c., plate 3). The stinging gadfly' of the legend (cp. Suppl. 306
BΑ.
τί
οὖν
ἔτευξεν
ἄλλο
δυσπότμῳ
βοΐ;
ΧΟ.
βοη-
λάτην
μύωπα
κινητήριον, Verg. Georg. iii. 147 cui nomen asilo Ro- manum est, oestrum Graii vertere vocantes), which is mentioned in Io's narrative, 675 be- low, had also to be omitted in the scenic representation. The difficulty was met by a figurative conception of
οἶστρος; the maddening sting was interpreted as the reminiscence of the crafty eye of Argos (567). — On account of the unusual manner of Io's entrance and exit, the anapaests which commonly accompany the ar- rival and departure of a personage are here and at 877 given to the actor, not to the chorus. So above, at the entrance of the chorus (120 ff.).
640.
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640. Verses lacking the usual cae- sura, and dividing themselves into two halves, are not frequent in Aes- chylus. The greatest number (seven) occurs in the Persians. In this place the ill effect is somewhat relieved by a pause after
οὐκ
οἶδ᾽. –
ἀπιστῆσαι; disobey. Cp. Sept. 1030
ἔχουσ᾽
ἄπιστον
τήνδ᾽
ἀναρχίαν
πόλει, Soph. Ant. 381
οὐ
δή
που
σε
γ᾽
ἀπιστοῦσαν
τοῖς
βασι-
λείοισιν
ἄγουσι
νόμοις, Eur. Suppl. 389
ἦν
δ᾽
ἀπιστῶσ᾽,
οἵδε
δεύτεροι
λόγοι.
642.
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642.
καὶ
λέγουσ᾽
ὀδύρομαι : "the bare recital costs me tears."
Ср. 197; Eur. Hec. 519
νῦν
τε
γὰρ
λέγων
κακὰ
τέγξω
τόδ᾽
ὄμμα,
πρὸς
τάφῳ
θ᾽
ὅτ᾽
ἄλλυτο, Verg. Aen. ii. 6 quis talia
fando...temperet a lacri- mis?
644.
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644. Cp. Soph.
Αi. 282
τίς
γάρ
ποτ'
ἀρχὴ
τοῦ
κακοῦ
προσέπτατο; Eur. Alc. 420
οὐκ
ἄφνω
κακὸν
τόδε
προσέπτατο.
647.
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647.
μέγ᾿
εὔδαιμον: cp.
Χen. Cyr.
ν.
1,28
μέγα
εὐδαίμονας
γενέσθαι, Suppl. 141
σεμνᾶς
μέγα
ματρός, Eur. Or. 1691
ὦ
μέγα
σεμνὴ
Νίκη, and 1004 below. Also
μέγ᾽
ἔξοχος,
μέγα
νήπιος in Homer and Hesiod. Krüger II. § 46, 6, 7.
648.
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648. Enclitics form, as it were, one word with the preceding; the long thesis of the fifth foot is therefore not a blemish, especially after the phthehemimeral caesura. See on 107.
649.
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649 f.
ἱμέρου
βέλει : =
ἔρωτι (591). In an inverse relation
τόξευμα is used in Suppl. 1003
καὶ
παρθένων
χλιδαῖσιν
εὐμόρφοις
ἔπι
πᾶς
τις
παρελθὼν
ὄμματος
θελκτήριον
τόξευμ᾽
ἔπεμψεν
ἱμέρου
νικώ-
μενος. -
τέθαλπται: cp. Soph. Ant. 1085
ἀφῆκα
καρδίας
τοξεύματα
βέβαια
τῶν
σὺ
θάλπος
οὐκ
ὑπεκδραμεῖ.
θάλ-
πος is said both of the smart of wounds and the fire of love (590).
συναίρεσθαι
Κύπριν:
συνουσιάσαι, Schol.
651.
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651. Crasis of
μὴ
ἀ- is frequent. Cho. 918, Eum. 85 f., 694, 749, Suppl. 209. –
ἀπολακτίσῃς:
ὡς
ἀπὸ
τῶν
ἀλό-
γων
ζῴων, Schol. The coarse expres- sion is purposely chosen, for intimi- dation.
652.
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652.
βαθὺν
λειμώνα : grassy meadow, i.e. with thick, deep herbage. Cp. Od. ix. 134
μάλα
κὲν
βαθὺ
λήιον
αἰεὶ
εἰς
ὥρας
ἀμῷεν,
ἐπεὶ
μάλα
πῖαρ
ὑπ᾽
οὐδας,
ΙΙ. ii. 147
ὡς
δ᾽
ὅτε
κινήσῃ
Ζέφυρος
βαθὺ
λήιον
ἐλθών,
ix. 151
῎Ανθειαν
βαθύλει-
μον, Eur. Hipp. 1138
βαθεῖαν
ἀνὰ
χλόαν.
654.
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654.
ὄμμα
λωφήσῃ: cp. 376. De- sire betrays itself in the look. Cp. Soph.
Αi. 140
πεφόβημαι
πτηνῆς
ὡς
ὄμμα
πελείας.
657.
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657. Cp. Cho. 523
ἐκ
τ᾽
ὀνειράτων
καὶ
νυκτιπλάγκτων
δειμάτων
πεπαλμένη.
658.
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658 f.
ἐπὶ
Δωδώνης: towards Do- dona.
ἐπί with gen. of general direc- tion or end in view, frequent in Homer (cp. Il. iii. 5) and Herodotus (cp. i. 1). With our passage cp. Eur. El. 1343
στεῖχ᾽
ἐπ᾿
᾿Αθηνῶν, Thuc. i. 63
ὁποτέρωσε
διακινδυνεύσει
χωρήσας
ἢ
ἐπὶ
τῆς
Ὀλύνθου
ἢ
ἐς
τὴν
Ποτίδαιαν. G. 191, VI. 2, 1a; H. 799, 1, 6. –
ἴαλλεν: an epic word.
660.
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660.
τί
δρῶντ᾽
ἢ
λέγοντα: this par- ticularization is a favorite one in Greek. Cp. the Homeric
ἡ
ἔπει
ἢ
ἔργῳ,
ΙΙ. 1. 504. Especially appro-
priate in anxious inquiry of an ora- cle; cp. Soph.
Ο.
Τ. 70
ἐς
τὰ
Πυθικὰ
ἔπεμψα
Φοίβου
δώμαθ᾽,
ὡς
πύθοιθ᾽,
ὅ
τι
δρῶν
ἢ
τί
φωνῶν
τήνδε
ῥυσαίμην
πόλιν. Cp. also Cho. 316
τί
σοι
φάμενος
ἢ
τί
ῥέξας, Pers. 174
μήτ᾽
ἔπος
μήτ᾽
ἔργον, Eur. Hec. 372
μηδὲν
ἐμποδὼν
γένῃ
λέγουσα
μηδὲ
δρῶσα, Phoen. 878
τί
οὐ
δρῶν,
ποῖα
δ᾽
οὐ
λέγων
ἔπη. –
πράσ-
σειν
φίλα : =
ἦρα
φέρειν,
χαρίζεσθαι.
πράσσειν covers both
δρᾶν and
λέ-
γειν.
662.
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662. Synonymorum coacervatio non modo rem ipsam, scilicet ambigui- tatem oraculorum, auget atque exag- gerat, sed etiam commotum Ius animum ostendit' (Schütz). So below
ἐναργὴς ...
σαφῶς
ἐπισκήπτουσα
καὶ
μυθουμένη.
666.
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666.
ἄφετον: for the resolution see on 116.
ἄφετos, at large, as said of sacred animals ranging the enclosure of a temple. Cp. Plat. Critias 119 d
ἀφέτων
ὄντων
ταύρων
ἐν
τῷ
τοῦ
Ποσει-
δῶνος
ἱερῷ, Prot. 320 &
αὐτοὶ
περιιόντες
νέμονται
ὥσπερ
ἄφετοι, Eur. Ion 821 8
δ᾽
ἐν
θεοῦ
δόμοισιν
ἄφετος,
ὡς
λάθοι,
παιδεύεται.
ἀλᾶσθαι : consecutive infinitive. Krüger I. § 55, 3, 20. Ср. Cho. 489
ἄνες
μοι
πατέρ᾽
ἐποπτεῦσαι
μάχην.
667.
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667 f.
μολεῖν
κεραυνόν: see on 358
(ἦλθεν). –
ἐξαϊστώσοι: see on 151.
671.
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671.
ἄκουσαν
ἄκων: see on 19. -
ἀλλ᾽
ἐπηνάγκαζε: refers to the notion contained in
άκων. Cp. Eum. 458
ἔφθιθ᾽
οὗτος
οὐ
καλῶς,
μολὼν
ἐς
οἶκον·
ἀλλά
νιν
κελαινόφρων
ἐμὴ
μήτηρ
και
τέκτα, Eur. Bacch. 1127
ἀπεσπάραξεν
ὦμον
οὐχ
ὑπὸ
σθένους,
ἀλλ᾽
ὁ
θεὸς
εὐμά-
ρειαν
ἐπεδίδου
χεροῖν.
672.
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672.
Διὸς
χαλινός : cp. Ag. 133
στόμιον
μέγα
Τροίας, 218
ἀνάγκης
λέ-
παδνον. –
πρὸς
βίαν: nearly like
βίᾳ
φρενῶν (Sept. 612), with inner reluc- tance.
673.
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673. The poet here omits certain details, which are related Suppl. 291 ff. The maid Io touches on external
facts only; she passes over the rea- sons of her persecution. A hint of these has been given by Prometheus at 592. –
φρένες
διάστροφοι: cp. Soph.
Αἱ. 447
ὄμμα
καὶ
φρένες
διάστροφοι.
674.
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674 f.
ὀξυστόμῳ
μύωπι : see on 561, and cp. Schol. Apollon. Rhod. Arg. i. 1265
μύωψ
εἶδος
μυίας
κατὰ
τὸ
ἔαρ
γινό-
μενον,
ἥτις
ταῖς
λαγόσι
τῶν
βοῶν
ἐπι-
καθεζομένη
δάκνει
αὐτὰς
καὶ
εἰς
μανίαν
ἄγει·
ἀφ᾽
οὗ
καὶ
οἶστρος
λέγεται.
Σώ-
στρατος
δὲ
ἐν
τῇ
τετάρτῃ
περὶ
ζῴων
διαστέλλει
τὸν
μύωπα
τοῦ
οἴστρου·
ὁ
μὲν
γὰρ
μύωψ
ἐκ
τῶν
ξύλων
ἀπογεννᾶ-
ται,
ὁ
δὲ
οἶστρος
ἐκ
τῶν
ἐν
τοῖς
ποταμοῖς
ἐπιπλεόντων
σκωρίων. But Suppl. 307
βοηλάτην
μύωπα
κινητήριον·
οἶστρον
κα-
λοῦσιν
αὐτὸν
οἱ
Νείλου
πέλας. Cp. Plin. H. N. xi. 28, 34, 100 pinnae in- sectis omnibus sine scissura, nulli cauda nisi scorpioni; ...reliquorum quibusdam aculeus in ore ut asilo, sive tabanum dici placet.
676.
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676.
εὔποτον: cp. 812. 'The Greeks in general were so little prone to de- scriptive poetry that we cannot but wonder at the inexhaustible wealth of expression with which their poets describe the blessings of flowing water. It is surprising how carefully they inquired into its properties, and how they compared the waters of distant regions, distinguishing their temperature, taste, color, weight, and - their effect on the human body in drinking and bathing' (Ernst Curtius in Griechische Quell- und Brunnenin- schriften). –
Κερχνείας
ῥέος :
Κέρχνη
κρήνη
῎Αργους, Schol. According to Pausanias ii. 24, 7, the small town
Κεγχρεαί (the later form of the name) lay on the route from Argos to Tegea. Not far away, near the coast, was the marshy lake of Lerna, renowned in the myth of Heracles. Cp. Pau- san. ii. 36, 6. 'The
mountain-ridge Pontinus pushes out so close to the sea that the waters welling up at its base have not space to form a river- bed. It is these springs which pro- duce the Lernaean swamp.... Lerna itself was never a town; the name designates either the chief fountain, or the lake, or the whole
coast-region' (E. Curtius, Peloponnesos II. pp. 340, 371).
678.
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678.
ἄκρατος: intemperatus, unmitigated, unsoftened, like unmixed wine.
680.
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680. Here, too, the poet skilfully passes over details (see on 571).
ἀπροσδόκητος,
ἀφνίδιος: joined as in Thuc. ii. 61
δουλοῖ
γὰρ
φρόνημα
τὸ
αἰφνίδιον
καὶ
ἀπροσδόκητον
καὶ
τὸ
πλεί-
στῳ
παραλόγῳ
συμβαίνον. The form
ἀφνίδιος is from
ἄφνω. For the reso- lution, see on 2. The caesura is to be made after
αὐτόν, not after
ἀπροσ-
δόκητος
δ᾽.
681.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-437
681.
οἰστροπλήξ: cp. Soph. El. 5
τῆς
οἰστροπλῆγος
ἄλσος
Ἰνάχου
κόρης. Whips were sometimes armed with sharp points, to serve as goads (cp. on 691); so the expression
οἰστροπλὴξ
μάστιγι is especially fitting.
682.
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682.
γῆν
πρὸ
γῆς: cp. Ar. Ach. 235
διώκειν
γῆν
πρὸ
γῆς. Also the phrases
γῆν
πρὸ
γῆς
ἀπιέναι,
ἴτω
χαιρέτω
γῆν
πρὸ
γῆς
ὅποι
βούλοιτο,
φεύγω
γῆν
πρὸ
γῆς, quoted by Suidas (s.vv.
διαξαίνειν,
ἴτω, and
πρὸ
γῆς), Lucian Alex. 46
γῆν
πρὸ
γῆς
ἐλαύνεσθαι
ὡς
ἀσεβῆ, Cic. Att. xiv. 10 haec et alia ferre non possum; itaque
γῆν
πρὸ
γῆς cogito. The expression
(πρό=
ἀντί) is analogous to
ἀμείβεσθαι
τόπον.
684.
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684. The scholiast compares Tele- machus's words, Od. iii. 96
μηδέ
τί
μ'
αἰδόμενος
μειλίσσεο
μηδ᾽
ἐλεαίρων,
ἀλλ᾽
εὖ
μοι
κατάλεξον.
685.
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685.
νόσημα
αἴσχιστον: cp. 1069; Eur.
Οr. 10
ἀκόλαστον
ἔσχε
γλῶσσαν,
αἰσχίστην
νόσον.