Aeschylus Eumenides 64

Anna Swanwick (Translator)

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Chorus
Surely: just homage just regard requites.

Eumenides. Aeschylus. Anna Swanwick (Translator). London. 1886.

Sponsored by University of Leipzig.

Funding provided by European Social Fund Saxony.

Current edition Experimental

Eumenides (OCR draft) (English) (Eumenides. Anna Swanwick, 1886.)

Provisional text from uncorrected OCR; expect errors.

Editions (12)
Εὐμενίδες First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 1-142 focus
Εὐμενίδες Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 1-142 focus
Εὐμενίδες (1518 edition; OCR draft) Experimental (Aeschylus, Eumenides, 1518 edition. VLM-assisted OCR with native lineation and automated correspondence to the Smyth edition.) — 64 focus
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Guilielmus Dindorfius, 1882.) — 64 focus
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Gottfried Hermann, 1852.) — 64 focus
ΕΥΜΕΝΙΔΕΣ (OCR draft) Experimental (ΕΥΜΕΝΙΔΕΣ. Paul Mazon, 1920-1925.) — 64 focus
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Arthur Sidgwick, 1887.) — 64 focus
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. N. Wecklein, 1885.) — 64 focus
οὔτοι προδώσω· διὰ τέλους δέ σοι φύλαξ
ἐγγὺς παρεστὼς καὶ πρόσω δ᾽ ἀποστατῶν
65
ἐχθροῖσι τοῖς σοῖς οὐ γενήσομαι πέπων.
καὶ νῦν ἁλούσας τάσδε τὰς μάργους ὁρᾷς
ὕπνῳ, πεσοῦσαι δ᾽ αἱ κατάπτυστοι κόραι,
γραῖαι παλαιαὶ παῖδες, αἷς οὐ μίγνυται
θεῶν τις οὐδ᾽ ἄνθρωπος οὐδὲ θήρ ποτε.
70
κακῶν δ᾽ ἕκατι κἀγένοντ', ἐπεὶ κακὸν
σκότον νέμονται Τάρταρον θ᾽ ὑπὸ χθονός,
μισήματ᾽ ἀνδρῶν καὶ θεῶν Ὀλυμπίων.
ὅμως δὲ φεῦγε μηδὲ μαλθακὸς γένῃ.
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Martin L. West, 1990.) — 64 focus
Aeschyli Eumenides (OCR draft) Experimental (Aeschyli Eumenides. Ulrich von Wilamowitz-Moellendorff, 1914.) — 64 focus
Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by F. A. Paley, 1885.) — 64 focus
οὔτοι προδώσω· διὰ τέλους δέ σοι φύλαξ
ἐγγὺς παρεστὼς, καὶ πρόσω δ᾽ ἀποστατῶν,
65
ἐχθροῖσι τοῖς σοῖς οὐ γενήσομαι πέπων.
καὶ νῦν ἁλούσας τάσδε τὰς μάργους ὁρᾷς·
† ὕπνῳ πεσοῦσαι δ᾽ αἱ κατάπτυστοι κόραι,
γραῖαι, παλαιαὶ παῖδες, αἷς οὐ μίγνυται
θεῶν τις, οὐδ᾽ ἄνθρωπος, οὐδὲ θήρ ποτε·
70
κακῶν δ᾽ ἕκατι κἀγένοντ᾽· ἐπεὶ κακὸν
σκότον νέμονται, Τάρταρόν θ᾽ ὑπὸ χθονὸς,
μισήματ᾿ ἀνδρῶν καὶ θεῶν Ὀλυμπίων,
ὅμως δὲ φεύγε, μηδὲ μαλθακὸς γένῃ.
ἐλῶσι γάρ σε καὶ δι' ἠπείρου μακρᾶς
75
βιβῶντ᾽ ἀν᾿ ἀεὶ τὴν πλανοστιβῆ χθόνα,
ὑπέρ τε πόντον καὶ περιρρύτας πόλεις.
καὶ μὴ πρόκαμνε τόνδε βουκολούμενος
πόνον· μολὼν δὲ Παλλάδος ποτὶ πτόλιν
ἵζου παλαιὸν ἄγκαθεν λαβὼν βρέτας·
80
κἀκεῖ δικαστὰς τῶνδε καὶ θελκτηρίους
μύθους ἔχοντες μηχανὰς εὑρήσομεν,
ὥστ᾽ ἐς τὸ πᾶν σε τῶνδ᾽ ἀπαλλάξαι πόνων.
καὶ γὰρ κτανεῖν σ᾽ ἔπεισα μητρῷον δέμας.
Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by Friedrich Blass, 1907.) — 64 focus
ἄναξ Ἄπολλον, οἶσθα μὲν τὸ μὴ ἀδικεῖν·
85
ἐπεὶ δ᾽ ἐπίστᾶι, καὶ τὸ μὴ ἀμελεῖν μάθε·
σθένος δὲ ποιεῖν εὖ φερέγγυον τὸ σόν.
Translations (10)
Eumenides Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1926. (Modernized by Perseus.)) — 1-140 focus
The Eumenides (OCR draft) Experimental (The Eumenides. Theodore Alois Buckley, 1849.) — 64 focus
By no means will I forsake you: but till the end standing near you as a guardian, even though far off, to your enemies I will not be gentle. And now you behold these mad ones caught; but the abhorred virgins, aged chil­ dren have fallen in sleep 2
, whom neither one of the gods, nor man, nor beast, at any time embraces; but for the sake of evils they were born; since they inhabit evil darkness, and Tartarus beneath the earth, things hated by men and Olym­ pian gods. But nevertheless fly, nor be softened in spirit; for they will pursue with impunity you even through the long continent as you proceed 3
along the land trod in your wander­ ings, and over the deep, and the sea-girt cities. And be not wearied, driven herd-like 4
through this toil: but coming to the city of Pallas sit down having taken in your arms 5
the ancient image; and there, having judges of these things and soothing words, we will find means, so as completely to deliver you from these toils: for truly I persuaded you to slay your mother.
LES EUMÉNIDES (OCR draft) Experimental (LES EUMÉNIDES. Paul Mazon, 1920-1925.) — 64 focus
même les maisons d'autrui.
The Furies (OCR draft) Experimental (The Furies. Robert Potter, 1779.) — 64 focus
No: I will not forſake thee: to the end
My guardian care ſhall favour and aſſiſt thee
Preſent, or diſtant far: but to thy foes
85
I know not mercy.
See this griefly troop,
Sleep has oppreſs'd them, and their baffled rage
Shall fail, grim-viſag'd hags, grown old
In loath'd virginity: nor God, nor man
90
Approach'd their bed, nor ſavage of the wilds;
For they were born for mischiefs, and their haunts
In dreary darkneſs 'midſt the yawning gulfs
Of Tartarus beneath, by men abhorr'd,
And by th' Olympian Gods.
95
Fly then, nor yield
To weak diſtruſt: they, be thou fure, will follow
With unremitting chace thy flying ſteps
Wide wand'ring o'er the firm terrene, and o'er
The humid ſea, and wave-furrounded towns.
100
But faint thou not, ſink not beneath thy toils;
Fly to the city of Minerva, take
Thy ſuppliant ſeat, with reverence in thy arms
Graſp
Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 64 focus
lo non ti tradirò. Presso o lontano,
t'assisterò sino alla fine, e mite
mai non sarò per gl'inimici tuoi.
Vedi che queste Furie infine ho colte:
80
giaccion nel sonno le odïose vergini,
le antiche figlie della notte, a cui
non dei Superi alcuno e non degli uomini
né fiera alcuna mescesi.
Ministre
85
qui di ruina vennero: ché pure
sotto la terra, in ruinosa tenebra,
han dimora, nel Tartaro; e degli uomini
le aborrisce la stirpe e degli Olimpî.
Ma pur, tu fuggi, e non fiaccarti: ch'esse
90
Aeschylus, Eumenides: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Eumenides: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 64 focus
Non certè prodā, ad finem uſq;
uerò tibi custos ero
Propè aſtans, & procul abſens
A tuis inimicis, & non ero impotens.
Et nunc uides captas has ſurtis
70
Somno cadentes uerò ſpuentes puellæ,
Vetulæ, ſenes puellæ, quibus non miſcetur
Deorum aliquis, neq;
homo, neq; fera unquam.
Malorum uerò gratia ſunt, & in malo
75
Tenebras inhabitant & tartarum ſub terra.
Inuiſæ hominibus & dijs cælestibus.
Tamen fuge, neq; mollis esto,
Perſequentur te per longam Epirum
Aſcendentem ſine detrimento erraticam terram.
80
Et ſupra Pontum, mariq; clauſas urbes.
Et ne defatigeris hunc mitigans
Laborem, migrans uerò ad urbem Palladis,
Sede antiquum apprehendens ulmis ſimulacrum.
Et illic iudices, & horum blandos
85
Sermones habentes, machinas inueniemus,
Vt omnino libereris ab his laboribus.
Nam te interficere perſuaſi maternum corpus.
Aeschylus, Die Eumeniden: German translation (OCR draft) Experimental (Aeschylus, Die Eumeniden: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 64 focus
Ich will dich nicht verlassen. Mag ich nahe dir
65 zur Seite weilen oder fern: stets wart' ich dein
und gebe niemals schwächlich deinen Feinden nach.
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, The Furies — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 64 focus
Lo, I desert thee never: to the end,
Hard at thy side as now, or sundered far,
I am thy guard, and to thine enemies
Implacably oppose me: look on them,
85
These greedy fiends, beneath my craft subdued!
See, they are fallen on sleep, these beldames old,
Unto whose grim and wizened maidenhood
Nor god nor man nor beast can e'er draw near.
Yea, evil were they born, for evil's doom,
90
Evil the dark abyss of Tartarus
Wherein they dwell, and they themselves the hate
Of men on earth, and of Olympian gods.
But thou, flee far and with unfaltering speed;
For they shall hunt thee through the mainland wide
95
Where'er throughout the tract of travelled earth
Thy foot may roam, and o'er and o'er the seas
And island homes of men. Faint not nor fail,
Too soon and timidly within thy breast
Shepherding thoughts forlorn of this thy toil;
100
But unto Pallas' city go, and there
Crouch at her shrine, and in thine arms enfold
Her ancient image: there we well shall find
Meet judges for this cause and suasive pleas,
Skilled to contrive for thee deliverance
105
From all this woe. Be such my pledge to thee,
For by my hest thou didst thy mother slay.
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 64 focus
Nie werd' ich dich verlassen; nein, ich stehe stets
Zur Seite dir als Hüter, auch entfernt von dir, 1
65
Und werde deinen Feinden nie befreundet sein.
So siehst du jetzt gefangen dort die Nasenden;
Vom Schlaf gebunden ruhen sie, die scheußlichen
Jungfraun, die greisen Mädchen, die kein Gott umarmt,
Und denen liebend weder Mensch noch Thier sich naht.
70
Zu finstern Thaten wurden sie; denn finstre Nacht,
Der Tartaros tief unten, ist ihr Aufenthalt;
Sie sind ein Gräul den Menschen, wie den Himmlischen.
Doch fliehe nur vor ihnen, darfst nicht lässig sein.
Denn über Festlands Weiten treibt dich diese Schaar
75
In ruheloser Irre durch die Erde hin,
Und über Meer und meerumrauschtes Inselland.
Auf dieser Mühen banger Fahrt ermatte nicht
Zu frühe! Wenn du hingelangst in Pallas' Burg,
So size nieder und umschling' ihr altes Bild.
80
Dort werden wir die Richter über solche Schuld,
Das Wort der Sühne finden und erspäh'n die Bahn,
Die deiner Mühen aller dich erledige.
Denn auch zum Muttermorde trieb ich selbst dich an.
English (Smyth; revised Bannon and Nagy, CHS) (OCR draft) Experimental (CHS Primary Sources revision of Herbert Weir Smyth’s translation by Cynthia Bannon and Gregory Nagy, with transliterated Greek terms tagged and aligned to the Smyth edition.)

No corresponding passage available

Commentary

Commentary on Aeschylus: Eumenides (Aeschylus. Eumenides. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1887.)

64. διὰ τέλους , idiomatic expression for ever.

169. μάντις ὤν , i. e. ‘though a seer,' and thus the last who should have allowed pollution.

174. τόν , Orestes: for Epic form cp. 137, 357.

Critical apparatus to Eumenides (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Eumenides.) focus

mvp-comment-48-1 οὔτοι προδώσω: Personae notam omittunt G. Ald. Sed in G. adscriptum στροφή. πρὸς Ὀρέστην Απόλλων, ἀπέστη γὰρ ἡ ἱέρεια. In M. adseriptum πρὸς Ὀρέστην φησίν. ἀπέστη γὰρ ἡ ἱέρεια. Scholiastes ἐπιφανεὶς Ἀπόλλων συμβουλεύει Ὀρέστῃ καταλιπεῖν μὲν τὸ μαντεῖον, φυγεῖν δὲ εἰς ᾿Αθήνας, καὶ δευτέρα δὲ γίνεται φαντασία, στραφέντα γὰρ μηχανήματα ἔνδηλα ποιεῖ τὰ κατὰ τὸ μαντεῖον ὡς ἔχει. καὶ γίνεται ὄψις τραγική, τὸ μὲν ξίφος ᾑμαγμένον· ἔτι κατέχων Ὀρέστης, αἳ δὲ κύκλῳ φρουροῦσαι αὐτόν. Haec non recte ad hunc versum adscripta esse videntur, quum deberent ad v. 97. adnotari. Eodem modo scholion, quod ad ipsum fabulae initium ponendum fuerat, ad v. 48. adscriptum est. Certe hic non cogitandum est de versis machinis. Nam non solum nulla caussa erat cur nunc Furiae conspicerentur, sed etiam importune poeta animos spectatorum novo isto et terribili adspectu Furiarum avocasset ab audiendo Apollinis et Orestis colloquio. Prodeunt ex templo Apollo, Orestes, Mercurius. Dixi de hac re in Opusculis vol. VI. 2. p. 163. et in Anualium Vindobonensium vol. CXI. p. 246. seqq. προδόσω G. Ald. προδώσο Rob.

Commentary on the Eumenides (OCR draft) (Brief English notes on Aeschylus' Eumenides by F. A. Paley, 1885.) focus

mvp-comment-27-1 Apollo himself appears (apparently as an actor on the stage, though this is not certain). No! he exclaims, I will not desert you! I will watch over and guard you to the end, either at your side or from a distance, and I will show no gentleness to your enemies. We might conceive that Apollo appeared as in the air, by the μηχανὴ, and that this verse really means Even though far from you, as much as if I were close by you. Yet, as an interlocutor throughout the play, it would be difficult to suppose he always spoke from the μηχανή. - The use of καὶ δὲ is not common in tragedy, though very frequent in the later Attic prose. See Pers. 263, 548 . -πέπων, mitis, opposed to ὠμός, stern.

Selected scholia accompanying Blass's Eumenides (OCR draft) (The mixed Greek, Latin, and German scholia register printed with Friedrich Blass's 1907 edition, aligned to O. L. Smith's later recensional editions.) focus

mvp-comment-35-1 ἐπιφανεὶς Ἀπόλλων συμβουλεύει Ὀρέστηι καταλιπεῖν μὲν τὸ μαντεῖον, φυγεῖν δὲ εἰς Ἀθήνας. καὶ δευτέρα δὲ γίνεται φαντασία. στραφέντα γὰρ μηχανήματα ἔνδηλα ποιεῖ τὰ κατὰ τὸ μαντεῖον ὡς ἔχει καὶ γίνεται ὄψις τραγική· τὸ μὲν ξίφος ἡιμαγμένον ἔτι κατέχων Ορέστης, αἱ δὲ κύκλωι φρουροῦσαι αὐτόν. πρὸς Ὀρέστην φησίν· ἀπέστη γὰρ ἡ ἱέρεια.

Wecklein’s commentary on Eumenides (1888; German; OCR draft) (Explanatory commentary, pp. 251–322; HW42J8 and HXJHA8 OCR collated, with missing comparison pages 294–295 explicitly marked. Unresolved OCR and provisional reference mappings are explicitly marked.) focus

mvp-comment-1-1 Wecklein 1888, p. 251

mvp-comment-1-2 Prolog, wenn man das Erwachen der Erinyen 140-178 als Parodos und das zweite Erscheinen derselben 244-275 als Epiparodos gelten läfst. Andernfalls müfste man den Prolog bis zum eigentlichen Auftreten des Chors als der wirklichen Parodos, also 1-243 rechnen. Die Pythia, welche als Greisin (38) sich auf einen Stab stützt, kommt (durch eine Seitenthüre der Hinterwand) aus einem Nebenraume des Tempels zum Haupteingange desselben und verrichtet vor dem Eintritt ein Gebet (30 f.). Sie hat die χρηστηρία ἐσθής wie Kasandra in Agamemnon (zu Ag. 774 ). Gut bemerkt der Schol. :

φαίνεται ἐπὶ σκηνῆς τὸ μαντεῖον· η δὲ προφῆτις πρόεισιν ἐπικλήσεις, ὡς ἔθος, τῶν θεῶν ποιησομένη, ἀπροόπτως τε ἰδοῦσα τὰς Ἐρινύας κύκλῳ τοῦ Ὀρέστου καθευδούσας πάντα μηνύει τοῖς θεαταῖς, οὐχ ὡς διηγουμένη τὰ ὑπὸ τὴν σκηνήν, τοῦτο γὰρ νεωτερικὸν Εὐριπίδειον, ὑπὸ δὲ τῆς ἐκπλήξεως τὰ θορυβήσαντα αὐτὴν καταμηνύουσα φιλοτέχνως
(d. h. die Exposition ist nicht unvermittelt wie bei Euripides, sondern wohl motiviert). τὰ δὲ πρῶτα εὐχαὶ καὶ ἐπικλήσεις θεῶν, ἵνα ἀπὸ τῶν εὐφημοτέρων ἄρξηται ἡ προφῆτις (in der That breitet das Gebet der Priesterin über den Anfang eine weihevolle Stimmung aus). οἰκονομικῶς δὲ οὐκ ἐν ἀρχῇ διώκεται Ὀρέστης, ἀλλὰ τοῦτο ἐν μέσῳ τοῦ δράματος κατατάττει, ταμιευόμενος τὰ ἀκμαιότατα ἐν μέσῳ.

Commentary (Arthur Sidgwick, 1887) (OCR draft) (Arthur Sidgwick's commentary on the Eumenides, aligned to the canonical Greek text.) focus

διὰ τέλους , idiomatic expression for ever.