Aeschylus, Eumenides, ed. F. A. Paley, 297.paley-note-106

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ἄψωμεν] This clearly shows that dancing movements accompanied the music and singing. -ἐπεὶ κ.τ.λ., since we have resolved to show what we can do in doleful music, lit. to make a display of a hateful (joyless) strain. An Ionic form is used in place of the Attic δέδοκται (see Veitch, Gr. V. p. 199 ). -στυγερὰν, Schol.

ὡς ἐπὶ νεκρῷ.

Eumenides. Aeschylus. ed. F. A. Paley. Cambridge. 1885.

Current edition Experimental

Commentary on the Eumenides (OCR draft) (English) (Brief English notes on Aeschylus' Eumenides by F. A. Paley, 1885.)

Provisional text from uncorrected OCR; expect errors.

Editions (12)

Εὐμενίδες First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 299-396 focus

Χορός

οὔτοι σ᾽ Ἀπόλλων οὐδ᾽ Ἀθηναίας σθένος

ῥύσαιτ᾽ ἂν ὥστε μὴ οὐ παρημελημένον
300

ἔρρειν, τὸ χαίρειν μὴ μαθόνθ᾽ ὅπου φρενῶν,

ἀναίματον βόσκημα δαιμόνων, σκιάν.¹

οὐδ᾽ ἀντιφωνεῖς, ἀλλ᾽ ἀποπτύεις λόγους,

ἐμοὶ τραφείς τε καὶ καθιερωμένος;²

καὶ ζῶν με δαίσεις οὐδὲ πρὸς βωμῷ σφαγείς:
305

ὕμνον δ᾽ ἀκούσει τόνδε δέσμιον σέθεν.

307

Χορός

ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

μοῦσαν στυγερὰν

ἀποφαίνεσθαι δεδόκηκεν,

λέξαι τε λάχη τὰ κατ᾽ ἀνθρώπους
310

ὡς ἐπινωμᾷ στάσις ἁμά.³

εὐθυδίκαιοι δ᾽⁴ οἰόμεθ᾽⁵ εἶναι:

τὸν μὲν καθαρὰς χεῖρας προνέμοντ᾽⁶

οὔτις ἐφέρπει μῆνις ἀφ᾽ ἡμῶν,⁷

ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ:
315

ὅστις δ᾽ ἀλιτὼν⁸ ὥσπερ ὅδ᾽ ἁνὴρ⁹

χεῖρας φονίας ἐπικρύπτει,

μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν

παραγιγνόμεναι¹⁰ πράκτορες αἵματος

αὐτῷ τελέως ἐφάνημεν.
320
321

str. 1

Χορός

μᾶτερ ἅ μ᾽ ἔτικτες, ὦ μᾶτερ

Νύξ, ἀλαοῖσι¹¹ καὶ δεδορκόσιν

ποινάν, κλῦθ᾽. ὁ Λατοῦς γὰρ ἶ-

νίς μ᾽ ἄτιμον τίθησιν

τόνδ᾽ ἀφαιρούμενος
325

πτῶκα,¹² ματρῷον ἅγ-

νισμα κύριον φόνου.

328

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ¹³ φρενοδαλής,
330

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.

334

ant. 1

Χορός

τοῦτο γὰρ λάχος διανταία

Μοῖρ᾽ ἐπέκλωσεν ἐμπέδως ἔχειν,
335

θνατῶν¹⁴ τοῖσιν αὐτουργίαι¹⁵

ξυμπέσωσιν¹⁶ μάταιοι,

τοῖς ὁμαρτεῖν, ὄφρ᾽ ἂν

γᾶν ὑπέλθῃ: θανὼν δ᾽

οὐκ ἄγαν ἐλεύθερος.
340
341

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ¹⁷ φρενοδαλής,

ὕμνος¹⁸ ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

347

str. 2

Χορός

γιγνομέναισι λάχη τάδ᾽ ἐφ᾽ ἁμὶν ἐκράνθη,

ἀθανάτων δ᾽ ἀπέχειν χέρας, οὐδέ τις ἐστὶ
350

ξυνδαίτωρ¹⁹ μετάκοινος.

παλλεύκων δὲ πέπλων ἀνέορτος²⁰ ἄκληρος ἐτύχθην.

354

Χορός

δωμάτων²¹ γὰρ εἱλόμαν

ἀνατροπάς: ὅταν Ἄρης
355

τιθασὸς²² ὢν φίλον²³ ἕλῃ,

ἐπὶ τὸν ὧδ᾽ ἱέμεναι²⁴

κρατερὸν ὄνθ᾽ ὅμως ἀμαυ-

ροῦμεν²⁵ [ὑφ᾽²⁶] αἵματος νέου.>

360

ant. 2

Χορός

σπευδομένα²⁷ δ᾽ ἀφελεῖν
360

τινὰ τάσδε²⁸ μερίμνας,

θεῶν δ᾽ ἀτέλειαν ἐμαῖς

μελέταις²⁹ ἐπικραίνειν,

μηδ᾽ εἰς³⁰ ἄγκρισιν ἐλθεῖν—

Ζεὺς δ᾽ αἱμοσταγὲς³¹ ἀξ-
365

ιόμισον ἔθνος τόδε λέσχας

ἇς ἀπηξιώσατο—

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν³² βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,
370

σφαλερὰ τανυδρόμοις <ὅμως³³>

κῶλα, δύσφορον μάταν.³⁴³⁵

373

str. 3

Χορός

δόξαι τ᾽ ἀνδρῶν καὶ μάλ᾽ ὑπ᾽ αἰθέρι σεμναὶ

τακόμεναι κατὰ γᾶν μινύθουσιν ἄτιμοι

ἁμετέραις ἐφόδοις μελανείμοσιν, ὀρχησ-
375

μοῖς τ᾽ ἐπιφθόνοις³⁶ ποδός.

377

ant. 3

Χορός

πίπτων δ᾽ οὐκ οἶδεν τόδ᾽ ὑπ᾽ ἄφρονι λύμᾳ:

τοῖον [γὰρ³⁷] ἐπὶ κνέφας ἀνδρὶ μύσος πεπόταται,

καὶ δνοφεράν τιν᾽ ἀχλὺν κατὰ δώματος αὐδᾶ-

ται πολύστονος φάτις.
380
381

str. 4

Χορός

μένει γάρ: εὐμήχανοί

τε³⁸ καὶ τέλειοι, κακῶν

τε μνήμονες, σεμναὶ

καὶ δυσπαρήγοροι βροτοῖς,

ἄτιμ᾽ ἀτίετα³⁹ διόμεναι⁴⁰
385

λάχη θεῶν διχοστατοῦντ᾽ ἀνηλίῳ

λάμπᾳ, †δυσοδοπαίπαλα⁴¹

δερκομένοισι καὶ δυσομμάτοις ὁμῶς.

389

ant. 4

Χορός

τίς οὖν τάδ᾽ οὐχ ἅζεταί⁴²

τε καὶ δέδοικεν⁴³ βροτῶν,
390

ἐμοῦ κλύων θεσμὸν

τὸν μοιρόκραντον ἐκ θεῶν

δοθέντα τέλεον; ἔτι⁴⁴ δέ μοι

<μένει⁴⁵> γέρας παλαιόν, οὐδ᾽ ἀτιμίας

κύρω,⁴⁶ καίπερ ὑπὸ χθόνα
395

τάξιν ἔχουσα καὶ δυσήλιον κνέφας.

397

Εὐμενίδες Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 299-396 focus

Χορός

οὔτοι σʼ Ἀπόλλων οὐδʼ Ἀθηναίας σθένος

ῥύσαιτʼ ἂν ὥστε μὴ οὐ παρημελημένον
300

ἔρρειν, τὸ χαίρειν μὴ μαθόνθʼ ὅπου φρενῶν,

ἀναίματον βόσκημα δαιμόνων, σκιάν.

οὐδʼ ἀντιφωνεῖς, ἀλλʼ ἀποπτύεις λόγους,

ἐμοὶ τραφείς τε καὶ καθιερωμένος;

καὶ ζῶν με δαίσεις οὐδὲ πρὸς βωμῷ σφαγείς·
305

ὕμνον δʼ ἀκούσῃ τόνδε δέσμιον σέθεν.

307

Χορός

ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

μοῦσαν στυγερὰν

ἀποφαίνεσθαι δεδόκηκεν,

λέξαι τε λάχη τὰ κατʼ ἀνθρώπους
310

ὡς ἐπινωμᾷ στάσις ἁμά.

εὐθυδίκαιοι δʼ οἰόμεθʼ εἶναι·

τὸν μὲν καθαρὰς χεῖρας προνέμοντʼ

οὔτις ἐφέρπει μῆνις ἀφʼ ἡμῶν,

ἀσινὴς δʼ αἰῶνα διοιχνεῖ·
315

ὅστις δʼ ἀλιτὼν ὥσπερ ὅδʼ ἁνὴρ

χεῖρας φονίας ἐπικρύπτει,

μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν

παραγιγνόμεναι πράκτορες αἵματος

αὐτῷ τελέως ἐφάνημεν.
320

321

Χορός

μᾶτερ ἅ μʼ ἔτικτες, ὦ μᾶτερ

Νύξ, ἀλαοῖσι καὶ δεδορκόσιν

ποινάν, κλῦθʼ. ὁ Λατοῦς γὰρ ἶ-

νίς μʼ ἄτιμον τίθησιν

τόνδʼ ἀφαιρούμενος
325

πτῶκα, ματρῷον ἅ-

γνισμα κύριον φόνου.

328

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,
330

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.

334

Χορός

τοῦτο γὰρ λάχος διανταία

Μοῖρʼ ἐπέκλωσεν ἐμπέδως ἔχειν,
335

θνατῶν τοῖσιν αὐτουργίαι

ξυμπέσωσιν μάταιοι,

τοῖς ὁμαρτεῖν, ὄφρʼ ἂν

γᾶν ὑπέλθῃ· θανὼν δʼ

οὐκ ἄγαν ἐλεύθερος.
340

341

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

347

Χορός

γιγνομέναισι λάχη τάδʼ ἐφʼ ἁμὶν ἐκράνθη·

ἀθανάτων δʼ ἀπέχειν χέρας, οὐδέ τις ἐστί
350

συνδαίτωρ μετάκοινος·

παλλεύκων δὲ πέπλων ἀπόμοιρος ἄκληρος ἐτύχθην

¯˘¯˘¯˘¯

354

Χορός

δωμάτων γὰρ εἱλόμαν

ἀνατροπάς, ὅταν Ἄρης
355

τιθασὸς ὢν φίλον ἕλῃ.

ἐπὶ τὸν ὧδʼ ἱέμεναι

κρατερὸν ὄνθʼ ὅμως ἀμαυ-

ροῦμεν ὑφʼ αἵματος νέου.

360

Χορός

σπεύδομεν αἵδʼ ἀφελεῖν τινὰ τάσδε μερίμνας,
360

θεῶν δʼ ἀτέλειαν ἐμαῖς μελέταις ἐπικραίνειν,

μηδʼ εἰς ἄγκρισιν ἐλθεῖν·

Ζεὺς δʼ αἱμοσταγὲς ἀξιόμισον ἔθνος τόδε λέσχας
365

ἇς ἀπηξιώσατο.

354a

Χορός

δωμάτων γὰρ εἱλόμαν

ἀνατροπάς, ὅταν Ἄρης

τιθασὸς ὢν φίλον ἕλῃ.

ἐπὶ τὸν ὧδʼ ἱέμεναι

κρατερὸν ὄνθʼ ὅμως ἀμαυ-

ροῦμεν ὑφʼ αἵματος νέου.

368

Χορός

δόξαι τʼ ἀνδρῶν καὶ μάλʼ ὑπʼ αἰθέρι σεμναὶ

τακόμεναι κατὰ γᾶν μινύθουσιν ἄτιμοι

ἁμετέραις ἐφόδοις μελανείμοσιν, ὀρχη-
370

σμοῖς τʼ ἐπιφθόνοις ποδός.

372

Χορός

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,

σφαλερὰ καὶ τανυδρόμοις
375

κῶλα, δύσφορον ἄταν.

377

Χορός

πίπτων δʼ οὐκ οἶδεν τόδʼ ὑπʼ ἄφρονι λύμᾳ·

τοῖον γὰρ ἐπὶ κνέφας ἀνδρὶ μύσος πεπόταται,

καὶ δνοφεράν τινʼ ἀχλὺν κατὰ δώματος αὐδᾶ-

ται πολύστονος φάτις.
380

372a

Χορός

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,

σφαλερὰ καὶ τανυδρόμοις

κῶλα, δύσφορον ἄταν.

381

Χορός

μένει γάρ. εὐμήχανοί

τε καὶ τέλειοι, κακῶν

τε μνήμονες σεμναὶ

καὶ δυσπαρήγοροι βροτοῖς,

ἄτιμʼ ἀτίετα διόμεναι
385

λάχη θεῶν διχοστατοῦντʼ ἀνηλίῳ

λάμπᾳ, δυσοδοπαίπαλα

δερκομένοισι καὶ δυσομμάτοις ὁμῶς.

389

Χορός

τίς οὖν τάδʼ οὐχ ἅζεταί

τε καὶ δέδοικεν βροτῶν,
390

ἐμοῦ κλύων θεσμὸν

τὸν μοιρόκραντον ἐκ θεῶν

δοθέντα τέλεον; ἔτι δέ μοι

μένει γέρας παλαιόν, οὐδʼ ἀτιμίας

κύρω, καίπερ ὑπὸ χθόνα
395

τάξιν ἔχουσα καὶ δυσήλιον κνέφας.

Εὐμενίδες (1518 edition; OCR draft) Experimental (Aeschylus, Eumenides, 1518 edition. VLM-assisted OCR with native lineation and automated correspondence to the Smyth edition.) — 307 focus

Χορὸς Εὐμενίδων

ἄγε δὴ καὶ χορὸν ἅψωμεν ἐπεὶ μοῦσαν στυγερὰν

ἀποφαίνεσθαι δεδόκηκεν. λέξαι τε λάχη τὰ

κατ' ἀνθρώπους

ὡς ἐπινομᾷ στάσις ἅμα εὐθυδίκαιοι δ' οἰόμεθ' εἶναι.
300

τοὺς μὲν καθαρὰς χῆρας πρὸς νέμοντας.

οὔτις ἀφ' ἡμῶν μῆνις ἐφέρπει. ἀσινὴς δ' αἰῶν

ἀδιοιχνεῖ

ὅσ τις δ' ἀλιτρῶν ὡς ὅδ' ἀνὴρ

χεῖρας φονίας ἐπικρύπτει. μάρτυρες ὀρ-
305

θαίτοισι θανῦσιν.

παραγινόμεναι πράκτορες αἵματος,

αὐτῷ τελέως ἐφάνημεν. μᾶτερ ἅ μ' ἔτεκνες,

Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Guilielmus Dindorfius, 1882.) — 307 focus

ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

μοῦσαν στυγερὰν

᾿ αποφαίνεσθαι δεδόκηκεν,

λέξαι τε λάχη τὰ κατ᾿ ἀνθρώπους
310

ὡς ἐπινωμᾷ στάσις ἁμά.

εὐθυδίκαιοι δ᾽ ἡδόμεθ᾽ εἶναι·

τὸν μὲν καθαρὰς χεῖρας προνέμοντ᾽

οὔτις ἐφέρπει μῆνις ἀφ᾽ ἡμῶν,

ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ·
315

ὅστις δ᾽ ἀλιτὼν ὥσπερ ὅδ᾽ ἁνὴρ

χεῖρας φονίας ἐπικρύπτει,

μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν

παραγιγνόμεναι πράκτορες αἵματος

αὐτῷ τελέως ἐφάνημεν.
320

Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Gottfried Hermann, 1852.) — 307 focus

Χορός

ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

μοῦσαν στυγερὰν
305

ἀποφαίνεσθαι δεδόκηκεν,

λέξαι τε λάχη τὰ κατ᾽ ἀνθρώπους

ὡς ἐπινωμᾷ στάσις ἀμά.

¹

εὐθυδίκαιοί θ᾽ ἡδόμεθ᾽ εἶναι·

τοὺς μὲν καθαράς
310

καθαρῶς χεῖρας προνέμοντας

οὔτις ἐφέρπει μῆνις ἀφ᾿ ἡμῶν,

ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ·

²

ὅςτις δ᾽ ἀλιτών, ὥςπερ ὅδ᾽ ἀνήρ,

χεῖρας φονίας ἐπικρύπτει,
315

μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν

παραγιγνόμεναι πράκτορες αἵματος

αὐτῷ τελέως ἐφάνημεν.

³⁴

ΕΥΜΕΝΙΔΕΣ (OCR draft) Experimental (ΕΥΜΕΝΙΔΕΣ. Paul Mazon, 1920-1925.) — 307 focus

Ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

μοῦσαν στυγερὰν

ἀποφαίνεσθαι δεδόκηκεν,

λέξαι τε λάχη τὰ κατ᾿ ἀνθρώπους
310

ὡς ἐπινωμᾷ στάσις ἁμή ἅμα.

Εὐθυδίκαιοι δ' οἰόμεθ' εἶναι· εὐθυδίκαι θ᾽ οἶδ᾽ οίμεθ᾽ εἶναι εὐθυδίκαι τ᾽ οἶδ' οἶμαι θεῖναι

τὸν... προνέμοντ' τοὺς... προνέμοντας (προσνέμ- Μ) μὲν καθαρὰς χεῖρας

οὔτις ἐφέρπει μῆνις ἀφ' ἡμῶν ἀφ' ἡμῶν μῆνις ἐφέρπει,

ἀσινὴς δ' αἰῶνα διοιχνεῖ·
315

ΕΥΜΕΝΙΔΕΣ

[ΧΟ.]

ὅστις δ' ἀλιτὼν ἀλιτρῶν ὥσπερ ὅδ' ἁνὴρ ἀνὴρ

χεῖρας φονίας ἐπικρύπτει,

μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν

παραγιγνόμεναι πράκτορες αἵματος

αὐτῷ τελέως ἐφάνημεν.
320

Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Arthur Sidgwick, 1887.) — 307 focus

ΧΟ.

ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

μοῦσαν στυγερὰν

ἀποφαίνεσθαι δεδόκηκεν,

λέξαι τε λάχη τὰ κατ᾿ ἀνθρώπους
310

ὡς ἐπινωμᾷ στάσις ἁμά·

¹

εὐθυδίκαιοι δ᾽ οἰόμεθ' εἶναι.

τὸν μὲν καθαρὰς χεῖρας προνέμοντ᾽

οὔτις ἐφέρπει μῆνις ἀφ᾽ ἡμῶν,

ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ·
315

ὅστις δ᾽ ἀλιτών, ὥσπερ ὅδ᾽ ἁνήρ,

χεῖρας φονίας ἐπικρύπτει,

μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν

παραγιγνόμεναι πράκτορες αἵματος

αὐτῷ τελέως ἐφάνημεν.
320

Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. N. Wecklein, 1885.) — 307 focus

ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

¹²³⁴⁵⁶

τῶνδ᾽ ἐμοὶ τῶνδέ μοι ⁷ ⁸ ⁹

ΧΟΡΟΣ

μοῦσαν στυγερὰν

ἀποφαίνεσθαι δεδόκηκεν,

λέξαι τε λάχη τὰ κατ᾽ ἀνθρώπους
310

ὡς ἐπινωμᾷ στάσις ἁμά.

εὐθυδίκαιοι δ᾽ οἰόμεθ᾽ εἶναι·

τοὺς μὲν καθαρὰς

χεῖρας προνέμοντας

οὔτις ἐφέρπει μῆνις ἀφ᾽ ἡμῶν,
315

ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ·

ὅστις δ᾽ ἀλιτὼν ὥσπερ ὅδ᾽ ἀνὴρ

χεῖρας φονίας ἐπικρύπτει,

μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν

παραγιγνόμεναι πράκτορες αἵματος
320

αὐτῷ τελέως ἐφάνημεν.

1

Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Martin L. West, 1990.) — 307 focus

— ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ μοῦσαν στυγερὰν

ἀποφαίνεσθαι δεδόκηκεν

λέξαι τε λάχη τὰ κατ᾽ ἀνθρώπους
310

ὡς ἐπινωμᾶι στάσις ἁμή.

εὐθυδίκαιοι δ᾽ οἰόμεθ᾽ εἶναι·

τοὺς μὲν καθαρὰς ⟨καθαρῶς⟩ χεῖρας προνέμοντας

οὔτις ἐφέρπει μῆνις ἀφ᾽ ἡμῶν,

ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ·
315

ὅστις δ᾽ ἀλιτὼν ὥσπερ ὅδ’ ἁνὴρ

χεῖρας φονίας ἐπικρύπτει,

μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν παραγιγνόμεναι

πράκτορες αἵματος αὐτῶι τελέως ἐφάνημεν.
320

Aeschyli Eumenides (OCR draft) Experimental (Aeschyli Eumenides. Ulrich von Wilamowitz-Moellendorff, 1914.) — 307 focus

ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

μοῦσαν στυγεράν

ἀποφαίνεσθαι δεδόκηκεν,

λέξαι τε λάχη τὰ κατ᾿ ἀνθρώπους

ὡς ἐπινωμᾶι στάσις ἁμά.
310

εὐθυδίκαιοι δ᾽ εὐχόμεθ᾽ εἶναι·

τοὺς μὲν (καθαρῶς)

καθαρὰς χεῖρας προνέμοντας

οὔτις ἐφέρπει μῆνις ἀφ᾽ ἡμῶν,

ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ·
315

ὅστις δ᾽ ἀλιτὼν ὥσπερ ὅδ᾽ ἁνὴρ

χεῖρας φονίας ἐπικρύπτει,

μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν

παραγιγνόμεναι πράκτορες αἵματος

αὐτῶι τελέως ἐφάνημεν. ξ
320

Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by F. A. Paley, 1885.) — 307 focus

ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

μοῦσαν στυγερὰν

ἀποφαίνεσθαι δεδόκηκεν,

λέξαι τε λάχη τὰ κατ᾿ ἀνθρώπους
300

ὡς ἐπινωμᾷ στάσις ἁμά·

εὐθυδίκαιοι δ᾽ οἰόμεθ᾽ εἶναι.

τὸν μὲν καθαρὰς χεῖρας προνέμοντ᾽

οὔτις ἀφ᾽ ἡμῶν μῆνις ἐφέρπει,

ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ·
305

ὅστις δ᾽ ἀλιτών, ὥσπερ ὅδ᾽ ἀνὴρ,

χεῖρας φονίας ἐπικρύπτει,

μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν

παραγιγνόμεναι πράκτορες αἵματος

αὐτῷ τελέως ἐφάνημεν.
310

Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by Friedrich Blass, 1907.) — 307 focus

ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

μοῦσαν στυγερὰν

ἀποφαίνεσθαι δεδόκηκεν,

λέξαι τε λάχη τὰ κατ᾿ ἀνθρώπους
310

ὡς ἐπινωμᾶι στάσις ἁμή.

εὐθυδίκαιοι δ᾽ οἰόμεθ᾽ εἶναι·

τὸν μὲν καθαρὰς χεῖρας προνέμοντ᾽

οὔτις ἐφέρπει μῆνις ἀφ᾽ ἡμῶν,

ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ·
315

ὅστις δ᾽ ἀλιτὼν ὥσπερ ὅδ᾽ ἁνὴρ

χεῖρας φονίας ἐπικρύπτει,

μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν

παραγιγνόμεναι πράκτορες αἵματος

αὐτῶι τελέως ἐφάνημεν.
320

Translations (10)

Eumenides Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1926. (Modernized by Perseus.)) — 299-395 focus

Chorus

No, neither Apollo nor Athena’s strength

can save you from perishing abandoned, not knowing where joy is in your heart—a bloodless victim of the gods below, a shadow.
You do not answer, but scorn my words, you who are fattened and consecrated to me?
300

Living, you will be my feast, not slain at an altar; now you will hear this hymn, a spell to bind you.
305

307

Chorus

Come now, let us also join the dance, since we are resolved to display our hated song

and to declare our allotted office, how our party directs the affairs of men. We claim to be just and upright. No wrath from us will come stealthily to the one who holds out clean hands,
310

and he will go through life unharmed; but whoever sins, as this man has, and hides his blood-stained hands, as avengers of bloodshed we appear against him to the end, presenting ourselves as upright witnesses for the dead.
315

321

Chorus

O mother Night, hear me, mother who gave birth to me as a retribution for the blind and the seeing. For Leto’s son dishonors me

by snatching away this cowering wretch, a proper expiation for his mother’s blood.
325

328

Chorus

This is our song over the sacrificial victim—frenzied,

maddened, destroying the mind, the Furies’ hymn, a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
330

334

Chorus

For this is the office that relentless

Fate spun for us to hold securely: when rash murders of kin come upon mortals, we pursue them until they go under the earth; and after death,
335

they have no great freedom.
340

341

Chorus

This is our song over the sacrificial victim—frenzied, maddened, destroying the mind,the Furies’ hymn,

a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
345

347

Chorus

This office was ordained for us at birth;

but the immortal gods must hold back their hands from us, nor does any of them share a feast in common with us; and I have neither lot nor portion of pure white ceremonial robes
350

354

Chorus

For I have chosen the overthrow of houses,

whenever violence raised in the home seizes someone near and dear. So speeding after this man, we weaken him, even though he is strong, because of the fresh blood.
355

360

Chorus

We are eager to take these cares away from another, and to establish for the gods exemption from my concerns, so that it will not come to trial;
360

for Zeus has considered us, a blood-dripping, hateful band, unworthy of his council.
365

354a

Chorus

For I have chosen the overthrow of houses,

whenever violence raised in the home seizes someone near and dear. Speeding after this man, we weaken him, even though he is strong, because of the fresh blood.

368

Chorus

And men’s thoughts, very proud under the sky, waste away and dwindle in dishonor beneath the earth,

at our attack in black robes and the vindictive dance of our feet.
370

372

Chorus

For surely with a great leap from above I bring down the heavily falling force of my foot,

my limbs that trip even swift runners—unendurable ruin.
375

377

Chorus

But, as he falls, he does not know it, because of his senseless folly; pollution hovers over the man in such darkness, and mournful rumor speaks of

a dark mist over his house.
380

372a

Chorus

For surely with a great leap from above I bring down the heavily falling force of my foot,

my limbs that trip even swift runners—unendurable ruin.

381

Chorus

For it remains. We are skilled in plotting, powerful in execution, and we remember evil deeds; we are revered and hard for mortals to appease,

pursuing our allotted office which is without rights, without honor, separated from the gods in sunless light—our office that makes the path rough for seeing and dim-sighted alike.
385

389

Chorus

What mortal, then, does not

stand in awe and dread of this, when he hears from me the law ordained by Fate, given by the gods for perfect fulfilment? My ancient privilege still remains, I do not meet with dishonor,
390

although I have my place under the earth and in sunless darkness.
395

The Eumenides (OCR draft) Experimental (The Eumenides. Theodore Alois Buckley, 1849.) — 307 focus

Come then, let us also join the dance, since it has seemed good to us to pour forth the hated song, and to declare how our band distributes its lots among men; and we delight in being upright [ministers] of justice. On him indeed who possesses pure hands no wrath from us steals, but free from harm he passes his life: but whoever, committing crime, like this man, conceals his bloody hands, close at hand as true witnesses to the dead, we appear effectually as avengers of blood to him.

LES EUMÉNIDES (OCR draft) Experimental (LES EUMÉNIDES. Paul Mazon, 1920-1925.) — 307 focus

vas entendre l'hymne qui t'enchaînera.

Le Chœur se rapproche d'Oreste. Mélodrame.

[LE CHOEUR]

Allons, nouons la chaîne dansante : nous voulons clamer notre chant d'horreur,
Et dire comment notre troupe distribue leurs lots aux mortels. Nous nous estimons droites justicières et, quand un homme étale des mains pures, jamais notre courroux ne
marche contre lui; il traverse la vie sans souffrance.

LES EUMÉNIDES

[LE CHOEUR]

Mais, quand un criminel, pareil à celui-ci, cache ses mains ensanglantées, Témoins véridiques, nous venons au secours des morts,
et, devant lui,

The Furies (OCR draft) Experimental (The Furies. Robert Potter, 1779.) — 307 focus

Hear now the potent ſtrain, that charms thee mine.

340

PROSODE.

Quickly, ſiſters, ſtand around,

Raiſe your choral warblings high;

Since, the guilty ſoul to wound,

Swells the horrid harmony.

Since to mortal man we ſhow
345

How we give his fate to flow;

Since our will his doom ordains,

Show that juſtice 'mongſt us reigns.

He, whoſe hands from guilt are pure,

Stands in innocence ſecure;
350

And from youth to honour'd age

Fears not our vindictive rage.

To the wretch, that ſtrives to hide

Ruffian hands with murder died,

Cloath'd in terrors we appear,
355

Unrelentingly ſevere;

And, faithful to the injur'd dead,

Pour our vengeance on his head.

STROPHE 1.

Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 307 focus

Su via, dunque, la danza s'intrecci,

poiché la ferale

canzone vogliamo intonare,

340

e dire la sorte che agli uomini

comparte la nostra congrega.

Ci vantiam di seguire Giustizia.

Chi pure ha le mani,

nessuna vendetta

345

spirata da noi su lui repe,

e illeso trascorre sua vita.

Ma se un reo, come l'uomo ch'or fugge,

nasconde le mani cruente,

noi, vindici giuste a chi cadde,

350

dinanzi apparendogli,

del sangue il riscatto esigiamo.

Coro

Aeschylus, Eumenides: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Eumenides: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 307 focus

Age iam & chorum tangamus, poſtq; muſa odioſam

300

Apparere dedit,

Dicere ſortes contra homines,

Vt distribuat ſeditio ſimul

Statim pœnæ ſciemus eſse.

Hos quidem impuras manus adijcientes.
305

Nulla à nobis ira aſserpit

Innocuos uerò uitam agit,

Quiſquis iniuſtorum, tanquam uir

Manus cruentas occultat,

Teſtes rectæ mortuis his
310

Accedentes uindices ſanguinis,

Ipſi perfectè apparuimus,

Aeschylus, Die Eumeniden: German translation (OCR draft) Experimental (Aeschylus, Die Eumeniden: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 307 focus

Auf denn, reicht zum Reigen euch die Hände,

singen wollen wir das grause Lied.

310 unsres Amtes Pflichten zu verkünden,

das wir üben in der Menschenwelt.

Unser Ruhm ist grades Recht zu schaffen.

Wo der Wandel rein, die Hände rein,

kommen nimmer wir mit Zorn und Rache,

315 und in Frieden fliefst das Leben hin.

Aber wer in Sündenschuld wie dieser

eine blut'ge Mörderhand verbirgt,

dem erscheinen wir. Für den Erschlag'nen

zeugen wir in Treuen, von dem Mörder

320 fordern unerbittlich wir sein Blut.

Chor
im Kreise den Orestes umtanzend, die Refrains mit wildestem Tanze.

English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, The Furies — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 307 focus

Weave the weird dance,—behold the hour

To utter forth the chant of hell,
360

Our sway among mankind to tell,

The guidance of our power.

Of Justice are we ministers,

And whosoe'er of men may stand

Lifting a pure unsullied hand,
365

That man no doom of ours incurs,

And walks thro' all his mortal path

Untouched by woe, unharmed by wrath.

But if, as yonder man, he hath

Blood-dropping hands he strives to hide,
370

We stand avengers at his side,

Decreeing, Thou hast wronged the dead:

We are doom's witnesses to thee.

The price of blood, his hands have shed,

We wring from him; in life, in death,
375

Hard at his side are we!

German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 307 focus

Wohlauf denn, laßt uns schlingen den Reih'n,

Da den grausen Gesang

Wir laut zu verkünden beschlossen,

Und zu nennen die Loos' in der Menschen Geschlecht,

Wie unsere Schaar sie vertheilte!
300

Wir schüßen das Recht nach stetem Gesey:

Wer lauter die Hand

Mit lauterem Herzen emporhebt,

Nie trifft ihn von uns der vergeltende Zorn;

Harmlos durchwallt er das Leben.
305

Doch wer sich, wie Der, durch Frevel entweiht,

Und die blutigen Hände zurückzieht,

Da treten wir kühn als Zeugen des Rechts

Der Gemordeten auf, und fordern von ihm

Vollständige Sühne der Blutthat.
310
Erste Strophe.

English (Smyth; revised Bannon and Nagy, CHS) (OCR draft) Experimental (CHS Primary Sources revision of Herbert Weir Smyth’s translation by Cynthia Bannon and Gregory Nagy, with transliterated Greek terms tagged and aligned to the Smyth edition.)

No corresponding passage available

Commentary

Selected scholia accompanying Blass's Eumenides (OCR draft) (The mixed Greek, Latin, and German scholia register printed with Friedrich Blass's 1907 edition, aligned to O. L. Smith's later recensional editions.)

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:1a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:1c

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:1b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:3b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:3a

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:3

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:5a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:7

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:8

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:9a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:9b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:13

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:13a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:16a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:17

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:21

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:22b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:24b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:26a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:26c

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:27

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:28

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:29

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:32

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:34-35

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:34

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:36a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:36b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:41

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:42b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:42a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:45a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:47

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:48

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:49

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:49

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:52a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:52c

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:52b

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:52a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:54

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:55

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:57a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:57c

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:57b

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:57c

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:57a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:63

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:64b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:64a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:64c

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:64

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:86

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:87a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:87b

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:87

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:66

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:69a

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:69

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:69b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:71

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:75

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:75

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:78b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:78a

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:78

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:80

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:80

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:92-93

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:91b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:94a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:94b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:95b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:104a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:104b

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:104

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:99a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:105

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:107a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:107b

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:107

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:109a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:109b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:111

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:113b

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:113a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:113a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:117

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:124a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:124b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:125

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:127a

urn:cts:greekLit:tlg0085.tlg007.smith1976-tricliniana-com-grc1:127

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:127b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:128

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:130a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:130b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:136

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urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:697-698

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:705

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:718

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:720

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:730

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:731

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:733a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:733b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:735

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:746

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:747

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:749

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:750

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:751

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:770

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:760

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:761

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:769

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:776

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:765

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:772

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:782a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:785a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:785b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:789

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:790

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:802

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:835

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:825

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:831

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:832a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:832b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:833

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:846

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:848

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:859-860

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:866

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:864a

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:864b

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:882-884

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:946

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:947

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:1032

urn:cts:greekLit:tlg0085.tlg007.smith1976-1982-vetera-com-grc1:1044

Aeschylus Eumenides 297.paley-note-106

ed. F. A. Paley

Search the Perseus Catalog for:

Current edition Experimental

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ¹³ φρενοδαλής,
330

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.

334

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ¹⁷ φρενοδαλής,

ὕμνος¹⁸ ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

347

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,
330

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

Χορός

δωμάτων γὰρ εἱλόμαν

ἀνατροπάς, ὅταν Ἄρης
355

τιθασὸς ὢν φίλον ἕλῃ.

ἐπὶ τὸν ὧδʼ ἱέμεναι

κρατερὸν ὄνθʼ ὅμως ἀμαυ-

ροῦμεν ὑφʼ αἵματος νέου.

Χορός

δωμάτων γὰρ εἱλόμαν

ἀνατροπάς, ὅταν Ἄρης

τιθασὸς ὢν φίλον ἕλῃ.

ἐπὶ τὸν ὧδʼ ἱέμεναι

κρατερὸν ὄνθʼ ὅμως ἀμαυ-

ροῦμεν ὑφʼ αἵματος νέου.

Χορός

δόξαι τʼ ἀνδρῶν καὶ μάλʼ ὑπʼ αἰθέρι σεμναὶ

τακόμεναι κατὰ γᾶν μινύθουσιν ἄτιμοι

ἁμετέραις ἐφόδοις μελανείμοσιν, ὀρχη-
370

σμοῖς τʼ ἐπιφθόνοις ποδός.

Χορός

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,

σφαλερὰ καὶ τανυδρόμοις
375

κῶλα, δύσφορον ἄταν.

Χορός

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,

σφαλερὰ καὶ τανυδρόμοις

κῶλα, δύσφορον ἄταν.

ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

Chorus

O mother Night, hear me, mother who gave birth to me as a retribution for the blind and the seeing. For Leto’s son dishonors me

by snatching away this cowering wretch, a proper expiation for his mother’s blood.
325

Chorus

This is our song over the sacrificial victim—frenzied,

maddened, destroying the mind, the Furies’ hymn, a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
330

Chorus

For this is the office that relentless

Fate spun for us to hold securely: when rash murders of kin come upon mortals, we pursue them until they go under the earth; and after death,
335

they have no great freedom.
340

Chorus

This is our song over the sacrificial victim—frenzied, maddened, destroying the mind,the Furies’ hymn,

a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
345

Chorus

This office was ordained for us at birth;

but the immortal gods must hold back their hands from us, nor does any of them share a feast in common with us; and I have neither lot nor portion of pure white ceremonial robes
350

Chorus

For I have chosen the overthrow of houses,

whenever violence raised in the home seizes someone near and dear. So speeding after this man, we weaken him, even though he is strong, because of the fresh blood.
355

Chorus

We are eager to take these cares away from another, and to establish for the gods exemption from my concerns, so that it will not come to trial;
360

for Zeus has considered us, a blood-dripping, hateful band, unworthy of his council.
365

Chorus

For I have chosen the overthrow of houses,

whenever violence raised in the home seizes someone near and dear. Speeding after this man, we weaken him, even though he is strong, because of the fresh blood.

Chorus

And men’s thoughts, very proud under the sky, waste away and dwindle in dishonor beneath the earth,

at our attack in black robes and the vindictive dance of our feet.
370

Chorus

For surely with a great leap from above I bring down the heavily falling force of my foot,

my limbs that trip even swift runners—unendurable ruin.
375

Chorus

But, as he falls, he does not know it, because of his senseless folly; pollution hovers over the man in such darkness, and mournful rumor speaks of

a dark mist over his house.
380

Chorus

For surely with a great leap from above I bring down the heavily falling force of my foot,

my limbs that trip even swift runners—unendurable ruin.

Chorus

What mortal, then, does not

stand in awe and dread of this, when he hears from me the law ordained by Fate, given by the gods for perfect fulfilment? My ancient privilege still remains, I do not meet with dishonor,
390

although I have my place under the earth and in sunless darkness.
395

[LE CHOEUR]

Mais, quand un criminel, pareil à celui-ci, cache ses mains ensanglantées, Témoins véridiques, nous venons au secours des morts,
et, devant lui,

Coro

Hos quidem impuras manus adijcientes.
305

Nulla à nobis ira aſserpit

Innocuos uerò uitam agit,

Quiſquis iniuſtorum, tanquam uir

Manus cruentas occultat,

Teſtes rectæ mortuis his
310

Accedentes uindices ſanguinis,

Ipſi perfectè apparuimus,

Chor
im Kreise den Orestes umtanzend, die Refrains mit wildestem Tanze.

Commentary

Stable identifiers

Search the Perseus Catalog for:

Search the Perseus Catalog for:

Current edition Experimental

Χορός ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος, παρακοπά, παραφορὰ 13 φρενοδαλής, 330 ὕμνος ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ- μικτος, αὐονὰ βροτοῖς. 334

Χορός ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος, παρακοπά, παραφορὰ 17 φρενοδαλής, ὕμνος 18 ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ- 345 μικτος, αὐονὰ βροτοῖς. 347

Χορός ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος, παρακοπά, παραφορὰ φρενοδαλής, 330 ὕμνος ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ- μικτος, αὐονὰ βροτοῖς.

Χορός ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος, παρακοπά, παραφορὰ φρενοδαλής, ὕμνος ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ- 345 μικτος, αὐονὰ βροτοῖς.

Χορός δωμάτων γὰρ εἱλόμαν ἀνατροπάς, ὅταν Ἄρης 355 τιθασὸς ὢν φίλον ἕλῃ. ἐπὶ τὸν ὧδʼ ἱέμεναι κρατερὸν ὄνθʼ ὅμως ἀμαυ- ροῦμεν ὑφʼ αἵματος νέου.

Χορός δωμάτων γὰρ εἱλόμαν ἀνατροπάς, ὅταν Ἄρης τιθασὸς ὢν φίλον ἕλῃ. ἐπὶ τὸν ὧδʼ ἱέμεναι κρατερὸν ὄνθʼ ὅμως ἀμαυ- ροῦμεν ὑφʼ αἵματος νέου.

Χορός δόξαι τʼ ἀνδρῶν καὶ μάλʼ ὑπʼ αἰθέρι σεμναὶ τακόμεναι κατὰ γᾶν μινύθουσιν ἄτιμοι ἁμετέραις ἐφόδοις μελανείμοσιν, ὀρχη- 370 σμοῖς τʼ ἐπιφθόνοις ποδός.

Χορός μάλα γὰρ οὖν ἁλομένα ἀνέκαθεν βαρυπεσῆ καταφέρω ποδὸς ἀκμάν, σφαλερὰ καὶ τανυδρόμοις 375 κῶλα, δύσφορον ἄταν.

Χορός μάλα γὰρ οὖν ἁλομένα ἀνέκαθεν βαρυπεσῆ καταφέρω ποδὸς ἀκμάν, σφαλερὰ καὶ τανυδρόμοις κῶλα, δύσφορον ἄταν.

ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

Chorus O mother Night, hear me, mother who gave birth to me as a retribution for the blind and the seeing. For Leto’s son dishonors me by snatching away this cowering wretch, a proper expiation for his mother’s blood. 325

Chorus This is our song over the sacrificial victim—frenzied, maddened, destroying the mind, the Furies’ hymn, a spell to bind the soul, not tuned to the lyre, withering the life of mortals. 330

Chorus For this is the office that relentless Fate spun for us to hold securely: when rash murders of kin come upon mortals, we pursue them until they go under the earth; and after death, 335 they have no great freedom. 340

Chorus This is our song over the sacrificial victim—frenzied, maddened, destroying the mind,the Furies’ hymn, a spell to bind the soul, not tuned to the lyre, withering the life of mortals. 345

Chorus This office was ordained for us at birth; but the immortal gods must hold back their hands from us, nor does any of them share a feast in common with us; and I have neither lot nor portion of pure white ceremonial robes 350

Chorus For I have chosen the overthrow of houses, whenever violence raised in the home seizes someone near and dear. So speeding after this man, we weaken him, even though he is strong, because of the fresh blood. 355

Chorus We are eager to take these cares away from another, and to establish for the gods exemption from my concerns, so that it will not come to trial; 360 for Zeus has considered us, a blood-dripping, hateful band, unworthy of his council. 365

Chorus For I have chosen the overthrow of houses, whenever violence raised in the home seizes someone near and dear. Speeding after this man, we weaken him, even though he is strong, because of the fresh blood.

Chorus And men’s thoughts, very proud under the sky, waste away and dwindle in dishonor beneath the earth, at our attack in black robes and the vindictive dance of our feet. 370

Chorus For surely with a great leap from above I bring down the heavily falling force of my foot, my limbs that trip even swift runners—unendurable ruin. 375

Chorus But, as he falls, he does not know it, because of his senseless folly; pollution hovers over the man in such darkness, and mournful rumor speaks of a dark mist over his house. 380

Chorus For surely with a great leap from above I bring down the heavily falling force of my foot, my limbs that trip even swift runners—unendurable ruin.

Chorus What mortal, then, does not stand in awe and dread of this, when he hears from me the law ordained by Fate, given by the gods for perfect fulfilment? My ancient privilege still remains, I do not meet with dishonor, 390 although I have my place under the earth and in sunless darkness. 395

[LE CHOEUR] Mais, quand un criminel, pareil à celui-ci, cache ses mains ensanglantées, Témoins véridiques, nous venons au secours des morts, et, devant lui,

Coro

Hos quidem impuras manus adijcientes. 305 Nulla à nobis ira aſserpit Innocuos uerò uitam agit, Quiſquis iniuſtorum, tanquam uir Manus cruentas occultat, Teſtes rectæ mortuis his 310 Accedentes uindices ſanguinis, Ipſi perfectè apparuimus,

Chor im Kreise den Orestes umtanzend, die Refrains mit wildestem Tanze.

Commentary

Stable identifiers

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ¹³ φρενοδαλής,
330

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.

334

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ¹⁷ φρενοδαλής,

ὕμνος¹⁸ ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

347

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,
330

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

Χορός

δωμάτων γὰρ εἱλόμαν

ἀνατροπάς, ὅταν Ἄρης
355

τιθασὸς ὢν φίλον ἕλῃ.

ἐπὶ τὸν ὧδʼ ἱέμεναι

κρατερὸν ὄνθʼ ὅμως ἀμαυ-

ροῦμεν ὑφʼ αἵματος νέου.

Χορός

δωμάτων γὰρ εἱλόμαν

ἀνατροπάς, ὅταν Ἄρης

τιθασὸς ὢν φίλον ἕλῃ.

ἐπὶ τὸν ὧδʼ ἱέμεναι

κρατερὸν ὄνθʼ ὅμως ἀμαυ-

ροῦμεν ὑφʼ αἵματος νέου.

Χορός

δόξαι τʼ ἀνδρῶν καὶ μάλʼ ὑπʼ αἰθέρι σεμναὶ

τακόμεναι κατὰ γᾶν μινύθουσιν ἄτιμοι

ἁμετέραις ἐφόδοις μελανείμοσιν, ὀρχη-
370

σμοῖς τʼ ἐπιφθόνοις ποδός.

Χορός

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,

σφαλερὰ καὶ τανυδρόμοις
375

κῶλα, δύσφορον ἄταν.

Χορός

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,

σφαλερὰ καὶ τανυδρόμοις

κῶλα, δύσφορον ἄταν.

Chorus

O mother Night, hear me, mother who gave birth to me as a retribution for the blind and the seeing. For Leto’s son dishonors me

by snatching away this cowering wretch, a proper expiation for his mother’s blood.
325

Chorus

This is our song over the sacrificial victim—frenzied,

maddened, destroying the mind, the Furies’ hymn, a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
330

Chorus

For this is the office that relentless

Fate spun for us to hold securely: when rash murders of kin come upon mortals, we pursue them until they go under the earth; and after death,
335

they have no great freedom.
340

Chorus

This is our song over the sacrificial victim—frenzied, maddened, destroying the mind,the Furies’ hymn,

a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
345

Chorus

This office was ordained for us at birth;

but the immortal gods must hold back their hands from us, nor does any of them share a feast in common with us; and I have neither lot nor portion of pure white ceremonial robes
350

Chorus

For I have chosen the overthrow of houses,

whenever violence raised in the home seizes someone near and dear. So speeding after this man, we weaken him, even though he is strong, because of the fresh blood.
355

Chorus

We are eager to take these cares away from another, and to establish for the gods exemption from my concerns, so that it will not come to trial;
360

for Zeus has considered us, a blood-dripping, hateful band, unworthy of his council.
365

Chorus

For I have chosen the overthrow of houses,

whenever violence raised in the home seizes someone near and dear. Speeding after this man, we weaken him, even though he is strong, because of the fresh blood.

Chorus

And men’s thoughts, very proud under the sky, waste away and dwindle in dishonor beneath the earth,

at our attack in black robes and the vindictive dance of our feet.
370

Chorus

For surely with a great leap from above I bring down the heavily falling force of my foot,

my limbs that trip even swift runners—unendurable ruin.
375

Chorus

But, as he falls, he does not know it, because of his senseless folly; pollution hovers over the man in such darkness, and mournful rumor speaks of

a dark mist over his house.
380

Chorus

For surely with a great leap from above I bring down the heavily falling force of my foot,

my limbs that trip even swift runners—unendurable ruin.

Chorus

What mortal, then, does not

stand in awe and dread of this, when he hears from me the law ordained by Fate, given by the gods for perfect fulfilment? My ancient privilege still remains, I do not meet with dishonor,
390

although I have my place under the earth and in sunless darkness.
395

[LE CHOEUR]

Mais, quand un criminel, pareil à celui-ci, cache ses mains ensanglantées, Témoins véridiques, nous venons au secours des morts,
et, devant lui,

Hos quidem impuras manus adijcientes.
305

Nulla à nobis ira aſserpit

Innocuos uerò uitam agit,

Quiſquis iniuſtorum, tanquam uir

Manus cruentas occultat,

Teſtes rectæ mortuis his
310

Accedentes uindices ſanguinis,

Ipſi perfectè apparuimus,

Chor
im Kreise den Orestes umtanzend, die Refrains mit wildestem Tanze.