Aeschylus Eumenides 307

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Eumenides. Aeschylus. . 2026.

Current edition Experimental

Εὐμενίδες (1518 edition; OCR draft) (Greek) (Aeschylus, Eumenides, 1518 edition. VLM-assisted OCR with native lineation and automated correspondence to the Smyth edition.)

Provisional text from uncorrected OCR; expect errors.

Editions (11)
Εὐμενίδες First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 299-396 focus
Εὐμενίδες Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 299-396 focus
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Guilielmus Dindorfius, 1882.) — 307 focus
ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ
μοῦσαν στυγερὰν
᾿ αποφαίνεσθαι δεδόκηκεν,
λέξαι τε λάχη τὰ κατ᾿ ἀνθρώπους
310
ὡς ἐπινωμᾷ στάσις ἁμά.
εὐθυδίκαιοι δ᾽ ἡδόμεθ᾽ εἶναι·
τὸν μὲν καθαρὰς χεῖρας προνέμοντ᾽
οὔτις ἐφέρπει μῆνις ἀφ᾽ ἡμῶν,
ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ·
315
ὅστις δ᾽ ἀλιτὼν ὥσπερ ὅδ᾽ ἁνὴρ
χεῖρας φονίας ἐπικρύπτει,
μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν
παραγιγνόμεναι πράκτορες αἵματος
αὐτῷ τελέως ἐφάνημεν.
320
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Gottfried Hermann, 1852.) — 307 focus
ΕΥΜΕΝΙΔΕΣ (OCR draft) Experimental (ΕΥΜΕΝΙΔΕΣ. Paul Mazon, 1920-1925.) — 307 focus
Ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ
μοῦσαν στυγερὰν
ἀποφαίνεσθαι δεδόκηκεν,
λέξαι τε λάχη τὰ κατ᾿ ἀνθρώπους
310
ὡς ἐπινωμᾷ στάσις ἁμή ἅμα.
Εὐθυδίκαιοι δ' οἰόμεθ' εἶναι· εὐθυδίκαι θ᾽ οἶδ᾽ οίμεθ᾽ εἶναι εὐθυδίκαι τ᾽ οἶδ' οἶμαι θεῖναι
τὸν... προνέμοντ' τοὺς... προνέμοντας (προσνέμ- Μ) μὲν καθαρὰς χεῖρας
οὔτις ἐφέρπει μῆνις ἀφ' ἡμῶν ἀφ' ἡμῶν μῆνις ἐφέρπει,
ἀσινὴς δ' αἰῶνα διοιχνεῖ·
315
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Arthur Sidgwick, 1887.) — 307 focus
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. N. Wecklein, 1885.) — 307 focus
ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Martin L. West, 1990.) — 307 focus
Aeschyli Eumenides (OCR draft) Experimental (Aeschyli Eumenides. Ulrich von Wilamowitz-Moellendorff, 1914.) — 307 focus
ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ
μοῦσαν στυγεράν
ἀποφαίνεσθαι δεδόκηκεν,
λέξαι τε λάχη τὰ κατ᾿ ἀνθρώπους
ὡς ἐπινωμᾶι στάσις ἁμά.
310
εὐθυδίκαιοι δ᾽ εὐχόμεθ᾽ εἶναι·
τοὺς μὲν (καθαρῶς)
καθαρὰς χεῖρας προνέμοντας
οὔτις ἐφέρπει μῆνις ἀφ᾽ ἡμῶν,
ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ·
315
ὅστις δ᾽ ἀλιτὼν ὥσπερ ὅδ᾽ ἁνὴρ
χεῖρας φονίας ἐπικρύπτει,
μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν
παραγιγνόμεναι πράκτορες αἵματος
αὐτῶι τελέως ἐφάνημεν. ξ
320
Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by F. A. Paley, 1885.) — 307 focus
ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ
μοῦσαν στυγερὰν
ἀποφαίνεσθαι δεδόκηκεν,
λέξαι τε λάχη τὰ κατ᾿ ἀνθρώπους
300
ὡς ἐπινωμᾷ στάσις ἁμά·
εὐθυδίκαιοι δ᾽ οἰόμεθ᾽ εἶναι.
τὸν μὲν καθαρὰς χεῖρας προνέμοντ᾽
οὔτις ἀφ᾽ ἡμῶν μῆνις ἐφέρπει,
ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ·
305
ὅστις δ᾽ ἀλιτών, ὥσπερ ὅδ᾽ ἀνὴρ,
χεῖρας φονίας ἐπικρύπτει,
μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν
παραγιγνόμεναι πράκτορες αἵματος
αὐτῷ τελέως ἐφάνημεν.
310
Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by Friedrich Blass, 1907.) — 307 focus
ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ
μοῦσαν στυγερὰν
ἀποφαίνεσθαι δεδόκηκεν,
λέξαι τε λάχη τὰ κατ᾿ ἀνθρώπους
310
ὡς ἐπινωμᾶι στάσις ἁμή.
εὐθυδίκαιοι δ᾽ οἰόμεθ᾽ εἶναι·
τὸν μὲν καθαρὰς χεῖρας προνέμοντ᾽
οὔτις ἐφέρπει μῆνις ἀφ᾽ ἡμῶν,
ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ·
315
ὅστις δ᾽ ἀλιτὼν ὥσπερ ὅδ᾽ ἁνὴρ
χεῖρας φονίας ἐπικρύπτει,
μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν
παραγιγνόμεναι πράκτορες αἵματος
αὐτῶι τελέως ἐφάνημεν.
320
Translations (10)
Eumenides Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1926. (Modernized by Perseus.)) — 299-395 focus
The Eumenides (OCR draft) Experimental (The Eumenides. Theodore Alois Buckley, 1849.) — 307 focus
Come then, let us also join the dance, since it has seemed good to us to pour forth the hated song, and to declare how our band distributes its lots among men; and we delight in being upright [ministers] of justice. On him indeed who possesses pure hands no wrath from us steals, but free from harm he passes his life: but whoever, committing crime, like this man, conceals his bloody hands, close at hand as true witnesses to the dead, we appear effectually as avengers of blood to him.
LES EUMÉNIDES (OCR draft) Experimental (LES EUMÉNIDES. Paul Mazon, 1920-1925.) — 307 focus
vas entendre l'hymne qui t'enchaînera.
The Furies (OCR draft) Experimental (The Furies. Robert Potter, 1779.) — 307 focus
Hear now the potent ſtrain, that charms thee mine.
340
PROSODE.
Quickly, ſiſters, ſtand around,
Raiſe your choral warblings high;
Since, the guilty ſoul to wound,
Swells the horrid harmony.
Since to mortal man we ſhow
345
How we give his fate to flow;
Since our will his doom ordains,
Show that juſtice 'mongſt us reigns.
He, whoſe hands from guilt are pure,
Stands in innocence ſecure;
350
And from youth to honour'd age
Fears not our vindictive rage.
To the wretch, that ſtrives to hide
Ruffian hands with murder died,
Cloath'd in terrors we appear,
355
Unrelentingly ſevere;
And, faithful to the injur'd dead,
Pour our vengeance on his head.
STROPHE 1.
Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 307 focus
Su via, dunque, la danza s'intrecci,
poiché la ferale
canzone vogliamo intonare,
340
e dire la sorte che agli uomini
comparte la nostra congrega.
Ci vantiam di seguire Giustizia.
Chi pure ha le mani,
nessuna vendetta
345
spirata da noi su lui repe,
e illeso trascorre sua vita.
Ma se un reo, come l'uomo ch'or fugge,
nasconde le mani cruente,
noi, vindici giuste a chi cadde,
350
dinanzi apparendogli,
del sangue il riscatto esigiamo.
Aeschylus, Eumenides: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Eumenides: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 307 focus
Age iam & chorum tangamus, poſtq; muſa odioſam
300
Apparere dedit,
Dicere ſortes contra homines,
Vt distribuat ſeditio ſimul
Statim pœnæ ſciemus eſse.
Hos quidem impuras manus adijcientes.
305
Nulla à nobis ira aſserpit
Innocuos uerò uitam agit,
Quiſquis iniuſtorum, tanquam uir
Manus cruentas occultat,
Teſtes rectæ mortuis his
310
Accedentes uindices ſanguinis,
Ipſi perfectè apparuimus,
Aeschylus, Die Eumeniden: German translation (OCR draft) Experimental (Aeschylus, Die Eumeniden: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 307 focus
Auf denn, reicht zum Reigen euch die Hände,
singen wollen wir das grause Lied.
310 unsres Amtes Pflichten zu verkünden,
das wir üben in der Menschenwelt.
Unser Ruhm ist grades Recht zu schaffen.
Wo der Wandel rein, die Hände rein,
kommen nimmer wir mit Zorn und Rache,
315 und in Frieden fliefst das Leben hin.
Aber wer in Sündenschuld wie dieser
eine blut'ge Mörderhand verbirgt,
dem erscheinen wir. Für den Erschlag'nen
zeugen wir in Treuen, von dem Mörder
320 fordern unerbittlich wir sein Blut.
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, The Furies — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 307 focus
Weave the weird dance,—behold the hour
To utter forth the chant of hell,
360
Our sway among mankind to tell,
The guidance of our power.
Of Justice are we ministers,
And whosoe'er of men may stand
Lifting a pure unsullied hand,
365
That man no doom of ours incurs,
And walks thro' all his mortal path
Untouched by woe, unharmed by wrath.
But if, as yonder man, he hath
Blood-dropping hands he strives to hide,
370
We stand avengers at his side,
Decreeing, Thou hast wronged the dead:
We are doom's witnesses to thee.
The price of blood, his hands have shed,
We wring from him; in life, in death,
375
Hard at his side are we!
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 307 focus
Wohlauf denn, laßt uns schlingen den Reih'n,
Da den grausen Gesang
Wir laut zu verkünden beschlossen,
Und zu nennen die Loos' in der Menschen Geschlecht,
Wie unsere Schaar sie vertheilte!
300
Wir schüßen das Recht nach stetem Gesey:
Wer lauter die Hand
Mit lauterem Herzen emporhebt,
Nie trifft ihn von uns der vergeltende Zorn;
Harmlos durchwallt er das Leben.
305
Doch wer sich, wie Der, durch Frevel entweiht,
Und die blutigen Hände zurückzieht,
Da treten wir kühn als Zeugen des Rechts
Der Gemordeten auf, und fordern von ihm
Vollständige Sühne der Blutthat.
310
Erste Strophe.
English (Smyth; revised Bannon and Nagy, CHS) (OCR draft) Experimental (CHS Primary Sources revision of Herbert Weir Smyth’s translation by Cynthia Bannon and Gregory Nagy, with transliterated Greek terms tagged and aligned to the Smyth edition.)

No corresponding passage available

Commentary

Commentary on Aeschylus: Eumenides (Aeschylus. Eumenides. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1887.)

298. γένοιτο , regular sequence after ἔλθοι. In English we say May she come, and therefore naturally have the primary sequence, that she may prove .

301. ὅπου φρενῶν , where in the heart it lies.

302. δαιμόνων is the powers below, i, e. both the Furies who will drink his blood and Hades (1. 274) who ordains and directs the vengeance.

302. σκιάν , a shadow, not a ghost, for he was to be carried off below yet living (1. 267): but all the vigour sucked out of him with his blood. [Schol. reads σκιά with MSS., and takes it voc. Unlikely.]

306. ὕμνον δέσμιον σέθεν , the song that binds thee, the choric song acting as an infernal spell to make Orestes their prey: and perhaps accompanied by mysterious binding gestures.

374. κατὰ γᾶν , on earth, is the MS. reading: but as Hermann said, the sense below the earth, κατὰ γᾶs, is required in antithesis to ὑπ᾿ αἰθέρι. The same mistake occurs again 11. 838, 871. 11. 375, 376. Bold and imaginative expressions :

Before our black-robed assault,
And the vengeful measures of our foot;
i.e. [their human glories come to naught] when we the Furies attack them and weave these magic dances which make them our captive (as we are doing to Orestes).

Critical apparatus to Eumenides (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Eumenides.) focus

mvp-comment-212-1 ὅπως γένοιτο: Quum dicit önws yévoito, optare se ait, ut veniat illa, quo, si velit, opem ferat. V. ad Soph. Ai. v. 1222.

mvp-comment-213-1 οὔτοι σ' Ἀπόλλων οὐδ᾽ Ἀθηναίας σθένος ῥύσαιτ᾽ ἂν ὥςτε μὴ οὐ παρημελημένον ἔρρειν, τὸ χαίρειν μὴ μαθόνθ' ὅπου φρενῶν, ἀναίματον βόσκημα τῶνδε δαιμόνων.: Hos versus inter tres Furias distribuendos esse indicavi in Opusc. VI. 2. p. 61. τῶνδέ μοι Farn. ovtis o Ven. Farn. et adscripto in margine yo. ovτoi σè Flor. Deinde vains Farn. áðŋvalois Ven. et ad ultimam syllabam supra adscripto as Flor. Jos tε pro stɛ Ald. qui tam mirus error ex eo ortus est, quod in G. quum librarius neglecto çre scripsisset in, statim autem animadverso errore hanc voculam mutasset in wore, confusi ductus litterarum un et a negligentius considerati speciem praebent similem litterarum ρου. μαθῶν θ' Rob. Libri αναίματον βόσκημα δαιμόνων σκιά. Scholiastes ἀναίματον ita interpretatur, simul aliam lectionem, ἐναίματον, commemorans, ὁ μηδὲ αἷμα σχήσων ἐξ ἡμῶν, ἀλλὰ γενησόμενος σκιά· οφήσομεν γάρ σου τὸ αἷμα (conf. v. 261.). ἢ ἐναίματον, ἀντὶ τοῦ. ζῶντά σε νεκρὸν ποιήσομεν. Heathii coniecturam, σκιάν, Schutzius recepit, post δαιμόνων commate interpungens, ut δαίμονες intelligerentur Furiae. Verum sic σκιάν languidius adiectum est. Quare olim ita interpunxi, αναίματον βόσκημα, δαιμόνων σκιάν, ut acerbe diceretur Orestes futurus esse umbra dei alicuius, quemadmodum in Iliade V.242. de diis dicitur τούνεκ' αναίμονές εισι. Postea in Annalium Vindobonensium vol. CXI. p. 250. aliam et, ut puto, veriorem rationem ineundam esse ostendi. Nam δαίμονες dicuntur sane Furiae: sed accuratius definiendum erat illud δαιμόνων. Quod autem libri habent, σκιά, ex interpretatione in ipsius poetae versum illatum est. Quare scripsi, ἀναίματον βόσκημα τῶνδε δαιμόνων.

mvp-comment-214-1 ἀλλ᾽: οὐδ pro ἀλλ' Ven. Flor.

mvp-comment-215-1 καθιερωμένος: καθιερωμένος Ald. Addidi interrogationis signum. V. Opusc. VI. 2. p. 61. VII. p. 19.

mvp-comment-216-1 καὶ ζῶν με δαίσεις, οὐδὲ πρὸς βωμῷ σφαγείς: Hunc et sequentem versum choro continuandum esse vidit Stanleius. In G. Ald. Turn. Apollini tributi sunt. In M. versui 302. lineola praefixa est. Nulla personae nota in Ven. Flor. καὶ ζῶν μἐδαίσεις Ven. Farn. πρὸς βοροσφαγείς codex Robortelli: ipse ex Sophiani emendatione dedit προς βωμῷ σφαγείς, quod est in celeris libris.

mvp-comment-217-1 ὕμνον δ᾽ ἀκούσει: ὕμνον ἀκούση Ven. ὕπνον ἀκούσῃ Flor. Ceteri ὕμνον δ᾽ ἀκούσῃ.

mvp-comment-218-1 ἄγε δὴ: Chori nota adscripta est in M. G. Ven. Flor. Ald. Rob. Turn. Hos anapaestos constare ex systemate et antisystemate atque epodo ostendi in Opusc. VI. 2. p. 63.

Commentary on the Eumenides (OCR draft) (Brief English notes on Aeschylus' Eumenides by F. A. Paley, 1885.) focus

mvp-comment-103-1 ὅπως γένοιτο] The optative follows ἔλθοι by the common law of Attic attraction.

mvp-comment-104-1 οὔτοι κ.τ.λ.] 'No! not Apollo nor yet Athene's might can protect you from perishing (going to the bad') in utter neglect, without knowing the feeling of joy in your mind,a bloodless victim of us deities, a shadow of your former self.' There is a pause after this, and as Orestes makes no reply, the second Fury says, What! not a word in reply? Do you spurn converse, you who are fed and consecrated as my victim? The third adds, A victim too who shall be devoured alive, &c. Then the whole body of the chorus chant the spell, or binding hymn, which is to entrance the victim and place him wholly in their power. The fourteen introductory anapaestics form the parode.

mvp-comment-105-1 τραφείς] There is an allusion to the human victims called φαρμακοὶ οι δημόσιοι, who were sacrificed by the Athenians at the feast of Thargelia. See Photius in v. φαρμακός.

mvp-comment-106-1 ἄψωμεν] This clearly shows that dancing movements accompanied the music and singing. -ἐπεὶ κ.τ.λ., since we have resolved to show what we can do in doleful music, lit. to make a display of a hateful (joyless) strain. An Ionic form is used in place of the Attic δέδοκται (see Veitch, Gr. V. p. 199 ). -στυγερὰν, Schol.

ὡς ἐπὶ νεκρῷ.

Selected scholia accompanying Blass's Eumenides (OCR draft) (The mixed Greek, Latin, and German scholia register printed with Friedrich Blass's 1907 edition, aligned to O. L. Smith's later recensional editions.) focus

mvp-comment-120-1 τὸ ἑξῆς· ἔλθοι, ὅπως γένοιτο.

mvp-comment-121-1 ὁ μηδὲ αἷμα σχήσων ἐξ ἡμῶν, ἀλλὰ γενησόμενος σκιά· ῥοφήσομεν γάρ σου τὸ αἷμα. ἢ ἐναίματον, ἀντὶ τοῦ ζῶντά σε νεκρὸν ποιήσομεν.

mvp-comment-122-1 οὐκ ἀποκρίνηι, ἢ ἀντὶ τοῦ) οὐδὲ ἀντιφωνήσεις μοι, ἀλλὰ σοῦ βουλομένου λαλεῖν τὸ φθέγμα δεθήσεται.

Wecklein’s commentary on Eumenides (1888; German; OCR draft) (Explanatory commentary, pp. 251–322; HW42J8 and HXJHA8 OCR collated, with missing comparison pages 294–295 explicitly marked. Unresolved OCR and provisional reference mappings are explicitly marked.) focus

mvp-comment-161-1 Wecklein 1888, p. 272

mvp-comment-161-2 zweites Epeisodion. Orestes ruft Athena zu Hilfe. Die Chorführerin weist jeden Beistand zurück.

mvp-comment-175-1 Wecklein 1888, p. 274

mvp-comment-175-2 κλύει θεός, es hört ein Gott auch in der Ferne. Vgl. Eur. Iph. T. 1447 κλύεις γὰρ αὐδὴν καίπερ οὐ παρὼν θεᾶς. Vielleicht hat ursprünglich πρόσωθεν οὖσ όμως geheilsen. es

mvp-comment-175-3 1

mvp-comment-176-1 Wecklein 1888, p. 274

mvp-comment-176-2 γένοιτο nach ἔλθοι, s. g. Assimilation der Modi. Vgl. Soph. Ai. 1217

γενοίμαν. . ὑπὸ πλάκα Σουνίου, τὰς ἱερὰς ὅπως προσείποιμεν ᾿Αθάνας
, Krüger I § 54, 8, 3 .

mvp-comment-177-1 Wecklein 1888, p. 274

mvp-comment-177-2 παρημελημένον d. i. so dafs keiner nach dir fragt ( ἄιστον ἄπυστον). Sept. 689

θεοῖς μὲν ἤδη πως παρημελήμεθα
.

mvp-comment-178-1 Wecklein 1888, p. 274

mvp-comment-178-2 ,,Ohne erfahren zu haben wo im Herzen die Freude wohnt“, weil du keine Freude genieſsen wirst. Vgl. 426 ὅπου τὸ χαίρειν μηδαμοῦ νομίζεται. Etwas anders Soph. Oed. K. 1217

τὰ τέρποντα δ᾽ οὐκ ἂν ἴδοις ὅπου
.

mvp-comment-179-1 Wecklein 1888, p. 274

mvp-comment-179-2 Du eine blutleere Weide, nur Schatten von solchen die Blut haben, erwiderst mir nicht einmal?

mvp-comment-180-1 Wecklein 1888, p. 275

mvp-comment-180-2 καὶ ζῶν . . οὐδὲ . . σφαγείς, sogar lebend und nicht erst geschlachtet. οὐδὲ für καὶ οὐ wie öfter bei Dichtern ( Krüger II § 69, 60 ). μὲ δαίσεις wie Eur. Or. 15

ἔδαισε δ᾽ οὖν νιν τέκν᾽ ἀποκτείνας Ατρεύς.

mvp-comment-180-3 2

mvp-comment-181-1 Wecklein 1888, p. 275

mvp-comment-181-2 δέσμιον σέθεν wie δέσμιος φρενῶν 333: zu Cho. 235 . Der besinnungraubende" Gesang der Erinyen ,, schlingt die Bande um den Frevler". Der Ausdruck erinnert an magische Künste (vgl. Plat. Ges. XI p. 933 A μαγγανείαις καὶ ἐπῳδαῖς καὶ καταδέσεσι).

mvp-comment-182-1 Wecklein 1888, p. 275

mvp-comment-182-2 Unter der Begleitung der Anapäste, welche der Koryphaios vorträgt, ordnet sich der Chor in Reih und Glied, um sein Bannlied (322 ff.) zu singen und mit entsprechendem Tanz zu begleiten, indem die Figuren ( σχήματα) des Reigens, besonders bei den Ephymnien, die Idee des Bannenden und Bestrickenden zum Ausdruck bringen.

Commentary (Arthur Sidgwick, 1887) (OCR draft) (Arthur Sidgwick's commentary on the Eumenides, aligned to the canonical Greek text.) focus

γένοιτο , regular sequence after ἔλθοι. In English we say May she come, and therefore naturally have the primary sequence, that she may prove.

ὅπου φρενῶν , where in the heart it lies.

mvp-sidgwick-154-1-1 A bloodless victim she calls Orestes, consistently with the threat ( ll. 264, 267

), I will drain thee dry and carry thee below.

δαιμόνων is the powers below, i, e. both the Furies who will drink his blood and Hades ( l. 274

) who ordains and directs the vengeance.

σκιάν , a shadow, not a ghost, for he was to be carried off below yet living ( l. 267

): but all the vigour sucked out of him with his blood. [Schol. reads σκιά with MSS., and takes it voc. Unlikely.]

mvp-sidgwick-155-1-1 Orestes maintains a patient and scornful silence: which rouses the Chorus to still greater fury. There would be a dramatic pause before this line; then the furious threat l. 305

. There is no need to divide the speech between different speakers, as Hartung, Paley, and others, following M. G.

ὕμνον δέσμιον σέθεν , the song that binds thee, the choric song acting as an infernal spell to make Orestes their prey: and perhaps accompanied by mysterious binding gestures.