Eumenides. Aeschylus. Theodore Alois Buckley (Translator). London. 1849.
Sponsored by Perseus Project, Tufts University.
Funding provided by Volunteer.
Eumenides. Aeschylus. Theodore Alois Buckley (Translator). London. 1849.
Sponsored by Perseus Project, Tufts University.
Funding provided by Volunteer.
The Eumenides (OCR draft) (English) (The Eumenides. Theodore Alois Buckley, 1849.)
Provisional text from uncorrected OCR; expect errors.
No corresponding passage available
374.
κατὰ γᾶν
,
on earth, is the MS. reading: but as Hermann said, the sense
below the earth, κατὰ γᾶs, is required in antithesis to ὑπ᾿ αἰθέρι. The same mistake occurs again 11. 838, 871. 11. 375, 376. Bold and imaginative expressions :
mvp-comment-218-1 ἄγε δὴ: Chori nota adscripta est in M. G. Ven. Flor. Ald. Rob. Turn. Hos anapaestos constare ex systemate et antisystemate atque epodo ostendi in Opusc. VI. 2. p. 63.
mvp-comment-106-1
ἄψωμεν] This clearly shows that dancing movements accompanied the music and singing.
-ἐπεὶ κ.τ.λ.,
since we have resolved to show what we can do in doleful music, lit.
to make a display of a hateful (joyless) strain. An Ionic form is used in place of the Attic
δέδοκται (see
Veitch, Gr. V. p. 199
).
-στυγερὰν,
Schol.
mvp-comment-161-1 Wecklein 1888, p. 272
mvp-comment-161-2 zweites Epeisodion. Orestes ruft Athena zu Hilfe. Die Chorführerin weist jeden Beistand zurück.
mvp-comment-182-1 Wecklein 1888, p. 275
mvp-comment-182-2 Unter der Begleitung der Anapäste, welche der Koryphaios vorträgt, ordnet sich der Chor in Reih und Glied, um sein Bannlied (322 ff.) zu singen und mit entsprechendem Tanz zu begleiten, indem die Figuren ( σχήματα) des Reigens, besonders bei den Ephymnien, die Idee des Bannenden und Bestrickenden zum Ausdruck bringen.