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οὔτοι κ.τ.λ.] 'No! not Apollo nor yet Athene's might can protect you from perishing (going to the bad') in utter neglect, without knowing the feeling of joy in your mind,a bloodless victim of us deities, a shadow of your former self.' There is a pause after this, and as Orestes makes no reply, the second Fury says, What! not a word in reply? Do you spurn converse, you who are fed and consecrated as my victim? The third adds, A victim too who shall be devoured alive, &c. Then the whole body of the chorus chant the spell, or binding hymn, which is to entrance the victim and place him wholly in their power. The fourteen introductory anapaestics form the parode.

Eumenides. Aeschylus. ed. F. A. Paley. Cambridge. 1885.

Current edition Experimental

Commentary on the Eumenides (OCR draft) (English) (Brief English notes on Aeschylus' Eumenides by F. A. Paley, 1885.)

Provisional text from uncorrected OCR; expect errors.

Editions (12)

Εὐμενίδες First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 299-396 focus

Χορός

οὔτοι σ᾽ Ἀπόλλων οὐδ᾽ Ἀθηναίας σθένος

ῥύσαιτ᾽ ἂν ὥστε μὴ οὐ παρημελημένον
300

ἔρρειν, τὸ χαίρειν μὴ μαθόνθ᾽ ὅπου φρενῶν,

ἀναίματον βόσκημα δαιμόνων, σκιάν.¹

οὐδ᾽ ἀντιφωνεῖς, ἀλλ᾽ ἀποπτύεις λόγους,

ἐμοὶ τραφείς τε καὶ καθιερωμένος;²

καὶ ζῶν με δαίσεις οὐδὲ πρὸς βωμῷ σφαγείς:
305

ὕμνον δ᾽ ἀκούσει τόνδε δέσμιον σέθεν.

307

Χορός

ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

μοῦσαν στυγερὰν

ἀποφαίνεσθαι δεδόκηκεν,

λέξαι τε λάχη τὰ κατ᾽ ἀνθρώπους
310

ὡς ἐπινωμᾷ στάσις ἁμά.³

εὐθυδίκαιοι δ᾽⁴ οἰόμεθ᾽⁵ εἶναι:

τὸν μὲν καθαρὰς χεῖρας προνέμοντ᾽⁶

οὔτις ἐφέρπει μῆνις ἀφ᾽ ἡμῶν,⁷

ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ:
315

ὅστις δ᾽ ἀλιτὼν⁸ ὥσπερ ὅδ᾽ ἁνὴρ⁹

χεῖρας φονίας ἐπικρύπτει,

μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν

παραγιγνόμεναι¹⁰ πράκτορες αἵματος

αὐτῷ τελέως ἐφάνημεν.
320
321

str. 1

Χορός

μᾶτερ ἅ μ᾽ ἔτικτες, ὦ μᾶτερ

Νύξ, ἀλαοῖσι¹¹ καὶ δεδορκόσιν

ποινάν, κλῦθ᾽. ὁ Λατοῦς γὰρ ἶ-

νίς μ᾽ ἄτιμον τίθησιν

τόνδ᾽ ἀφαιρούμενος
325

πτῶκα,¹² ματρῷον ἅγ-

νισμα κύριον φόνου.

328

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ¹³ φρενοδαλής,
330

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.

334

ant. 1

Χορός

τοῦτο γὰρ λάχος διανταία

Μοῖρ᾽ ἐπέκλωσεν ἐμπέδως ἔχειν,
335

θνατῶν¹⁴ τοῖσιν αὐτουργίαι¹⁵

ξυμπέσωσιν¹⁶ μάταιοι,

τοῖς ὁμαρτεῖν, ὄφρ᾽ ἂν

γᾶν ὑπέλθῃ: θανὼν δ᾽

οὐκ ἄγαν ἐλεύθερος.
340
341

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ¹⁷ φρενοδαλής,

ὕμνος¹⁸ ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

347

str. 2

Χορός

γιγνομέναισι λάχη τάδ᾽ ἐφ᾽ ἁμὶν ἐκράνθη,

ἀθανάτων δ᾽ ἀπέχειν χέρας, οὐδέ τις ἐστὶ
350

ξυνδαίτωρ¹⁹ μετάκοινος.

παλλεύκων δὲ πέπλων ἀνέορτος²⁰ ἄκληρος ἐτύχθην.

354

Χορός

δωμάτων²¹ γὰρ εἱλόμαν

ἀνατροπάς: ὅταν Ἄρης
355

τιθασὸς²² ὢν φίλον²³ ἕλῃ,

ἐπὶ τὸν ὧδ᾽ ἱέμεναι²⁴

κρατερὸν ὄνθ᾽ ὅμως ἀμαυ-

ροῦμεν²⁵ [ὑφ᾽²⁶] αἵματος νέου.>

360

ant. 2

Χορός

σπευδομένα²⁷ δ᾽ ἀφελεῖν
360

τινὰ τάσδε²⁸ μερίμνας,

θεῶν δ᾽ ἀτέλειαν ἐμαῖς

μελέταις²⁹ ἐπικραίνειν,

μηδ᾽ εἰς³⁰ ἄγκρισιν ἐλθεῖν—

Ζεὺς δ᾽ αἱμοσταγὲς³¹ ἀξ-
365

ιόμισον ἔθνος τόδε λέσχας

ἇς ἀπηξιώσατο—

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν³² βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,
370

σφαλερὰ τανυδρόμοις <ὅμως³³>

κῶλα, δύσφορον μάταν.³⁴³⁵

373

str. 3

Χορός

δόξαι τ᾽ ἀνδρῶν καὶ μάλ᾽ ὑπ᾽ αἰθέρι σεμναὶ

τακόμεναι κατὰ γᾶν μινύθουσιν ἄτιμοι

ἁμετέραις ἐφόδοις μελανείμοσιν, ὀρχησ-
375

μοῖς τ᾽ ἐπιφθόνοις³⁶ ποδός.

377

ant. 3

Χορός

πίπτων δ᾽ οὐκ οἶδεν τόδ᾽ ὑπ᾽ ἄφρονι λύμᾳ:

τοῖον [γὰρ³⁷] ἐπὶ κνέφας ἀνδρὶ μύσος πεπόταται,

καὶ δνοφεράν τιν᾽ ἀχλὺν κατὰ δώματος αὐδᾶ-

ται πολύστονος φάτις.
380
381

str. 4

Χορός

μένει γάρ: εὐμήχανοί

τε³⁸ καὶ τέλειοι, κακῶν

τε μνήμονες, σεμναὶ

καὶ δυσπαρήγοροι βροτοῖς,

ἄτιμ᾽ ἀτίετα³⁹ διόμεναι⁴⁰
385

λάχη θεῶν διχοστατοῦντ᾽ ἀνηλίῳ

λάμπᾳ, †δυσοδοπαίπαλα⁴¹

δερκομένοισι καὶ δυσομμάτοις ὁμῶς.

389

ant. 4

Χορός

τίς οὖν τάδ᾽ οὐχ ἅζεταί⁴²

τε καὶ δέδοικεν⁴³ βροτῶν,
390

ἐμοῦ κλύων θεσμὸν

τὸν μοιρόκραντον ἐκ θεῶν

δοθέντα τέλεον; ἔτι⁴⁴ δέ μοι

<μένει⁴⁵> γέρας παλαιόν, οὐδ᾽ ἀτιμίας

κύρω,⁴⁶ καίπερ ὑπὸ χθόνα
395

τάξιν ἔχουσα καὶ δυσήλιον κνέφας.

397

Εὐμενίδες Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 299-396 focus

Χορός

οὔτοι σʼ Ἀπόλλων οὐδʼ Ἀθηναίας σθένος

ῥύσαιτʼ ἂν ὥστε μὴ οὐ παρημελημένον
300

ἔρρειν, τὸ χαίρειν μὴ μαθόνθʼ ὅπου φρενῶν,

ἀναίματον βόσκημα δαιμόνων, σκιάν.

οὐδʼ ἀντιφωνεῖς, ἀλλʼ ἀποπτύεις λόγους,

ἐμοὶ τραφείς τε καὶ καθιερωμένος;

καὶ ζῶν με δαίσεις οὐδὲ πρὸς βωμῷ σφαγείς·
305

ὕμνον δʼ ἀκούσῃ τόνδε δέσμιον σέθεν.

307

Χορός

ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

μοῦσαν στυγερὰν

ἀποφαίνεσθαι δεδόκηκεν,

λέξαι τε λάχη τὰ κατʼ ἀνθρώπους
310

ὡς ἐπινωμᾷ στάσις ἁμά.

εὐθυδίκαιοι δʼ οἰόμεθʼ εἶναι·

τὸν μὲν καθαρὰς χεῖρας προνέμοντʼ

οὔτις ἐφέρπει μῆνις ἀφʼ ἡμῶν,

ἀσινὴς δʼ αἰῶνα διοιχνεῖ·
315

ὅστις δʼ ἀλιτὼν ὥσπερ ὅδʼ ἁνὴρ

χεῖρας φονίας ἐπικρύπτει,

μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν

παραγιγνόμεναι πράκτορες αἵματος

αὐτῷ τελέως ἐφάνημεν.
320

321

Χορός

μᾶτερ ἅ μʼ ἔτικτες, ὦ μᾶτερ

Νύξ, ἀλαοῖσι καὶ δεδορκόσιν

ποινάν, κλῦθʼ. ὁ Λατοῦς γὰρ ἶ-

νίς μʼ ἄτιμον τίθησιν

τόνδʼ ἀφαιρούμενος
325

πτῶκα, ματρῷον ἅ-

γνισμα κύριον φόνου.

328

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,
330

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.

334

Χορός

τοῦτο γὰρ λάχος διανταία

Μοῖρʼ ἐπέκλωσεν ἐμπέδως ἔχειν,
335

θνατῶν τοῖσιν αὐτουργίαι

ξυμπέσωσιν μάταιοι,

τοῖς ὁμαρτεῖν, ὄφρʼ ἂν

γᾶν ὑπέλθῃ· θανὼν δʼ

οὐκ ἄγαν ἐλεύθερος.
340

341

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

347

Χορός

γιγνομέναισι λάχη τάδʼ ἐφʼ ἁμὶν ἐκράνθη·

ἀθανάτων δʼ ἀπέχειν χέρας, οὐδέ τις ἐστί
350

συνδαίτωρ μετάκοινος·

παλλεύκων δὲ πέπλων ἀπόμοιρος ἄκληρος ἐτύχθην

¯˘¯˘¯˘¯

354

Χορός

δωμάτων γὰρ εἱλόμαν

ἀνατροπάς, ὅταν Ἄρης
355

τιθασὸς ὢν φίλον ἕλῃ.

ἐπὶ τὸν ὧδʼ ἱέμεναι

κρατερὸν ὄνθʼ ὅμως ἀμαυ-

ροῦμεν ὑφʼ αἵματος νέου.

360

Χορός

σπεύδομεν αἵδʼ ἀφελεῖν τινὰ τάσδε μερίμνας,
360

θεῶν δʼ ἀτέλειαν ἐμαῖς μελέταις ἐπικραίνειν,

μηδʼ εἰς ἄγκρισιν ἐλθεῖν·

Ζεὺς δʼ αἱμοσταγὲς ἀξιόμισον ἔθνος τόδε λέσχας
365

ἇς ἀπηξιώσατο.

354a

Χορός

δωμάτων γὰρ εἱλόμαν

ἀνατροπάς, ὅταν Ἄρης

τιθασὸς ὢν φίλον ἕλῃ.

ἐπὶ τὸν ὧδʼ ἱέμεναι

κρατερὸν ὄνθʼ ὅμως ἀμαυ-

ροῦμεν ὑφʼ αἵματος νέου.

368

Χορός

δόξαι τʼ ἀνδρῶν καὶ μάλʼ ὑπʼ αἰθέρι σεμναὶ

τακόμεναι κατὰ γᾶν μινύθουσιν ἄτιμοι

ἁμετέραις ἐφόδοις μελανείμοσιν, ὀρχη-
370

σμοῖς τʼ ἐπιφθόνοις ποδός.

372

Χορός

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,

σφαλερὰ καὶ τανυδρόμοις
375

κῶλα, δύσφορον ἄταν.

377

Χορός

πίπτων δʼ οὐκ οἶδεν τόδʼ ὑπʼ ἄφρονι λύμᾳ·

τοῖον γὰρ ἐπὶ κνέφας ἀνδρὶ μύσος πεπόταται,

καὶ δνοφεράν τινʼ ἀχλὺν κατὰ δώματος αὐδᾶ-

ται πολύστονος φάτις.
380

372a

Χορός

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,

σφαλερὰ καὶ τανυδρόμοις

κῶλα, δύσφορον ἄταν.

381

Χορός

μένει γάρ. εὐμήχανοί

τε καὶ τέλειοι, κακῶν

τε μνήμονες σεμναὶ

καὶ δυσπαρήγοροι βροτοῖς,

ἄτιμʼ ἀτίετα διόμεναι
385

λάχη θεῶν διχοστατοῦντʼ ἀνηλίῳ

λάμπᾳ, δυσοδοπαίπαλα

δερκομένοισι καὶ δυσομμάτοις ὁμῶς.

389

Χορός

τίς οὖν τάδʼ οὐχ ἅζεταί

τε καὶ δέδοικεν βροτῶν,
390

ἐμοῦ κλύων θεσμὸν

τὸν μοιρόκραντον ἐκ θεῶν

δοθέντα τέλεον; ἔτι δέ μοι

μένει γέρας παλαιόν, οὐδʼ ἀτιμίας

κύρω, καίπερ ὑπὸ χθόνα
395

τάξιν ἔχουσα καὶ δυσήλιον κνέφας.

Εὐμενίδες (1518 edition; OCR draft) Experimental (Aeschylus, Eumenides, 1518 edition. VLM-assisted OCR with native lineation and automated correspondence to the Smyth edition.) — 299 focus

Χορὸς Εὐμενίδων

οὔτοι σ’ ἀπόλλων οὐδ’ ἀθηναίας σθένος.

ῥύσαι τ’ ῥύσαιτ’ ἂν ῥύς τε ὥστε μὴ ὐπαρημελημένον οὐ παρημελημένον.
290

ἔρρειν τὸ χαίρειν, μὴ μαθόνθ’ ὅπου φρενῶν,

ἀναίματον βόσκημα δαιμόνων σκιά.

οὐδ’ ἀντιφωνεῖς, ἀλλ’ ἀποπτύεις λόγους.

ἐμοίβαφείς τε καὶ καθιερωμένος.

Ἀπόλλων

καὶ ζῶν με δαίσεις, οὐδὲ πρὸς βωμῷ σφαγείς.
295

ΕΥΜΕΝΙΔΕΣ. 87

Χορὸς Εὐμενίδων

ὕμνον δ' ἀκούσῃ τόνδε δέσμιον σέθεν,

Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Guilielmus Dindorfius, 1882.) — 299 focus

ΧΟ.

οὔτοι σ' Ἀπόλλων οὐδ᾽ Ἀθηναίας σθένος

ῥύσαιτ᾽ ἂν ὥστε μὴ οὐ παρημελημένον
300

ἔρρειν, τὸ χαίρειν μὴ μαθόνθ᾽ ὅπου φρενῶν,

ἀναίματον βόσκημα, δαιμόνων σκιάν.

οὐδ᾽ ἀντιφωνεῖς, ἀλλ᾽ ἀποπτύεις λόγους

ἐμοὶ τραφείς τε καὶ καθιερωμένος;

καὶ ζῶν με δαίσεις οὐδὲ πρὸς βωμῷ σφαγείς·
305

ὕμνον δ᾽ ἀκούσει τόνδε δέσμιον σέθεν.

Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Gottfried Hermann, 1852.) — 299 focus

Χορός

οὔτοι σ' Ἀπόλλων οὐδ᾽ Ἀθηναίας σθένος

ῥύσαιτ᾽ ἂν ὥςτε μὴ οὐ παρημελημένον

ἔρρειν, τὸ χαίρειν μὴ μαθόνθ' ὅπου φρενῶν,

ἀναίματον βόσκημα τῶνδε δαιμόνων.

Χοροῦ ἡ Β

οὐδ᾽ ἀντιφωνεῖς, ἀλλ᾽ ἀποπτύεις λόγους,
300

ἐμοὶ τραφείς τε καὶ καθιερωμένος;

Χοροῦ ἡ Γ

καὶ ζῶν με δαίσεις, οὐδὲ πρὸς βωμῷ σφαγείς·

ὕμνον δ᾽ ἀκούσει τόνδε δέσμιον σέθεν.

ΕΥΜΕΝΙΔΕΣ (OCR draft) Experimental (ΕΥΜΕΝΙΔΕΣ. Paul Mazon, 1920-1925.) — 299 focus

ΧΟ.

Οὔτοι σ' οὔτις σ' ᾿Απόλλων οὐδ᾽ ᾿Αθηναίας -ναίης -ναίοις σθένος

ῥύσαιτ' ἂν ὥστε μὴ οὐ παρημελημένον
300

ἔρρειν, τὸ χαίρειν μὴ μαθόνθ' ὅπου φρενῶν,

ἀναίματον, βόσκημα δαιμόνων, σκιάν σκιὰ.

Οὐδ᾽ ἀντιφωνεῖς, ἀλλ' οὐδ᾽ ἀποπτύεις λόγους

ἐμοὶ τραφείς τε καὶ καθιερωμένος ;

καὶ ζῶν με δαίσεις οὐδὲ πρὸς βωμῷ σφαγείς·
305

ὕμνον δ' ἀκούσῃ τόνδε δέσμιον σέθεν.

Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Arthur Sidgwick, 1887.) — 299 focus

ΧΟ.

οὔτοι σ' Ἀπόλλων οὐδ᾽ Ἀθηναίας σθένος

ΧΟ.

ῥύσαιτ᾽ ἄν, ὥστε μὴ οὐ παρημελημένον

ἔρρειν, τὸ χαίρειν μὴ μαθόνθ᾽ ὅπου φρενῶν,
300

ἀναίματον βόσκημα δαιμόνων, σκιάν.

οὐδ᾽ ἀντιφωνεῖς, ἀλλ᾽ ἀποπτύεις λόγους,

ἐμοὶ τραφείς τε καὶ καθιερωμένος ;

καὶ ζῶν με δαίσεις, οὐδὲ πρὸς βωμῷ σφαγείς·
305

ὕμνον δ᾽ ἀκούσει τόνδε δέσμιον σέθεν.

Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. N. Wecklein, 1885.) — 299 focus

οὔτοι σ᾽ Ἀπόλλων οὐδ᾽ Ἀθηναίας σθένος

ῥύσαιτ᾽ ἂν ὥστε μὴ οὐ παρημελημένον
300

ἔρρειν, τὸ χαίρειν μὴ μαθόνθ᾽ ὅπου φρενῶν,

ἀναίματον βόσκημα δαιμόνων σκιά·

οὐδ᾽ ἀντιφωνεῖς, ἀλλ᾽ ἀποπτύεις λόγους,

ἐμοί τραφείς τε καὶ καθιερωμένος;

καὶ ζῶν με δαίσεις οὐδὲ πρὸς βωμῷ σφαγείς·
305

ὕμνον δ᾽ ἀκούσῃ τόνδε δέσμιον σέθεν.

Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Martin L. West, 1990.) — 299 focus

ΧΟ.

οὔτοι σ᾽ Ἀπόλλων οὐδ᾽ Ἀθηναίας σθένος

ῥύσαιτ’ ἂν ὥστε μὴ οὐ παρημελημένον
300

ἔρρειν, τὸ χαίρειν μὴ μαθόνθ’ ὅπου φρενῶν,

ἀναίματον βόσκημα δαιμόνων σκιάν.

οὐδ᾽ ἀντιφωνεῖς, ἀλλ᾽ ἀποπτύεις λόγους,

ἐμοὶ τραφείς τε καὶ καθιερωμένος;

καὶ ζῶν με δαίσεις οὐδὲ πρὸς βωμῶι σφαγείς·
305

ὕμνον δ᾽ ἀκούσηι τόνδε δέσμιον σέθεν.

¹²

Aeschyli Eumenides (OCR draft) Experimental (Aeschyli Eumenides. Ulrich von Wilamowitz-Moellendorff, 1914.) — 299 focus

ΧΟ.

οὔτοι σ᾽ ᾿Απόλλων οὐδ᾽ ᾿Αθηναίας σθένος

ῥύσαιτ᾽ ἂν ὥστε μὴ οὐ παρημελημένον

ἔρρειν, τὸ χαίρειν μὴ μαθόνθ᾽ ὅπου φρενών,
300

Actio:

303 paullulum conticescit expectans minis perterritum si non profugiturum saltem eiulaturum esse Orestam 307 Furiae manibus iunctis circumdant tripudiantes Orestam Palladio inhaerentem. repetito tertio ephymnio ad solitum chori ordinem motumque redeunt.

Apparatus Criticus

¹ διδασκάλου διδάσκων (suprascripto γε) γε διδ. ² Λιβυστικῆς Λιβυστικοῖς³ κατηρεφῆ⁴ οὔτοι σ᾽ οὔτισσ᾽ ᾿Αθηναίας ᾿Αθηναίας -ναίοις ναίης (fortasse recte) τὸ χαίρειν μὴ μαθόνθ᾽ ὅπου φρενών⁵

ΧΟ.

ἀναίματον, βόσκημα δαιμόνων, σκιάν.

οὐδ᾽ ἀντιφωνεῖς, ἀλλ᾽ ἀποπτύεις λόγους,

ἐμοὶ τραφείς τε καὶ καθιερωμένος;

καὶ ζῶν με δαίσεις οὐδὲ πρὸς βωμῶι σφαγείς·

ὕμνον δ᾽ ἀκούσηι τόνδε δέσμιον σέθεν.
305

Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by F. A. Paley, 1885.) — 299 focus

οὔτοι σ᾽ ᾿Απόλλων οὐδ᾽ ᾿Αθηναίας σθένος

ῥύσαιτ᾽ ἂν, ὥστε μὴ οὐ παρημελημένον
290

ἔρρειν, τὸ χαίρειν μὴ μαθόνθ᾽ ὅπου φρενών,

ἀναίματον βόσκημα δαιμόνων, σκιάν.

οὐδ᾽ ἀντιφωνεῖς, ἀλλ᾽ ἀποπτύεις λόγους,

ἐμοὶ τραφείς τε καὶ καθιερωμένος;

καὶ ζῶν με δαίσεις, οὐδὲ πρὸς βωμῷ σφαγείς·
295

ὕμνον δ᾽ ἀκούσει τόνδε δέσμιον σέθεν.

Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by Friedrich Blass, 1907.) — 299 focus

οὔτις σ᾽ Ἀπόλλων οὐδ᾽ Ἀθηναίας σθένος

ῥύσαιτ᾽ ἄν, ὥστε μὴ οὐ παρημελημένον
300

ἔρρειν, τὸ χαίρειν μὴ μαθόνθ᾽ ὅπου φρενῶν,

ἀναιμάτωι βόσκημα δαιμόνων σκιᾶι.

σὺ δ᾽ ἀντιφωνεῖς; ἀλλ᾽ ἀποπτύσηι λόγους

ἐμοὶ τραφείς τε καὶ καθιερωμένος,

καὶ ζῶν με δαίσεις οὐδὲ πρὸς βωμῶι σφαγείς·
305

ὕμνον δ᾽ ἀκούσηι τόνδε δέσμιον σέθεν.

Translations (10)

Eumenides Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1926. (Modernized by Perseus.)) — 299-395 focus

Chorus

No, neither Apollo nor Athena’s strength

can save you from perishing abandoned, not knowing where joy is in your heart—a bloodless victim of the gods below, a shadow.
You do not answer, but scorn my words, you who are fattened and consecrated to me?
300

Living, you will be my feast, not slain at an altar; now you will hear this hymn, a spell to bind you.
305

307

Chorus

Come now, let us also join the dance, since we are resolved to display our hated song

and to declare our allotted office, how our party directs the affairs of men. We claim to be just and upright. No wrath from us will come stealthily to the one who holds out clean hands,
310

and he will go through life unharmed; but whoever sins, as this man has, and hides his blood-stained hands, as avengers of bloodshed we appear against him to the end, presenting ourselves as upright witnesses for the dead.
315

321

Chorus

O mother Night, hear me, mother who gave birth to me as a retribution for the blind and the seeing. For Leto’s son dishonors me

by snatching away this cowering wretch, a proper expiation for his mother’s blood.
325

328

Chorus

This is our song over the sacrificial victim—frenzied,

maddened, destroying the mind, the Furies’ hymn, a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
330

334

Chorus

For this is the office that relentless

Fate spun for us to hold securely: when rash murders of kin come upon mortals, we pursue them until they go under the earth; and after death,
335

they have no great freedom.
340

341

Chorus

This is our song over the sacrificial victim—frenzied, maddened, destroying the mind,the Furies’ hymn,

a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
345

347

Chorus

This office was ordained for us at birth;

but the immortal gods must hold back their hands from us, nor does any of them share a feast in common with us; and I have neither lot nor portion of pure white ceremonial robes
350

354

Chorus

For I have chosen the overthrow of houses,

whenever violence raised in the home seizes someone near and dear. So speeding after this man, we weaken him, even though he is strong, because of the fresh blood.
355

360

Chorus

We are eager to take these cares away from another, and to establish for the gods exemption from my concerns, so that it will not come to trial;
360

for Zeus has considered us, a blood-dripping, hateful band, unworthy of his council.
365

354a

Chorus

For I have chosen the overthrow of houses,

whenever violence raised in the home seizes someone near and dear. Speeding after this man, we weaken him, even though he is strong, because of the fresh blood.

368

Chorus

And men’s thoughts, very proud under the sky, waste away and dwindle in dishonor beneath the earth,

at our attack in black robes and the vindictive dance of our feet.
370

372

Chorus

For surely with a great leap from above I bring down the heavily falling force of my foot,

my limbs that trip even swift runners—unendurable ruin.
375

377

Chorus

But, as he falls, he does not know it, because of his senseless folly; pollution hovers over the man in such darkness, and mournful rumor speaks of

a dark mist over his house.
380

372a

Chorus

For surely with a great leap from above I bring down the heavily falling force of my foot,

my limbs that trip even swift runners—unendurable ruin.

381

Chorus

For it remains. We are skilled in plotting, powerful in execution, and we remember evil deeds; we are revered and hard for mortals to appease,

pursuing our allotted office which is without rights, without honor, separated from the gods in sunless light—our office that makes the path rough for seeing and dim-sighted alike.
385

389

Chorus

What mortal, then, does not

stand in awe and dread of this, when he hears from me the law ordained by Fate, given by the gods for perfect fulfilment? My ancient privilege still remains, I do not meet with dishonor,
390

although I have my place under the earth and in sunless darkness.
395

The Eumenides (OCR draft) Experimental (The Eumenides. Theodore Alois Buckley, 1849.) — 299 focus

By no means shall Apollo, or the might of Minerva set you free, so as not to perish neglected, not having learnt where in your mind to rejoice, the bloodless food of demons, a shadow. Dost thou not reply, but dost thou disdain my words, thou who art both nourished for, and devoted to me . And alive you shall feed me, not slain at the altar, and you shall hear this hymn that charms you.

LES EUMÉNIDES (OCR draft) Experimental (LES EUMÉNIDES. Paul Mazon, 1920-1925.) — 299 focus

enfin!

LE CORYPHÉE.

Non, pas plus qu'Apollon, la force
d'Athéna ne te sauvera. Tu périras, délaissé de tous, l'âme à jamais désertée par la joie — ombre vidée de sang qui aura repu des déesses. Tu ne réponds pas; tu rejettes en crachant mes paroles, toi, victime engraissée pour mes
sacrifices! Tout vivant, sans égorgement à l'autel, tu me fourniras mon festin. Et d'abord tu

The Furies (OCR draft) Experimental (The Furies. Robert Potter, 1779.) — 299 focus

No: not Apollo, nor Minerva's pow'r

Shall ſet thee free, but that an abject outcaſt

Thou drag thy ſteps, ſeeking in vain to find

Reſt to thy joyleſs ſoul, exhausted, worn,

A lifeleſs ſhadow.

335

Yet thy pride replies not,

Me, and my threats deſpiſing, tho' to me

Devoted, my rich victim, and alive

To feed my rage, not offer'd on the altar.

Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 299 focus

Apollo non potrà, non la possanza

potrà d'Atena farti salvo.

Andrai

330

randagio, né mai piú pace saprai !

Ombra vagante, esangue epula, ai Démoni

tu non rispondi, i detti miei tu spregi,

tu sacro a me.

Sarai la mia pastura,

335

non su l'ara sgozzato, anzi ancor vivo;

e udrai quest'inno che t'allacci e affascini!

PRIMO CANTO INTORNO ALL'ARA

FURIA II

Aeschylus, Eumenides: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Eumenides: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 299 focus

Ne te Apollo neq; Minerue robur

Liberet, ut neglectus

Euaneſcas, gaudium nesciens mentis.

Sine ſanguine cibus dæmonum tenebræ,

295

Neq; contrà clames, ſed expuas uerba,

Mihi conuerſus, & conſecratus.

Ap.

Et uiues mihi ſacrificabis, neq; in ara iugulatus.

Hymnum uerò audiens hunc uinctum tuum.

Cho.

Aeschylus, Die Eumeniden: German translation (OCR draft) Experimental (Aeschylus, Die Eumeniden: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 299 focus

Nicht soll Apollon noch Athenas starke Hand

300 dich retten. Weichen werden sie von dir. Du musst

hinunter, wo der Seele jedes Lustgefühl

abstirbt, der Leib zum Schatten ausgemergelt wird:

an seinem Blute weidet sich die Höllenbrut.

Wie? Keine Widerrede? Du verachtest uns?

Mein bist du, mir verfielest du, mein Opfertier.

305 Dich schlacht' ich am Altare nicht, du letzest mich

lebendig. Höre jetzt mein Lied: das fesselt dich.

Chorführerin, während der Chor thut, wie ihm befohlen wird.

English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, The Furies — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 299 focus

Thee not Apollo nor Athena's strength

Can save from perishing, a castaway
350

Amid the Lost, where no delight shall meet

Thy soul—a bloodless prey of nether powers,

A shadow among shadows. Answerest thou

Nothing? dost cast away my words with scorn,

Thou, prey prepared and dedicate to me?
355

Not as a victim slain upon the shrine,

But living shalt thou see thy flesh my food.

Hear now the binding chant that makes thee mine.

German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 299 focus

Nicht soll Apollon, nicht Athene's hohe Macht

Dir Schuß gewähren, daß du nicht verlassen einst

Hinfährst, vergessend, wo im Herzen Freude wohnt,
290

Blutleer, von Göttern aufgezehrt, ein Schattenbild! -

Nichts widersprichst du, dir erstirbt das Wort im Mund,

Du mir genährtes, mir geweihtes Opferthier?

Du labst mich lebend, nicht am Herd geschlachtet erst.

Nun höre meinen Reigen, der dich bannen soll!
295

English (Smyth; revised Bannon and Nagy, CHS) (OCR draft) Experimental (CHS Primary Sources revision of Herbert Weir Smyth’s translation by Cynthia Bannon and Gregory Nagy, with transliterated Greek terms tagged and aligned to the Smyth edition.)

No corresponding passage available

Commentary

Wecklein’s commentary on Eumenides (1888; German; OCR draft) (Explanatory commentary, pp. 251–322; HW42J8 and HXJHA8 OCR collated, with missing comparison pages 294–295 explicitly marked. Unresolved OCR and provisional reference mappings are explicitly marked.) focus

mvp-comment-161-1 Wecklein 1888, p. 272

mvp-comment-161-2 zweites Epeisodion. Orestes ruft Athena zu Hilfe. Die Chorführerin weist jeden Beistand zurück.

mvp-comment-169-1 Wecklein 1888, p. 273

mvp-comment-169-2 κτήσεται, nämlich als Herrin dieses Landes ", also für Attika. Vgl. zu 765.

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Search the Perseus Catalog for:

Current edition Experimental

Χορός ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος, παρακοπά, παραφορὰ 13 φρενοδαλής, 330 ὕμνος ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ- μικτος, αὐονὰ βροτοῖς. 334

Χορός ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος, παρακοπά, παραφορὰ 17 φρενοδαλής, ὕμνος 18 ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ- 345 μικτος, αὐονὰ βροτοῖς. 347

Χορός ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος, παρακοπά, παραφορὰ φρενοδαλής, 330 ὕμνος ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ- μικτος, αὐονὰ βροτοῖς.

Χορός ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος, παρακοπά, παραφορὰ φρενοδαλής, ὕμνος ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ- 345 μικτος, αὐονὰ βροτοῖς.

Χορός δωμάτων γὰρ εἱλόμαν ἀνατροπάς, ὅταν Ἄρης 355 τιθασὸς ὢν φίλον ἕλῃ. ἐπὶ τὸν ὧδʼ ἱέμεναι κρατερὸν ὄνθʼ ὅμως ἀμαυ- ροῦμεν ὑφʼ αἵματος νέου.

Χορός δωμάτων γὰρ εἱλόμαν ἀνατροπάς, ὅταν Ἄρης τιθασὸς ὢν φίλον ἕλῃ. ἐπὶ τὸν ὧδʼ ἱέμεναι κρατερὸν ὄνθʼ ὅμως ἀμαυ- ροῦμεν ὑφʼ αἵματος νέου.

Χορός δόξαι τʼ ἀνδρῶν καὶ μάλʼ ὑπʼ αἰθέρι σεμναὶ τακόμεναι κατὰ γᾶν μινύθουσιν ἄτιμοι ἁμετέραις ἐφόδοις μελανείμοσιν, ὀρχη- 370 σμοῖς τʼ ἐπιφθόνοις ποδός.

Χορός μάλα γὰρ οὖν ἁλομένα ἀνέκαθεν βαρυπεσῆ καταφέρω ποδὸς ἀκμάν, σφαλερὰ καὶ τανυδρόμοις 375 κῶλα, δύσφορον ἄταν.

Χορός μάλα γὰρ οὖν ἁλομένα ἀνέκαθεν βαρυπεσῆ καταφέρω ποδὸς ἀκμάν, σφαλερὰ καὶ τανυδρόμοις κῶλα, δύσφορον ἄταν.

Ἀπόλλων καὶ ζῶν με δαίσεις, οὐδὲ πρὸς βωμῷ σφαγείς. 295

Χορὸς Εὐμενίδων ὕμνον δ' ἀκούσῃ τόνδε δέσμιον σέθεν,

Χοροῦ ἡ Β οὐδ᾽ ἀντιφωνεῖς, ἀλλ᾽ ἀποπτύεις λόγους, 300 ἐμοὶ τραφείς τε καὶ καθιερωμένος;

Χοροῦ ἡ Γ καὶ ζῶν με δαίσεις, οὐδὲ πρὸς βωμῷ σφαγείς· ὕμνον δ᾽ ἀκούσει τόνδε δέσμιον σέθεν.

ΧΟ. οὔτοι σ' Ἀπόλλων οὐδ᾽ Ἀθηναίας σθένος

ΧΟ. οὔτοι σ᾽ ᾿Απόλλων οὐδ᾽ ᾿Αθηναίας σθένος ῥύσαιτ᾽ ἂν ὥστε μὴ οὐ παρημελημένον ἔρρειν, τὸ χαίρειν μὴ μαθόνθ᾽ ὅπου φρενών, 300

Actio:

Apparatus Criticus

Chorus O mother Night, hear me, mother who gave birth to me as a retribution for the blind and the seeing. For Leto’s son dishonors me by snatching away this cowering wretch, a proper expiation for his mother’s blood. 325

Chorus This is our song over the sacrificial victim—frenzied, maddened, destroying the mind, the Furies’ hymn, a spell to bind the soul, not tuned to the lyre, withering the life of mortals. 330

Chorus For this is the office that relentless Fate spun for us to hold securely: when rash murders of kin come upon mortals, we pursue them until they go under the earth; and after death, 335 they have no great freedom. 340

Chorus This is our song over the sacrificial victim—frenzied, maddened, destroying the mind,the Furies’ hymn, a spell to bind the soul, not tuned to the lyre, withering the life of mortals. 345

Chorus This office was ordained for us at birth; but the immortal gods must hold back their hands from us, nor does any of them share a feast in common with us; and I have neither lot nor portion of pure white ceremonial robes 350

Chorus For I have chosen the overthrow of houses, whenever violence raised in the home seizes someone near and dear. So speeding after this man, we weaken him, even though he is strong, because of the fresh blood. 355

Chorus We are eager to take these cares away from another, and to establish for the gods exemption from my concerns, so that it will not come to trial; 360 for Zeus has considered us, a blood-dripping, hateful band, unworthy of his council. 365

Chorus For I have chosen the overthrow of houses, whenever violence raised in the home seizes someone near and dear. Speeding after this man, we weaken him, even though he is strong, because of the fresh blood.

Chorus And men’s thoughts, very proud under the sky, waste away and dwindle in dishonor beneath the earth, at our attack in black robes and the vindictive dance of our feet. 370

Chorus For surely with a great leap from above I bring down the heavily falling force of my foot, my limbs that trip even swift runners—unendurable ruin. 375

Chorus But, as he falls, he does not know it, because of his senseless folly; pollution hovers over the man in such darkness, and mournful rumor speaks of a dark mist over his house. 380

Chorus For surely with a great leap from above I bring down the heavily falling force of my foot, my limbs that trip even swift runners—unendurable ruin.

Chorus What mortal, then, does not stand in awe and dread of this, when he hears from me the law ordained by Fate, given by the gods for perfect fulfilment? My ancient privilege still remains, I do not meet with dishonor, 390 although I have my place under the earth and in sunless darkness. 395

Yet thy pride replies not, Me, and my threats deſpiſing, tho' to me Devoted, my rich victim, and alive To feed my rage, not offer'd on the altar.

FURIA II

Ap. Et uiues mihi ſacrificabis, neq; in ara iugulatus. Hymnum uerò audiens hunc uinctum tuum.

Cho.

300 dich retten. Weichen werden sie von dir. Du musst hinunter, wo der Seele jedes Lustgefühl abstirbt, der Leib zum Schatten ausgemergelt wird:

Commentary

Stable identifiers

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ¹³ φρενοδαλής,
330

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.

334

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ¹⁷ φρενοδαλής,

ὕμνος¹⁸ ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

347

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,
330

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

Χορός

δωμάτων γὰρ εἱλόμαν

ἀνατροπάς, ὅταν Ἄρης
355

τιθασὸς ὢν φίλον ἕλῃ.

ἐπὶ τὸν ὧδʼ ἱέμεναι

κρατερὸν ὄνθʼ ὅμως ἀμαυ-

ροῦμεν ὑφʼ αἵματος νέου.

Χορός

δωμάτων γὰρ εἱλόμαν

ἀνατροπάς, ὅταν Ἄρης

τιθασὸς ὢν φίλον ἕλῃ.

ἐπὶ τὸν ὧδʼ ἱέμεναι

κρατερὸν ὄνθʼ ὅμως ἀμαυ-

ροῦμεν ὑφʼ αἵματος νέου.

Χορός

δόξαι τʼ ἀνδρῶν καὶ μάλʼ ὑπʼ αἰθέρι σεμναὶ

τακόμεναι κατὰ γᾶν μινύθουσιν ἄτιμοι

ἁμετέραις ἐφόδοις μελανείμοσιν, ὀρχη-
370

σμοῖς τʼ ἐπιφθόνοις ποδός.

Χορός

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,

σφαλερὰ καὶ τανυδρόμοις
375

κῶλα, δύσφορον ἄταν.

Χορός

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,

σφαλερὰ καὶ τανυδρόμοις

κῶλα, δύσφορον ἄταν.

Ἀπόλλων

καὶ ζῶν με δαίσεις, οὐδὲ πρὸς βωμῷ σφαγείς.
295

Χορὸς Εὐμενίδων

ὕμνον δ' ἀκούσῃ τόνδε δέσμιον σέθεν,

Χοροῦ ἡ Β

οὐδ᾽ ἀντιφωνεῖς, ἀλλ᾽ ἀποπτύεις λόγους,
300

ἐμοὶ τραφείς τε καὶ καθιερωμένος;

Χοροῦ ἡ Γ

καὶ ζῶν με δαίσεις, οὐδὲ πρὸς βωμῷ σφαγείς·

ὕμνον δ᾽ ἀκούσει τόνδε δέσμιον σέθεν.

ΧΟ.

οὔτοι σ' Ἀπόλλων οὐδ᾽ Ἀθηναίας σθένος

ΧΟ.

οὔτοι σ᾽ ᾿Απόλλων οὐδ᾽ ᾿Αθηναίας σθένος

ῥύσαιτ᾽ ἂν ὥστε μὴ οὐ παρημελημένον

ἔρρειν, τὸ χαίρειν μὴ μαθόνθ᾽ ὅπου φρενών,
300

Chorus

O mother Night, hear me, mother who gave birth to me as a retribution for the blind and the seeing. For Leto’s son dishonors me

by snatching away this cowering wretch, a proper expiation for his mother’s blood.
325

Chorus

This is our song over the sacrificial victim—frenzied,

maddened, destroying the mind, the Furies’ hymn, a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
330

Chorus

For this is the office that relentless

Fate spun for us to hold securely: when rash murders of kin come upon mortals, we pursue them until they go under the earth; and after death,
335

they have no great freedom.
340

Chorus

This is our song over the sacrificial victim—frenzied, maddened, destroying the mind,the Furies’ hymn,

a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
345

Chorus

This office was ordained for us at birth;

but the immortal gods must hold back their hands from us, nor does any of them share a feast in common with us; and I have neither lot nor portion of pure white ceremonial robes
350

Chorus

For I have chosen the overthrow of houses,

whenever violence raised in the home seizes someone near and dear. So speeding after this man, we weaken him, even though he is strong, because of the fresh blood.
355

Chorus

We are eager to take these cares away from another, and to establish for the gods exemption from my concerns, so that it will not come to trial;
360

for Zeus has considered us, a blood-dripping, hateful band, unworthy of his council.
365

Chorus

For I have chosen the overthrow of houses,

whenever violence raised in the home seizes someone near and dear. Speeding after this man, we weaken him, even though he is strong, because of the fresh blood.

Chorus

And men’s thoughts, very proud under the sky, waste away and dwindle in dishonor beneath the earth,

at our attack in black robes and the vindictive dance of our feet.
370

Chorus

For surely with a great leap from above I bring down the heavily falling force of my foot,

my limbs that trip even swift runners—unendurable ruin.
375

Chorus

But, as he falls, he does not know it, because of his senseless folly; pollution hovers over the man in such darkness, and mournful rumor speaks of

a dark mist over his house.
380

Chorus

For surely with a great leap from above I bring down the heavily falling force of my foot,

my limbs that trip even swift runners—unendurable ruin.

Chorus

What mortal, then, does not

stand in awe and dread of this, when he hears from me the law ordained by Fate, given by the gods for perfect fulfilment? My ancient privilege still remains, I do not meet with dishonor,
390

although I have my place under the earth and in sunless darkness.
395

Yet thy pride replies not,

Me, and my threats deſpiſing, tho' to me

Devoted, my rich victim, and alive

To feed my rage, not offer'd on the altar.

Ap.

Et uiues mihi ſacrificabis, neq; in ara iugulatus.

Hymnum uerò audiens hunc uinctum tuum.

300 dich retten. Weichen werden sie von dir. Du musst

hinunter, wo der Seele jedes Lustgefühl

abstirbt, der Leib zum Schatten ausgemergelt wird: