Aeschylus, Eumenides, 341

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Χορὸς Εὐμενίδων

ἐπί δε τῷ τεθυμένῳ. τόδε μέλος παρακοπᾶ.

παραφορὰ φρενοδαλὴς ὕμνος ἐξ ἐρινύων,

δέσμιος φρενῶν ἀφόρμικτος αὐονὰ βροτοῖς.

Eumenides. Aeschylus. . 2026.

Current edition Experimental

Εὐμενίδες (1518 edition; OCR draft) (Greek) (Aeschylus, Eumenides, 1518 edition. VLM-assisted OCR with native lineation and automated correspondence to the Smyth edition.)

Provisional text from uncorrected OCR; expect errors.

Editions (11)

Εὐμενίδες First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 299-396 focus

Χορός

οὔτοι σ᾽ Ἀπόλλων οὐδ᾽ Ἀθηναίας σθένος

ῥύσαιτ᾽ ἂν ὥστε μὴ οὐ παρημελημένον
300

ἔρρειν, τὸ χαίρειν μὴ μαθόνθ᾽ ὅπου φρενῶν,

ἀναίματον βόσκημα δαιμόνων, σκιάν.¹

οὐδ᾽ ἀντιφωνεῖς, ἀλλ᾽ ἀποπτύεις λόγους,

ἐμοὶ τραφείς τε καὶ καθιερωμένος;²

καὶ ζῶν με δαίσεις οὐδὲ πρὸς βωμῷ σφαγείς:
305

ὕμνον δ᾽ ἀκούσει τόνδε δέσμιον σέθεν.

307

Χορός

ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

μοῦσαν στυγερὰν

ἀποφαίνεσθαι δεδόκηκεν,

λέξαι τε λάχη τὰ κατ᾽ ἀνθρώπους
310

ὡς ἐπινωμᾷ στάσις ἁμά.³

εὐθυδίκαιοι δ᾽⁴ οἰόμεθ᾽⁵ εἶναι:

τὸν μὲν καθαρὰς χεῖρας προνέμοντ᾽⁶

οὔτις ἐφέρπει μῆνις ἀφ᾽ ἡμῶν,⁷

ἀσινὴς δ᾽ αἰῶνα διοιχνεῖ:
315

ὅστις δ᾽ ἀλιτὼν⁸ ὥσπερ ὅδ᾽ ἁνὴρ⁹

χεῖρας φονίας ἐπικρύπτει,

μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν

παραγιγνόμεναι¹⁰ πράκτορες αἵματος

αὐτῷ τελέως ἐφάνημεν.
320
321

str. 1

Χορός

μᾶτερ ἅ μ᾽ ἔτικτες, ὦ μᾶτερ

Νύξ, ἀλαοῖσι¹¹ καὶ δεδορκόσιν

ποινάν, κλῦθ᾽. ὁ Λατοῦς γὰρ ἶ-

νίς μ᾽ ἄτιμον τίθησιν

τόνδ᾽ ἀφαιρούμενος
325

πτῶκα,¹² ματρῷον ἅγ-

νισμα κύριον φόνου.

328

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ¹³ φρενοδαλής,
330

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.

334

ant. 1

Χορός

τοῦτο γὰρ λάχος διανταία

Μοῖρ᾽ ἐπέκλωσεν ἐμπέδως ἔχειν,
335

θνατῶν¹⁴ τοῖσιν αὐτουργίαι¹⁵

ξυμπέσωσιν¹⁶ μάταιοι,

τοῖς ὁμαρτεῖν, ὄφρ᾽ ἂν

γᾶν ὑπέλθῃ: θανὼν δ᾽

οὐκ ἄγαν ἐλεύθερος.
340
341

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ¹⁷ φρενοδαλής,

ὕμνος¹⁸ ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

347

str. 2

Χορός

γιγνομέναισι λάχη τάδ᾽ ἐφ᾽ ἁμὶν ἐκράνθη,

ἀθανάτων δ᾽ ἀπέχειν χέρας, οὐδέ τις ἐστὶ
350

ξυνδαίτωρ¹⁹ μετάκοινος.

παλλεύκων δὲ πέπλων ἀνέορτος²⁰ ἄκληρος ἐτύχθην.

354

Χορός

δωμάτων²¹ γὰρ εἱλόμαν

ἀνατροπάς: ὅταν Ἄρης
355

τιθασὸς²² ὢν φίλον²³ ἕλῃ,

ἐπὶ τὸν ὧδ᾽ ἱέμεναι²⁴

κρατερὸν ὄνθ᾽ ὅμως ἀμαυ-

ροῦμεν²⁵ [ὑφ᾽²⁶] αἵματος νέου.>

360

ant. 2

Χορός

σπευδομένα²⁷ δ᾽ ἀφελεῖν
360

τινὰ τάσδε²⁸ μερίμνας,

θεῶν δ᾽ ἀτέλειαν ἐμαῖς

μελέταις²⁹ ἐπικραίνειν,

μηδ᾽ εἰς³⁰ ἄγκρισιν ἐλθεῖν—

Ζεὺς δ᾽ αἱμοσταγὲς³¹ ἀξ-
365

ιόμισον ἔθνος τόδε λέσχας

ἇς ἀπηξιώσατο—

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν³² βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,
370

σφαλερὰ τανυδρόμοις <ὅμως³³>

κῶλα, δύσφορον μάταν.³⁴³⁵

373

str. 3

Χορός

δόξαι τ᾽ ἀνδρῶν καὶ μάλ᾽ ὑπ᾽ αἰθέρι σεμναὶ

τακόμεναι κατὰ γᾶν μινύθουσιν ἄτιμοι

ἁμετέραις ἐφόδοις μελανείμοσιν, ὀρχησ-
375

μοῖς τ᾽ ἐπιφθόνοις³⁶ ποδός.

377

ant. 3

Χορός

πίπτων δ᾽ οὐκ οἶδεν τόδ᾽ ὑπ᾽ ἄφρονι λύμᾳ:

τοῖον [γὰρ³⁷] ἐπὶ κνέφας ἀνδρὶ μύσος πεπόταται,

καὶ δνοφεράν τιν᾽ ἀχλὺν κατὰ δώματος αὐδᾶ-

ται πολύστονος φάτις.
380
381

str. 4

Χορός

μένει γάρ: εὐμήχανοί

τε³⁸ καὶ τέλειοι, κακῶν

τε μνήμονες, σεμναὶ

καὶ δυσπαρήγοροι βροτοῖς,

ἄτιμ᾽ ἀτίετα³⁹ διόμεναι⁴⁰
385

λάχη θεῶν διχοστατοῦντ᾽ ἀνηλίῳ

λάμπᾳ, †δυσοδοπαίπαλα⁴¹

δερκομένοισι καὶ δυσομμάτοις ὁμῶς.

389

ant. 4

Χορός

τίς οὖν τάδ᾽ οὐχ ἅζεταί⁴²

τε καὶ δέδοικεν⁴³ βροτῶν,
390

ἐμοῦ κλύων θεσμὸν

τὸν μοιρόκραντον ἐκ θεῶν

δοθέντα τέλεον; ἔτι⁴⁴ δέ μοι

<μένει⁴⁵> γέρας παλαιόν, οὐδ᾽ ἀτιμίας

κύρω,⁴⁶ καίπερ ὑπὸ χθόνα
395

τάξιν ἔχουσα καὶ δυσήλιον κνέφας.

397

Εὐμενίδες Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 299-396 focus

Χορός

οὔτοι σʼ Ἀπόλλων οὐδʼ Ἀθηναίας σθένος

ῥύσαιτʼ ἂν ὥστε μὴ οὐ παρημελημένον
300

ἔρρειν, τὸ χαίρειν μὴ μαθόνθʼ ὅπου φρενῶν,

ἀναίματον βόσκημα δαιμόνων, σκιάν.

οὐδʼ ἀντιφωνεῖς, ἀλλʼ ἀποπτύεις λόγους,

ἐμοὶ τραφείς τε καὶ καθιερωμένος;

καὶ ζῶν με δαίσεις οὐδὲ πρὸς βωμῷ σφαγείς·
305

ὕμνον δʼ ἀκούσῃ τόνδε δέσμιον σέθεν.

307

Χορός

ἄγε δὴ καὶ χορὸν ἅψωμεν, ἐπεὶ

μοῦσαν στυγερὰν

ἀποφαίνεσθαι δεδόκηκεν,

λέξαι τε λάχη τὰ κατʼ ἀνθρώπους
310

ὡς ἐπινωμᾷ στάσις ἁμά.

εὐθυδίκαιοι δʼ οἰόμεθʼ εἶναι·

τὸν μὲν καθαρὰς χεῖρας προνέμοντʼ

οὔτις ἐφέρπει μῆνις ἀφʼ ἡμῶν,

ἀσινὴς δʼ αἰῶνα διοιχνεῖ·
315

ὅστις δʼ ἀλιτὼν ὥσπερ ὅδʼ ἁνὴρ

χεῖρας φονίας ἐπικρύπτει,

μάρτυρες ὀρθαὶ τοῖσι θανοῦσιν

παραγιγνόμεναι πράκτορες αἵματος

αὐτῷ τελέως ἐφάνημεν.
320

321

Χορός

μᾶτερ ἅ μʼ ἔτικτες, ὦ μᾶτερ

Νύξ, ἀλαοῖσι καὶ δεδορκόσιν

ποινάν, κλῦθʼ. ὁ Λατοῦς γὰρ ἶ-

νίς μʼ ἄτιμον τίθησιν

τόνδʼ ἀφαιρούμενος
325

πτῶκα, ματρῷον ἅ-

γνισμα κύριον φόνου.

328

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,
330

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.

334

Χορός

τοῦτο γὰρ λάχος διανταία

Μοῖρʼ ἐπέκλωσεν ἐμπέδως ἔχειν,
335

θνατῶν τοῖσιν αὐτουργίαι

ξυμπέσωσιν μάταιοι,

τοῖς ὁμαρτεῖν, ὄφρʼ ἂν

γᾶν ὑπέλθῃ· θανὼν δʼ

οὐκ ἄγαν ἐλεύθερος.
340

341

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

347

Χορός

γιγνομέναισι λάχη τάδʼ ἐφʼ ἁμὶν ἐκράνθη·

ἀθανάτων δʼ ἀπέχειν χέρας, οὐδέ τις ἐστί
350

συνδαίτωρ μετάκοινος·

παλλεύκων δὲ πέπλων ἀπόμοιρος ἄκληρος ἐτύχθην

¯˘¯˘¯˘¯

354

Χορός

δωμάτων γὰρ εἱλόμαν

ἀνατροπάς, ὅταν Ἄρης
355

τιθασὸς ὢν φίλον ἕλῃ.

ἐπὶ τὸν ὧδʼ ἱέμεναι

κρατερὸν ὄνθʼ ὅμως ἀμαυ-

ροῦμεν ὑφʼ αἵματος νέου.

360

Χορός

σπεύδομεν αἵδʼ ἀφελεῖν τινὰ τάσδε μερίμνας,
360

θεῶν δʼ ἀτέλειαν ἐμαῖς μελέταις ἐπικραίνειν,

μηδʼ εἰς ἄγκρισιν ἐλθεῖν·

Ζεὺς δʼ αἱμοσταγὲς ἀξιόμισον ἔθνος τόδε λέσχας
365

ἇς ἀπηξιώσατο.

354a

Χορός

δωμάτων γὰρ εἱλόμαν

ἀνατροπάς, ὅταν Ἄρης

τιθασὸς ὢν φίλον ἕλῃ.

ἐπὶ τὸν ὧδʼ ἱέμεναι

κρατερὸν ὄνθʼ ὅμως ἀμαυ-

ροῦμεν ὑφʼ αἵματος νέου.

368

Χορός

δόξαι τʼ ἀνδρῶν καὶ μάλʼ ὑπʼ αἰθέρι σεμναὶ

τακόμεναι κατὰ γᾶν μινύθουσιν ἄτιμοι

ἁμετέραις ἐφόδοις μελανείμοσιν, ὀρχη-
370

σμοῖς τʼ ἐπιφθόνοις ποδός.

372

Χορός

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,

σφαλερὰ καὶ τανυδρόμοις
375

κῶλα, δύσφορον ἄταν.

377

Χορός

πίπτων δʼ οὐκ οἶδεν τόδʼ ὑπʼ ἄφρονι λύμᾳ·

τοῖον γὰρ ἐπὶ κνέφας ἀνδρὶ μύσος πεπόταται,

καὶ δνοφεράν τινʼ ἀχλὺν κατὰ δώματος αὐδᾶ-

ται πολύστονος φάτις.
380

372a

Χορός

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,

σφαλερὰ καὶ τανυδρόμοις

κῶλα, δύσφορον ἄταν.

381

Χορός

μένει γάρ. εὐμήχανοί

τε καὶ τέλειοι, κακῶν

τε μνήμονες σεμναὶ

καὶ δυσπαρήγοροι βροτοῖς,

ἄτιμʼ ἀτίετα διόμεναι
385

λάχη θεῶν διχοστατοῦντʼ ἀνηλίῳ

λάμπᾳ, δυσοδοπαίπαλα

δερκομένοισι καὶ δυσομμάτοις ὁμῶς.

389

Χορός

τίς οὖν τάδʼ οὐχ ἅζεταί

τε καὶ δέδοικεν βροτῶν,
390

ἐμοῦ κλύων θεσμὸν

τὸν μοιρόκραντον ἐκ θεῶν

δοθέντα τέλεον; ἔτι δέ μοι

μένει γέρας παλαιόν, οὐδʼ ἀτιμίας

κύρω, καίπερ ὑπὸ χθόνα
395

τάξιν ἔχουσα καὶ δυσήλιον κνέφας.

Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Guilielmus Dindorfius, 1882.) — 341 focus

ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος

παρακοπὰ, παραφορὰ φρενοδαλὴς,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρμικτος, αὐονὰ βροτοῖς.
345

Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Gottfried Hermann, 1852.) — 341 focus

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος παρακοπά,
340

παραφορὰ φρενοδαλής,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ

μικτος, αὐονὰ βροτοῖς.

¹

ΕΥΜΕΝΙΔΕΣ (OCR draft) Experimental (ΕΥΜΕΝΙΔΕΣ. Paul Mazon, 1920-1925.) — 341 focus

Ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος παρακοπά,

ΕΥΜΕΝΙΔΕΣ

[ΧΟ.]

παραφορά παράφρονα (ut FVTr in 331) φρενοδαλής,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.
345

Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Arthur Sidgwick, 1887.) — 341 focus

ΧΟ.

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. N. Wecklein, 1885.) — 341 focus

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

¹²³⁴⁵⁶⁷⁸⁹¹⁰

πτῶκα πτῶκα πτάκα Μ, πτᾶκα m. παρακοπὰ παρακορὰ (fuerat παραφθορὰ) φρενοδαλής φρενοδα σ corr. in φρενοδαλίσ et rursus in φρεναδαλησ Μ, ζτ οἶμαι φρενοδαής m. ἀφόρμικτος ἀφόρμικτοσ | sed 346 ἀφόρμικτοσ ¹¹ ἔχειν ἔχειν proximo versui addit M. ¹²¹³ θνατῶν θανάτων αὐτουργίαις ξύμπασ᾽ ὦσιν αὐτουργίαι ξυμπέσωσιν τοί νιν αὐτουργίαις ξυμπατῶσιν ¹⁴

EVMENIDES. 23

ΧΟ.

παραφορὰ φρενοδαλής,

ὕμνος ἐξ Ἐρινύων.
345

δέσμιος φρενῶν, ἀφόρ

μικτος, αὐονὰ βροτοῖς.

2

Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Martin L. West, 1990.) — 341 focus

ἐπὶ δὲ τῶι τεθυμένωι

τόδε μέλος, παρακοπά,

παραφορά, φρενοδαλὴς

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μιγκτος, αὐονὰ βροτοῖς.

Aeschyli Eumenides (OCR draft) Experimental (Aeschyli Eumenides. Ulrich von Wilamowitz-Moellendorff, 1914.) — 341 focus

ἐπὶ δὲ τῶι τεθυμένωι

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,

ὕμνος ἐξ ᾿Ερινύων,

δέσμιος φρενῶν, ἀφόρ-

345

μικτος, αὐονὰ βροτοῖς. –

Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by F. A. Paley, 1885.) — 341 focus

ἐπὶ δὲ τῷ τεθυμένῳ
325

τόδε μέλος, παρακοπὰ, παραφορὰ φρενοδαλὴς,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρμικτος, αὐονὰ βροτοῖς.

Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by Friedrich Blass, 1907.) — 341 focus

ἐπὶ δὲ τῶι τεθυμένωι τόδε μέλος

παρακοπά, παραφορὰ φρενοδαλής,

ὕμνος ἐξ Ερινύων,

δέσμιος φρενῶν, ἀφόρμικτος, αὑονὰ βροτοῖς.
345

Translations (10)

Eumenides Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1926. (Modernized by Perseus.)) — 299-395 focus

Chorus

No, neither Apollo nor Athena’s strength

can save you from perishing abandoned, not knowing where joy is in your heart—a bloodless victim of the gods below, a shadow.
You do not answer, but scorn my words, you who are fattened and consecrated to me?
300

Living, you will be my feast, not slain at an altar; now you will hear this hymn, a spell to bind you.
305

307

Chorus

Come now, let us also join the dance, since we are resolved to display our hated song

and to declare our allotted office, how our party directs the affairs of men. We claim to be just and upright. No wrath from us will come stealthily to the one who holds out clean hands,
310

and he will go through life unharmed; but whoever sins, as this man has, and hides his blood-stained hands, as avengers of bloodshed we appear against him to the end, presenting ourselves as upright witnesses for the dead.
315

321

Chorus

O mother Night, hear me, mother who gave birth to me as a retribution for the blind and the seeing. For Leto’s son dishonors me

by snatching away this cowering wretch, a proper expiation for his mother’s blood.
325

328

Chorus

This is our song over the sacrificial victim—frenzied,

maddened, destroying the mind, the Furies’ hymn, a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
330

334

Chorus

For this is the office that relentless

Fate spun for us to hold securely: when rash murders of kin come upon mortals, we pursue them until they go under the earth; and after death,
335

they have no great freedom.
340

341

Chorus

This is our song over the sacrificial victim—frenzied, maddened, destroying the mind,the Furies’ hymn,

a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
345

347

Chorus

This office was ordained for us at birth;

but the immortal gods must hold back their hands from us, nor does any of them share a feast in common with us; and I have neither lot nor portion of pure white ceremonial robes
350

354

Chorus

For I have chosen the overthrow of houses,

whenever violence raised in the home seizes someone near and dear. So speeding after this man, we weaken him, even though he is strong, because of the fresh blood.
355

360

Chorus

We are eager to take these cares away from another, and to establish for the gods exemption from my concerns, so that it will not come to trial;
360

for Zeus has considered us, a blood-dripping, hateful band, unworthy of his council.
365

354a

Chorus

For I have chosen the overthrow of houses,

whenever violence raised in the home seizes someone near and dear. Speeding after this man, we weaken him, even though he is strong, because of the fresh blood.

368

Chorus

And men’s thoughts, very proud under the sky, waste away and dwindle in dishonor beneath the earth,

at our attack in black robes and the vindictive dance of our feet.
370

372

Chorus

For surely with a great leap from above I bring down the heavily falling force of my foot,

my limbs that trip even swift runners—unendurable ruin.
375

377

Chorus

But, as he falls, he does not know it, because of his senseless folly; pollution hovers over the man in such darkness, and mournful rumor speaks of

a dark mist over his house.
380

372a

Chorus

For surely with a great leap from above I bring down the heavily falling force of my foot,

my limbs that trip even swift runners—unendurable ruin.

381

Chorus

For it remains. We are skilled in plotting, powerful in execution, and we remember evil deeds; we are revered and hard for mortals to appease,

pursuing our allotted office which is without rights, without honor, separated from the gods in sunless light—our office that makes the path rough for seeing and dim-sighted alike.
385

389

Chorus

What mortal, then, does not

stand in awe and dread of this, when he hears from me the law ordained by Fate, given by the gods for perfect fulfilment? My ancient privilege still remains, I do not meet with dishonor,
390

although I have my place under the earth and in sunless darkness.
395

The Eumenides (OCR draft) Experimental (The Eumenides. Theodore Alois Buckley, 1849.) — 341 focus

But over the victim [be this the] song, fraught with madness, distracting, mind-destroying, the hymn of the Furies, that charms minds, without the lyre, that causes shrivelling to mortals.

LES EUMÉNIDES (OCR draft) Experimental (LES EUMÉNIDES. Paul Mazon, 1920-1925.) — 341 focus

Mais, pour notre victime, voici le chant délire, vertige où se perd la raison, voici l'hymne des Érinyes

LES EUMÉNIDES

[LE CHOEUR]

enchaîneur d'âmes, chant

The Furies (OCR draft) Experimental (The Furies. Robert Potter, 1779.) — 341 focus

E'en there not free; my chaſt'ning pow'r

Purſues him to that dreary shore.

O'er my victim raiſe the ſtrain,

And let the diſmal ſound

His tortur'd boſom wound,

385

And to frenzy fire his brain.

Silent be the ſilver ſhell,

Whilſt we chaunt the potent ſpell;

Then yelling bid th' infernal deſcant roll,

To harrow up his ſoul.

390

STROPHE 2.

Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 341 focus

Sopra la vittima, questa mia nenia

dissennatrice, folle, delira,

quest'inno de le Furie

375

che avvince gli animi, che strugge gli uomini,

Aeschylus, Eumenides: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Eumenides: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 341 focus

In hoc ſacrificato

Hoc carmen, amentia,

330

Furor, inſania,

Aeschylus, Die Eumeniden: German translation (OCR draft) Experimental (Aeschylus, Die Eumeniden: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 341 focus

Über dem Opfer, da sprech' ich den Spruch:

Sinnesbethörung,

Sinnesverstörung,

Seelenqual.

Das ist der Rächenden Zaubergesang,

fesselt die Seele

ohne der Laute Schall,

dörret dem Menschen das Mark im Gebein. ..

English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, The Furies — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 341 focus

Hear the hymn of hell,

O'er the victim sounding,—

Chant of frenzy, chant of ill,

Sense and will confounding!

Round the soul entwining
405

Without lute or lyre—

Soul in madness pining,

Wasting as with fire!

German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 341 focus

Um das Schlachtopfer schlingt
325

Euer Lied, Wahnsinnshauch, Wahnsinnslaut der Bethörung,

Schlingt Erinnenfestgesang,

Harfenlos, der Geister Band, der des Hörers Mark verzehrt!

Zweite Strophe.

English (Smyth; revised Bannon and Nagy, CHS) (OCR draft) Experimental (CHS Primary Sources revision of Herbert Weir Smyth’s translation by Cynthia Bannon and Gregory Nagy, with transliterated Greek terms tagged and aligned to the Smyth edition.)

No corresponding passage available

Commentary

Commentary on Aeschylus: Eumenides (Aeschylus. Eumenides. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1887.)

322. ἀλαοῖσι καὶ δεδορκόσιν , the sightless and the seeing, i. e. the dead and the living. So δερκομένοισι καὶ δυσομμάτοις 1. 388.

374. κατὰ γᾶν , on earth, is the MS. reading: but as Hermann said, the sense below the earth, κατὰ γᾶs, is required in antithesis to ὑπ᾿ αἰθέρι. The same mistake occurs again 11. 838, 871. 11. 375, 376. Bold and imaginative expressions :

Before our black-robed assault,

And the vengeful measures of our foot;

i.e. [their human glories come to naught] when we the Furies attack them and weave these magic dances which make them our captive (as we are doing to Orestes).

Critical apparatus to Eumenides (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Eumenides.) focus

mvp-comment-229-1 ἔτικτες: Huic versui in Ven. Flor. Orestis nomen adscriptum est. ἔτεκες Ald. Turn. sed G. ut ceteri ἔτικτες.

mvp-comment-230-1 ἀλαοῖσι ... δεδορκόσιν ποινάν: ἀλαοῖσι Pauwius et sic Par. ἀλαοῖς Ven. Flor. Farn. αλαοῖσιν Μ. G. Ald. Rob. Turn. Deinde και omissum in Farn. Deinde δεδορκόσι Turn. δεδορκῶσιν Ven. Flor. Ceteri recte δεδορκόσιν. Μox ποινᾶν posuit Turnebus. ποινὰν recte M. G. Ald. Rob. In Ven. Flor. Farn. omissa sunt haec verba, ποινών, κλῦθ᾽. ὁ Λατούς γὰρ ἦνίς μ' ἄτιμον τίθησιν. Adscriptum in Farn. λξ β'.

mvp-comment-231-1 κλῦθι· ὁ Λατοῦς: κλῦθ᾽ ὁ λατους M. G. Rob. κλύθ᾽ ἑλατους vitium Ald. Inde Turn. κλύθι. Λατούς.

Selected scholia accompanying Blass's Eumenides (OCR draft) (The mixed Greek, Latin, and German scholia register printed with Friedrich Blass's 1907 edition, aligned to O. L. Smith's later recensional editions.) focus

mvp-comment-125-1 ἐπεὶ ὑπὲρ τῆς μητρὸς Ὀρέστου ἀγωνίζονται, εἰκότως τὴν μητέρα ἑαυτῶν ὀνομάζουσιν.

mvp-comment-126-1 ζῶσι καὶ θανοῦσιν ἔκδικον.

Wecklein’s commentary on Eumenides (1888; German; OCR draft) (Explanatory commentary, pp. 251–322; HW42J8 and HXJHA8 OCR collated, with missing comparison pages 294–295 explicitly marked. Unresolved OCR and provisional reference mappings are explicitly marked.) focus

mvp-comment-191-1 Wecklein 1888, p. 276

mvp-comment-191-2 erstes Stasimon, welches besonders in den Ephymnien den Charakter des ὕμνος δέσμιος hat. ,, Apollon beraubt uns unseres Rechtes, indem er uns diesen Flüchtling entzieht, der uns zur Sühne des Muttermords zukommt und dem unser grauser Gesang gilt. Denn SO hat das Schicksal bestimmt, dafs wir die Mörder verfolgen und peinigen. Drum weil Umsturz von Häusern unser Los ist, haben die Götter des Lichts keine Gemeinschaft mit uns und Feste der Freude sind uns versagt. Dafür sind die Götter dieser traurigen Sorge überhoben und brauchen sich nicht mit Blutbefleckten zu befassen. Wir verfolgen den Mörder und stürzen ihn von der Höhe seines Ruhms. Er wird, ohne dessen in seiner Geistesnacht inne zu werden, von der Stimme des Volkes verurteilt und allgemeine Mifsachtung umnachtet sein Haus (vgl. Cho. 53 ff. , Ag. 463 ff. ). So steht es fest: Geniessen wir auch nicht die Ehre, den oberen Göttern gesellt zu sein, so haben doch die Sterblichen die vom Schicksal gegebene Satzung, auf der unser altheiliges Amt beruht, zu fürchten und zu verehren." Wenn man aus den drei Ephymnien schliefsen darf, wird jedes der drei ersten Strophenpaare von einem Stoichos, die Ephymnien und das vierte Strophenpaar von dem Gesamtchore vorgetragen.

mvp-comment-192-1 Wecklein 1888, p. 276

mvp-comment-192-2 Nicht unpassend ist die Bemerkung des Schol. :

ἐπεὶ ὑπὲρ τῆς μητρὸς Ὀρέστου ἀγωνίζονται, οἰκείως τὴν μητέρα ἑαυτῶν ὀνομάζουσιν.

mvp-comment-193-1 Wecklein 1888, p. 276

mvp-comment-193-2 Νύξ: zu 69. ποινὰν (abstr. pro concr.) ἀλαοῖσι καὶ δεδορκόσιν steht prädikativ zu μέ. ἀλαοῖσι καὶ δεδορκόσιν, Schol. ζῶσι καὶ θανοῦσιν. Vgl. 391.

Commentary (Arthur Sidgwick, 1887) (OCR draft) (Arthur Sidgwick's commentary on the Eumenides, aligned to the canonical Greek text.) focus

ἀλαοῖσι καὶ δεδορκόσιν , the sightless and the seeing, i. e. the dead and the living. So

δερκομένοισι καὶ δυσομμάτοις

l. 388 .

Search the Perseus Catalog for:

Search the Perseus Catalog for:

Χορὸς Εὐμενίδων ἐπί δε τῷ τεθυμένῳ. τόδε μέλος παρακοπᾶ. παραφορὰ φρενοδαλὴς ὕμνος ἐξ ἐρινύων, δέσμιος φρενῶν ἀφόρμικτος αὐονὰ βροτοῖς.

Current edition Experimental

Χορός ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος, παρακοπά, παραφορὰ 13 φρενοδαλής, 330 ὕμνος ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ- μικτος, αὐονὰ βροτοῖς. 334

Χορός ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος, παρακοπά, παραφορὰ 17 φρενοδαλής, ὕμνος 18 ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ- 345 μικτος, αὐονὰ βροτοῖς. 347

Χορός ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος, παρακοπά, παραφορὰ φρενοδαλής, 330 ὕμνος ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ- μικτος, αὐονὰ βροτοῖς.

Χορός ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος, παρακοπά, παραφορὰ φρενοδαλής, ὕμνος ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ- 345 μικτος, αὐονὰ βροτοῖς.

Χορός δωμάτων γὰρ εἱλόμαν ἀνατροπάς, ὅταν Ἄρης 355 τιθασὸς ὢν φίλον ἕλῃ. ἐπὶ τὸν ὧδʼ ἱέμεναι κρατερὸν ὄνθʼ ὅμως ἀμαυ- ροῦμεν ὑφʼ αἵματος νέου.

Χορός δωμάτων γὰρ εἱλόμαν ἀνατροπάς, ὅταν Ἄρης τιθασὸς ὢν φίλον ἕλῃ. ἐπὶ τὸν ὧδʼ ἱέμεναι κρατερὸν ὄνθʼ ὅμως ἀμαυ- ροῦμεν ὑφʼ αἵματος νέου.

Χορός δόξαι τʼ ἀνδρῶν καὶ μάλʼ ὑπʼ αἰθέρι σεμναὶ τακόμεναι κατὰ γᾶν μινύθουσιν ἄτιμοι ἁμετέραις ἐφόδοις μελανείμοσιν, ὀρχη- 370 σμοῖς τʼ ἐπιφθόνοις ποδός.

Χορός μάλα γὰρ οὖν ἁλομένα ἀνέκαθεν βαρυπεσῆ καταφέρω ποδὸς ἀκμάν, σφαλερὰ καὶ τανυδρόμοις 375 κῶλα, δύσφορον ἄταν.

Χορός μάλα γὰρ οὖν ἁλομένα ἀνέκαθεν βαρυπεσῆ καταφέρω ποδὸς ἀκμάν, σφαλερὰ καὶ τανυδρόμοις κῶλα, δύσφορον ἄταν.

ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος παρακοπὰ, παραφορὰ φρενοδαλὴς, ὕμνος ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρμικτος, αὐονὰ βροτοῖς. 345

ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος παρακοπά, 340 παραφορὰ φρενοδαλής, ὕμνος ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ μικτος, αὐονὰ βροτοῖς. 1

[ΧΟ.] παραφορά παράφρονα (ut FVTr in 331) φρενοδαλής, ὕμνος ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ- μικτος, αὐονὰ βροτοῖς. 345

ΧΟ. ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος, παρακοπά, παραφορὰ φρενοδαλής, ὕμνος ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ- 345 μικτος, αὐονὰ βροτοῖς.

ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος, παρακοπά,

ΧΟ. παραφορὰ φρενοδαλής, ὕμνος ἐξ Ἐρινύων. 345 δέσμιος φρενῶν, ἀφόρ μικτος, αὐονὰ βροτοῖς. 2

ἐπὶ δὲ τῶι τεθυμένωι τόδε μέλος, παρακοπά, παραφορά, φρενοδαλὴς ὕμνος ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρ- 345 μιγκτος, αὐονὰ βροτοῖς.

ἐπὶ δὲ τῷ τεθυμένῳ 325 τόδε μέλος, παρακοπὰ, παραφορὰ φρενοδαλὴς, ὕμνος ἐξ Ἐρινύων, δέσμιος φρενῶν, ἀφόρμικτος, αὐονὰ βροτοῖς.

ἐπὶ δὲ τῶι τεθυμένωι τόδε μέλος παρακοπά, παραφορὰ φρενοδαλής, ὕμνος ἐξ Ερινύων, δέσμιος φρενῶν, ἀφόρμικτος, αὑονὰ βροτοῖς. 345

Chorus O mother Night, hear me, mother who gave birth to me as a retribution for the blind and the seeing. For Leto’s son dishonors me by snatching away this cowering wretch, a proper expiation for his mother’s blood. 325

Chorus This is our song over the sacrificial victim—frenzied, maddened, destroying the mind, the Furies’ hymn, a spell to bind the soul, not tuned to the lyre, withering the life of mortals. 330

Chorus For this is the office that relentless Fate spun for us to hold securely: when rash murders of kin come upon mortals, we pursue them until they go under the earth; and after death, 335 they have no great freedom. 340

Chorus This is our song over the sacrificial victim—frenzied, maddened, destroying the mind,the Furies’ hymn, a spell to bind the soul, not tuned to the lyre, withering the life of mortals. 345

Chorus This office was ordained for us at birth; but the immortal gods must hold back their hands from us, nor does any of them share a feast in common with us; and I have neither lot nor portion of pure white ceremonial robes 350

Chorus For I have chosen the overthrow of houses, whenever violence raised in the home seizes someone near and dear. So speeding after this man, we weaken him, even though he is strong, because of the fresh blood. 355

Chorus We are eager to take these cares away from another, and to establish for the gods exemption from my concerns, so that it will not come to trial; 360 for Zeus has considered us, a blood-dripping, hateful band, unworthy of his council. 365

Chorus For I have chosen the overthrow of houses, whenever violence raised in the home seizes someone near and dear. Speeding after this man, we weaken him, even though he is strong, because of the fresh blood.

Chorus And men’s thoughts, very proud under the sky, waste away and dwindle in dishonor beneath the earth, at our attack in black robes and the vindictive dance of our feet. 370

Chorus For surely with a great leap from above I bring down the heavily falling force of my foot, my limbs that trip even swift runners—unendurable ruin. 375

Chorus But, as he falls, he does not know it, because of his senseless folly; pollution hovers over the man in such darkness, and mournful rumor speaks of a dark mist over his house. 380

Chorus For surely with a great leap from above I bring down the heavily falling force of my foot, my limbs that trip even swift runners—unendurable ruin.

Chorus What mortal, then, does not stand in awe and dread of this, when he hears from me the law ordained by Fate, given by the gods for perfect fulfilment? My ancient privilege still remains, I do not meet with dishonor, 390 although I have my place under the earth and in sunless darkness. 395

[LE CHOEUR] enchaîneur d'âmes, chant

STROPHE 2.

Hear the hymn of hell, O'er the victim sounding,— Chant of frenzy, chant of ill, Sense and will confounding! Round the soul entwining 405 Without lute or lyre— Soul in madness pining, Wasting as with fire!

Um das Schlachtopfer schlingt 325 Euer Lied, Wahnsinnshauch, Wahnsinnslaut der Bethörung, Schlingt Erinnenfestgesang, Harfenlos, der Geister Band, der des Hörers Mark verzehrt! Zweite Strophe.

Commentary

Stable identifiers

Χορὸς Εὐμενίδων

ἐπί δε τῷ τεθυμένῳ. τόδε μέλος παρακοπᾶ.

παραφορὰ φρενοδαλὴς ὕμνος ἐξ ἐρινύων,

δέσμιος φρενῶν ἀφόρμικτος αὐονὰ βροτοῖς.

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ¹³ φρενοδαλής,
330

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.

334

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ¹⁷ φρενοδαλής,

ὕμνος¹⁸ ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

347

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,
330

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.

Χορός

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

Χορός

δωμάτων γὰρ εἱλόμαν

ἀνατροπάς, ὅταν Ἄρης
355

τιθασὸς ὢν φίλον ἕλῃ.

ἐπὶ τὸν ὧδʼ ἱέμεναι

κρατερὸν ὄνθʼ ὅμως ἀμαυ-

ροῦμεν ὑφʼ αἵματος νέου.

Χορός

δωμάτων γὰρ εἱλόμαν

ἀνατροπάς, ὅταν Ἄρης

τιθασὸς ὢν φίλον ἕλῃ.

ἐπὶ τὸν ὧδʼ ἱέμεναι

κρατερὸν ὄνθʼ ὅμως ἀμαυ-

ροῦμεν ὑφʼ αἵματος νέου.

Χορός

δόξαι τʼ ἀνδρῶν καὶ μάλʼ ὑπʼ αἰθέρι σεμναὶ

τακόμεναι κατὰ γᾶν μινύθουσιν ἄτιμοι

ἁμετέραις ἐφόδοις μελανείμοσιν, ὀρχη-
370

σμοῖς τʼ ἐπιφθόνοις ποδός.

Χορός

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,

σφαλερὰ καὶ τανυδρόμοις
375

κῶλα, δύσφορον ἄταν.

Χορός

μάλα γὰρ οὖν ἁλομένα

ἀνέκαθεν βαρυπεσῆ

καταφέρω ποδὸς ἀκμάν,

σφαλερὰ καὶ τανυδρόμοις

κῶλα, δύσφορον ἄταν.

ἐπὶ δὲ τῷ τεθυμένῳ τόδε μέλος

παρακοπὰ, παραφορὰ φρενοδαλὴς,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρμικτος, αὐονὰ βροτοῖς.
345

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος παρακοπά,
340

παραφορὰ φρενοδαλής,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ

μικτος, αὐονὰ βροτοῖς.

¹

[ΧΟ.]

παραφορά παράφρονα (ut FVTr in 331) φρενοδαλής,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-

μικτος, αὐονὰ βροτοῖς.
345

ΧΟ.

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

παραφορὰ φρενοδαλής,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μικτος, αὐονὰ βροτοῖς.

ἐπὶ δὲ τῷ τεθυμένῳ

τόδε μέλος, παρακοπά,

ΧΟ.

παραφορὰ φρενοδαλής,

ὕμνος ἐξ Ἐρινύων.
345

δέσμιος φρενῶν, ἀφόρ

μικτος, αὐονὰ βροτοῖς.

2

ἐπὶ δὲ τῶι τεθυμένωι

τόδε μέλος, παρακοπά,

παραφορά, φρενοδαλὴς

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρ-
345

μιγκτος, αὐονὰ βροτοῖς.

ἐπὶ δὲ τῷ τεθυμένῳ
325

τόδε μέλος, παρακοπὰ, παραφορὰ φρενοδαλὴς,

ὕμνος ἐξ Ἐρινύων,

δέσμιος φρενῶν, ἀφόρμικτος, αὐονὰ βροτοῖς.

ἐπὶ δὲ τῶι τεθυμένωι τόδε μέλος

παρακοπά, παραφορὰ φρενοδαλής,

ὕμνος ἐξ Ερινύων,

δέσμιος φρενῶν, ἀφόρμικτος, αὑονὰ βροτοῖς.
345

Chorus

O mother Night, hear me, mother who gave birth to me as a retribution for the blind and the seeing. For Leto’s son dishonors me

by snatching away this cowering wretch, a proper expiation for his mother’s blood.
325

Chorus

This is our song over the sacrificial victim—frenzied,

maddened, destroying the mind, the Furies’ hymn, a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
330

Chorus

For this is the office that relentless

Fate spun for us to hold securely: when rash murders of kin come upon mortals, we pursue them until they go under the earth; and after death,
335

they have no great freedom.
340

Chorus

This is our song over the sacrificial victim—frenzied, maddened, destroying the mind,the Furies’ hymn,

a spell to bind the soul, not tuned to the lyre, withering the life of mortals.
345

Chorus

This office was ordained for us at birth;

but the immortal gods must hold back their hands from us, nor does any of them share a feast in common with us; and I have neither lot nor portion of pure white ceremonial robes
350

Chorus

For I have chosen the overthrow of houses,

whenever violence raised in the home seizes someone near and dear. So speeding after this man, we weaken him, even though he is strong, because of the fresh blood.
355

Chorus

We are eager to take these cares away from another, and to establish for the gods exemption from my concerns, so that it will not come to trial;
360

for Zeus has considered us, a blood-dripping, hateful band, unworthy of his council.
365

Chorus

For I have chosen the overthrow of houses,

whenever violence raised in the home seizes someone near and dear. Speeding after this man, we weaken him, even though he is strong, because of the fresh blood.

Chorus

And men’s thoughts, very proud under the sky, waste away and dwindle in dishonor beneath the earth,

at our attack in black robes and the vindictive dance of our feet.
370

Chorus

For surely with a great leap from above I bring down the heavily falling force of my foot,

my limbs that trip even swift runners—unendurable ruin.
375

Chorus

But, as he falls, he does not know it, because of his senseless folly; pollution hovers over the man in such darkness, and mournful rumor speaks of

a dark mist over his house.
380

Chorus

For surely with a great leap from above I bring down the heavily falling force of my foot,

my limbs that trip even swift runners—unendurable ruin.

Chorus

What mortal, then, does not

stand in awe and dread of this, when he hears from me the law ordained by Fate, given by the gods for perfect fulfilment? My ancient privilege still remains, I do not meet with dishonor,
390

although I have my place under the earth and in sunless darkness.
395

[LE CHOEUR]

enchaîneur d'âmes, chant

Hear the hymn of hell,

O'er the victim sounding,—

Chant of frenzy, chant of ill,

Sense and will confounding!

Round the soul entwining
405

Without lute or lyre—

Soul in madness pining,

Wasting as with fire!

Um das Schlachtopfer schlingt
325

Euer Lied, Wahnsinnshauch, Wahnsinnslaut der Bethörung,

Schlingt Erinnenfestgesang,

Harfenlos, der Geister Band, der des Hörers Mark verzehrt!

Zweite Strophe.