N. Wecklein Libation Bearers 1-21.comm-1-21

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Libation Bearers. N. Wecklein. . 2026-09-07.

Current edition Experimental

Wecklein’s commentary on Choephoroi / Libation Bearers (1888; German; OCR draft) (German) (Explanatory commentary, pp. 163–234; single HW42J8 OCR witness, conservatively retained. Unresolved OCR and provisional reference mappings are explicitly marked.)

Provisional text from uncorrected OCR; expect errors.

Editions (8)
Χοηφóρoι First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 1-21 focus
Χοηφóρoι Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 1-21 focus
Χοηφόροι (OCR draft) Experimental (Χοηφόροι. Guilielmus Dindorfius, 1882.) — 1 focus
Χοηφόροι (OCR draft) Experimental (Χοηφόροι. Gottfried Hermann, 1852.) — 1 focus
ΧΟΗΦΟΡΟΙ (OCR draft) Experimental (ΧΟΗΦΟΡΟΙ. Paul Mazon, 1920-1925.) — 1 focus
Χοηφόροι (OCR draft) Experimental (Χοηφόροι. N. Wecklein, 1885.) — 1 focus
Ἑρμῆ χθόνιε, πατρῷ ἐποπτεύων κράτη
1
σωτὴρ γενοῦ μοι σύμμαχός τ' αἰτουμένῳ·
ἥκω γὰρ ἐς γῆν τήνδε καὶ κατέρχομαι
τύμβου δ᾽ ἐπ᾽ ὄχθῳ τῷδε κηρύσσω πατρὶ
κλύειν, ἀκοῦσαι·
5
πλόκαμον Ἰνάχῳ θρεπτήριον,
τὸν δεύτερον δὲ τόνδε πενθητήριον
οὐ γὰρ παρὼν ᾤμωξα σόν, πάτερ, μύρον
οὐδ᾽ ἐξέτεινα χεῖρ᾽ ἐπ᾿ ἐκφορᾷ νεκροῦ.
τί χρῆμα λεύσσω; τίς ποθ᾽ ἦδ᾽ ὁμήγυρις
10
στείχει γυναικῶν φάρεσιν μελαγχίμοις
πρέπουσα; ποίᾳ ξυμφορᾷ προσεικάσω;
πότερα δόμοισι πῆμα προσκυρεῖ νέον;
ἢ πατρὶ τὠμῷ τάσδ᾽ ἐπεικάσας τύχω
χοὰς φερούσας νερτέροις μειλίγματα;
15
οὐδέν ποτ᾽ ἄλλο· καὶ γὰρ Ἠλέκτραν δοκῶ
στείχειν ἀδελφὴν τὴν ἐμὴν πένθει λυγρῷ
Χοηφόροι (OCR draft) Experimental (Χοηφόροι. Martin L. West, 1990.) — 1 focus
Aeschyli Choephori (OCR draft) Experimental (Aeschyli Choephori. Ulrich von Wilamowitz-Moellendorff, 1914.) — 1 focus
Translations (10)
Libation Bearers Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1926. (Modernized by Perseus.)) — 1-20 focus
The Libation Bearers (OCR draft) Experimental (The Libation Bearers. Theodore Alois Buckley, 1849.) — 1 focus
MERCURY of the shades! presiding over the power delegated from the sire 1
, be thou a saviour and ally to me beseeching it; for I am come into this land, and I return from exile 2
. And over this mound of his sepulchre too I call upon my father to listen, to give ear 3
. * * * * * * * * * * * * * a ringlet cherished in honour of Inachus 1
and this, the second, expressive of my sorrow. * * * * * * * * * * * * * What is it that I see? what is this concourse of women [coming] hither conspicuous in sable weeds? To what calamity shall I refer it? Is it that a new death 2
hath happened in the palace? or am I right in guessing that these maidens are conveying libations to my father-a propitiation for the departed 3
? It is nothing else; for I think I see my sister Electra advancing, distinguished by grievous sorrow. O Jupiter! grant me to avenge the fate of my father, and be thou a willing ally to me! Pylades, stand we apart, that I may clearly learn what means this suppliant procession of women.
LES CHOÉPHORES (OCR draft) Experimental (LES CHOÉPHORES. Paul Mazon, 1920-1925.) — 1 focus
Hermès Infernal, attache ton regard sur mon père abattu, et deviens le sauveur, l'allié que j'implore. Je rentre en ce pays, et je reviens d'exil 1 ...
The Choephoræ (OCR draft) Experimental (The Choephoræ. Robert Potter, 1779.) — 1 focus
THOU, that to the regions of the dead *
1
Bearest thy father's high beheſts, O hear,
Hear, Mercury, thy ſupplicant, protect,
And
Eschilo, Le Coefore: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Le Coefore: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 1 focus
O tu che vegli, Ermète sotterraneo,
1
del padre mio la sorte, a me che imploro
dà tu salvezza, al fianco mio combatti:
ché a questo suolo io giungo: io sono qui.
E lancio un bando al padre mio, sul clivo
5
di questa tomba, ch'ei m'oda, e m'ascolti.
L'Inaco il primo mio ricciolo s'ebbe,
che nutrito m'avea: questo secondo,
segno di lutto, io qui recido, o padre,
ché lungi, alla tua morte, ero, e non piansi,
10
né le man sovra la tua spoglia io tesi.
Che cosa scorgo? Quale accolta avanza
vêr noi di donne, in negri manti avvolte?
E quale evento io debbo indurre?
Forse
15
Aeschylus, Choephori: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Choephori: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 1 focus
Quam rem uideo, quæ tandem hæc caterua,
1
Et mulierum uestibus
Ornata, cui calamitati aſsimilabo?
Vtrum nocumentum contigit domui nouum?
Aut patri meo has coniectabo
5
Libamina ferentes ſanctis placamentis.
Nihil tandem aliud. etenim Electram uideo
Videre sororem meam luctu graui
Ornatam.
O Iupiter da mihi ulcisci mortem
10
Patris, esto uolens mihi auxiliator.
Pylade recedamus, ut manifeſte
Discam que'nam sit hæc mulierum supplicatio.
Aeschylus, Die Totenspende: German translation (OCR draft) Experimental (Aeschylus, Die Totenspende: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 1 focus
Du Herr der Erdentiefe, meines Vaters Macht
2 ist deines Reiches, Hermes: steh' mir rettend bei.
3 Ich fleh' dich an, erbarm' dich meiner. Heimgekehrt
bin ich nach Argos, stehe hier im Vaterland,
doch niemand grüfst Orestes, Agamemnons Sohn,
dem mörderische Hinterlist den Vater schlug
und königlichen Erbes Scepter vorenthält..
Fern am Parnassos hat das gastverwandte Haus
des Strophios der Kindheit Tage mir beschützt,
und du Genosse meiner Jugend, Pylades,
bist einziger Gefährte mir auch auf dem Weg,
den ich verstohlen in die Heimat mir gesucht,
berufen durch Apollon zu dem schweren Werk.
Allein die Nacht des Todes, da der Vater schläft,
durchwanderst von den Göttern, Hermes, du allein,
himmlischer Herold: gönne deinen Beistand mir.
Auf seines Grabes Hügel tönt der Heroldsruf
5 dem Vater, dring' er denn zu ihm, ins Ohr, ins Herz,
The Libation Bearers (OCR draft) Experimental (The Libation Bearers. Anna Swanwick, 1886.) — 1 focus
ORESTES
THEE, shade-escorting Hermes, I invoke,
In Hades guardian of my royal sire,—
To me, thy suppliant, be saviour thou,
My firm ally, for to this land I come
Exile no more ;-on this sepulchral mound
Father I call thee,-hearken to my cry!—
* * * * *
A primal lock, as nurture-gift, I vowed
To Inachos, and now this second lock,
Grief's token, Father, I devote to thee,-
For, absent from thy funeral obsequies,
I could not then as mourner weep thy death,
Nor speed with outstretched hand thy royal bicr.
Chorus
STROPHE I.
Sent from the palace, forth I tread,
Libations bearing to the dead,
With hands swift-clapped and shrill, a doleful train.
Marred is my cheek with many a gory stain,
Nail-ploughed the new-cut furrows bleed,
The while on sateless cries my heart doth feed.
Rending my flaxen-tissued vest,
With smileless passion, uncontrolled,
Grief doth my sorrow-stricken breast
Dismantle of the garment's decent fold.
ANTISTROPHE I.
30 For thrilling, ay hair-bristling Fear,
In Atreus' home dream-prophet-seer,
32
Breathing forth rage in sleep,—at dead of night
From the recesses of these royal halls,
Rang out a cry of wild affright
That heavy on the women's chambers falls.
And dream-interpreters proclaim
Pledged to the truth, in Heaven's name,
That unavenged 'neath earth, the slain
Against their slayers wrathfully complain.
STROPHE II.
40 Such graceless grace, against the threatened ill
Devising cure, (oh fostering earth!)
42
The godless woman sends me to fulfil.
To speak the words prescribed I dread;
For ah! when blood hath once been shed,
Falling to earth, what ransom can be paid?
Woe for the sorrow-stricken hearth,
The home in ruin laid!
By mortals still abhorr'd a cloud,
To sunless darkness wed,
50 Doth through the master's fall the dwelling shroud.
ANTISTROPHE II.
The majesty invincible of old,
Matchless, supreme, who filled the ear
Of faithful lieges, and their heart controlled,
Standeth aloof;-Fear reigneth now,
55
For to Prosperity men bow,
Which they as God, ay more than God, revere.
But Justice' stroke some swift doth whelm
In light who dwell elate ;-
While woes from Darkness' glimmering realm
60 †Lingering on others wait;-
Others sheer Night enshrouds in blackest fate.
STROPHE III.
When nurturing earth is blood-drenched, lo
Fixed is for aye the vengeance-crying gore ;—
And he who shed it, paying Atè's score,
†Doth burgeon out in all-entangling woe.
ANTISTROPHE III.
The bridal couch if man profane,
66
†Hopeless is cure;
though in one common flood,
To purify the hand defiled by blood,
All streams commingling flow, they flow in vain.
EPODE.
70 But for myself, through Heaven's command,
The captured city's doom I share ;-
71
Led hither from my native land,
'Tis mine the menial's lot to bear.
Their acts, whose will my fortune sways,
Just or unjust, I needs must praise:
†Beneath my vest grief's anguished throes
Shrouding, I quell my bitter hate;-
While numbed in heart by secret woes,
75
Of my true lords I weep the hapless fate.
ELECTRA
Ye captive women, ye who tend this home,
Since ye are present to escort with me
These lustral rites, your counsel now I crave.
How, while I pour these off'rings on the tomb,
80 Speak friendly words? and how invoke my Sire?
Shall I declare that from a loving wife
To her dear lord I bear them? from my mother?
My courage fails, nor know I what to speak,
Pouring libations on my father's tomb.
Or shall I pray, as holy wont enjoins,
That to the senders of these chaplets, he
Requital may accord, ay! meed of ill.
Or, with no mark of honour, silently,
For so my father perished, shall I pour
90 These offerings, potion to be drunk by earth,
Then, tossing o'er my head the lustral urn,
(As one who loathed refuse forth has cast,)
With eyes averted, back retrace my steps?
Be ye partakers in my counsel, friends,
For in this house one common hate we share.
Through fear hide not the feelings of your heart;
For what is destined waits alike the free
And him o'ermastered by another's hand;-
If ye have aught more wise to urge, say on.
Chorus
Thy father's tomb revering as an altar,
Since thou commandest, I will speak my thoughts.
ELECTRA
100 As thou my father's tomb reverest, speak.
Chorus
Pour, and high claims uplift for friendly hearts.
ELECTRA
Among his friends whom thus may I address?
Chorus
First name thyself and whoso hates Ægisthos.
ELECTRA
Then for myself and thee pour I this prayer.
Chorus
Hearing my words, do thou interpret them.
ELECTRA
Whom else to number with this friendly band?
Chorus
Think of Orestes though an exile still.
ELECTRA
'Tis well,-not vainly hast thou prompted me.
Chorus
Now for the guilty,—mindful of his death,—
ELECTRA
110 What shall I say? unskilled, instruct me thou.
Chorus
Pray that to them may come or god, or mortal,-
ELECTRA
As judge or as avenger meanest thou?
Chorus
Say plainly, who shall death with death requite.
ELECTRA
May I the gods thus pray nor impious be?
Chorus
How not requite an enemy with ill?
ELECTRA
Of powers above the earth and powers below
Herald supreme, escorter of the shades,
Hermes, now summon to attend my prayer
The guardians of my father's house, dread powers,
120 Throned in the nether world, and mother Earth,
Who all things bringeth forth, who fosters all,
And doth of all receive again the germ.
And I, libations pouring to the dead,
Thus pray, my Sire invoking;-" Pity me,
And dear Orestes pity;-how shall we
Rule in our palace-home? for sold, alas!
By her who bare us, we as outcasts stray;
While, for Ægisthos, 'complice in thy death,
Her lord she bartered ;-slavish is my lot,
130 Orestes exiled from his wealth, the while
Revel the twain, exulting in thy fall.
That home Orestes may at length return,
By glad success escorted, I implore.
Give ear, my father, and vouchsafe to me
A spirit than my mother's chaster far,
And hands more pure. For us these orisons;
But for thy foes, may thine avenger come,
And those be justly slain who slaughtered thee.
Thus intermingled with my pious prayer,
140 For them an evil utterance I pour.
To us upsend these blessings from below,
With gods, and Earth, and Justice conquest-crowned."
Over such prayers, libations, lo! I pour.
Yours be it now, lifting the solemn wail,
To crown with dole the pean of the dead.
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, The Libation-Bearers — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 1 focus
Lord of the shades and patron of the realm
1
That erst my father swayed, list now my prayer,
Hermes, and save me with thine aiding arm,
Me who from banishment returning stand
On this my country; lo, my foot is set
5
On this grave-mound, and herald-like, as thou,
Once and again, I bid my father hear.
And these twin locks from mine head shorn I bring,
And one to Inachus the river-god,
My young life's nurturer, I dedicate,
10
And one in sign of mourning unfulfilled
I lay, though late, on this my father's grave.
For O my father, not beside thy corse
Stood I to wail thy death, nor was my hand
Stretched out to bear thee forth to burial.
15
What sight is yonder? what this woman-throng
Hitherward coming, by their sable garb
Made manifest as mourners? What hath chanced?
Doth some new sorrow hap within the home?
Or rightly may I deem that they draw near
20
Bearing libations, such as soothe the ire
Of dead men angered, to my father's grave?
Nay, such they are indeed; for I descry
Electra mine own sister pacing hither,
In moody grief conspicuous. Grant, O Zeus,
25
Grant me my father's murder to avenge—
Be thou my willing champion!
Pylades,
Pass we aside, till rightly I descry
Wherefore these women throng in suppliance.
30
[ Exeunt Pylades and Orestes; enter the Chorus bearing vessels for libation; Electra follows them; they pace slowly towards the tomb of Agamemnon.
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 1 focus
Hermes im Abgrund, der des Amtes wahrt von Zeus, 1
1
Sei Retter, sei mir Kampfgenoß, dem Flehenden!
Denn aus dem Banne kehr' ich heim in dieses Land,
Und trat, ich Armer, heimlich auf die Schwelle dort,
Wo mein geliebter Vater einst von Frauenhand
5
Durch arge List gewaltsam hingeopfert sank.
Am Grabeshügel ruf' ich hier den Vater an:
Er höre mich, vernehme meines Mundes Schwur!
Dein Blut zu rächen, Vater, bin ich heimgekehrt,
Von Loxias gesendet, dessen Spruch gebot,
10
Daß dir die Mörder fallen durch Orestes' Hand.
So höre mich, mein Vater, steh mich gnädig an;
Denn jetzt erschien die Stunde, die der Gott bestimmt,
Wo diese Rechte krönen soll der Nache Werk!
O nimm von mir die thränenreiche Spende hier:
15
Die erste Locke schnitt ich ab dem Inachos
Als Pflegedank, und diese zweite weih' ich dir
Als meines Grames treuen Gruß auf deine Gruft!
Denn nicht im Hause war ich, um dein Jammerloos
Zu klagen, Vater, streckte nicht die Hand empor,
20
Dir Lebewohl zu rufen, als man dich begrub.
(Aus der Gesindewohnung kommt der Chor in schwarzen Gewanden und Trauerschleiern, um am Grabmal Agamemnons ein Opfer zu bringen; in gleicher Tracht erscheint Elektra als die letzte des Zuges.)
Ha! Was erblick' ich? Was bedeutet diese Schaar
Von Frauen, die dort schwarzverhüllt in düsteren
Gewanden nah'n? Auf welchen Unfall deut' ich das?
Ob eine neue Trauer wohl das Haus betraf?
Ob meinem Vater diese Fraun, vermuth' ich recht,
25
Trankopfer bringen, Sühne für die Todtenwelt?
Nicht anders ist es; wandelt doch, so dünkt mir, auch
Elektra, meine Schwester, dort, in herbes Leid
Versunken. Laß, Kronide, laß des Vaters Tod
Mich rächen, hilf mir holdgesinnt in diesem Kampf!
30
Gehn wir zur Seite, Pylades, damit ich klar
Erkenne, was der Frauenzug bedeuten mag!
(Orestes und Pylades verbergen sich in der Nähe.)

Notes on the current edition

Libation Bearers

1. Single-witness OCR: uncollated; flagged readings require scan review.

Commentary

Critical apparatus to The Libation Bearers (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of The Libation Bearers.) focus

1-5. mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-1

NA Initium Choephororum, quo codices et veteres editiones Aeschyli carent, Stanleius exhibuit ex Ranis Aristophanis v. 1155. seqq. indicatum iam a Cantero. Haec verba,
πατρῷ' ἐποπτεύων κράτη
, quae ipse Aeschylus apud Aristophanem sic interpretatur,
τὸν ἐριούνιον Ἑρμῆν προςεῖπε, κἀδήλου λέγων ὁτιὴ πατρῷον τοῦτο κέκτηται γέρας
, sic debent accipi ut ea ibidem Euripides intelligit,
τὸν Ἑρμῆν, ὡς ὁ πατὴρ ἀπώλετο αὐτοῦ βιαίως ἐκ γυναικείας χερὸς δόλοις λαθραίοις, ταῦτ᾽ ἐποπτεύων ἔφη
. Scholiastes Aristophanis
Ἀρίσταρχος δέ φησι τῶν ἐξηγήσεων τοῦ στίχου τὴν προτέραν κατὰ τὸν ποιητὴν εἶναι, ἣν ὁ Εὐριπίδης ἔφη· τὰ τοῦ ἐμοῦ πατρὸς κράτη ἐποπτεύων, ὃς κρατηθεὶs ὑπὸ τῶν περὶ Αἴγισθον ἀπώλετο.

2. mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-2

ξύμμαχος
σύμμαχος
est apud Thomam Magistrum, qui hunc versum p. 41, 6. ed. Ritsch. affert.
2

3. mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-3

ἐς γῆν
εἰς γῆν
pars librorum Aristophanis et Thomas M. p. 169, 12. 199, 1.
3

4. mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-4

NA Apud Aristophanem, postquam de versibus secundo et tertio disceptatum est, pergere Aeschylum Bacchus iubet,
ἴθι πέραινε σύ, Αἰσχύλε, ἀνύσας· σὺ δ᾽ ἐς τὸ κακὸν ἀπόβλεπε
. Pergit igitur Aeschylus,
τύμβου δ᾽ ἐπ᾽ ὄχθῳ τῷδε κηρύσσω πατρὶ κλύειν, ἀκοῦσαι
. Itaque Stanleius haec statim versui tertio continuavit. Dubitari potest rectene an secus. Nam et illa,
ἥκω γὰρ ἐς γῆν τήνδε καὶ κατέρχομαι
, nimis nude posita videri possunt, quam ut credibile sit poetam statim haec subiecisse,
τύμβου δ᾽ ἐπ᾽ ὄχθῳ τῷδε κηρύσσω πατρί
, neque ex Aristophanis verbis hoc certum efficias, versus ita sese statim excepisse, ut criticis visum est. Facit enim Aristophanes ea recitantem Aeschylum, in quibus aliquid reprehendi possit. Quod si quae intermedia inter hos versus erant, quae nihil continebant quod reprehenderet Euripides, ne poterant quidem ab Aeschylo recitari. In illis autem, quae supra commemoravi ab Euripide dicta ut
πατρῷα κράτη
explicaret, tam tragica est et Aeschylea oratio, tamque conveniens huic loco sententia, ut non inepte quis suspicari possit haec ab Aeschylo in hunc fere modum conformata fuisse,
ἥκω γὰρ ἐς γῆν τήνδε καὶ κατέρχομαι, τλήμων Ὀρέστης, κρυπτὸν εἰςβαλὼν πόδα, οὗ δὴ βιαίως ἐκ γυναικείας χερὸς δόλοις λαθραίοις ὄλβος ὤλλυται πατρός. τύμβου δ᾽ ἐπ᾽ ὄχθῳ τῷδε κηρύσσω πατρὶ κλύειν, ἀκοῦσαι.
Legebatur apud Aristophanem
τύμβου δ᾽ ἐπ᾽ ὄχθῳ τάδε γε κηρύσσω πατρί
, numeris quales in tam antiqua tragoedia ferri nequeunt. Itaque pridem iudicaveram scribendum esse
τῷδε
, quum hanc ipsam lectionem in Ravennate libro esse intellexi, ex quo eam Porsonus recepit. Idem praebet Venetus, nec longe discedunt alii,
τῷ δὲ
, vel
τάδε
, omisso
γέ
, exhibentes.
4

6-7. mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-5

NA Haec e scholiis ad Pindari Pyth. IV. 145. sumpsit Stanleius. Respicit ad haec verba Eustathius p. 165, 6. et 1194, 55.

8-9. mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-6

NA Hi versus, prolati primum a G. Dindorfio in adnotatione ad Euripidis Alc. v. 768. accesserunt ex codice Vat. 909. ubi hoc scholion ad Euripidis Alc. v. 784. adscriptum est (p. 277. ed. Cob.)
οὐδ᾽ ἐξέτεινα χεῖρ᾽
. σεσημείωται ὅτι καὶ Αἰσχύλος ὡς γινόμενον τοῦτο συνίστησιν ἐν ταῖς Χοηφόροις τὸ ἐκτείνειν τὰς χεῖρας, λέγει δὲ Ὀρέστης “
οὐ γὰρ παρὼν ᾤμωξα σόν, πάτερ, μόρον, οὐδ᾽ ἐξέτεινα χεῖρ᾽ ἐπ' ἐκφορᾷ
(
ἐπ' ἐκφορὰν
codex)
νεκροῦ
.”

10. mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-7

λεύσσω Hic versus cum reliqua fabula in M. G. Ald. Turn. statim versui 1118. Agamemnonis,
ἠνυτόμαν τροφαῖς
, continuatur. Exciderunt enim e codice M. folia sex. Primus Robortellus haec non ad Agamemnonem pertinere, sed Choephoros esse intellexit.
ΟΡ.
huic versui etiam Turnebus praefixit.
λεύσω
G. Ald.
10

11. mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-8

φάρεσιν
φάρεσι
Ald.
βάρεσι
Turn.
11

12. mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-9

ποίᾳ
ποῖα
G. Ald.
τοίᾳ
Rob. ξυμφορᾷ
ξυμφορὰ
Ald.
12

13. mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-10

δόμοισι
δόμοις
Rob. πῆμα
πῆμα
ex M. G. Rob. recepi.
πόμα
vitiose Ald. unde Turn. fecit
πτῶμα
, quod reliquas editiones occupavit. προςκυρεῖ
προσκυνεῖ
vitium Ald. Turn. Hesychius
προσκυρεῖ, προσεγγίζει
.
13

14. mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-11

τῷ 'μῷ
τ' ᾠμῷ
Rob.
14

15. mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-12

μειλίγματα Libri
μειλίγμασιν
. Emendavit Casaubonus. Pers. v. 612.
παιδὸς πατρὶ πρευμενεῖς χοὰς φέρουσ', ἅπερ νεκροῖσι μειλικτήρια
.
15

16. mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-13

ἄλλο
ἄλλοι
Rob.
16

17. mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-14

στείχειν
στείχειν
M. Rob. Omittunt hoc verbum G. Ald.
ὁρᾶν
ex coniectura posuit Turn. λυγρῷ
λυγρῷ
omittit Rob.
17

20. mvp-aeschylus-tlg0085-tlg006-hermann1852-appcrit-lat1-15

ἐκποδών
ἐκποδὼν
Stanleius.
ἐκποδῶν
M. Rob.
ἐκ ποδῶν
G. Ald. Turn.
20

Wecklein’s commentary on Choephoroi / Libation Bearers (1888; German; OCR draft) (Explanatory commentary, pp. 163–234; single HW42J8 OCR witness, conservatively retained. Unresolved OCR and provisional reference mappings are explicitly marked.) focus

1-21. mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-1

1
Prolog Orestes und Pylades stehen am Grabe des Agamemnon, welches, wie es scheint, an der Grenze von Bühne und Orchestra seitwärts angebracht ist. Bei V. 10 kommt Elektra mit dem Chore aus dem Atridenpalaste, welchen die Hauptdekoration vorstellt. Orestes und Pylades treten zur Seite. Während der Chor in die Orchestra hinabsteigt und sich dort bei dem Grabe aufstellt, nähert sich Elektra dem Grabhügel auf der Bühne. - V. 18 f. wird das aufregende Moment der Handlung angegeben.

1-2. mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-2

2
Hermes χθόνιος (Soph. Αi. 832, Eur. Alk. 743) hat als ψυχοπομπός das Amt, die Sache der abgeschiedenen Seelen auf der Oberwelt zu wahren. Vgl. 124. Auf dem Grabmal war vielleicht eine Säule ( Ερμής) angebracht. Vgl. Cic. de legg. 11 26. - χθόνιε : zu Ag. 1590 . ἐποπτεύειν wie Ag. 1579 , Cho. 983 , Eum. 220 , ἐπωπᾶν Cho. 689 , Eum. 275 , ἐπισκόπους Cho. 126 , ἐφορᾶν Soph. El. 175 von dem zornigen Blicke strafgerechter Götter. Vgl. ἔπις θεῶν. Die richtige Erklärung ,in unwilligem Hinblick auf die Vergewaltigung meines Vaters (vgl. 126) werde mir Retter" u. s. w. legt Aristophanes Frö. 1141 dem Euripides in den Mund: πότερ᾽ οὖν τὸν Ἑρμῆν, ὡς ὁ πατὴρ ἀπώλετο αὐτοῦ βιαίως ἐκ γυναικείας χερὸς δόλοις λαθραίοις, ταῦτ᾽ ἐποπτεύειν ἔφης während er zum Scherze Aschylos selbst eine falsche Erklärung geben lafst: οὐ δῆτ᾽ ἐκεῖνος, ἀλλὰ τὸν ἐριούνιον Ἑρμῆν χθόνιον προσείπε, κἀδήλου λέγων ὁτιὴ πατρῷον τοῦτο κέκτηται γέρας. Vgl. Schol. zu d. St. Αρίσταρχος δέ φησι τῶν ἐξηγή σεων τοῦ στίχου τὴν προτέραν κατὰ τὸν ποιητὴν εἶναι, ἣν ὁ Εὐριπίδης ἔφη· τὰ τοῦ ἐμοῦ πατρὸς κράτη ἐποπτεύων, ὃς κρατηθεὶς ὑπὸ τῶν περὶ Αἴγισθον ἀπώλετο.

3. mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-3

3
Die Tautologie, welche bei Aristophanes Euripides rügt: ἥκω γὰρ ἐς γῆν, φησί, καὶ κατέρχομαι· ἥκω δὲ ταὐτόν ἐστι τῷ κατέρχομαι (1156 f.), war jedenfalls ursprünglich nicht vorhanden. Es wird etwa, damit auch yao seine richtige Beziehung erhält, geheifsen haben: κατέρχομαι | πολυφθόρον πρὸς δῶμα Πελοπιδών τόδε πατρὸς τιμω ρὸς καὶ δόμων καταστάτης, so dafs die Rechtfertigung, welche dort Aschylos giebt: ἥκειν μὲν ἐς γῆν ἔσθ' ὅτῳ μετῆν πάτρας· χωρὶς γὰρ ἄλλης συμφορᾶς ἐλήλυθεν· φεύγων δ᾽ ἀνὴρ ἥκει τε καὶ κατέρχεται (1163 ff), gleichfalls nur als ein Scherz erscheint. Ebenso verhält es sich mit dem gegen die folgende Stelle ausgesprochenen Tadel: rovd ἕτερον αὖ δὶς λέγει, κλύειν ἀκοῦσαι, ταὐτὸν ὂν σαφέστατα (1173 f.), denn augenscheinlich hatte ἀκοῦσαι ein Objekt, etwa παιδὸς ὀρφανοῦ λιτάς: meinen Ruf zu hören, mein Flehen zu vernehmen."

6. mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-4

4
Erfurdt ergänzt φέρω δέ. πλόκαμος θρεπτήριος, die Locke, welche beim Eintritt in das Mannesalter zum Dank für die Jugendpflege dem Απόλλων κουροτρόφος und den Flufsgöttern des Landes geweiht wurde. Vgl. Hom. Ψ 141 Αχιλλεὺς . . ἀπεκείρατο χαίτην, τήν ῥα Σπερχειῷ ποταμῷ τρέφε τηλεθόωσαν und Eustath. zu d. St. ἔθος ἦν τρέφειν κόμην τους νέους μέχρι καὶ ἀκμῆς, εἶτα κείρειν αὐτὴν ἐγ χωρίοις ποταμοῖς· ἐποίουν δὲ οὕτω τιμῶντες τὸ καλὸν ὕδωρ, Schol. zu Pind. Pyth. IV 145 τὰς γὰρ πρώτας κόμας τοῖς ποταμοῖς ἀπεκείροντο κτέ.

7. mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-5

5
πλόκαμος πενθητήριος, vgl. Eur. Suppl. 974
πένθιμοι κουραὶ καὶ στέφανοι κόμας
. Locken wurden den Lieben gleich nach dem Tode ( Soph. Ai. 1173 , Eur. Alk. 101 χαίτη τ᾽ οὔτις ἐπὶ προθύροις του μαῖος, ἃ δὴ νεκύων πένθει πίτνει) und öfter am Grabe zur Erinnerung geweiht ( Soph. El. 449 ff. ).

9. mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-6

6
Vgl. Eur. Αlk. 767 οὐδ᾽ ἐφεσπόμην (der Leiche der Alkestis) οὐδ᾽ ἐξέτεινα χεῖρ᾽ ἀποιμώζων ἐμὴν δέσποιναν, Suppl. 772
ἀλλ᾽ εἶμ᾽
, ἐπαρῶ χεῖρ᾽ ἀπαντήσας νεκροῖς " Αιδου τε μολπὰς ἐκχέω δακρυρρόους. Das Ausstrecken und Ringen der Hände war also ein Gestus der Totentrauer.

10. mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-7

7
Vor diesem Vers ist nebst anderem wahrscheinlich auch das aufserhalb des Trimeters stehende ἔα als Ausdruck der Überraschung ausgefallen. Vgl. Prom. 314
ἔα
, τί χρῆμα;

12. mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-8

8
προσεικάσω: vgl. Ag. 1123
κακῷ δέ τῷ προσεικάζω τάδε
 ich vermute irgend ein Unglück dahinter).

13. mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-9

9
Hesych. προσκυρεῖ· προσεγγίζει.

14. mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-10

10
ἢ . . ἐπεικάσας τύχω: „Oder soll ich vermuten, um das Rechte zu treffen?" Vgl. zu Ag. 1200 . Das konjunktivische Verhältnis bezieht sich auf das Particip. Vgl. Eur. Iph. Τ. 1321 πῶς ἔλειζον ὀνομάσας τύχω; Hipp 826 τίνα λόγον, τάλας, τίνα τύχαν σέθεν .. προσαν δῶν τύχω; Herod. VIII 101 συμβού λευσον δκότερα ποιέων ἐπιτύχω εὖ βουλευσάμενος, Eum. 681
πῶς τιθείσ
' ἄμομφος ὦ; Anders ist Soph. Εl. 663 ἡ καὶ δάμαρτα τήνδ᾽ ἐπεικάζων κυρῶ κείνου; aufzufassen und κυρῶ als Indikativ zu betrachten.

15. mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-11

11
νερτέροις μειλίγματα wie Pers. 613
χοὰς φέρουσ
', ἅπερ νεκροῖσι μειλικτήρια. Doch möchte man hier νερτέρων μειλίγματα oder νερτέροις δωρήματα erwarten.

16-17. mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-12

12
δοκῶ στείχειν (ich glaube, dafs sie daher schreitet) wie Ag. 596 u. ö., wenn es nicht ursprünglich (nach der Vermutung von Turnebus und Hartung) ὁρᾶν oder βλέπειν für στείχειν geheifsen hat.

18. mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-13

13
πρέπειν, hervorstechen, auffallen. - Vgl. Hom. Γ 351 Ζεῦ ἄνα, δὸς τίσασθαι. Aspectus Electrae lugentis excitat in Orestis animo desiderium ultionis (Klausen).

19. mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-14

14
θέλων, πρόφρων. Vgl. 520, 761, 789, Suppl. 155
θέλουσα δ
' αὖ θέλουσαν ἁγνά μ' ἐπιδέτω Διὸς κόρα.

21. mvp-aeschylus-tlg0085-tlg006-wecklein1888-com-ger1-15

15
16
προστροπή: ἱκέτις πρόσοδος Schol. 2282 Parodos. Der Chor, welcher an blutig geritzten Wangen und zerfetzten Kleidern die Zeichen der im Auftrag der Klyt. angestellten Totenklage trägt, motiviert sein Auftreten und stellt in Zusammenhang damit Betrachtungen an über die Schuld der Klyt. und die Folgen der Schuld.