Aeschylus Agamemnon 1344

Anna Swanwick (Translator)

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Agamemnon. Aeschylus. Anna Swanwick (Translator). London. 1886.

Sponsored by University of Leipzig.

Funding provided by European Social Fund Saxony.

Current edition Experimental

Agamemnon (OCR draft) (English) (Agamemnon. Anna Swanwick, 1886.)

Provisional text from uncorrected OCR; expect errors.

Editions (8)
Ἀγαμέμνων First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 1407-1430 focus
Ἀγαμέμνων Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 1344 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Guilielmus Dindorfius, 1882.) — 1344 focus
σῖγα· τίς πληγὴν ἀϋτεῖ καιρίως οὐτασμένος;
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Gottfried Hermann, 1852.) — 1344 focus
ΑΓΑΜΕΜΝΩΝ (OCR draft) Experimental (ΑΓΑΜΕΜΝΩΝ. Paul Mazon, 1920-1925.) — 1344 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. N. Wecklein, 1885.) — 1344 focus
σιγα· τίς πληγὴν ἀυτεῖ καιρίως οὐτασμένος;
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Martin L. West, 1990.) — 1344 focus
σῖγα· τίς πληγὴν ἀϋτεῖ, καίρι᾽ ὡς οὐτασμένος;
Aeschyli Agamemnon (OCR draft) Experimental (Aeschyli Agamemnon. Ulrich von Wilamowitz-Moellendorff, 1914.) — 1344 focus
Translations (10)
Agamemnon Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1926. (Modernized by Perseus.)) — 1344 focus
Agamemnon Perseus (Aeschylus. The poetical works of Robert Browning, Volume 13. Browning, Robert, translator; Berdoe, Edward, editor. London: Smith, Elder and Co., 1889.) — 1344 focus
The Agamemnon (OCR draft) Experimental (The Agamemnon. Theodore Alois Buckley, 1849.) — 1344 focus
Hush! who is it that cries out
"a blow,"
mortally wounded?
AGAMEMNON (OCR draft) Experimental (AGAMEMNON. Paul Mazon, 1920-1925.) — 1344 focus
a déchiré ma chair !
Agamemnon (OCR draft) Experimental (Agamemnon. Robert Potter, 1779.) — 1344 focus
List, list. What cry is this of wounds and death?
Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 1344 focus
Fa' silenzio! Questo grido chi levò, ferito a morte?
Aeschylus, Agamemnon: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Agamemnon: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 1344 focus
Aeschylus, Agamemnon: German translation (OCR draft) Experimental (Aeschylus, Agamemnon: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 1344 focus
Apollon ist's, er selber nimmt mir das Gewand,
1270
1345
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, Agamemnon — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 1344 focus
Listen, listen! who is screaming as in mortal agony?
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos, Band I, Agamemnon. Independent Donner line citations, Smyth card correspondence, twelve located textual notes and opening metrical facsimiles. Unfinished OCR proofreading and note attribution are documented in the review inventory.) — 1344 focus
Stille! Wer, in's Herz getroffen, hebt so lauten Weheruf?

Commentary

Critical apparatus to Agamemnon (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Agamemnon.) focus

188. mvp-aeschylus-tlg0085-tlg005-hermann1852-appcrit-lat1-121

ἔκλαγξεν Porsonus. Libri
ἔκλαγξε
.
188

Wecklein’s commentary on Agamemnon (1888; German; OCR draft) (Explanatory commentary, pp. 30–140; Iowa and Harvard OCR collated conservatively. Unresolved OCR and provisional reference mappings are explicitly marked.) focus

40-269. mvp-aeschylus-tlg0085-tlg005-wecklein1888-com-ger1-26

Parodos, bestehend (wie die Parodos der Perser und der Hiketides) aus drei Teilen, dem Recitativ des Chorführers in Anapästen 40-103, dem Gesang des Chorführers mit ἐπιφθέγματα (124) des Gesamtchores 104-169, dem Chorgesang 170-269. Der erste Teil beginnt mit der Schuld und Sühne der Trojaner, legt die äufseren Verhältnisse dar und giebt mit dem Verlangen zu erfahren, was die überall auf den Altären der Stadt angezündeten Opferfeuer zu bedeuten haben (83-87) die Motivierung für das Auftreten des Chors. Der zweite Teil berichtet eine Weissagung des Kalchas, welche ängstliche Besorgnis in betreff des Heerführers weckt. Der dritte begründet diese Besorgnis mit sittlichen Grundsätzen und erklärt das Leiden, das den siegreichen Agamemnon erwartet, als Sühne für eine Schuld, für die unerhörte Opferung der eigenen Tochter.