Aeschylus Agamemnon 1344

Gottfried Hermann (Editor)

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Agamemnon. Aeschylus. Gottfried Hermann (Editor). Lipsiae. 1852.

Sponsored by Perseus Project, Tufts University.

Funding provided by Schmidt Sciences.

Current edition Experimental

Ἀγαμέμνων (OCR draft) (Greek) (Ἀγαμέμνων. Gottfried Hermann, 1852.)

Provisional text from uncorrected OCR; expect errors.

Editions (7)
Ἀγαμέμνων First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 1407-1430 focus
Ἀγαμέμνων Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 1407-1430 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Guilielmus Dindorfius, 1882.) — 1344 focus
σῖγα· τίς πληγὴν ἀϋτεῖ καιρίως οὐτασμένος;
ΑΓΑΜΕΜΝΩΝ (OCR draft) Experimental (ΑΓΑΜΕΜΝΩΝ. Paul Mazon, 1920-1925.) — 1344 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. N. Wecklein, 1885.) — 1344 focus
σιγα· τίς πληγὴν ἀυτεῖ καιρίως οὐτασμένος;
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Martin L. West, 1990.) — 1344 focus
σῖγα· τίς πληγὴν ἀϋτεῖ, καίρι᾽ ὡς οὐτασμένος;
Aeschyli Agamemnon (OCR draft) Experimental (Aeschyli Agamemnon. Ulrich von Wilamowitz-Moellendorff, 1914.) — 1344 focus
Translations (9)
Agamemnon Perseus (Aeschylus. The poetical works of Robert Browning, Volume 13. Browning, Robert, translator; Berdoe, Edward, editor. London: Smith, Elder and Co., 1889.) — 1407-1430 focus
The Agamemnon (OCR draft) Experimental (The Agamemnon. Theodore Alois Buckley, 1849.) — 1344 focus
Hush! who is it that cries out
"a blow,"
mortally wounded?
AGAMEMNON (OCR draft) Experimental (AGAMEMNON. Paul Mazon, 1920-1925.) — 1344 focus
a déchiré ma chair !
Agamemnon (OCR draft) Experimental (Agamemnon. Robert Potter, 1779.) — 1344 focus
List, list. What cry is this of wounds and death?
Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 1344 focus
Fa' silenzio! Questo grido chi levò, ferito a morte?
Aeschylus, Agamemnon: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Agamemnon: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 1344 focus
Aeschylus, Agamemnon: German translation (OCR draft) Experimental (Aeschylus, Agamemnon: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 1344 focus
Apollon ist's, er selber nimmt mir das Gewand,
1270
1345
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, Agamemnon — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 1344 focus
Listen, listen! who is screaming as in mortal agony?
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos, Band I, Agamemnon. Independent Donner line citations, Smyth card correspondence, twelve located textual notes and opening metrical facsimiles. Unfinished OCR proofreading and note attribution are documented in the review inventory.) — 1344 focus
Stille! Wer, in's Herz getroffen, hebt so lauten Weheruf?

Commentary

Critical apparatus to Agamemnon (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Agamemnon.) focus

1304. mvp-aeschylus-tlg0085-tlg005-hermann1852-appcrit-lat1-767

NA Huic versui et versui 1306. tum a versu 1308. singulis distichis praefixa est in editionibus veteribus nota hemichorii, sed in codicibus Ven. Flor. Farn. ubique chori nomen adscriptum est. Ostendi in dissertatione prima de choro Eumenidum p. 9. sive in Opusc. II. p. 130. haec a singulis quindecim senibus, ex quibus compositus erat chorus, recitari. Initium fit ratione quadam epodica, ut trimeter Agamemnonis et qui eum sequitur trochaicus chorici senis pro stropha, et statim eadem metra pro antistropha sint, quas tertii senis trochaicus epodi loco sequatur. Ex ea re intelligi potest stetisse chorum κατὰ ζυγά, certe quo tempore clamantem audit Agamemnonem. Apte comparari potest adnotatio haec scholiastae Aristophanis ad Acharn. v. 203.
γέγραπται δὲ τὸ μέτρον τροχαϊκόν, πρόςφορον τῇ τῶν διωκόντων γερόντων σπουδῇ. ταῦτα δὲ ποιεῖν εἰώθασιν οἱ τῶν δραμάτων ποιηταὶ κωμικοὶ καὶ τραγικοί, ἐπειδὰν δρομαίως εἰςάγωσι τοὺς χορούς, ἵνα ὁ λόγος συντρέχῃ τῷ δράματι.
Approbarunt propositas a me distinctiones novissimi editores. Sed Godefridus Müllerus sua quadam ratione operam dedit ut duodecim chori personas esse doceret, refragante et re ipsa et testimonio scholiastae Aristophanis ad Equitum v. 586. Voluit enim
γεροντίαν
quandam hic introduci: de quo commento, quod fictum est pro arbitrio, dixi in Opusc. VI. 2. p. 136. seq. Qui similiter de hac scena statuit, Ferdinandus Bambergerus in dissertatione de carminibus Aeschyli a partibus chori cantatis, Marburgi a. 1832. edita, scite animadvertit p. 55. ex distichis illis, quae inde a v. 1308. sequuntur, secundo tertium, quarto quintum, sexto septimum, octavo nonum, decimo undecimum respondere. Nisi falsa opinione praepeditus fuisset, suspicatus esset
ζυγά
hunc in modum disposita fuisse,
β'. α'. γ'. δ'. ε'. ϛ'. ζ'. η'. θ'. ι'. ια'. ιε'. ιβ'. ιγ'. ιδ'.
1304

Wecklein’s commentary on Agamemnon (1888; German; OCR draft) (Explanatory commentary, pp. 30–140; Iowa and Harvard OCR collated conservatively. Unresolved OCR and provisional reference mappings are explicitly marked.) focus

1303-1304. mvp-aeschylus-tlg0085-tlg005-wecklein1888-com-ger1-714

Der Chorführer giebt der schmerzlichen Erregung der Kas. gegenüber eine Rechtfertigung seiner Worte. Kas. erwidert: „ein Glücklicher ist das nicht, den man mit solchen Worten tröstet " Darauf tritt Kas. der Thüre näher, weicht aber entsetzt zurück. Den Grund giebt sie 1308 an.