Agamemnon. Aeschylus. Ioannes Sanravius (Translator). Basileae. 1555.
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Aeschylus, Agamemnon: versio Latina Ioannis Sanravii (OCR draft) (Latin) (Aeschylus, Agamemnon: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.)
Provisional text from uncorrected OCR; expect errors.
Editions (8)
Ἀγαμέμνων First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 1407-1430 focus
str.
1
Χορός
τί κακόν, ὦ γύναι, χθονοτρεφὲς ἐδανὸν
τόδ᾽ ἐπέθου θύος, δημοθρόους τ᾽ ἀράς;
μῖσος ὄβριμον ἀστοῖς.
1412
τί κακόν, ὦ γύναι, χθονοτρεφὲς ἐδανὸν
τόδ᾽ ἐπέθου θύος, δημοθρόους τ᾽ ἀράς;
μῖσος ὄβριμον ἀστοῖς.
Κλυταιμήστρα
νῦν μὲν δικάζεις ἐκ πόλεως φυγὴν ἐμοὶ
καὶ μῖσος ἀστῶν δημόθρους τ᾽ ἔχειν ἀράς,
οὐδὲν τότ᾽
5
ἀνδρὶ τῷδ᾽ ἐναντίον φέρων:
ὃς οὐ προτιμῶν, ὡσπερεὶ βοτοῦ μόρον,
1415
μήλων φλεόντων εὐπόκοις νομεύμασιν,
ἔθυσεν αὑτοῦ παῖδα, φιλτάτην ἐμοὶ
ὠδῖν᾽, ἐπῳδὸν Θρῃκίων ἀημάτων.
6
οὐ τοῦτον ἐκ γῆς τῆσδε χρῆν
7
σ᾽ ἀνδρηλατεῖν,
μιασμάτων ἄποιν᾽; ἐπήκοος δ᾽ ἐμῶν
1420
ἔργων δικαστὴς τραχὺς εἶ. λέγω δέ σοι
τοιαῦτ᾽ ἀπειλεῖν, ὡς παρεσκευασμένης
ἐκ τῶν ὁμοίων χειρὶ νικήσαντ᾽ ἐμοῦ
ἄρχειν: ἐὰν δὲ τοὔμπαλιν κραίνῃ θεός,
γνώσει διδαχθεὶς ὀψὲ γοῦν τὸ σωφρονεῖν.
1425
νῦν μὲν δικάζεις ἐκ πόλεως φυγὴν ἐμοὶ
καὶ μῖσος ἀστῶν δημόθρους τ᾽ ἔχειν ἀράς,
οὐδὲν τότ᾽
5
ἀνδρὶ τῷδ᾽ ἐναντίον φέρων:
ὃς οὐ προτιμῶν, ὡσπερεὶ βοτοῦ μόρον,
1415
μήλων φλεόντων εὐπόκοις νομεύμασιν,
ἔθυσεν αὑτοῦ παῖδα, φιλτάτην ἐμοὶ
ὠδῖν᾽, ἐπῳδὸν Θρῃκίων ἀημάτων.
6
οὐ τοῦτον ἐκ γῆς τῆσδε χρῆν
7
σ᾽ ἀνδρηλατεῖν,
μιασμάτων ἄποιν᾽; ἐπήκοος δ᾽ ἐμῶν
1420
ἔργων δικαστὴς τραχὺς εἶ. λέγω δέ σοι
τοιαῦτ᾽ ἀπειλεῖν, ὡς παρεσκευασμένης
ἐκ τῶν ὁμοίων χειρὶ νικήσαντ᾽ ἐμοῦ
ἄρχειν: ἐὰν δὲ τοὔμπαλιν κραίνῃ θεός,
γνώσει διδαχθεὶς ὀψὲ γοῦν τὸ σωφρονεῖν.
1425
ant.
1
Ἀγαμέμνων Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 1407-1430 focus
Χορός
τί κακόν, ὦ γύναι,
χθονοτρεφὲς ἐδανὸν ἢ ποτὸν
πασαμένα ῥυτᾶς ἐξ ἁλὸς ὀρόμενον
τόδʼ ἐπέθου θύος, δημοθρόους τʼ ἀράς;
ἀπέδικες ἀπέταμες· ἀπόπολις δʼ ἔσῃ
1410
μῖσος ὄβριμον ἀστοῖς.
1412
τί κακόν, ὦ γύναι,
χθονοτρεφὲς ἐδανὸν ἢ ποτὸν
πασαμένα ῥυτᾶς ἐξ ἁλὸς ὀρόμενον
τόδʼ ἐπέθου θύος, δημοθρόους τʼ ἀράς;
ἀπέδικες ἀπέταμες· ἀπόπολις δʼ ἔσῃ
1410
μῖσος ὄβριμον ἀστοῖς.
Κλυταιμήστρα
νῦν μὲν δικάζεις ἐκ πόλεως φυγὴν ἐμοὶ
καὶ μῖσος ἀστῶν δημόθρους τʼ ἔχειν ἀράς,
οὐδὲν τότʼ ἀνδρὶ τῷδʼ ἐναντίον φέρων·
ὃς οὐ προτιμῶν, ὡσπερεὶ βοτοῦ μόρον,
1415
μήλων φλεόντων εὐπόκοις νομεύμασιν,
ἔθυσεν αὑτοῦ παῖδα, φιλτάτην ἐμοὶ
ὠδῖνʼ, ἐπῳδὸν Θρῃκίων ἀημάτων.
οὐ τοῦτον ἐκ γῆς τῆσδε χρῆν σʼ ἀνδρηλατεῖν,
μιασμάτων ἄποινʼ; ἐπήκοος δʼ ἐμῶν
1420
ἔργων δικαστὴς τραχὺς εἶ. λέγω δέ σοι
τοιαῦτʼ ἀπειλεῖν, ὡς παρεσκευασμένης
ἐκ τῶν ὁμοίων χειρὶ νικήσαντʼ ἐμοῦ
ἄρχειν· ἐὰν δὲ τοὔμπαλιν κραίνῃ θεός,
γνώσῃ διδαχθεὶς ὀψὲ γοῦν τὸ σωφρονεῖν.
1425
νῦν μὲν δικάζεις ἐκ πόλεως φυγὴν ἐμοὶ
καὶ μῖσος ἀστῶν δημόθρους τʼ ἔχειν ἀράς,
οὐδὲν τότʼ ἀνδρὶ τῷδʼ ἐναντίον φέρων·
ὃς οὐ προτιμῶν, ὡσπερεὶ βοτοῦ μόρον,
1415
μήλων φλεόντων εὐπόκοις νομεύμασιν,
ἔθυσεν αὑτοῦ παῖδα, φιλτάτην ἐμοὶ
ὠδῖνʼ, ἐπῳδὸν Θρῃκίων ἀημάτων.
οὐ τοῦτον ἐκ γῆς τῆσδε χρῆν σʼ ἀνδρηλατεῖν,
μιασμάτων ἄποινʼ; ἐπήκοος δʼ ἐμῶν
1420
ἔργων δικαστὴς τραχὺς εἶ. λέγω δέ σοι
τοιαῦτʼ ἀπειλεῖν, ὡς παρεσκευασμένης
ἐκ τῶν ὁμοίων χειρὶ νικήσαντʼ ἐμοῦ
ἄρχειν· ἐὰν δὲ τοὔμπαλιν κραίνῃ θεός,
γνώσῃ διδαχθεὶς ὀψὲ γοῦν τὸ σωφρονεῖν.
1425
Χορός
μεγαλόμητις εἶ,
περίφρονα δʼ ἔλακες. ὥσπερ οὖν
φονολιβεῖ τύχᾳ φρὴν ἐπιμαίνεται,
λίπος ἐπʼ ὀμμάτων αἵματος εὖ πρέπει·
ἀτίετον ἔτι σὲ χρὴ στερομέναν φίλων
τύμμα τύμματι τεῖσαι.
1430
μεγαλόμητις εἶ,
περίφρονα δʼ ἔλακες. ὥσπερ οὖν
φονολιβεῖ τύχᾳ φρὴν ἐπιμαίνεται,
λίπος ἐπʼ ὀμμάτων αἵματος εὖ πρέπει·
ἀτίετον ἔτι σὲ χρὴ στερομέναν φίλων
τύμμα τύμματι τεῖσαι.
1430
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Guilielmus Dindorfius, 1882.) — 1344 focus
σῖγα· τίς πληγὴν ἀϋτεῖ καιρίως οὐτασμένος;
σῖγα· τίς πληγὴν ἀϋτεῖ καιρίως οὐτασμένος;
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Gottfried Hermann, 1852.) — 1344 focus
Χοροῦ Α
σῖγα· τίς πληγὴν ἀϋτεῖ καιρίως οὐτασμένος;
σῖγα· τίς πληγὴν ἀϋτεῖ καιρίως οὐτασμένος;
ΑΓΑΜΕΜΝΩΝ (OCR draft) Experimental (ΑΓΑΜΕΜΝΩΝ. Paul Mazon, 1920-1925.) — 1344 focus
ΧΟΡΟΣ
Σίγα· τίς πληγὴν ἀϋτεῖ καιρίως οὐτασμένος ;
Σίγα· τίς πληγὴν ἀϋτεῖ καιρίως οὐτασμένος ;
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. N. Wecklein, 1885.) — 1344 focus
σιγα· τίς πληγὴν ἀυτεῖ καιρίως οὐτασμένος;
σιγα· τίς πληγὴν ἀυτεῖ καιρίως οὐτασμένος;
ΑΓ.
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Martin L. West, 1990.) — 1344 focus
σῖγα· τίς πληγὴν ἀϋτεῖ, καίρι᾽ ὡς οὐτασμένος;
σῖγα· τίς πληγὴν ἀϋτεῖ, καίρι᾽ ὡς οὐτασμένος;
ΑΓ.
Aeschyli Agamemnon (OCR draft) Experimental (Aeschyli Agamemnon. Ulrich von Wilamowitz-Moellendorff, 1914.) — 1344 focus
ΧΟ.
σῖγα· τίς πληγὴν ἀυτεῖ καιρίως οὐτασμένος;
σῖγα· τίς πληγὴν ἀυτεῖ καιρίως οὐτασμένος;
Translations (8)
Agamemnon Perseus (Aeschylus. The poetical works of Robert Browning, Volume 13. Browning, Robert, translator; Berdoe, Edward, editor. London: Smith, Elder and Co., 1889.) — 1407-1430 focus
CHOROS.
What evil, O woman, food or drink, earth-bred
Or sent from the flowing sea,
Of such having fed
Didst thou set on thee
This sacrifice
And popular cries
Of a curse on thy head?
1410
Off thou hast thrown him, off hast cut
The man from the city: but —
Off from the city thyself shalt be
Cut — to the citizens
A hate immense!
1412
What evil, O woman, food or drink, earth-bred
Or sent from the flowing sea,
Of such having fed
Didst thou set on thee
This sacrifice
And popular cries
Of a curse on thy head?
1410
Off thou hast thrown him, off hast cut
The man from the city: but —
Off from the city thyself shalt be
Cut — to the citizens
A hate immense!
KLUTAIMNESTRA.
Now, indeed, thou adjudgest exile to me,
And citizens’ hate, and to have popular curses:
Nothing of this against the man here bringing,
Who, no more awe-checked than as ’t were a beast’s fate, —
1415
With sheep abundant in the well-fleeced graze-flocks, —
Sacrificed his child, — dearest fruit of travail
To me, — as song-spell against Threkian blowings.
Not him did it behove thee hence to banish
— Pollution’s penalty? But hearing mzy deeds
1420
Justicer rough thou art! Now, this I tell thee:
To threaten thus — me, one prepared to have thee
(On like conditions, thy hand conquering) o’er me
Rule: but if God the opposite ordain us,
Thou shalt learn — late taught, certes — to be modest.
1425
1426
Now, indeed, thou adjudgest exile to me,
And citizens’ hate, and to have popular curses:
Nothing of this against the man here bringing,
Who, no more awe-checked than as ’t were a beast’s fate, —
1415
With sheep abundant in the well-fleeced graze-flocks, —
Sacrificed his child, — dearest fruit of travail
To me, — as song-spell against Threkian blowings.
Not him did it behove thee hence to banish
— Pollution’s penalty? But hearing mzy deeds
1420
Justicer rough thou art! Now, this I tell thee:
To threaten thus — me, one prepared to have thee
(On like conditions, thy hand conquering) o’er me
Rule: but if God the opposite ordain us,
Thou shalt learn — late taught, certes — to be modest.
1425
CHOROS.
Greatly-intending thou art:
Much-mindful, too, hast thou cried
(Since thy mind, with its slaughter-outpouring part,
Is frantic) that over the eyes, a patch
Of blood — with blood to match —
Is plain for a pride!
Yet still, bereft of friends, thy fate
Is — blow with blow to expiate!
1430
Greatly-intending thou art:
Much-mindful, too, hast thou cried
(Since thy mind, with its slaughter-outpouring part,
Is frantic) that over the eyes, a patch
Of blood — with blood to match —
Is plain for a pride!
Yet still, bereft of friends, thy fate
Is — blow with blow to expiate!
1430
The Agamemnon (OCR draft) Experimental (The Agamemnon. Theodore Alois Buckley, 1849.) — 1344 focus
Hush! who is it that cries out
"a blow,"
mortally wounded?
AGAMEMNON
AGAMEMNON (OCR draft) Experimental (AGAMEMNON. Paul Mazon, 1920-1925.) — 1344 focus
a déchiré ma chair !
LE CORYPHÉE
(D'une voix basse et rapide.)
Écoutez ! qui crie là,
Écoutez ! qui crie là,
Agamemnon (OCR draft) Experimental (Agamemnon. Robert Potter, 1779.) — 1344 focus
List, list. What cry is this of wounds and death?
AGAMEMNON
within.
Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 1344 focus
Fa' silenzio! Questo grido chi levò, ferito a morte?
AGAMENNONE
Aeschylus, Agamemnon: German translation (OCR draft) Experimental (Aeschylus, Agamemnon: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 1344 focus
Apollon ist's, er selber nimmt mir das Gewand,
1270
1345
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, Agamemnon — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 1344 focus
Listen, listen! who is screaming as in mortal agony?
Listen, listen! who is screaming as in mortal agony?
Voice of Agamemnon.
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos, Band I, Agamemnon. Independent Donner line citations, Smyth card correspondence, twelve located textual notes and opening metrical facsimiles. Unfinished OCR proofreading and note attribution are documented in the review inventory.) — 1344 focus
Stille! Wer, in's Herz getroffen, hebt so lauten Weheruf?
Stille! Wer, in's Herz getroffen, hebt so lauten Weheruf?
Agamemnon.
(Im Palaste.)
Commentary
Critical apparatus to Agamemnon (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Agamemnon.) focus
1157.
mvp-aeschylus-tlg0085-tlg005-hermann1852-appcrit-lat1-691
ὅρκου πῆγμα Libri
1157
ὅρκος πῆμα. Aurati emendationem,
ὅρκου πῆγμα, cum aliis recepit Blomfieldius, spreto, quod Porsonus dedit,
ὅρκος, πῆγμα γενναίως παγέν, scilicet quia negabat
πῶς ἄν apud Aeschylum
utinam significare. At inepte addidisset Aeschylus
γενναίως παγέν, si quaereret chorus, quid prodesse iusiurandum posset. Hoc potius dicit, atque utinam iusiurandum, firmamentum generose firmatum, medelam afferre possit! quo indicat, quamvis sanctissimum iusiurandum tamen nihil profuturum esse.
1158.
mvp-aeschylus-tlg0085-tlg005-hermann1852-appcrit-lat1-692
παιώνιος
1158
παιώνιον Ven. Flor. Vict.
παιώνιος Farn. Elmsleio teste, non enim adnotavit Bekkerus. Praestat fortasse
παιώνιος.
θαυμάζω δέ σε Deinde
θαυμάζω δέ σε, ut Blomfieldius ait, scribendum coniecit Auratus.
1159.
mvp-aeschylus-tlg0085-tlg005-hermann1852-appcrit-lat1-693
περάν τε Permira est Blomfieldii adnotatio, “Elmsleius ad Sophocl. Oed. T. 867. citat
1159
πόντου πέρα τραφεῖσαν, nescio quare, quum satis recte dicatur
πέραν pro
κατὰ πέραν, quae vox occurrit v. 183.
Χαλκίδος πέραν ἔχων.” Si
πέραν et illic (v. 178.) et hic substantivum esse putaret, Supplicum v. 249. afferre debebat,
τίς γὰρ ἐλθὼν ἐκ πέρας Ναυπακτίας. At
πέραν in utroque Agamemnonis versu adverbium est, quod hic quidem nullo pacto
πέρα dici potuit. V. ad Soph. Oed. Col. v. 885. Ceterum inanes interpretum de sequentibus verbis dubitationes iam olim sustuli remota quae post
πόλιν posita erat virgula. Miror, inquit, te transmarinam de peregrina urbe sic loqui ut si praesens fuisses.
Wecklein’s commentary on Agamemnon (1888; German; OCR draft) (Explanatory commentary, pp. 30–140; Iowa and Harvard OCR collated conservatively. Unresolved OCR and provisional reference mappings are explicitly marked.) focus
1056-1176.
mvp-aeschylus-tlg0085-tlg005-wecklein1888-com-ger1-593
Kommos, welcher die Vorgänge im Innern des Hauses gewissermafsen auf die Bühne verlegt, bestehend aus drei Teilen. Im ersten Teile (1056-1100), welcher die Vorbereitung der blutigen That beschreibt, spricht der Chor (d. i. Chorführer) nur in Trimetern, während die Partieen der Kasandra melisch sind. Kasandra steigt jetzt vom Wagen. Über
d
ᾶ zu
Eum. 844. -
1129-1176.
mvp-aeschylus-tlg0085-tlg005-wecklein1888-com-ger1-622
dritter Teil: Schicksal und Anteil der Kasandra. Die Chorpartieen scheinen Halbchöre vorzutragen, jedes Strophenpaar ein Halbchor.
1158.
mvp-aeschylus-tlg0085-tlg005-wecklein1888-com-ger1-636
ἠνυτόμαν,
ηυξόμην Schol.
1159.
mvp-aeschylus-tlg0085-tlg005-wecklein1888-com-ger1-637
Vgl. Pind. Pyth.
ΧΙ 19
ὁπότε Δαρδανίδα κόραν Πριάμου
Κασάνδραν
πολιῷ χαλκῷ σὺν
᾿Αγαμεμνονία ψυχᾶ
πόρευσ᾽ Αχέροντος ἀκτὰν παρ εὔσκιον νηλὴς γυνά.
ψηλης