Aeschylus Seven Against Thebes 235.app-235-3

ed. Gottfried Hermann

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Seven Against Thebes. Aeschylus. ed. Gottfried Hermann. Lipsiae. 1852.

Current edition Experimental

Critical apparatus to Seven Against Thebes (OCR draft) (Latin) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Seven Against Thebes.)

Provisional text from uncorrected OCR; expect errors.

Editions (7)
Ἑπτὰ ἐπὶ Θήβας First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 245-287 focus
Ἑπτὰ ἐπὶ Θήβας Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1922.) — 245-287 focus
Ἑπτὰ ἐπὶ θήβας (OCR draft) Experimental (Ἑπτὰ ἐπὶ θήβας. Guilielmus Dindorfius, 1882.) — 245 focus
Ἑπτὰ ἐπὶ θήβας (OCR draft) Experimental (Ἑπτὰ ἐπὶ θήβας. Gottfried Hermann, 1852.) — 245 focus
ΕΠΤΑ ΕΠΙ θΗΒΑΣ (OCR draft) Experimental (ΕΠΤΑ ΕΠΙ θΗΒΑΣ. Paul Mazon, 1920-1925.) — 245 focus
Ἑπτὰ ἐπὶ θήβας (OCR draft) Experimental (Ἑπτὰ ἐπὶ θήβας. N. Wecklein, 1885.) — 245 focus
καὶ μὴν ἀκούω γ᾽ ἱππικῶν φρυαγμάτων.
Aeschyli Septem contra Thebas (OCR draft) Experimental (Aeschyli Septem contra Thebas. Ulrich von Wilamowitz-Moellendorff, 1914.) — 245 focus
Translations (8)
Seven Against Thebes Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1922. (Modernized by Perseus.)) — 245-285 focus
The Seven against Thebes. (OCR draft) Experimental (The Seven against Thebes.. Theodore Alois Buckley, 1849.) — 245 focus
And I do in truth hear the snortings of the horses.
LES SEPT CONTRE THÈBES (OCR draft) Experimental (LES SEPT CONTRE THÈBES. Paul Mazon, 1920-1925.) — 245 focus
gémit du fond de son sol : ils nous enveloppent !
The Seven Chiefs against Thebes (OCR draft) Experimental (The Seven Chiefs against Thebes. Robert Potter, 1779.) — 245 focus
Distinct I hear the fireyneighing steed.
255
Eschilo, I Sette a Tebe: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, I Sette a Tebe: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 245 focus
Nitriti di cavalli alti odo fremere.
Aeschylus, Septem ad Thebas: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Septem ad Thebas: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 245 focus
Attamen audiui equestres fremitus.
230
English (E. D. A. Morshead, 1908) (OCR draft) Experimental (Aeschylus, Seven against Thebes — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 245 focus
Ah, but the snorting of the steeds I hear!
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 245 focus
Der Rosse wildes Schnauben hör' ich nahe schon.

Commentary

Critical apparatus to Seven Against Thebes (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Seven Against Thebes.) focus

235. mvp-aeschylus-tlg0085-tlg004-hermann1852-appcrit-lat1-343

φθόρον:
gogor
Par. E.
9
litteram in
qógov
a recentiore manu insertam habet M.
235

235. mvp-aeschylus-tlg0085-tlg004-hermann1852-appcrit-lat1-344

σιγῶσ᾽:
οὐ σιγῶσ᾽
Ask. A.
235

235. mvp-aeschylus-tlg0085-tlg004-hermann1852-appcrit-lat1-345

ἀνασχήσει:
avaozio
Mosc. 1. Ven. B. Rob. Ceteri
ἀνασχήσῃ
.
235

Commentary (N. Wecklein, 1902; German; OCR draft) (Seven Against Thebes, explanatory commentary pp. 15–100. Single-witness OCR; source readings and all reference placements require scan review.) focus

166-274. mvp-aeschylus-tlg0085-tlg004-wecklein1902-com-ger1-122

1
2
erstes Epeisodion. Eteokles, welcher die im Volke durch die Angstrufe der Jungfrauen (des Chors) entstandene Entmuti- gung wahrgenommen hat (174f.), kommt zurück, weist die Jung- frauen zurecht und lehrt sie die rechte Weise des Gebetes. Die Szene dient der Charakteristik des Eteokles.