Aeschylus Prometheus Bound 565.app-565-1

ed. Gottfried Hermann

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Prometheus Bound. Aeschylus. ed. Gottfried Hermann. Lipsiae. 1852.

Current edition Experimental

Critical apparatus to Prometheus Bound (OCR draft) (Latin) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Prometheus Bound.)

Provisional text from uncorrected OCR; expect errors.

Editions (7)
Προμηθεὺς Δεσμώτης First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 574-608 focus
Προμηθεὺς δεσμώτης Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1922.) — 574-608 focus
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. Guilielmus Dindorfius, 1882.) — 566 focus
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. Gottfried Hermann, 1852.) — 566 focus
ἔα ἔα, να ἔα·
χρίει τις αὖ με τὰν τάλαιναν οἶστρος,
εἴδωλον Ἄργου γηγενοῦς, ἄλευε δᾶ,
565
ΠΡΟΜΗθΕΥΣ ΔΕΣΜΩΤΗΣ (OCR draft) Experimental (ΠΡΟΜΗθΕΥΣ ΔΕΣΜΩΤΗΣ. Paul Mazon, 1920-1925.) — 566 focus
Ἆ ἆ, ἐή ἢ ἔ ἔα ἔα,
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. N. Wecklein, 1885.) — 566 focus
ἀ ὰ, ἔ ἔ,
χρίει τις αὖ με τὰν τάλαιναν οἶστρος,
εἴδωλον Ἄργου γηγενοῦς, ἄλευ᾽ ὦ δᾶ,
τὸν μυριωπὸν εἰσορῶσα βούταν.
590
ὃ δὲ πορεύεται δόλιον ὄμμ᾽ ἔχων,
ὃν οὐδὲ κατθανόντα γαῖα κεύθει.
ἀλλά με τὰν τάλαιναν ἐξ ἐνέρων περῶν
Aeschyli Prometheus Vinctus (OCR draft) Experimental (Aeschyli Prometheus Vinctus. Ulrich von Wilamowitz-Moellendorff, 1914.) — 566 focus
ἀἀ ἕ ἕ·
χρίει τις αὖ με τὰν τάλαιναν οἶστρος,
εἴδωλον Ἄργου γηγενοῦς ἀλεῦμαι [φοβοῦμαι]
τὸν μυριωπὸν εἰσιδοῦσα βούταν.
ὃ δὲ πορεύεται δόλιον ὄμμ᾽ ἔχων,
570
ὃν οὐδὲ κατθανόντα γαῖα κεύθει
ἀλλά με τὰν τάλαιναν
ἐξ ἐνέρων περῶν κυνηγετεῖ πλανᾶι
τε νῆστιν ἀνὰ τὰν παραλίαν ψάμμον. –
Translations (8)
Prometheus Bound Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1922. (Modernized by Perseus.)) — 561-570 focus
Prometheus Bound. (OCR draft) Experimental (Prometheus Bound.. Theodore Alois Buckley, 1849.) — 566 focus
Ah me! alas! alas! again the hornet
stings me miserable: O earth avert
the goblin of earth-born Argus
: I am terrified at the sight of the neatherd of thousand eyes, for he is journeying on, keeping a cunning glance, whom not even after death does earth conceal: but issuing forth from among the departed he chases me miserable, and he makes me to wander famished along the shingled strand,
PROMÉTHÉE ENCHAINÉ (OCR draft) Experimental (PROMÉTHÉE ENCHAINÉ. Paul Mazon, 1920-1925.) — 566 focus
dire que j'ai devant les yeux, battu de la tourmente sous un
harnais de roc ? quelle faute expies-tu en te mourant ici ? Révèle-moi donc en quel point du monde, malheureuse, m'ont portée mes erreurs.
Prometheus Chained (OCR draft) Experimental (Prometheus Chained. Robert Potter, 1779.) — 566 focus
Again that ſting!-Ah me, that form again!-
With all his hundred eyes the earthborn Argus-
Cover it, Earth! See, how it glares upon me,
The horrid ſpectre! - Wilt thou not, O Earth,
Cover the dead, that from thy dark abyss
580
He comes to haunt me, to purſue my ſteps,
And drive me foodleſs o'er the barren ſtrand?
Eschilo, Prometeo legato: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Prometeo legato: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 566 focus
È assalita da piú fiero delirio.
Ahimè! Ahimè!
665
Misera me! L'assillo ancor mi punge!
Lo spettro io veggo, ahimè!, d'Argo terrigeno,
del pastor dai mille occhi! O Giove, salvami!
Egli s'avanza! M'affascina l'occhio
cui neppur morto la terra nasconde.
670
Ma come un cane, surgendo dagli Inferi,
me sciagurata sospinge, e digiuna
lungo le sabbie del pelago incalza.
Aeschylus, Prometheus vinctus: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Prometheus vinctus: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 566 focus
Heu heu, quò quò, unde unde,
570
English (E. D. A. Morshead, 1908) (OCR draft) Experimental (Aeschylus, Prometheus Bound — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 566 focus
Ah, but it maddens, the sting! it burns in my piteous side!
Ah, but the vision, the spectre, the earth-born, the myriad-eyed!
Avoid thee! Earth, hide him, thine offspring! he cometh—O aspect of ill!
Ghostly, and crafty of face, and dead, but pursuing me still!
615
Ah, woe upon me, woe ineffable!
He steals upon my track, a hound of hell—
Where'er I stray, along the sands and brine,
Weary and foodless, come his creeping eyne!
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 566 focus
Ach, ach! Weh, weh!
Mich sticht der Wahnsinn, mich Arme, wieder!
Des Erdensohns, des Argos Bild,
Wehrt's ab! Hu! Grauen fast mich,
Den Tausendäugigen seh' ich, meinen Hüter.
565
Sieh, dort schleicht er her, lauernden Trug im Blick!
Im Tode selbst verbirgt ihn nicht die Erde;
Nein, aus des Hades Grüften
Steigt er empor, und jagt
Mich Arme gleich dem Wilde, scheucht mich
570
Lechzende durch des Gestades Sand.

Commentary

Critical apparatus to Prometheus Bound (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Prometheus Bound.) focus

565. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-642

ἄλευε δᾶ:
ἄλευ᾽ ἀ δᾶ
, litteris
λευ
in litura, circumflexo in
ἀ
a sec. manu addito, M.
ἄλευ᾽ ἢ δᾶ
adnotatum ex Par. N. memoratque
ἀ δᾶ
Turnebus.
ἀλευάδα
Lips. Aug. Cantabr. 1. Par. N. In Lips. supra scriptum
γρ. ἄλευ᾽ ὦ γᾶ
. G. Vit. edd. vett.
ἄλευ᾽ ἐ δᾶ
. Etym. M. p. 60, 8.
ἀλευάδα εἴρηται ὡς τὸ φεύδα. οἱ γὰρ Δωριεῖς τὴν γῆν δᾶν λέγουσι καὶ δίαν, ὡς καὶ τὸν γνόφον δνόφον. φεύδα οὖν φεύγη. οὕτως οὖν καὶ τὸ ἀλευάδα ἀλέου δᾶ, τοῦ δᾶ ἀντὶ τοῦ γῆ κειμένου
. Apertum est et
φεῦ δᾶ
ẹt
φεῦ γᾶ
scribendum esse: tum corrigendum est
οἱ γὰρ Δωριεῖς τὴν γῆν γᾶν λέγουσι καὶ δᾶν
. Vltima verba in Etym. MS. Augustano sic scripta,
φεύδα ἤγουν φεύγη. οὕτως καὶ τὸ ἀλευάδα, τὸ δῶ ἀντὶ τοῦ γᾶ
. Scholiastae et
ἄλευ᾽ ἐ δᾶ
legi referunt et
ἀλευάδα
, credo ex hac ipsa scriptura Argum Aleuae filium fuisse colligentes. Quod Schleusnero in adnotationibus ad Etym. M. in mentem venit
ἄλευε δᾶ
, id adscivit Dindorfius, eiecto
φοβοῦμαι
, quod post
δᾶ
legebatur, tres trimetros catalecticos exhibens. Tantum autem abest ut id metri forma postulet, ut hoc metri genus, quod natura sua catalecticum est, non aptum sit continuatae orationi, minimeque tali in loco, qualis hic est, pleno motus et agitationis. Quod autem ad monstruosum illud
ἄλευ'
attinet, abusus est Dindorfius docta et scita observatione Elmsleii, qui in Diarii classici fasc. XV. p. 218. et Photii adnotatione illa,
παῦ τὸ παῦσαι λέγουσι μονοσυλλάβως
et
παῦ παῦε
restituit Aristophani in Eq. v. 821. et
παῖ παῖε
in Pace v. 1119. Apertum est in vulgari sermone, si iteraretur
παῦε παῖε
, vel
παῖε παῖε
, non mirum esse, si id pronuntiabant
παῦ παῦε, παῖ παῖε
. At aliis in imperativis, iisque non iteratis, et in oratione familiaris sermonis levitatem vitante quis credat talia umquam esse usurpata? Blomfieldius Monkii monitu edidit
ἄλευε δᾶ
, ut haec verba,
ἄλευε δᾶ, φοβοῦμαι
, unum versum efficerent, quem praecederet dimeter iambicus. Sed ita descriptis versibus certo Aeschylus
ἄλευ᾽ ὦ δᾶ
praetulisset, antispasto et Bacchio coniunctis. Et sic Scholefieldius. His verbis,
ἄλευε δᾶ
, finiri trimetrum, et quod sequitur
φοβοῦμαι
delendum esse iam olim suspicatus sum, et delevit Dindorfius, de constructione conferri iubens quae Matthiae ad Euripidis Hec. 950. adnotavit. Omittunt autem
φοβοῦμαι
soli Vind. 2. 4. quod verbum post
δᾶ
ceteri libri omnes habent legitque Nicephorus in scholiis ad Synesium p. 400. C.
βούταν δὲ καλεῖ τὸν πανόπτην Ἄργον ὁ τραγικὸς Αἰσχύλος, ἤτοι βουκόλον, ὡς ἐπιστατοῦντα καὶ ἑπόμενον τῇ Ἰοῖ τῇ θυγατρὶ τοῦ Ἰνάχου. φέρει γὰρ αὐτὴν λέγουσαν οὑτωσί, “φοβοῦμαι τὸν μυριωπὸν εἰςορῶσα βούταν.”
Huius quidem non magna auctoritas est: nec dubitandum videtur quin
φοβοῦμαι
ab explicatore sit adiectum, qui in constructione haesitaret qua
εἰςορῶσα
εἰ
χρίει με οἶστρος
coniuncta sunt, quasi dictum esset
οἰστροῦμαι
. Confirmatur haec sententia eo quod alii constructionem, quam expedire nesciebant,
εἰςορῶσα
in
εἰςορῶ
mutato sibi correxisse visi sunt. Sentiens perturbari mentem suam Io, primo id simpliciter narrare incipit, media autem in narratione conspiciens simulacrum feri agitatoris clamat
ἄλευε δᾶ, τὸν μυριωπὸν εἰςορῶσα βούταν
. Suidas
ἄλευε. Ἴωνες τὸ φυλάξαι οὕτως λέγουσι. καὶ παροιμία “ἄλευ᾽ ἀπὸ μείζονος ἀνδρός.”
Conf. Zonaras p. 135. In proverbio quidem significationem medii habet
ἀλεύειν
. Apud Aeschylum ubi hoc verbum invenitur activum est, avertere significans.

English commentary on Prometheus Bound (OCR draft) (N. Wecklein, translated by F. D. Allen. Ginn & Company, 1893; compared with the 1891 printing. Printed commentary pages 31–144. Provisional alignment and unresolved OCR are visibly flagged.) focus

561-886. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-375

1
2
561-886. Third Episode. Io and Prometheus. The myth of Io is connected with that of Prometheus by the person of Heracles, the libera- tor of Prometheus, who is descended from paphus, the son of Zeus and Io (see on 774). The appearance of Io therefore prepares the way for the introduction of Heracles in the Προ- μηθεὺς λυόμενος. But the immediate significance of this scene consists in the present relation of Zeus and Io. Io appears as innocent and yet perse- cuted; her sufferings, superficially considered, put Zeus in the worst possible light. Accordingly the in- dignation of Prometheus rises more and more, till at last, carried away by passion, he vaunts his secret in such terms that the interposition of Zeus becomes inevitable. So the transition to the catastrophe is pre- pared. The geographical part of this episode, with its description of marvels, like the scene of Heracles in the Προμηθεὺς λυόμενος (see below, Frg. VII. and VIII.), doubtless had a peculiar charm for the Athenians of the period. On the origin of the myth of Io, see Introd. p. 9, footnote. Io appears as a horned maiden (588, 674; so indi- cated by her mask). In early Greek art, especially in vase-paintings, she has the figure of a cow outright. On the throne of the Amyclaean Apollo, a work of the sculptor Bathycles (about Ol. 60), Hera was represented as glaring at Io, 'who is already a cow' (Paus. iii. 18. 7). On an archaic black-figured vase of the Munich collection (No. 573; see Panofka, Argos Panoptes, plate 5), Argus is seen, seated on the ground, a fero- cious figure with long hair and beard, and a huge eye in his shaggy breast; he holds in his hand a long cord, attached to the horns of a cow. Near by stands Hermes, grasping the cord near the horns with his left hand, and about to draw his sword with his right. Argus's dog
stands at bay in front of his master. Through the influence of this trag- edy, Io came later to be depicted in art as a maiden with horns. So, for instance, on a red-figured vase of the Berlin Museum (Panofka, l.c., plate 3). The stinging gadfly' of the legend (cp. Suppl. 306 BΑ. τί οὖν ἔτευξεν ἄλλο δυσπότμῳ βοΐ; ΧΟ. βοη- λάτην μύωπα κινητήριον, Verg. Georg. iii. 147 cui nomen asilo Ro- manum est, oestrum Graii vertere vocantes), which is mentioned in Io's narrative, 675 be- low, had also to be omitted in the scenic representation. The difficulty was met by a figurative conception of οἶστρος; the maddening sting was interpreted as the reminiscence of the crafty eye of Argos (567). — On account of the unusual manner of Io's entrance and exit, the anapaests which commonly accompany the ar- rival and departure of a personage are here and at 877 given to the actor, not to the chorus. So above, at the entrance of the chorus (120 ff.).