Persians. W. S. Teuffel. ed. N. Wecklein. . .
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Current edition Experimental
Commentary (W. S. Teuffel; revised by N. Wecklein, 1886; German; OCR draft) (German) (Persians, explanatory commentary pp. 43–97. Single-witness OCR; source readings and all reference placements require scan review.)
Provisional text from uncorrected OCR; expect errors.
Editions (7)
Πέρσαι First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 65-158 focus
Χορός
πεπέρακεν
1
μὲν ὁ περσέπτολις ἤδη
65
βασίλειος στρατὸς εἰς ἀν-
τίπορον γείτονα χώραν,
λινοδέσμῳ σχεδίᾳ πορ-
θμὸν ἀμείψας
Ἀθαμαντίδος Ἕλλας,
70
πολύγομφον ὅδισμα
ζυγὸν ἀμφιβαλὼν αὐχένι πόντου.
73
Χορός
πολυάνδρου δ᾽ Ἀσίας θούριος ἄρχων
ἐπὶ πᾶσαν χθόνα ποιμα-
νόριον θεῖον ἐλαύνει
75
διχόθεν, πεζονόμον
2
τ᾽ ἔκ
τε θαλάσσας,
ἐχυροῖσι πεποιθὼς
στυφελοῖς ἐφέταις, χρυ-
81
Χορός
κυανοῦν
5
δ᾽ ὄμμασι λεύσσων
πολύχειρ καὶ πολυναύτας,
Σύριόν θ᾽ ἅρμα διώκων,
ἐπάγει δουρικλύτοις ἀν-
85
δράσι τοξόδαμνον Ἄρη.
87
Χορός
δόκιμος δ᾽ οὔτις ὑποστὰς
μεγάλῳ ῥεύματι φωτῶν
ἐχυροῖς ἕρκεσιν εἴργειν
ἄμαχον κῦμα θαλάσσας:
90
ἀπρόσοιστος γὰρ ὁ Περσᾶν
8
στρατὸς ἀλκίφρων τε λαός.
93
Χορός
δολόμητιν δ᾽ ἀπάταν θεοῦ
τίς ἀνὴρ θνατὸς ἀλύξει;
τίς ὁ κραιπνῷ ποδὶ πήδη-
95
97
Χορός
φιλόφρων γὰρ παρασαίνει
12
βροτὸν εἰς ἄρκυας Ἄτα,
13
τόθεν οὐκ ἔστιν ὕπερθέν
νιν ἄνατον ἐξαλύξαι.
14
100
θεόθεν γὰρ κατὰ Μοῖρ᾽
ἐκράτησεν τὸ παλαι-
όν, ἐπέσκηψε δὲ Πέρσαις
πολέμους πυργοδαΐκτους
διέπειν ἱππιοχάρμας
105
τε κλόνους
πόλεών τ᾽ ἀναστάσεις.
108
Χορός
ἔμαθον δ᾽
15
εὐρυπόροι-
ο θαλάσσας πολιαι-
νομένας πνεύματι λάβρῳ
110
ἐσορᾶν πόντιον ἄλσος,
πίσυνοι λεπτοδόμοις πεί-
σμασι λα-
οπόροις τε μαχαναῖς.
115
Χορός
ταῦτά μοι
16
μελαγχίτων
115
φρὴν ἀμύσσεται φόβῳ,
ὀᾶ, Περσικοῦ στρατεύματος
τοῦδε, μὴ πόλις
17
πύθη-
ται κένανδρον μέγ᾽ ἄστυ Σουσίδος,
120
Χορός
καὶ τὸ Κισσίων πόλισμ᾽
120
ἀντίδουπον ᾄσεται,
18
ὀᾶ, τοῦτ᾽ ἔπος γυναικοπλη-
θὴς ὅμιλος ἀπύων,
βυσσίνοις δ᾽ ἐν πέπλοις πέσῃ λακίς.
19
125
126
Χορός
πᾶς γὰρ ἱππηλάτας
καὶ πεδοστιβὴς λεὼς
σμῆνος ὣς ἐκλέλοιπεν μελισ-
σᾶν
20
σὺν ὀρχάμῳ στρατοῦ,
τὸν ἀμφίζευκτον ἐξαμείψας
130
ἀμφοτέρας ἅλιον
πρῶνα κοινὸν αἴας.
133
Χορός
λέκτρα δ᾽ ἀνδρῶν πόθῳ
21
πίμπλαται δακρύμασιν:
Περσίδες δ᾽ ἁβροπενθεῖς
22
ἑκά-
135
στα
23
πόθῳ φιλάνορι
τὸν αἰχμάεντα θοῦρον εὐνα-
τῆρ᾽ ἀποπεμψαμένα
24
λείπεται μονόζυξ.
140
Χορός
ἀλλ᾽ ἄγε, Πέρσαι, τόδ᾽ ἐνεζόμενοι
140
στέγος
25
ἀρχαῖον,
φροντίδα κεδνὴν καὶ βαθύβουλον
θώμεθα, χρεία δὲ προσήκει,
πῶς ἄρα
26
πράσσει Ξέρξης βασιλεὺς
Δαρειογενής,
145
τὸ πατρωνύμιον γένος ἡμέτερον:
πότερον τόξου ῥῦμα τὸ νικῶν,
ἢ δορικράνου
27
λόγχης ἰσχὺς κεκράτηκεν.
ἀλλ᾽ ἥδε θεῶν ἴσον ὀφθαλμοῖς
150
φάος ὁρμᾶται μήτηρ βασιλέως,
βασίλεια δ᾽ ἐμή, προσπίτνω:
28
καὶ προσφθόγγοις δὲ χρεὼν αὐτὴν
πάντας μύθοισι προσαυδᾶν.
155
Χορός
ὦ βαθυζώνων ἄνασσα Περσίδων ὑπερτάτη,
155
μῆτερ ἡ Ξέρξου γεραιά, χαῖρε, Δαρείου γύναι:
θεοῦ μὲν εὐνάτειρα
29
Περσῶν, θεοῦ δὲ καὶ μήτηρ ἔφυς,
εἴ τι μὴ δαίμων παλαιὸς νῦν μεθέστηκε στρατῷ.
159
Πέρσαι Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1922.) — 65-158 focus
Χορός
πεπέρακεν μὲν ὁ περσέπτολις ἤδη
65
βασίλειος στρατὸς εἰς ἀν-
τίπορον γείτονα χώραν,
λινοδέσμῳ σχεδίᾳ πορθ-
μὸν ἀμείψας
Ἀθαμαντίδος Ἕλλας,
70
πολύγομφον ὅδισμα
ζυγὸν ἀμφιβαλὼν αὐχένι πόντου.
Χορός
πολυάνδρου δʼ Ἀσίας θούριος ἄρχων
ἐπὶ πᾶσαν χθόνα ποιμα-
νόριον θεῖον ἐλαύνει
75
διχόθεν, πεζονόμον τʼ ἔκ
τε θαλάσσας,
ἐχυροῖσι πεποιθὼς
στυφελοῖς ἐφέταις, χρυ-
σογόνου γενεᾶς ἰσόθεος φώς.
80
Χορός
κυάνεον δʼ ὄμμασι λεύσσων
φονίου δέργμα δράκοντος,
πολύχειρ καὶ πολυναύτας,
Σύριόν θʼ ἅρμα διώκων,
ἐπάγει δουρικλύτοις ἀν-
85
δράσι τοξόδαμνον Ἄρη.
Χορός
δόκιμος δʼ οὔτις ὑποστὰς
μεγάλῳ ῥεύματι φωτῶν
ἐχυροῖς ἕρκεσιν εἴργειν
ἄμαχον κῦμα θαλάσσας·
90
ἀπρόσοιστος γὰρ ὁ Περσᾶν
στρατὸς ἀλκίφρων τε λαός.
Χορός
θεόθεν γὰρ κατὰ Μοῖρʼ
ἐκράτησεν τὸ παλαι-
όν, ἐπέσκηψε δὲ Πέρσαις
95
πολέμους πυργοδαΐκτους
διέπειν ἱππιοχάρμας
τε κλόνους
πόλεών τʼ ἀναστάσεις.
Χορός
ἔμαθον δʼ εὐρυπόροι-
100
ο θαλάσσας πολιαι-
νομένας πνεύματι λάβρῳ
ἐσορᾶν πόντιον ἄλσος,
πίσυνοι λεπτοδόμοις πεί-
σμασι λα-
105
οπόροις τε μαχαναῖς.
Χορός
δολόμητιν δʼ ἀπάταν θεοῦ
τίς ἀνὴρ θνατὸς ἀλύξει;
τίς ὁ κραιπνῷ ποδὶ πήδη-
μα τόδʼ εὐπετῶς ἀνᾴσσων;
110
Χορός
φιλόφρων γὰρ παρασαίνει
βροτὸν εἰς ἄρκυας Ἄτα,
τόθεν οὐκ ἔστιν ὕπερθέν
νιν ἄνατον ἐξαλύξαι.
Χορός
ταῦτά μοι μελαγχίτων
115
φρὴν ἀμύσσεται φόβῳ,
ὀᾶ, Περσικοῦ στρατεύματος
τοῦδε, μὴ πόλις πύθη-
ται κένανδρον μέγʼ ἄστυ Σουσίδος,
Χορός
καὶ τὸ Κισσίων πόλισμʼ
120
ἀντίδουπον ᾄσεται,
ὀᾶ, τοῦτʼ ἔπος γυναικοπλη-
θὴς ὅμιλος ἀπύων,
βυσσίνοις δʼ ἐν πέπλοις πέσῃ λακίς.
125
Χορός
πᾶς γὰρ ἱππηλάτας
καὶ πεδοστιβὴς λεὼς
σμῆνος ὣς ἐκλέλοιπεν μελισ-
σᾶν σὺν ὀρχάμῳ στρατοῦ,
τὸν ἀμφίζευκτον ἐξαμείψας
130
ἀμφοτέρας ἅλιον
πρῶνα κοινὸν αἴας.
Χορός
λέκτρα δʼ ἀνδρῶν πόθῳ
πίμπλαται δακρύμασιν·
Περσίδες δʼ ἁβροπενθεῖς ἑκά-
135
στα πόθῳ φιλάνορι
τὸν αἰχμάεντα θοῦρον εὐνα-
τῆρʼ ἀποπεμψαμένα
λείπεται μονόζυξ.
Χορός
ἀλλʼ ἄγε, Πέρσαι, τόδʼ ἐνεζόμενοι
140
στέγος ἀρχαῖον,
φροντίδα κεδνὴν καὶ βαθύβουλον
θώμεθα, χρεία δὲ προσήκει,
πῶς ἄρα πράσσει Ξέρξης βασιλεὺς
Δαρειογενής,
145
τὸ πατρωνύμιον γένος ἡμέτερον·
πότερον τόξου ῥῦμα τὸ νικῶν,
ἢ δορικράνου
λόγχης ἰσχὺς κεκράτηκεν.
ἀλλʼ ἥδε θεῶν ἴσον ὀφθαλμοῖς
150
φάος ὁρμᾶται μήτηρ βασιλέως,
βασίλεια δʼ ἐμή· προσπίτνω·
καὶ προσφθόγγοις δὲ χρεὼν αὐτὴν
πάντας μύθοισι προσαυδᾶν.
Χορός
ὦ βαθυζώνων ἄνασσα Περσίδων ὑπερτάτη,
155
μῆτερ ἡ Ξέρξου γεραιά, χαῖρε, Δαρείου γύναι·
θεοῦ μὲν εὐνάτειρα Περσῶν, θεοῦ δὲ καὶ μήτηρ ἔφυς,
εἴ τι μὴ δαίμων παλαιὸς νῦν μεθέστηκε στρατῷ.
Πέρσαι (OCR draft) Experimental (Πέρσαι. Guilielmus Dindorfius, 1882.) — 100 focus
Πέρσαι (OCR draft) Experimental (Πέρσαι. Gottfried Hermann, 1852.) — 100 focus
Χορὸς Γερόντων.
δρον μέγ' ἄστυ Σουσίδος,
Χορὸς Γερόντων.
λόγχης ἰσχὺς κεκράτηκεν.
ἀλλ᾽ ἥδε θεῶν ἴσον ὀφθαλμοῖς
φάος ὁρμᾶται μήτηρ βασιλέως,
150
βασίλεια δ᾽ ἐμή·
προπίτνω, * προπίτνω· *
καὶ προςφθόγγοις δὲ χρεὼν αὐτὴν
πάντας μύθοισι προςαυδῶν.
ΠΕΡΣΑΙ (OCR draft) Experimental (ΠΕΡΣΑΙ. Paul Mazon, 1920-1925.) — 100 focus
ἔμαθον δ' εὐρυπόροιο θαλάσσας
Ant. 4.
πολιαινομένας πνεύματι λάβρῳ
ἐσορᾶν πόντιον ἄλσος, πίσυνοι λεπ-
τοδόμοις πείσμασι λα-
105
οπόροις τε μηχαναῖς.
Ταῦτά
μου
μοι μελαγχίτων
Str. 1.
φρὴν ἀμύσσεται φόβῳ,
« ὀᾶ Περσικοῦ στρατεύματος »,
τοῦδε μὴ πόλις πύθη-
110
ΧΟΡΟΣ
ται, κένανδρον μέγ' ἄστυ Σουσίδος,
καὶ τὸ Κισσίων πόλισμ'
Ant. 1.
ἀντίδουπον
ἔσσεται
ἔσεται,
« ὀᾶ », τοῦτ' ἔπος γυναικοπλη-
θὴς ὅμιλος ἀπύων,
115
βυσσίνοις δ' ἐν πέπλοις πέσῃ λακίς.
Πᾶς γὰρ ἱππηλάτας
Str. 2.
καὶ πεδοστιβὴς λεώς
σμῆνος ὣς ἐκλέλοι-
πεν μελισσᾶν σὺν ὀρχάμῳ στρατοῦ,
120
τὸν ἀμφίζευκτον ἐξαμείψας
ἀμφοτέρας ἅλιον
πρῶνα κοινὸν αἴας·
λέκτρα δ' ἀνδρῶν πόθῳ
Ant. 2.
πίμπλαται δακρύμασιν·
125
Περσίδες δ'
ἁβροπενθεῖς
ἀκροπενθεῖς
ἑκάστα πόθῳ φιλάνορι
τὸν αἰχμήεντα θοῦρον εὐνα-
τῆρα
προπεμψαμένα
ἀποπεμψαμένα
λείπεται μονόζυξ.
130
Ἀλλ' ἄγε, Πέρσαι, τόδ' ἐνεζόμενοι
στέγος ἀρχαῖον, φροντίδα κεδνὴν
καὶ βαθύβουλον
θώμεθα — χρεία δὲ προσήκει —
πῶς ἄρα πράσσει Ξέρξης βασιλεὺς
135
Δαρειογενής, τὸ πατρωνύμιον
γένος
ἡμέτερον
ἁμέτερον· πότερον τόξου
ῥῦμα τὸ νικῶν, ἢ
δορυκράνου
δορικράνου
λόγχης ἰσχὺς κεκράτηκεν.
ΧΟΡΟΣ
Ἀλλ' ἥδε θεῶν ἴσον ὀφθαλμοῖς
150
φάος ὁρμᾶται μήτηρ βασιλέως,
βασίλεια δ' ἐμή, προσπίτνω·
καὶ προσφθόγγοις δὲ χρεὼν αὐτὴν
πάντες μύθοισι προσαυδᾶν.
Πέρσαι (OCR draft) Experimental (Πέρσαι. N. Wecklein, 1885.) — 107 focus
ΧΟ.
Aeschyli Persae (OCR draft) Experimental (Aeschyli Persae. Ulrich von Wilamowitz-Moellendorff, 1914.) — 100 focus
δολόμητιν δ᾽ ἀπάταν θεοῦ
τίς ἀνὴρ θνατὸς ἀλύξει;
τίς ὁ κραιπνῶι ποδὶ πηδή-
95
ματος εὐπετέος ἀνάισσων;
ταῦτά μοι μελαγχίτων
φρὴν ἀμύσσεται φόβωι,
115
Περσικοῦ στρατεύματος
τοῦδε μὴ πόλις πύθη-
Apparatus Criticus
ἀπάταν ἀπάτην θνατὸς θνητός ἀνάισσων ἀνάσσων recte legit Brunck. (παρα)σαίνου- 1 ἄρκυας ἄτα ἀρκύστατα corr. Herm. ὑπέκ ὑπὲr (ὕπερ Ρ ὑπέρ Ργρ) ὑπέκ θνατὸn θάνατον μοῖρ᾽ ἐκράτησεν μοῖρα κράτ. πυργοδαΐκτους πυρσοδ. ἱππιοχάρμας ἱππιοχάρμους -χάρμονας πόλεών τ᾽ πόλεών τ' καὶ πολ. πόλ. δ' ἀναστάσεις πόλ. ἀν. θαλάσσας θαλάσσας θαλάσσης πολιαινομένας πολιαινομένας πολιαινομένης ἄλσος ἄλγος πίσυνοι πίσσυνοι τε om μοι μοι μου ἀμύσσεται ἀμύσεται
ΧΟ.
ται, κένανδρον μέγ᾽ ἄστυ Σουσίδος
Testim.:
Apparatus Criticus
Κισσίων κίσσιον κισσίνων ἄισεται ἔσεται ἔσσεται recte legit Burney ἱππηλάτας ἱππηλάτης καὶ τε καὶ πεδοστιβὴς πεδοτριβής μελισσᾶν μελισσᾶν (ων supr. ἂν) μελισσάων μελισσών μέλισσαι μέλισσα ὀρχάμωι ὀρχάμονι στρατοῦ στρατώ ἐξαμείψας ἀμείψας πίμπλαται πίμπλανται ἁβροπενθεῖς ἀκροπ. ἑκάστα ἑκάστη ἑκάσταν αἰχμήεντα αἰχμάεντα -χμηταέντα εὐνατῆρα εὐνήτηρα προπεμψαμένα προπεμψ. ἀποπ. μονόζυξ μονόνυξ ἄγε ἄγετε
ΧΟ.
στέγος ἀρχαῖον
φροντίδα κεδνὴν καὶ βαθύβουλον
140
θώμεθα, χρεία δὲ προσήκει,
πῶς ἄρα πράσσει Ξέρξης βασιλεὺς
Δαρειογενής, τὸ πατρωνύμιον
†γένος ἁμέτερον· πότερον τόξου
ῥῦμα τὸ νικῶν, ἢ δορικράνου
145
λόγχης ἰσχὺς κεκράτηκεν.
ἀλλ᾽ ἥδε θεῶν ἴσον ὀφθαλμοῖς
φάος ὁρμᾶται μήτηρ βασιλέως,
βασίλεια δ᾽ ἐμή, προσπίτνω·
καὶ προσφθόγγοις δὲ χρεὼν αὐτὴν
150
πάντας μύθοισι προσαυδάν.
Translations (9)
Persians Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1922. (Modernized by Perseus.)) — 65-155 focus
Chorus
The royal army, dealing destruction to cities, has already passed to the neighboring land upon the facing shore, and this they did by crossing the
Hellespont
,
65
named for the daughter of Athamas, on a bridge of boats made fast with cables, thereby casting a tightly constructed roadway as a yoke upon the neck of the sea.
70
Chorus
The fiery lord of populous
Asia
is leading his wondrous warrior-flock against the whole earth in two divisions, on foot and by the sea, putting his trust in his stalwart and stern commanders; he himself,
75
a god-like hero whose race is sprung from gold.
1
80
Chorus
With eyes flashing with the dark glare of a deadly dragon, attended by soldiers and mariners in great numbers, and speeding his Syrian chariot,
he leads against a people renowned for the spear a warlike host of archers.
85
Chorus
And there is no man skilled to withstand the mighty stream of men, and with strong barriers keep out the sea’s invincible surge;
for
Persia
’s host cannot be withstood, and her men are courageous.
90
Chorus
For by the will of the gods Fate has held sway
since ancient time, and has ordained for the Persians the pursuit of rampart-destroying war, the turmoil of fighting horsemen, and the storming of cities.
95
Chorus
And they have learned to look upon the precinct of the deep when the broad-wayed sea whitens to foam beneath the tempest’s blast, trusting in their finely wrought
100
cables and their devices which give passage to their army.
105
Chorus
Yet the insidious guile of god—what mortal man can escape it? Who with agile foot can lightly overleap
and escape its toils?
110
Chorus
For Delusion, with her fair appearance, lures men astray into her snares, from which it is not possible to escape without meeting with disaster.
Chorus
Therefore my heart is wrapped in gloom and is racked with fear for the Persian army lest the state learn that the mighty capital of
Susa
is empty of men.
115
Chorus
Fearful I am too that as bands of women cry aloud
woe, the Cissian stronghold will raise a resounding shout responsive to the beating of breasts,
120
and that there will be a tearing of fine linen robes.
125
Chorus
For all the men-at-arms, those who urge on steeds and those who march along the plain, have left the city and gone forth, like bees in a swarm, together with the captain of the host.
They have crossed the headland, projecting into the sea and common to either continent, through which both shores are bridged.
130
Chorus
And marriage-beds are filled with tears through longing for husbands;
each Persian woman has sent to the field her warlike and fiery consort, and now in grief and longing for her beloved lord, is left forsaken by her mate.
135
Chorus
But come, Persians, let us take our place on the steps of this ancient palace and devise some wise and deeply-pondered counsel—for need of this has come upon us—as to how Xerxes our King,
140
Darius’ son, scion of our own race as his forefather’s name declares, is faring. Is it the drawing of the bow that has triumphed, or is it the might of the sharp spear-head which has prevailed?
Enter Atossa, richly dressed, on a chariot and attended by a numerous retinue
145
But look, here is a light like the eyes of the god, the mother of our king, my Queen. I bow low before her. It is fitting also that we all address her with words of salutation.
The elders prostrate themselves and then rise to their feet. Their leader continues
150
Chorus
O Queen, most exalted of
Persia
’s deep-girdled women, venerable mother of Xerxes, wife of Darius, all hail! You were the consort of the Persian’s god, and of another god the mother, that is, unless its former good fortune has now forsaken our host.
155
The Persians. (OCR draft) Experimental (The Persians.. Theodore Alois Buckley, 1849.) — 107 focus
LES PERSES (OCR draft) Experimental (LES PERSES. Paul Mazon, 1920-1925.) — 100 focus
En élargissant.
Le destin que les dieux ont de tout temps fait aux Perses
leur impose de poursuivre les guerres où croulent les remparts, les mêlées où
leur impose de poursuivre les guerres où croulent les remparts, les mêlées où
Mais voici qu'ils ont appris, sur les larges routes des mers,
que blanchit le vent fougueux,
que blanchit le vent fougueux,
Vif et mordant.
Voilà pourquoi mon âme en deuil est déchirée par l'angoisse. «
Voilà pourquoi mon âme en deuil est déchirée par l'angoisse. «
LE CHŒUR
qu'apprendra ma cité, la grande ville de Suse, vidée de tous ses mâles ?
Et entendrai-je répondre
qu'apprendra ma cité, la grande ville de Suse, vidée de tous ses mâles ?
est-ce là ce qu'un jour criera une foule confuse de femmes, tandis que sur leurs robes de lin leurs mains s'abattront pour les mettre en lambeaux ?
Un peu élargi.
Hélas ! tout un peuple de cavaliers, de fantassins s'en est allé, pareil à un essaim d'abeilles, derrière son conducteur
Et le regret des hommes emplit les lits de larmes. Chaque
femme perse, en son deuil languissant, a donné l'escorte d'un regret amoureux à son belliqueux et bouillant époux et demeure seule du couple d'antan.
Mélodrame.
femme perse, en son deuil languissant, a donné l'escorte d'un regret amoureux à son belliqueux et bouillant époux et demeure seule du couple d'antan.
LE CORYPHÉE
Allons, Perses, prenons place sous ce toit antique, et ouvrons l'examen prudent et profond — aussi bien la nécessité nous en presse —
LES PERSES
Allons, Perses, prenons place sous ce toit antique, et ouvrons l'examen prudent et profond — aussi bien la nécessité nous en presse —
LE CORYPHÉE
Mais voici venir, pareille à la clarté qui sort de l'œil des dieux, la mère du Grand Roi, ma reine : je tombe à genoux.
Et que tous ici lui adressent les hommages qui lui sont dus.
Le Chœur se prosterne. Entre la Reine, sur son char, suivie d'un nombreux cortège. — Parlé :
Mais voici venir, pareille à la clarté qui sort de l'œil des dieux, la mère du Grand Roi, ma reine : je tombe à genoux.
Et que tous ici lui adressent les hommages qui lui sont dus.
LE CORYPHÉE
The Persians (OCR draft) Experimental (The Persians. Robert Potter, 1779.) — 107 focus
So to her toils allures her deſtin'd prey,
Whence man ne'er breaks unhurt away.
110
EPODE.
Cruſh'd beneath th' aſſailing foe
Her-golden head muſt Ciſſia bend;
135
Whilſt her pale virgins, frantic with deſpair,
Thro' all her ſtreets awake the voice of woe;
And flying with their boſoms bare,
Their purfled ſtoles in anguiſh rend:
CHORUS.
whether his arrowy ſhow'r
Shot from the ſtrong-braced bow, or the huge ſpear
High brandiſh'd, in the deathful field prevails.
But ſee, the monarch's mother: like the Gods
165
Her luſtre blazes on our eyes: My queen,
Proſtrate I fall before her
b
: All advance
With reverence, and in duteous phraſe addreſs her.
Whole CHORUS.
Eschilo, I Persiani: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, I Persiani: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 100 focus
CORO
CORO
Ché la Parca sovra noi dai prischi secoli
per volere dei Celesti ebbe dominio,
ed impose che i Persiani prevalessero
a espugnar torri, negli impeti
110
turbinosi dei cavalli,
a fiaccar muniti valli.
3
CORO
Indi appresero a mirar con ciglio impavido
la gran selva dei marosi farsi candida
sotto raffiche rapaci; e s'avventurano
115
su gli ordigni ben costrutti
onde l'uom valica i flutti.
5
CORO
CORO
CORO
CORO
1
CORIFEO
se vinceva la furia dei dardi
o la forza di ferrëe cuspidi.
155
CORIFEO
Ma s'avanza, e a pupilla di Nume
rassomiglia, la madre del Re,
la Regina. In ginocchio io mi prostro.
E voi tutti, conviene che ad essa
rivolgiate parole d'ossequio.
160
CORIFEO
Aeschylus, Persae: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Persae: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 100 focus
Subtilibus perfuafionibus, machinationibus po
pulo prebitis.
Huius ne urbs intelligat
90
Heu caterua plena mulierum uociferantium,
In byßinos peplos cadet ruptura.
Vtriufq; marinum prominens commune
Terre:lecti uerò uirorum amore
100
Perſides uerò admodum flentes,
Vnaquæq; ad bellum uiri amore
Impetuofum, maritum dimittens,
Triſtatur fold.
105
Quomodo fanè agit Xerxes rex
Dariogena, patrinominis est genus noſtrum
110
Vtrum arcus impetus uicerit,
Aut hastatæ lancee robur fuperauerit,
Sed dijs æquale oculis noftris
Lumen proficifcitur mater regis,
Regina mea, procido,
115
Et opus est claris ipſam
Omnes uerbis falutare.
Cho.
The Persians (OCR draft) Experimental (The Persians. Anna Swanwick, 1886.) — 96 focus
CHORUS
How say'st thou? Doth not all the Asian host
Cross back from Europe over Hellè’s strait?
DARIUS
Of many few, if it behoveth one,
Beholding things accomplished, to have faith
In god-sent oracles; for ne'er of these
Do some fulfilment find while others fail.
If this be so, persuaded by vain hopes,
A large and chosen force he leaves behind.
800
These linger where Asopos floods the plain,
Kind source of fatness to Bœotia’s fields.
There them awaits to bear of ills the crown,
Just meed of insolence and godless thoughts.
For reaching Hellas, awe forbade them not
Statues of gods to spoil or shrines to fire.
Altars are swept away, and hallowed fanes,
Uprooted from their basement, ruined lie;
Hence, having evil wrought, evil themselves
Not less they suffer, and shall suffer more;
810
Not yet is reached the bottom of their woe,
But still it welleth up, a quenchless flood;
*
Such gouts of bloody slaughter shall there lie
Upon Platæa's soil from Dorian spear—
Yea, and to children's children, heaps of slain
Voiceless, shall record bear to eyes of men,
That thoughts too lofty suit not mortal man;
For bursting into blossom, Insolence
Its harvest-ear, Delusion, ripeneth,
And reaps most tearful crop. Beholding then,
Such the requital of these impious deeds,
820
Remember Athens, Hellas,—and let none
Disdaining present fortune, lusting still
For other, squander great prosperity.
For Zeus, chastiser of o'erweening thoughts,
Is aye at hand, an auditor
*
severe.
Wherefore, with timely warning, counsel him,
Lacking in wisdom, that he henceforth cease
'Gainst Heaven to sin, with overweening pride.
But thou, O Xerxes' aged mother dear,
Enter thy home, and taking fit attire
830
Go meet thy son; for the embroidered robes,
Through grief of heart at these calamities,
Around his person all are torn to shreds;
Soothe him with kindly words, for well I wot,
Thy voice alone will he endure to hear.
But I to nether darkness now depart.
Farewell, ye elders; although ills surround,
Yet to your souls give joyance, day by day,
For to the dead no profit is in wealth.
1
2
CHORUS
Hearing of Persia's sorrows manifold,
840
Present and yet to come, sorely I grieved.
ATOSSA
O Fate unblest! How many grievous ills
Upon me fall, yet most this sorrow stings,
That of my son's dishonour I must hear,
His royal limbs in tatter'd garb arrayed.
But I will go, and taking from my home
Costly attire, meet, if I may, my son.
For ne'er will we our dearest fail in woe.
CHORUS
STROPHE I.
Noble and blest in sooth our city-ruling life,
What time our monarch hoar,
850
Resourceful, blameless, unsubdued in strife,
Godlike Darius ruled our country o'er.
ANTISTROPHE I.
As chiefs of glorious hosts were we displayed,
†Firm laws did all things guide,
While scathless and unworn, when war was laid,
†In triumph to their homes our warriors hied.
STROPHE II.
858
How many a town he took, yet seldom he
860
The Halys crossed, or from his hearth would roam;
*
The cities such of the Strymonian Sea,
The Achelôdès, near the Thracians’ home.
3
ANTISTROPHE II.
864
And those tower-girded, distant from the coast,
Towns of the mainland, recognised his sway.
Those near Propontis' gulfs their site which boast,
870
Round Hellè’s ample frith and Pontos' bay.
STROPHE III.
871
And islands of the main,
Fronting the headland that o'erlooks the sea,
Hard by this Asian plain;
Lesbos, and Samos crowned with olive-trees,
Myconos, Paros, Naxos, Chios, these,
And Andros, joining Tenos neighbourly.
ANTISTROPHE III.
Ay, and each isle that lies
Midway between the mainlands he controlled;
879
Icaros' seat of old;
Rhodes, Lemnos, Cnidos; Cyprian towns of fame,
880
Paphos and Soli, Salamis, dread name,
Whose mother-city wakes these doleful cries.
EPODE.
And to his will Ionia's towns he bent,
Well peopled by Hellenès, opulent;
And strength exhaustless his of mailed array,
Of allies too, a motley band;
But now, not dubiously, by God's own hand,
Smitten with mighty blow
Through naval overthrow,
890
Behold we former glories swept away.
STROPHE I.
ANTISTROPHE I.
STROPHE II.
ANTISTROPHE II.
STROPHE III.
ANTISTROPHE III.
EPODE.
XERXES
4
Ah, wretched me, whom Fate
With most unlook’d-for blow
Hath smitten! With what hate
A God on Persia's race
Hath trampled! What dire woe
Is mine! Unhappy wight!
Loosed is my strength of thew,
These elders meeting face to face.
Would that, O Zeus, me too,
With the brave men laid low,
900
Death's doom had veiled in night.
CHORUS
Woe, king, for our brave army! Woe
For honours vast of Persia's reign,
Her warriors of renown,
Whom Fate hath now mown down!
Earth mourns her martial bloom,
Growth of her soil, by Xerxes slain,
Who crowds with Persians Hades' gloom.
†Full many chiefs, our country's flower,
Lords of the conquering bow,
Now tread the paths of doom,
910
For multitudinous the power
Of men by death laid low.
Woe for our trusty forces! woe!
For Asia's land, upon her knee,
In direful fall, O king! sinks direfully.
XERXES
STROPHE I.
Ah, miserable me,
Worthy of pity, wretched, born to be
To race and fatherland a direful ill.
STROPHE I.
1st CHORUS
And I, thy home-return to hail,
An evil-omened dirge will trill,
A voice well versed in pain;
Like Mariandyne mourner's strain,
920
A doleful, tear-fraught wail.
XERXES
ANTISTROPHE I.
Pour notes of doleful sound,
A voice of wailing, fraught with grief profound;
From me hath changeful Fortune turned away.
ANTISTROPHE I.
2nd CHORUS
With groans I too will pay
Due honour to our city's bale
Our sea-inflicted woes;
Yea, like the anguished throes
Of child-reft sire, shall sound my tear-fraught wail.
XERXES
STROPHE II.
Our ship-fenced Ares from the Ionian's might
Dire mischief did sustain,
In shock of changeful fight;
930
The mournful-fated coast shearing
*
and land-bound main.
†
STROPHE II.
CHORUS
Cry woe! search out the worst; woe, woe!
Where now the friendly band
Wont at thy side to stand?
Such was Pharandaces,
Susas, Pelagon, Psammis, Dotamas,
Such Agdabates, such Susiscanes,
Agbatana who left. Oh say
Where now be they?
940
XERXES
ANTISTROPHE II.
Death-stricken from a Tyrian galley thrown,
Yonder I left them prone;
Amid the billowy roar,
The rock-bound coast they beat on Salaminian shore.
ANTISTROPHE II.
CHORUS
Where thy Pharnuchos? Woe, on woe!
Brave Ariomard and he,
Warrior of high degree,
Lilaios and the king
Seualces; Memphis where and Tharybis,
Where are Masistras, and brave Artembar,
950
Ay, and Hystæchmas? Say, oh say,
Where now be they?
XERXES
STROPHE III.
Ah me! Alas! Woe! Woe!
They saw the city hoar,
Athenè’s hated wall,
And with convulsive struggle, one and all,
Poor wretches, were laid gasping on the shore.
STROPHE III.
CHORUS
Him, thine all-trusty eye,
The hosts of Persia who told o'er
960
By ten times fifty score,
Alphistos, Batanochos' heir,
Sesames' son, who owed his birth
To Megabates, him didst leave,
Parthos and great Œbares there
Didst leave to die?
Unhappy men! ah me!
Persians of highest worth!
For them dire ills on ills I hear from thee,
And sighs of anguish heave.
XERXES
ANTISTROPHE III.
Ah me! Alas! Woe! Woe!
A thrill of tender pain
For my brave comrades' sake,
Telling of ills most hateful, thou dost wake.
970
Cries out my very heart, yea, cries amain.
ANTISTROPHE III.
CHORUS
We for another mourn,
Of Mardia's myriad host the head,
Xanthos;—Anchares, Arian-born,
Diæxis and Arsaces, who
Afield our mounted forces led,
Kigdagatas and Lythimnas,
War-craving Tolmos—these, alas,
These mourn we too.
980
Sorrow astounds, ah me,
Sorrow astounds my mind
These chiefs on tented cars no more to see
Thy royal pomp behind.
XERXES
STROPHE IV.
For lost are they our host who led.
STROPHE IV.
CHORUS
Lost amid the nameless dead.
XERXES
Woe! Woe! Alas! Woe! Woe!
CHORUS
Woe! Woe! in sooth, for lo!
Ill so unlooked-for and pre-eminent
As Atè ne'er beheld, the gods have sent.
XERXES
ANTISTROPHE IV.
Stricken are we by heaven-sent blow.
990
ANTISTROPHE IV.
CHORUS
Stricken, in sooth, too plain our woe.
XERXES
Fresh griefs, fresh griefs, ah me!
CHORUS
Meeting Ionian seamen, we
Have now, alas, encountered dire disgrace;
Unfortunate in war is Persia's race.
XERXES
STROPHE V.
Stricken, too true, with host so great.
STROPHE V.
CHORUS
Perished hath Persia's high estate.
XERXES
Dost see this remnant of my warlike gear?
CHORUS
Yea, I behold.
1000
XERXES
This also—arrows that should hold?
CHORUS
What sayest saved hath been?
XERXES
Casket for missiles keen.
CHORUS
Small rest of ample store.
XERXES
None left to aid us more.
CHORUS
Ionia's people flee not from the spear.
XERXES
ANTISTROPHE V.
Too warlike they! I've seen unlooked-for woe.
ANTISTROPHE V.
CHORUS
Wilt tell of flight and naval overthrow?
XERXES
At this sad chance my robes I rent.
CHORUS
Ah me! Ah me!
1010
XERXES
Worse than ah me! ay, worse!
CHORUS
Double, ay, threefold curse.
XERXES
Joyful to foes, to us despair.
CHORUS
Maimed prowess we lament.
English (E. D. A. Morshead, 1908) (OCR draft) Experimental (Aeschylus, Persians — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 107 focus
But the guile of the god is deceitful, and who shall elude him by flight?
And who is the lord of the leap, that can spring and alight and evade?
95
For Até deludes and allures, till round him the meshes are laid,
They have learned to behold the forbidden, the sacred enclosure of sea,
Where the waters are wide and in stress of the wind the billows roll hoary to lee!
100
And their trust is in cable and cordage, too weak in the power of the blast,
And frail are the links of the bridge whereby unto Hellas they passed.
Therefore my gloom-wrapped heart is rent with sorrow
For what may hap to-morrow!
Alack, for all the Persian armament—
105
Alack, lest there be sent
Dread news of desolation, Susa's land
Bereft, forlorn, unmanned—
Lest the grey Kissian fortress echo back
The wail,
Alack, Alack!
110
The sound of women's shriek, who wail and mourn,
With fine-spun raiment torn!
The charioteers went forth nor come again,
And all the marching men
Even as a swarm of bees have flown afar,
115
Drawn by the king to war—
Crossing the sea-bridge, linked from side to side,
That doth the waves divide:
And the soft bridal couch of bygone years
Is now bedewed with tears,
120
Each princess, clad in garments delicate,
Wails for her widowed fate—
Alas my gallant bridegroom, lost and gone,
And I am left alone!
But now, ye warders of the state,
125
Here, in this hall of old renown,
Behoves that we deliberate
In counsel deep and wise debate,
For need is surely shown!
How fareth he, Darius' child,
130
The Persian king, from Perseus styled?
Comes triumph to the eastern bow,
Or hath the lance-point conquered now?
[
Enter
Atossa.
See, yonder comes the mother-queen,
Light of our eyes, in godlike sheen,
135
The royal mother of the king!—
Fall we before her! well it were
That, all as one, we sue to her,
And round her footsteps cling!
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 107 focus
Doch der trugspinnenden Gottheit, wo entrinnt ihr ein Geborener,
Und entspringt ihr mit behendfliehendem Fuße leichten Schwunges?
Denn so huldreich sie zuerst auch ihm geliebkost,
1
Sie verlockt in die Schlingen des Fanggarns,
90
Und es mag Keiner daraus, den es umstrickt, wieder entflieh'n.
Dritte Strophe.
Und das Volk lernte die weiten Gefilde,
Von des wilden Orkans Schauern erschäumend,
Und der See wogenden Hain schau'n,
Dem Geflecht schwankender Taue
100
Und der völkergeleitenden Brücke trau'n.
Vierte Strophe.
Drum zerreißt mir bange Furcht
Meine nachtumhüllte Brust,
(O Gram!)
Furcht, das Volk vernehme bald,
Daß, beraubt des Perserheers, männerleer
105
Stehe Susa's große Stadt.
Vierte Gegenstrophe.
Und die Mauer Kissia's,
Fürcht' ich, hallt die Klage nach;
( Gram!)
Jammernd zieht der Weheruf
Durch der Frauen dichte Reih'n; wild entzwei
110
Reißt der Schmerz das Byssoskleid,
Fünfte Strophe.
Alles Volk, kampfbereit,
Stürmte hin zu Fuß und Roß;
Einem Schwarm Bienen gleich, zog es aus,
Seinem Heergebieter nach,
115
Und schritt kühn über jenes Joch hin,
Das die Gestade vereint
Beider Länderveſten.
Fünfte Gegenstrophe.
Doch daheim nezt der Frau'n
Lager sehnsuchtheißer Schmerz;
120
Persis' Frau'n, gramgebeugt, jede weint
Bang dem Heißgeliebten nach,
Dem muthvoll ungestümen Streiter,
Den sie gesandt in den Kampf,
Härmt sich ab vereinsamt.
125
Der Chorführer.
Nun, Perser, wohlan! Hier sehen wir uns
An den alten Palast,
Und pflegen mit Ernst tiefsinnigen Rath;
Denn drängend gebeut es die Noth uns.
Wie mag es um ihn,
130
Um Xerxes steh'n, des Dareios Sohn,
Durch Perseus unserem Stamme verwandt?
Ob über den Feind das geschnellte Geschoß,
Ob die Lanze den Sieg
Mit der eisernen Stirn sich erkämpfte?
135
(Aus der Pforte des königlichen Palastes wird Atossa im höchsten Schmucke der Königin auf goldenem Throne herausgetragen; großes Gefolge.)
Der Chorführer.
Doch seht, wie den Augen der Götter entstrahlt,
Ein Licht, hebt dort sich die Mutter des Herrn,
Sie, Königin uns! Ich sink' in den Staub.
Uns allen geziemt, sie demuthvoll
Mit ehrendem Ruf zu begrüßen.
140
(Die Greise werfen sich nieder und berühren den Boden mit der Stirne, während die Königin den Wagen verläßt.)
Der Chor.
Notes on the current edition
Persians
Commentary
Critical apparatus to The Persians (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of The Persians.) focus
140.
mvp-aeschylus-tlg0085-tlg002-hermann1852-appcrit-lat1-109
142.
mvp-aeschylus-tlg0085-tlg002-hermann1852-appcrit-lat1-110
143.
mvp-aeschylus-tlg0085-tlg002-hermann1852-appcrit-lat1-111
145.
mvp-aeschylus-tlg0085-tlg002-hermann1852-appcrit-lat1-112
146.
mvp-aeschylus-tlg0085-tlg002-hermann1852-appcrit-lat1-113
147.
mvp-aeschylus-tlg0085-tlg002-hermann1852-appcrit-lat1-114
148.
mvp-aeschylus-tlg0085-tlg002-hermann1852-appcrit-lat1-115
149.
mvp-aeschylus-tlg0085-tlg002-hermann1852-appcrit-lat1-116
150.
mvp-aeschylus-tlg0085-tlg002-hermann1852-appcrit-lat1-117
151.
mvp-aeschylus-tlg0085-tlg002-hermann1852-appcrit-lat1-118
152.
mvp-aeschylus-tlg0085-tlg002-hermann1852-appcrit-lat1-119
154.
mvp-aeschylus-tlg0085-tlg002-hermann1852-appcrit-lat1-120
Commentary (W. S. Teuffel; revised by N. Wecklein, 1886; German; OCR draft) (Persians, explanatory commentary pp. 43–97. Single-witness OCR; source readings and all reference placements require scan review.) focus
140-154.
mvp-aeschylus-tlg0085-tlg002-teuffel-wecklein1886-com-ger1-22