Aristophanes Ecclesiazusae 826

Ecclesiazusae. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἐκκλησιάζουσαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 834 focus
Translations (2)
Ecclesiazusae (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 834 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 834 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

826. mvp-tlg0019-tlg010-sanjaya-com-eng1-29

Line 826

κεὐθὺς κατεχρύσου πᾶς ἀνὴρ Εὐριπίδην·
The phrase κατεχρύσου (future of κατεχρύσοω, 'to gild') functions as a hyperbolic metaphor for the act of venerating or canonizing Euripides, suggesting that the male citizenry will not merely praise him but literally cover him in gold. This reflects the specific comedic trope in Aristophanes' later works where the absurdity of the new political order is expressed through the literalization of social values; here, the 'gilding' implies a deification or an excessive, almost idolatrous, elevation of the tragedian to the status of a civic idol, contrasting with the play's broader satire on the demagogic manipulation of public sentiment.