Aristophanes Ecclesiazusae 834

ed. F. W. Hall, ed. William M. Geldart

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Ecclesiazusae. Aristophanes. ed. F. W. Hall, ed. William M. Geldart. Oxford. 1907.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Ἐκκλησιάζουσαι (Greek) (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.)

Translations (2)
Ecclesiazusae (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 834 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 834 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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Line 840

κλῖναί τε σισυρῶν καὶ δαπίδων †νενασμέναι†,
The word νενασμέναι is marked by an obelus (†) in the critical apparatus, indicating it is a conjecture rather than a transmitted reading. The participle is morphologically irregular here, appearing as a perfect passive participle of νάσσω (to beat, to thrash) in a feminine plural form agreeing with κλῖναί, yet the semantic fit is tenuous; some editors propose it may be a corruption of a different root or a hapax legomenon arising from the comic context of the 'women's assembly' where domestic items are being reimagined as political tools. The textual uncertainty stems from the difficulty of finding a satisfactory sense for 'thrashed beds of reeds and tiles' without assuming a specific, perhaps lost, metaphorical usage or a scribal error in the transmission of the verb form.

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Line 851

πρὸς ταῦτα χωρεῖθʼ, ὡς ὁ τὴν μᾶζαν φέρων
The genitive construction ὁ τὴν μᾶζαν φέρων functions as a substantive comparative clause ('just as the one carrying the bread'), where the article ὁ nominalizes the participle. While the article-participle construction is standard, the specific elliptical comparison relying on a well-known, non-textual cultural practice (the carrying of the first-fruits bread or 'maza' at sacrifices) without an explicit antecedent for the simile in the immediate context requires recognition of the specific ritual context of the Bread of the First Fruits (πρώταρτος) to understand the implied standard of behavior being invoked here.

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Line 868

καὶ Παρμένων αἴρεσθε τὴν παμπησίαν.
The vocative Παρμένων is a comic invention for the historical Parmenion, the famous general of Philip II and Alexander the Great. Aristophanes exploits the phonetic similarity between the general's name and the verb παρμένων (having stood by/remaining), creating a pun on the adjective παμπησίαν (completely/utterly, from πᾶς + πᾶσις, literally 'all-together'). The humor relies on the audience recognizing the general's name as a vocative address while simultaneously parsing the word as a command to 'choose the all-together [thing]', a syntactic ambiguity central to the wordplay.