Aristophanes Ecclesiazusae 433

Ecclesiazusae. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἐκκλησιάζουσαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 434 focus
Translations (2)
Ecclesiazusae (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 434 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 434 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

433. mvp-tlg0019-tlg010-sanjaya-com-eng1-11

Line 433

ἀνεβορβόρυξαν.
The verb ἀνεβορβόρυξαν is a rare, compound formation found only here in Aristophanes, combining the prefix ἀνα- with the reduplicated root of βορβόρυζω (to rumble, as of the stomach or sea). The reduplication (βεβορβόρυζον) is preserved in the imperfect but appears contracted in the aorist (ἀνεβορβόρυξαν), a morphological feature that complicates the scansion and parsing for the reader. This hyper-technical verb is used to describe the simultaneous, chaotic noise of the female assembly, creating a sound-effect that is both onomatopoeic and semantically specific to the 'rumbling' of the collective body politic, a motif central to the play's satire of the assembly's disorder.