Aristophanes Ecclesiazusae 428

Ecclesiazusae. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἐκκλησιάζουσαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 434 focus
Translations (2)
Ecclesiazusae (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 434 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 434 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

428. mvp-tlg0019-tlg010-sanjaya-com-eng1-10

Line 428

λευκός τις ἀνεπήδησʼ ὅμοιος Νικίᾳ
The phrase ὅμοιος Νικίᾳ relies on the specific historical context of the character's appearance; the audience would recognize this as a reference to Nicias, the prominent Athenian general, whose physical likeness to the character (likely a disguise or a visual gag) serves as the punchline. This is not merely a comparison to a generic person but a specific prosopographical allusion to a real political figure whose reputation for caution and piety (or perhaps his distinctive appearance) is being invoked for comedic effect. The use of the dative Νικίᾳ without a verb of 'being' or 'looking' is a standard Greek construction for resemblance, but the force of the joke depends entirely on the audience's immediate recognition of Nicias, a figure whose political stance and personal traits were central to the contemporary Athenian discourse.