Aristophanes Ecclesiazusae 356

Ecclesiazusae. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἐκκλησιάζουσαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 354 focus
Translations (2)
Ecclesiazusae (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 354 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 354 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

356. mvp-tlg0019-tlg010-sanjaya-com-eng1-4

Line 356

μῶν ἣν Θρασύβουλος εἶπε τοῖς Λακωνικοῖς;
The anaphoric use of the relative pronoun ἣν (accusative feminine singular) here refers back to the specific, previously mentioned speech or decree (implied by the context of the play's plot regarding the women's assembly) rather than a generic noun. The construction εἶπε τοῖς Λακωνικοῖς alludes to a specific historical event where Thrasybulus, the Athenian democratic leader, negotiated with the Spartans (Lacedaemonians) following the overthrow of the Thirty Tyrants in 403 BCE. The use of the aorist indicative εἶπε rather than a perfect or pluperfect emphasizes the specific, completed utterance of that historical moment, which is being invoked as a precedent for the current political maneuvering of the women in the play.