Aristophanes Ecclesiazusae 1057

Ecclesiazusae. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἐκκλησιάζουσαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 1049 focus
Translations (2)
Ecclesiazusae (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1049 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1049 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1057. mvp-tlg0019-tlg010-sanjaya-com-eng1-42

Line 1057

ἐξ αἵματος φλύκταιναν ἠμφιεσμένη.
The phrase ἐξ αἵματος ('from blood') modifies φλύκταιναν (a 'blister' or 'pustule'), creating a grotesque, literalized metaphor for the character Praxagora's disguise. In the context of the play's central satire on the inversion of social norms, this describes a costume element where a garment is made to look as if it has been stitched together from bloodied skin or is covered in blood-blisters, emphasizing the visceral, anti-aesthetic nature of the 'women's' new regime. The construction relies on the genitive of source/origin (ἐξ + genitive) to indicate the material composition of the disguise, a usage that heightens the absurdity of the costume description in the parabasis.