Aristophanes Birds 760

Birds. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὄρνιθες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 752 focus
Translations (3)
Birds Perseus (Aristophanes. The Complete Greek Drama, Vol. 2. Anonymous, translator. O'Neill, Eugene; Oates, Whitney Jennings, editors. New York: Random House, 1938 (printing).)

No corresponding passage available

Birds (OCR draft) Experimental (Anonymous translation, 1938 compilation; legacy Perseus source migration. Preserved separately from the revised canonical perseus-eng2 at the project owner's request.) — 752 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 752 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

760. mvp-tlg0019-tlg006-sanjaya-com-eng1-42

Line 760

εἰ δὲ τυγχάνει τις ὑμῶν δραπέτης ἐστιγμένος,
The participle ἐστιγμένος (from στίζω, to brand) refers specifically to the practice of branding slaves with a mark (often the name of the owner or a warning) to prevent them from being hired elsewhere or to identify them as fugitives. In the context of Aristophanes' Birds, this detail is not merely descriptive of a slave's status but sets up the specific legal and social mechanism by which the character Euelpides and Peisthetaerus intend to exploit this status: they will offer the branded fugitive a new 'identity' by incorporating him into their avian city, effectively erasing his previous legal standing as a branded runaway. The choice of this specific participle over a more generic term for 'slave' or 'fugitive' highlights the commodification of human bodies in classical Athens and the specific anxiety regarding slave mobility that Aristophanes satirizes.