Aristophanes Birds 1247

Birds. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὄρνιθες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1263 focus
Translations (3)
Birds Perseus (Aristophanes. The Complete Greek Drama, Vol. 2. Anonymous, translator. O'Neill, Eugene; Oates, Whitney Jennings, editors. New York: Random House, 1938 (printing).)

No corresponding passage available

Birds (OCR draft) Experimental (Anonymous translation, 1938 compilation; legacy Perseus source migration. Preserved separately from the revised canonical perseus-eng2 at the project owner's request.) — 1263 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1263 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1247. mvp-tlg0019-tlg006-sanjaya-com-eng1-82

Line 1247

μέλαθρα μὲν αὐτοῦ καὶ δόμους Ἀμφίονος
The phrase 'μέλαθρα μὲν αὐτοῦ καὶ δόμους Ἀμφίονος' alludes to the legendary Theban king Amphion, who, according to myth, built the walls of Thebes with the magic of his lyre. Here, Aristophanes uses the plural 'μέλαθρα' (mansions/palaces) and 'δόμους' (dwellings) to ironically suggest that the birds are constructing their new city, Cloudcuckooland, with the same effortless, musical prowess as Amphion, contrasting the grandeur of the myth with the absurdity of the bird city's location and nature. This is a deliberate literary allusion (Commentary type 7) that relies on the audience's familiarity with the Amphion myth to underscore the comic inversion of heroic construction.