Aristophanes Birds 1237

Birds. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὄρνιθες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1224 focus
Translations (3)
Birds Perseus (Aristophanes. The Complete Greek Drama, Vol. 2. Anonymous, translator. O'Neill, Eugene; Oates, Whitney Jennings, editors. New York: Random House, 1938 (printing).)

No corresponding passage available

Birds (OCR draft) Experimental (Anonymous translation, 1938 compilation; legacy Perseus source migration. Preserved separately from the revised canonical perseus-eng2 at the project owner's request.) — 1224 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1224 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1237. mvp-tlg0019-tlg006-sanjaya-com-eng1-81

Line 1237

οἷς θυτέον αὐτούς, ἀλλὰ μὰ Δίʼ οὐ τῷ Διί.
The sentence presents a deliberate pun (paronomasia) on the word Δίʼ (Zeus) and Διί (Zeus), exploiting the distinction between the accusative plural αὐτούς (them) and the dative singular Διί (to Zeus). The speaker, likely a bird in the play, argues that the birds should be sacrificed to (as victims), not *to* Zeus (as the recipient of sacrifice), playing on the ambiguity of the preposition ἀλλά and the context of ritual. This is a classic example of Aristophanic wordplay that hinges on the grammatical case of the divine name.