Aristophanes Birds 1158

Birds. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὄρνιθες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1148 focus
Translations (3)
Birds Perseus (Aristophanes. The Complete Greek Drama, Vol. 2. Anonymous, translator. O'Neill, Eugene; Oates, Whitney Jennings, editors. New York: Random House, 1938 (printing).)

No corresponding passage available

Birds (OCR draft) Experimental (Anonymous translation, 1938 compilation; legacy Perseus source migration. Preserved separately from the revised canonical perseus-eng2 at the project owner's request.) — 1148 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1148 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1158. mvp-tlg0019-tlg006-sanjaya-com-eng1-77

Line 1158

καὶ νῦν ἅπαντʼ ἐκεῖνα πεπύλωται πύλαις
The verb πεπύλωται is a hapax legomenon in Aristophanes, formed from the noun πύλη (door) with a perfect passive middle voice ending. The construction is a deliberate comic neologism (verbing a noun) to depict the city of Cloudcuckooland as having been sealed shut by its very gates, playing on the dual meaning of πύλαι as both the physical gates and the metaphorical 'barriers' of the new state. The perfect tense emphasizes the completed state resulting from the action, fitting the play's theme of a city that has been instantly and irrevocably fortified against the outside world.