Aristophanes Peace 1077

Peace. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Εἰρήνη Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1127-1190 focus
Translations (2)
Peace (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1063 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1063 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1077. mvp-tlg0019-tlg005-sanjaya-com-eng1-38

Line 1077

καὶ πῶς ὦ κατάρατε λύκος ποτʼ ἂν οἶν ὑμεναιοῖ;
The form οἶν is a rare, dialectal contraction of οἶνον (accusative singular of ὄινος, 'wine') found in comic poetry to fit the meter. While standard Attic would expect οἶνον, the elision of the final -ν before the vowel ὑμεναιοῖ and the subsequent contraction with the preceding syllable create the form οἶν. This is not merely a metrical license but reflects the colloquial, often rough, linguistic register of the character Hermes, who here mocks Trygaeus's attempt to retrieve Peace. The form is attested in this specific line in the Aristophanic tradition and highlights the playwright's manipulation of phonological reduction for comic effect.