Aristophanes Acharnians 905b

Acharnians. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἀχαρνῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 929-958 focus
Translations (2)
Acharnians (OCR draft) Experimental (English (Anonymous; Liveright, 192?). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 895 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 895 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

905b. mvp-tlg0019-tlg001-sanjaya-com-eng1-50

Line 905b

νεὶ τὼ θιὼ
The phrase νεὶ τὼ θιὼ presents a crux of textual transmission and dialectal morphology. The verb θιὼ is an archaic or Doric form of ἰόντος (genitive plural of ἰών, 'going'), appearing here in the dative plural to agree with the dual article τὼ. This construction, where the participle functions adverbially with a preposition (νεὶ = νηί, 'by/with'), is rare in Attic comedy and suggests either a deliberate archaism for comic effect or a corruption of a more standard Attic form (e.g., νηὶ τοῖς ἰοῦσι). Manuscript evidence varies: some codices read θιόν for θιὼ, which would require emendation to fit the dual context, while others preserve the Doric form, reflecting Aristophanes' known tendency to mix dialects for metrical or humorous purposes. The dual form τὼ θιὼ specifically refers to two individuals or entities in motion, likely alluding to a specific mythological or ritual context within the play's broader argument about war and peace.