Aristophanes Acharnians 894

Acharnians. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἀχαρνῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 860-928 focus
Translations (2)
Acharnians (OCR draft) Experimental (English (Anonymous; Liveright, 192?). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 895 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 895 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

894. mvp-tlg0019-tlg001-sanjaya-com-eng1-49

Line 894

σοῦ χωρὶς εἴην ἐντετευτλανωμένης.
The participle ἐντετευτλανωμένης is a perfect passive participle of the verb ἐντετυλάνω ('to be in a state of distress' or 'to be worn out'), derived from τυλάνω. While τυλάνω is attested in comedy, the perfect passive participle in this specific feminine form, agreeing with an implied subject (likely 'house' or 'city' in a broader context, or here functioning as a substantive), is a rare morphological construction in Aristophanes. The verb itself is onomatopoeic, imitating the sound of a creaking door or a groaning body, and its perfect tense here emphasizes a state of enduring affliction rather than a completed action. This usage is distinct from the more common τυφλός or τυφλός-related forms and highlights Aristophanes' tendency to coin or adapt verbs for comic effect, specifically targeting the physical sensation of weariness or distress in the character's voice.