Homer Iliad 11.575

Samuel Butler (Translator)

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Perseus

Iliad (English) (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 11.575 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 11.575 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 11.575 focus
Now when Eurypylos, the brave son of Euaimon, saw that Ajax was being overpowered by the rain of arrows, he went up to him and hurled his spear. He struck Apisaon, son of Phausios, in the liver below the midriff, and laid him low. Eurypylos sprang upon him, and stripped the armor from his shoulders; [580] but when godlike Alexandros saw him, he aimed an arrow at him which struck him in the right thigh; the arrow broke, but the point that was left in the wound dragged on the thigh; he drew back, therefore, under cover of his comrades to save his life, [585] shouting as he did so to the Danaans, “My friends, princes and counselors of the Argives, rally to the defense of Ajax who is being overpowered, and I doubt whether he will come out of the fight alive. [590] This way, then, to the rescue of great Ajax, son of Telamon!”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 11.575 focus
Eurypylus, Evæmon's noble son,
Saw Ajax sorely pressed with many darts,
And came and stood beside him, taking aim
700
With his bright spear, and in the liver smote,
Beneath the midriff, Apisaon, son
Of Phausias, and a prince among his tribe.
His knees gave way, and down he sank in death.
But godlike Alexander, who beheld
705
The slayer stripping Apisaon's corpse
Of armor, at that moment bent his bow,
And pierced Eurypylus in the right thigh.
The reed brake in the wound. He writhed with pain,
And mingled with his fellows in the ranks,
710
Avoiding death, yet shouting to the Greeks:-
"O friends, the chiefs and leaders of the Greeks,
Rally and keep your ground; ward off the fate
Of death from Ajax, who is sorely pressed
With darts, and, much I fear, may not escape
715
Safe from this stormy conflict. Stand ye firm
Around the mighty son of Telamon."
So spake the wounded warrior; while his friends
Rallied around him, with their shields inclined
Against their shoulders, and with lifted spears.
720
And Ajax came and joined them; then he turned,
And firmly faced the foe. The Greeks renewed
The combat with a rage like that of fire.
Now meantime the Neleian coursers, steeped
In sweat, were bearing Nestor and the prince
725
Machaon from the battle. On the prow
Of his great ship, Achilles, swift of foot,
Looked forth, and, gazing on the hard-fought fray
And the sad rout, beheld them. Then he called
His friend Patroclus, shouting from the ship.
730
Patroclus heard, within the tent, and came,
Glorious as Mars; - yet with that day began
His woes. The gallant Menœtiades
Made answer thus: "Why callest thou my name,
Achilles, and what needest thou of me?"
735
And thus rejoined Achilles, swift of foot: -
"Son of Menœtius, nobly born, and well
Beloved by me, the Greeks, I deem, will soon
Be at my knees, imploring aid; for now
A hard necessity besets their host.
740
But go, Patroclus, dear to Jove, and ask
Of Nestor who it is that he hath brought
Thus wounded from the field. Seen from behind,
His form was like Machaon, — wholly like
That son of Esculapius; but the face
745
I saw not, as the rapid steeds flew by."
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.575 focus
But bold Eurypylus his aid imparts,
And dauntless springs beneath a cloud of darts;
Whose eager javelin launch'd against the foe,
Great Apisaon felt the fatal blow;
705
From his torn liver the red current flow'd,
And his slack knees desert their dying load.
The victor rushing to despoil the dead,
From Paris' bow a vengeful arrow fled:
Fix'd in his nervous thigh the weapon stood,
710
Fix'd was the point, but broken was the wood.
Back to the lines the wounded Greek retir'd,
Yet thus, retreating, his associates fir'd:
'What god, O Grecians! has your hearts dismay'd?
'Oh, turn to arms; 'tis Ajax claims your aid.
715
'This hour he stands the mark of hostile rage,
'And this the last brave battle he shall wage:
'Haste, join your forces; from the gloomy grave
'The warrior rescue, and your country save.'
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.575 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.575 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.575 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

New Alexandria Commentaries

Douglas Frame

in the context of analyzing the parallels and contrast between Nestor and Patroclus (and the twin myth)

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in the context of analyzing the parallels and contrast between Nestor and Patroclus (and the twin myth)

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in the context of analyzing the parallels and contrast between Nestor and Patroclus (and the twin myth)

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analysis of the (parallels and) contrasts between Nestor and Patroclus (and the twin myth), here, Nestor’s intelligence

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analysis of the (parallels and) contrasts between Nestor and Patroclus (and the twin myth)

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analysis of Nestor’s cup and its relevance to the Iliad

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analysis of Nestor’s cup and its relevance to the Iliad

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analysis of Nestor’s cup and its relevance to the Iliad

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analysis of the (parallels and) contrasts between Nestor and Patroclus (and the twin myth)

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Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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The perspective of Achilles in viewing from his shelter the scene of chariot warfare as narrated here is precisely coordinated with the overall visual mapping of the ongoing battle. See the comment at I.11.497–500.

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Achilles calls out to Patroklos, who now comes out of the shelter. At this moment Patroklos is described as īsos Arēi ‘equal to Ares’, and the very application of this epithet here to Patroklos dooms him to die as a ritual substitute for Ares as god of war. That is why the ominous remark is added: ‘and that was the beginning of his doom’ (κακοῦ δ' ἄρα οἱ πέλεν ἀρχή). Much later, when he is finally killed, Patroklos is described as atalantos Arēi ‘equal to Ares’, I.16.784. For Patroklos, however, the ritual substitution involves not only Ares who is the god of war for the generic warrior: it involves also the god Apollo as the divine antagonist of Achilles. In Iliad 16, the death of Patroklos as a ritual substitute will be marked not only by the epithet atalantos Arēi ‘equal to Ares’ at I.16.784 but also by the epithet daimoni īsos ‘equal to a superhuman-force [daimōn]’ at I.16.705 and at I.16.786. This daimōn ‘superhuman force’ will be Apollo, the divine antagonist of Achilles.

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Eurymedon here is explicitly called the therapōn of Nestor, functioning as the ‘attendant’ of the old hero: at this moment, Eurymedon is taking care of the horse team of Patroklos, who has just driven his chariot to the headquarters of Nestor as the old hero’s guest, I.11.618–622. That passage is analyzed in the context of comparable passages at I.04.227.

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The references at I.09.128–131 and at I.09.270–272 to the story about the conquest of the Aeolian island of Lesbos by Achilles are complemented by the reference here at I.11.624–627 to a story about the conquest of the Aeolian island of Tenedos by the same hero. At Lesbos, Achilles is said to have captured seven unnamed Aeolian women, I.09.128–131 / I.09.270–272. At Tenedos, he is said to have captured one particular Aeolian woman named Hekamede, who was thereafter allotted as a war-prize to Nestor I.11.624–627. And why was Nestor allotted this war-prize? Because Hekamede excelled in intelligence, signaled here by way of the word boulē, I.11.627. On the meaning of boulē in the specific sense of clever ‘planning’, see the comment on I.11.627 immediately after this comment. For the moment, however, the focus of interest is not on the matching of Nestor with Hekamede in terms of their shared intelligence but rather on the degrading of Hekamede as a captive woman. In the narrative at I.11.624–627, we can see how it all happened. After Achilles conquered Tenedos and captured Hekamede, what must have happened next is that he handed her over to his fellow Achaeans, who then acted as a group in alloting her as a war-prize to Nestor. Parallel is the story of the seven unnamed Aeolian captive woman who were captured by Achilles when he conquered the Aeolian island of Lesbos, as noted in the anchor comment at I.09.128–131 / I.09.270–272: again, Achilles must have handed over these seven unnamed Aeolian captive women to his fellow Achaeans, who then acted as a group in allotting them as war-prizes to Agamemnon. Also parallel are the stories of two other Aeolian captive women, Chryseis and Briseis, who were captured by Achilles when he conquered the cities of Thēbē and Lyrnessos respectively, as noted in the anchor comment at I.02.689–693: yet again, Achilles must have handed over these two Aeolian captive women to his fellow Achaeans, who then acted as a group in allotting them as war-prizes—to Agamemnon in the case of Chryseis and to Achilles himself in the case of Briseis. Yet another Aeolian captive woman is of course Andromache herself, who originated from the city of Thēbē: in this case, however, as noted in the anchor comment at I.09.128–131 / I.09.270–272, she is taken captive only after Troy is conquered by the Achaeans, who allot her as war-prize to Neoptolemos, son of Achilles, as we read in the Iliou Persis, attributed to Arctinus of Miletus, plot summary by Proclus p. 108 line 9 (ed. Allen 1912). See also anchor comment at I.02.689–694 on: Aeolian women in the Iliad, part 1 and anchor comment at I.09.128–131 / I.09.270–272 on: Aeolian women in the Iliad, part 2.

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The narrative here at I.11.624–626 refers to the epic deeds of Achilles on the Aeolian island of Tenedos. These deeds, taking place before the time dramatized in the Iliad, will be analyzed in the anchor comment that immediately follows, at I.11.624–627.

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The Aeolian captive woman Hekamede excels in intelligence, as does Nestor, and such excellence is expressed here by way of the noun boulē in the specific sense of ‘plan, planning’, that is, having an aptitude for cleverness in planning.

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Leonard Muellner

analysis of the application of isos Arēi (and variants) to heroes in their aristeiai (here, an exception, namely, Patroklos)

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Richard Martin

The description of the stories exchanged between Makhaon and Nestor—"with muthoi they found pleasure narrating to one another" (11.642-43)—shows muthoi as lengthy storytelling: the imperfect tense reinforces the perception of this, and the narrative shows the pair still drinking as Book 14 opens. A translation of muthos as "story" accords with its definition as an authoritative speech-act performed in detail. The only unusual feature distinguishing the muthoi in Nestor's tent is their nonpublic performance (Martin 1993:39).

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