Homer Iliad 11.575

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Eurypylus, Evæmon's noble son,
Saw Ajax sorely pressed with many darts,
And came and stood beside him, taking aim
700
With his bright spear, and in the liver smote,
Beneath the midriff, Apisaon, son
Of Phausias, and a prince among his tribe.
His knees gave way, and down he sank in death.
But godlike Alexander, who beheld
705
The slayer stripping Apisaon's corpse
Of armor, at that moment bent his bow,
And pierced Eurypylus in the right thigh.
The reed brake in the wound. He writhed with pain,
And mingled with his fellows in the ranks,
710
Avoiding death, yet shouting to the Greeks:-
"O friends, the chiefs and leaders of the Greeks,
Rally and keep your ground; ward off the fate
Of death from Ajax, who is sorely pressed
With darts, and, much I fear, may not escape
715
Safe from this stormy conflict. Stand ye firm
Around the mighty son of Telamon."
So spake the wounded warrior; while his friends
Rallied around him, with their shields inclined
Against their shoulders, and with lifted spears.
720
And Ajax came and joined them; then he turned,
And firmly faced the foe. The Greeks renewed
The combat with a rage like that of fire.
Now meantime the Neleian coursers, steeped
In sweat, were bearing Nestor and the prince
725
Machaon from the battle. On the prow
Of his great ship, Achilles, swift of foot,
Looked forth, and, gazing on the hard-fought fray
And the sad rout, beheld them. Then he called
His friend Patroclus, shouting from the ship.
730
Patroclus heard, within the tent, and came,
Glorious as Mars; - yet with that day began
His woes. The gallant Menœtiades
Made answer thus: "Why callest thou my name,
Achilles, and what needest thou of me?"
735
And thus rejoined Achilles, swift of foot: -
"Son of Menœtius, nobly born, and well
Beloved by me, the Greeks, I deem, will soon
Be at my knees, imploring aid; for now
A hard necessity besets their host.
740
But go, Patroclus, dear to Jove, and ask
Of Nestor who it is that he hath brought
Thus wounded from the field. Seen from behind,
His form was like Machaon, — wholly like
That son of Esculapius; but the face
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I saw not, as the rapid steeds flew by."

Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 11.575 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 11.575 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 11.575 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 11.575 focus
Now when Eurypylos, the brave son of Euaimon, saw that Ajax was being overpowered by the rain of arrows, he went up to him and hurled his spear. He struck Apisaon, son of Phausios, in the liver below the midriff, and laid him low. Eurypylos sprang upon him, and stripped the armor from his shoulders; [580] but when godlike Alexandros saw him, he aimed an arrow at him which struck him in the right thigh; the arrow broke, but the point that was left in the wound dragged on the thigh; he drew back, therefore, under cover of his comrades to save his life, [585] shouting as he did so to the Danaans, “My friends, princes and counselors of the Argives, rally to the defense of Ajax who is being overpowered, and I doubt whether he will come out of the fight alive. [590] This way, then, to the rescue of great Ajax, son of Telamon!”
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.575 focus
But bold Eurypylus his aid imparts,
And dauntless springs beneath a cloud of darts;
Whose eager javelin launch'd against the foe,
Great Apisaon felt the fatal blow;
705
From his torn liver the red current flow'd,
And his slack knees desert their dying load.
The victor rushing to despoil the dead,
From Paris' bow a vengeful arrow fled:
Fix'd in his nervous thigh the weapon stood,
710
Fix'd was the point, but broken was the wood.
Back to the lines the wounded Greek retir'd,
Yet thus, retreating, his associates fir'd:
'What god, O Grecians! has your hearts dismay'd?
'Oh, turn to arms; 'tis Ajax claims your aid.
715
'This hour he stands the mark of hostile rage,
'And this the last brave battle he shall wage:
'Haste, join your forces; from the gloomy grave
'The warrior rescue, and your country save.'
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.575 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.575 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.575 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

New Alexandria Commentaries

Douglas Frame

Nestor’s story in this passage in the Iliad as his myth

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citation of Nestor’s traditional story

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analysis of the expansion in Nestor’s story, which relates to the Olympic celebration of 420 BC

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Lorimer on the dating of the four-horse chariot [MRBTP: 'ff']

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reference to the tradition of the Epeian king, Augeías

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analysis of the expansion in Nestor’s story, which relates to the Olympic celebration of 420 BC, with tōn in this verse as a sign that the story of Neleus’s chariot is not integral to the older version of the story

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analysis of the expansion in Nestor’s story, which relates to the Olympic celebration of 420 BC

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passages in Nestor’s story that Cantieni argued are later expansions

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analysis of the battle and the role of horses in Nestor’s myth (Nestor’s earning his epithet hippota)

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citation of Nestor’s traditional story

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analysis of the battle and the role of horses in Nestor’s myth (Nestor’s earning his epithet hippota)

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analysis of the chronological order of Nestor’s stories in Iliad 7, 11, and 23

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comparison of the openings of the expansions in Nestor’s story with other Homeric verses (the similarity of the expansions to Homeric formulas)

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comparison of the geography in I.02.592 with that in this verse (esp. regarding Thryoessa and Thryon in the two passages)

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disagreement with Kiechle regarding the location of Pylos (with regard to tēlou in this verse)

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locations/geography in Nestor’s story (expansion)

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Cantieni’s argument for dē having been changed to pan in this verse

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passages in Nestor’s story that Cantieni argued are later expansions

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analysis of the battle and the role of horses in Nestor’s myth (Nestor’s earning his epithet hippota)

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Nestor’s becoming a warrior in his myth and the difference between the cattle raid and the battle

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Cantieni’s take on what the interpolation in Nestor’s story was and his restoration of the older form of the story

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comparison of the openings of the expansions in Nestor’s story with other Homeric verses (the similarity of the expansions to Homeric formulas)

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Cantieni’s take on what the interpolation in Nestor’s story was and his restoration of the older form of the story

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locations/geography in Nestor’s story (expansion)

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the location of Alpheios, the use of endioi in the expansion of Nestor’s story, and the latter’s significance for Alcibiades and Endios

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Cantieni’s take on what the interpolation in Nestor’s story was and his restoration of the older form of the story

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Cantieni’s take on what the interpolation in Nestor’s story was and his restoration of the older form of the story

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Cantieni’s take on what the interpolation in Nestor’s story was and his restoration of the older form of the story, and his omission of the two final lines of the second passage (I.11.735-736)

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Cantieni’s take on what the interpolation in Nestor’s story was and his restoration of the older form of the story, and his omission of the two final lines of the second passage (I.11.735-736)

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passages in Nestor’s story that Cantieni argued are later expansions

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analysis of the battle and the role of horses in Nestor’s myth (Nestor’s earning his epithet hippota)

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Augeias’ and his daughter Agamede’s small role in Nestor’s story

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analysis of Nestor’s relationship to the Epeian king, Augeías, whose name is related to the noun augḗ, which suggests the “radiance” of the sun. Indicates that Augeías was originally connected with the sun. His daughter, Agamḗde, is another name for Mḗdeia, who in later tradition was considered to be the granddaughter of Helios. By capturing the Epeian herds, Nestor, in effect, captures the cattle of the sun

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Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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In the course of this lengthy narrative, I.11.671-761, the idea of a ‘gate’ of the Sun is linked with Nestor’s Pylos and with the underworldly Pylos of I.05.397. See also the comment at I.05.395–404.

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Homeric references to four-horse chariot teams are rare, indicative of Athenian agenda. See the comments on I.05.263–273 and I.08.185.

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At later points, at O.12.132 and at O.23.246, the links that connect phaethōn ‘shining’ as epithet of Helios with the names Phaethōn and Phaethousa will be examined.

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Leonard Muellner

switch from Dii patri to Dii t’alloisin te theoisin attested with a variation of the || (short OR two shorts) euxamenos Dii patri # formula which uses epeukhesthai instead of eukhesthai and transformation of the formula with present tense of eukhesthai in I.08.526, in the context of analyzing Allen’s text at I.08.526 vs. Zenodotus’s version of the verse

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in a list of examples of eukhesthai + dative (formulas which report prayers)

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analysis of the formulas with the three places where eukhesthai + dative has the shape eukh ˘ ˘ – [=short short long], as in this verse

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analysis of the application of isos Arēi (and variants) to heroes in their aristeiai and of the use of isos aellēi/lailapi in these contexts

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Richard Martin

Nestor's recollection of his initiatory raid on Elis (11.677-83, 696-705) provides the clearest example of the "raiding boast" genre in the Iliad, against which Achilles' speech in Book 9 can be measured. The raiding boast genre features several topics: who took what from whom; what were the precise gains; what division of spoils was made later. Nestor recounts the circumstances of his people's raid, justifying it by citing the abuses suffered by the Pylians (hēmeas hubrizontes, 11.695); his father took part of the spoils from the raid to recompense himself (heileto, exelet', 697, 704) and gave out the rest for equal distribution (705-6). Achilles mentions all these details, but in his view a raid has been carried out against himself: Agamemnon has taken advantage (ephubrizōn, 9.368), like the men of Elis he has selected certain things (9.335-36) and distributed the rest unequally (9.333-34). In sum, Achilles uses the conventions normal for speaking about one's relations with outsiders when he talks about his own commander. A familiar speech genre is redeployed for new effect, and Achilles appears as a skillful manipulator of the conventional, a rhetorician (Martin 1993:172-73).

For the broader analysis of Achilles' speech, see the comment on Iliad 9.307-429.

References

Martin, R. P. 1993. The Language of Heroes: Speech and Performance in the Iliad. Ithaca.

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