Homer Iliad 11.472

Samuel Butler (Translator)

Iliad. Homer. Samuel Butler (Translator). London. 1898.

Current edition Perseus

Iliad (English) (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 11.456 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 11.456 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 11.456 focus
So saying he drew Sokos’ heavy spear out of his flesh and from his shield, and the blood welled forth when the spear was withdrawn so that he was much dismayed. When the great-hearted Trojans saw that Odysseus was bleeding [460] they raised a great shout and came on in a body towards him; he therefore gave ground, and called his comrades to come and help him. Thrice did he cry as loudly as man can cry, and three times did brave Menelaos hear him; he turned, therefore, to Ajax who was close beside him and said, [465] “Ajax, noble son of Telamon, chief of your people, the cry of patient Odysseus rings in my ears, as though the Trojans had cut him off and were defeating him while he is single-handed. Let us make our way through the throng; it will be well that we defend him; [470] I fear he may come to harm for all his valor if he be left without support, and the Danaans would miss him sorely.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 11.456 focus
He spake, and from his wounded side drew forth,
And from his bossy shield, the ponderous spear
Which warlike Socus threw. A gush of blood
555
Followed, and torturing pain. Now, when they saw
Ulysses bleed, the gallant sons of Troy
Called to each other, rushing in a crowd
To where he stood. Retreating as they came,
He shouted to his comrades. Thrice he raised
560
His voice as loud as human lungs could shout;
Thrice warlike Menelaus heard the cry,
And spake at once to Ajax at his side:-
"Most noble Ajax, son of Telamon,
Prince of thy people! to my ear is brought
565
The cry of that unconquerable man,
Ulysses, seemingly as if the foe
Had hemmed him round alone, and pressed him sore
In combat. Break we through the crowd, and bring
Succor, lest harm befall him, though so brave, —
570
Fighting among the Trojans thus alone, -
And lest the Greeks should lose their mighty chief."
He spake, and led the way; his godlike friend
Followed. They found Ulysses, dear to Jove, —
The Trojans thronging round him like a troop
575
Of ravening jackals round an antlered stag
Which one who hunts upon the mountain-side
Hath stricken with an arrow from his bow:
By flight the stag escapes, while yet the blood
Is warm and easily the limbs are moved;
580
But when at last the shaft hath quelled his strength,
The hungry jackals in the forest-shade
Among the hills attack him, till by chance
The dreaded lion comes: alarmed, they flee,
And he devours the prey. So in that hour,
585
Many and brave, the sons of Troy pursued
Ulysses, skilled in war and wiles; while he
Wielded the spear and warded off the day
Of death. Then Ajax, coming near him, stood,
With his tall buckler, like a tower of strength
590
Beside him, and the Trojans fled in fear
On all sides. Warlike Menelaus took
Ulysses by the hand, and led him forth
From the thronged spot, while his attendant brought
The chariot near him.
595
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.456 focus
Then, raging with intolerable smart,
He writhes his body, and extracts the dart.
575
The dart a tide of spouting gore pursu'd,
And gladden'd Troy with sight of hostile blood.
Now troops on troops the fainting chief invade;
Forc'd he recedes, and loudly calls for aid.
Thrice to its pitch his lofty voice he rears;
580
The well-known voice thrice Menelaus hears;
Alarm'd, to Ajax Telamon he cried,
Who shares his labours, and defends his side:
'O friend! Ulysses' shouts invade my ear;
'Distress'd he seems, and no assistance near:
585
'Strong as he is, yet, one oppos'd to all,
'Oppress'd by multitudes, the best may fall.
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.456 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.456 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.456 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

New Alexandria Commentaries

Douglas Frame

in the context of discussing Nestor’s appearances as a horseman in the Iliad

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analysis of Nestor’s appearances as a horseman in the Iliad and the twin myth (the setting of the story of hippota Nestōr in the frame of the twin myth)

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analysis of the distinction between Makhaon and Podaleirios as physicians (as discussed in the scholia to these verses)

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analysis of Nestor’s appearances as a horseman in the Iliad and the twin myth (the setting of the story of hippota Nestōr in the frame of the twin myth)

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Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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The immediate context here shows that the therapōn ‘attendant, ritual substitute’ is a chariot driver. He is not named. Nor is he described explicitly as a hēni-okhos ‘chariot driver’, but that is what he is doing here—driving the chariot.

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Hector does not yet notice that Ajax is fighting on the right-hand side of the battleground since he, Hector, is at this moment fighting on the left-hand side, near the banks of the river Scamander. Although the perception is attributed to Hector here, the actual perspective is that of the Master Narrator, who consistently views the scene of chariot fighting from the Achaean point of view. In terms of this perspective, Hector is now fighting on the east side of the battleground while Ajax is fighting on the west side. The map of the battleground can be visualized on the cumulative basis of references, as here at I.11.497–500, to left-right positioning in descriptions of the fighting. What follows is an outline of the overall mapping. The Achaeans are encamped in the north and defending the Wall that separates them and their beached ships from the Trojans, who are attacking from the south. The river Scamander, flowing from the southeast toward the northwest and emptying into the Hellespont, separates Troy in the northeast from the encampment of the Achaeans in the northwest. Meanwhile, the Wall of the Achaeans separates their encampment and their ships in the northwest from the Trojans who are attacking the Wall from the south. The Achaeans built the Wall because the Trojans, emboldened by the momentum of Hector, have by now crossed over from the southeast side of the river Scamander to the southwest side, moving into the plain situated to the south of the Achaean Wall. So now this whole plain to the west of the Scamander has become a battleground for chariot fighting. Hector is fighting further to the east, staying close to the west bank of the Scamander, while Ajax is fighting further to the west.

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The wounding of a hero, as in the case of the wound suffered by the hero Makhaon here, can put a stop to his aristeiā ‘epic high point’. See also the comment on I.11.288. The verb aristeuein here at I.11.506 can be interpreted as meaning ‘have an epic high point’, and we see that the wounding of Makhaon has stopped him from having such a high point. For more on aristeuein, which can also be translated as ‘strive to be the best, to be aristos’, see the comment at I.07.092–169.

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The idea of ‘breathing out’ something called menos ‘mental power’ implies that such power was previously ‘breathed in’, that is, ‘breathed into’ the hero, by a divine force. Such a ‘breathing in’ happens for example at I.10.482: as it is pointed out in the comment on that verse, the goddess Athena is pictured there in the act of literally ‘breathing’, pneîn, into the hero Odysseus something called menos ‘mental power’. Here at I.11.508, the aggregate of warriors who are ‘breathing-out [pneîn] mental-power [menos]’ are the Achaeans viewed as a group; so also at I.03.008; by contrast, at I.02.536, the epithet applies to a sub-group, the Abantes.

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