Homer Iliad 11.291

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

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Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 11.291 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 11.310 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 11.291 focus
With these words he put heart and spirit into them all, and as a huntsman hounds his dogs on against a lion or wild boar, even so did Hector, [295] peer of Arēs, hound the proud Trojans on against the Achaeans. Full of hope he plunged in among the foremost, and fell on the fight like some fierce tempest that swoops down upon the sea, and lashes its deep waters [ pontos] into fury.
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 11.291 focus
He spake. His words gave courage and new strength
To every heart. As when a hunter cheers
345
His white-toothed dogs against some lioness
Or wild boar from the forest, Hector thus,
The son of Priam, terrible as Mars
The slayer of men, cheered on the gallant sons
Of Troy against the Greeks. Himself, inspired
350
With fiery valor, rushed among the foes
In the mid-battle foremost, like a storm
That swoops from heaven, and on the dark blue sea
Falls suddenly, and stirs it to its depths.
Who then was slain the first, and who the last,
355
By Hector, Priam's son, whom Jove designed
To honor? First, Asæus; Dolops, son
Of Clytis; and Autonoüs; and then
Opites and Opheltius; next to whom
Æsymnus, Agelaus, Orus fell,
360
And resolute Hipponous the last.
All these, the princes of the Greeks, he slew,
Then smote the common crowd. As when a gale
Blows from the west upon the mass of cloud
Piled up before the south wind's powerful breath,
365
And tears it with a mighty hurricane,
While the swoln billows tumble, and their foam
Is flung on high before the furious blast,
So by the sword of Hector fell the heads
Of the Greek soldiery; and there had been
370
Ruin and ravage not to be repaired,
And the defeated Greeks had flung themselves
Into their ships, had not Ulysses then
Exhorted thus Tydides Diomed:-
"Tydides! what has quenched within our hearts
375
Their fiery valor? Come, my friend, and take
Thy stand beside me: foul disgrace were ours
Should crested Hector make our fleet his prize."
And thus the valiant Diomed replied:-
"Most willingly I stand, and bear my part
380
In battle; but with little hope, for Jove,
The God of storms, awards the day to Troy."
He spake, and pierced Thymbræus with his spear
Through the left breast, and dashed him from his car.
Meanwhile Ulysses struck Molion down,
385
The prince's stately comrade. These they left
Never to fight again, and made their way
Through the thick squadrons, carrying, as they went,
Confusion with them. As two fearless boars
Rush on the hounds, so, mingling in the war,
390
They bore the foe before them, and the Greeks
Welcomed a respite from the havoc made
By noble Hector.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.291 focus
With words like these the fiery chief alarms
His fainting host, and every bosom warms.
As the bold hunter cheers his hounds to tear
The brindled lion, or the tusky bear,
With voice and hand provokes their doubting heart,
380
And springs the foremost with his lifted dart:
So godlike Hector prompts his troops to dare:
Nor prompts alone, but leads himself the war.
On the black body of the foes he pours;
As from the cloud's deep bosom, swell'd with showers,
385
A sudden storm the purple ocean sweeps,
Drives the wild waves, and tosses all the deeps.
Say, Muse! when Jove the Trojan's glory crown'd,
Beneath his arm what heroes bit the ground?
Assæus, Dolops, and Autonous died,
390
Opites next was added to their side,
Then brave Hipponous, fam'd in many a fight,
Opheltius, Orus, sunk to endless night,
Æsymnus, Agelaus; all chiefs of name:
The rest were vulgar deaths, unknown to fame.
395
As when a western whirlwind, charg'd with storms,
Dispels the gather'd clouds that Notus forms;
The gust continu'd, violent, and strong,
Rolls sable clouds in heaps on heaps along;
Now to the skies the foaming billows rears,
400
Now breaks the surge, and wide the bottom bares:
Thus raging Hector, with resistless hands,
O'erturns, confounds, and scatters all their bands.
Now the last ruin the whole host appals;
Now Greece had trembled in her wooden walls;
405
But wise Ulysses call'd Tydides forth,
His soul rekindled, and awak'd his worth:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.291 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.291 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.291 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

New Alexandria Commentaries

Douglas Frame

this line as one of the counterexamples for identifying unmodified laos as one’s own

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this line as one of the counterexamples for identifying unmodified laos as one’s own, and with damnēmi together with laos

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Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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The description of Hector as īsos Arēi ‘equal to Ares’ here at I.11.295 is parallel to his being described as atalantos Arēi ‘equal to Ares’ at I.08.215. For Hector and in fact for any heroic warrior in the Iliad, even for generic warriors, the idea of being ‘equal to Ares’ is parallel to the idea of being a therapōn of Ares, where therapōn is to be understood in the deeper sense of ‘ritual substitute’. About this deeper sense, see the comment on I.02.110.

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Here at I.11.297, two verses after I.11.295, where Hector is described as īsos Arēi ‘equal to Ares’ (ἶσος Ἄρηϊ), the same Trojan hero is now further described as īsos aellēi ‘equal to a blast of wind’ (ἶσος ἀέλλῃ). This verse-final phrase īsos aellēi ‘equal to a blast of wind’ (ἶσος ἀέλλῃ) matches rhythmically the verse-final phrase īsos Arēi ‘equal to Ares’ (ἶσος Ἄρηϊ). Aside from the match in form, there is also a deep-seated match in meaning here between the phrases ‘equal to Ares’ and ‘equal to a blast of wind’, since the god of war is traditionally linked with violent winds. See the comment on I.05.430. Such a link is also attested in the cognate poetics of other Indo-European languages besides Greek: analysis in BA 334, 337.

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The onslaught of Hector and his Trojans against the Achaeans is pictured here as a violent blast of wind in a storm that churns up the sea, which is called the pontos here at I.11.298. This onslaught will threaten the safety of the beached ships of the Achaeans, and thus it will threaten the very survival of the Achaeans and even of all Greeks as notional descendants of the Achaeans. See further on the Battle for the Ships in the comment on I.01.320–348.

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In the words of Diomedes, the Will of Zeus is now in effect: the plan of the god is to give kratos ‘winning-power’ to the Trojans and to take it away from the Achaeans, I.11.319. In this verse, we see that Zeus ‘wishes’ for this to happen, as expressed by the verb boulesthai ‘want, wish, plan’. See also the comment on I.11.078–079, where boulesthai ‘wish, plan’ is already expressing the same idea. And, by taking kratos ‘winning-power’ away from the Achaeans, Zeus is giving them akhos ‘grief’ instead, on which see the comment on I.01.509.

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Diomedes and Odysseus agree to fight as a team, I.11.310–319. Diomedes throws a spear at Thumbraios, who is riding on a chariot and who gets knocked to the ground by the piercing wound, I.11.320–321. Then Odysseus symmetrically wounds with his own piercing spear-throw the charioteer of Thumbraios, Molion, who is described here as the therapōn of Thumbraios, I.11.322. Presumably, Molion too has been riding on the same chariot and gets knocked to the ground. Molion is not overtly called the hēni-okhos ‘chariot driver’ of Thumbraios, but the context shows that he is exactly that, the chariot driver. And, although Molion is the therapōn of Thumbraios, Molion does not get to “take the hit” for Thumbraios the chariot fighter, since that fighter is hit even before his driver is hit. So we see here an unexpected variation on the theme of the therapōn as ‘ritual substitute’ as well as ‘attendant’.

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Leonard Muellner

analysis of the application of isos Arēi (and variants) to heroes in their aristeiai

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analysis of the application of isos Arēi (and variants) to heroes in their aristeiai and of the use of isos aellēi/lailapi in these contexts

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in a list of passages exemplifying the complementary metrical distribution of eukhos and kudos

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