Homer Iliad 11.291

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He spake. His words gave courage and new strength
To every heart. As when a hunter cheers
345
His white-toothed dogs against some lioness
Or wild boar from the forest, Hector thus,
The son of Priam, terrible as Mars
The slayer of men, cheered on the gallant sons
Of Troy against the Greeks. Himself, inspired
350
With fiery valor, rushed among the foes
In the mid-battle foremost, like a storm
That swoops from heaven, and on the dark blue sea
Falls suddenly, and stirs it to its depths.
Who then was slain the first, and who the last,
355
By Hector, Priam's son, whom Jove designed
To honor? First, Asæus; Dolops, son
Of Clytis; and Autonoüs; and then
Opites and Opheltius; next to whom
Æsymnus, Agelaus, Orus fell,
360
And resolute Hipponous the last.
All these, the princes of the Greeks, he slew,
Then smote the common crowd. As when a gale
Blows from the west upon the mass of cloud
Piled up before the south wind's powerful breath,
365
And tears it with a mighty hurricane,
While the swoln billows tumble, and their foam
Is flung on high before the furious blast,
So by the sword of Hector fell the heads
Of the Greek soldiery; and there had been
370
Ruin and ravage not to be repaired,
And the defeated Greeks had flung themselves
Into their ships, had not Ulysses then
Exhorted thus Tydides Diomed:-
"Tydides! what has quenched within our hearts
375
Their fiery valor? Come, my friend, and take
Thy stand beside me: foul disgrace were ours
Should crested Hector make our fleet his prize."
And thus the valiant Diomed replied:-
"Most willingly I stand, and bear my part
380
In battle; but with little hope, for Jove,
The God of storms, awards the day to Troy."
He spake, and pierced Thymbræus with his spear
Through the left breast, and dashed him from his car.
Meanwhile Ulysses struck Molion down,
385
The prince's stately comrade. These they left
Never to fight again, and made their way
Through the thick squadrons, carrying, as they went,
Confusion with them. As two fearless boars
Rush on the hounds, so, mingling in the war,
390
They bore the foe before them, and the Greeks
Welcomed a respite from the havoc made
By noble Hector.

Iliad. Homer. Boston. 1870.

Current edition Experimental

English (William Cullen Bryant, 1870) (OCR draft) (English) (English (William Cullen Bryant, 1870))

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 11.291 focus
Translations (8)
Iliad Perseus (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.) — 11.291 focus
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 11.310 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 11.291 focus
With these words he put heart and spirit into them all, and as a huntsman hounds his dogs on against a lion or wild boar, even so did Hector, [295] peer of Arēs, hound the proud Trojans on against the Achaeans. Full of hope he plunged in among the foremost, and fell on the fight like some fierce tempest that swoops down upon the sea, and lashes its deep waters [ pontos] into fury.
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.291 focus
With words like these the fiery chief alarms
His fainting host, and every bosom warms.
As the bold hunter cheers his hounds to tear
The brindled lion, or the tusky bear,
With voice and hand provokes their doubting heart,
380
And springs the foremost with his lifted dart:
So godlike Hector prompts his troops to dare:
Nor prompts alone, but leads himself the war.
On the black body of the foes he pours;
As from the cloud's deep bosom, swell'd with showers,
385
A sudden storm the purple ocean sweeps,
Drives the wild waves, and tosses all the deeps.
Say, Muse! when Jove the Trojan's glory crown'd,
Beneath his arm what heroes bit the ground?
Assæus, Dolops, and Autonous died,
390
Opites next was added to their side,
Then brave Hipponous, fam'd in many a fight,
Opheltius, Orus, sunk to endless night,
Æsymnus, Agelaus; all chiefs of name:
The rest were vulgar deaths, unknown to fame.
395
As when a western whirlwind, charg'd with storms,
Dispels the gather'd clouds that Notus forms;
The gust continu'd, violent, and strong,
Rolls sable clouds in heaps on heaps along;
Now to the skies the foaming billows rears,
400
Now breaks the surge, and wide the bottom bares:
Thus raging Hector, with resistless hands,
O'erturns, confounds, and scatters all their bands.
Now the last ruin the whole host appals;
Now Greece had trembled in her wooden walls;
405
But wise Ulysses call'd Tydides forth,
His soul rekindled, and awak'd his worth:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.291 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.291 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.291 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

New Alexandria Commentaries

Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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In the words of Diomedes, Hector is a pēma ‘pain’ for the Achaeans, I.11.347. The pain that he inflicts on them is visualized by way of the verb kulindesthai ‘roll’ in this same verse, I.11.347. The comparison that is implied by this verb becomes explicit at I.13.136–142, where we will see the menacing image of a boulder that breaks off from mountainous heights overhead and starts rolling downward from above, ever increasing in speed as it nears ground zero: only when the boulder has reached a level plain does it finally stop ‘rolling’, as expressed by the verb kulindesthai at I.13.142 (see H24H 5§10). In the framing verses of I.13.136-142, this visualization of the menacing boulder that is rolling down from the heights above is being compared to Hector himself as he rushes toward the Achaeans. The same visualization is implicit in the use of the verb kulindesthai ‘roll’ at I.11.347, where Hector is pictured as a pēma ‘pain’ that is rushing toward his enemies. See also the comment on I.17.098–101, where the death of Patroklos is viewed retrospectively as a great pēma ‘pain’, I.17.099, that was sure to kulindesthai ‘roll’ down from the heights like some boulder and to crush anyone daring to attack a warrior who is being protected by a god. And the same visualization of a breakaway boulder is implicit also in the combination of pēma ‘pain’ with kulindesthai ‘roll’ at O.08.081 of the “micro-Iliad” that is narrated at O.08.072–083, which is the First Song of Demodokos. In this song, at O.08.081, the ‘beginning of the pain [pēma]’ is pictured at the very beginning of the overall narrative: the pēma ‘pain’ is starting to ‘roll’, as expressed again by way of kulindesthai, and we see further at O.08.082 that this pain will be rolling toward Trojans and Achaeans (=Danaans) alike. Ultimately, both sides in the Trojan War will feel the pain, and it is all because Zeus willed it to be this way: everything will happen the way it will happen ‘because of the plans [boulai] of Zeus’, O.08.082 (Διὸς μεγάλου διὰ βουλάς).

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Leonard Muellner

analysis of the attestations of eukhesthai + aorist infinitive (and the series to which this verse belongs)

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anomaly of the formula in this verse, namely, the complement to eukhomai is not a noun (e.g. name of divinity) but a pronoun

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in a list of examples of eukhesthai + dative, and in a list of anomalous attestations (divergent inflection of eukhesthai, has a relative pronoun in dative instead of a noun, and not in ritual-narrative sub-genre)

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in a list of secular eukhesthai indicating direct speech (introducing speech, p. 89), and analysis of this verse as the exception to the restriction that speeches framed by (X) || kai eukhomenos epos ēuda or (Y) hōs ephat’ Argeioisi d’akhos genet’ euxamenoio are spoken by a warrior immediately after killing his enemy in single combat and for the particular formula in this verse that it is not spoken by a Greek (Paris on wounding Diomedes)

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in a list of occurrences of the figura etymologica ‘eukhomenos epos ēuda’ in Homeric Greek (in comparison of the figure in Indo-Iranian)

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analysis of eukhesthai as proud, contentious, and accurate statement about its speaker and how Paris’ use of it here is ironic and contrary to the heroic code

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analysis of I.11.379 as the exception to the restriction that speeches framed by (X) || kai eukhomenos epos ēuda or (Y) hōs ephat’ Argeioisi d’akhos genet’ euxamenoio are spoken by a warrior immediately after killing his enemy in single combat and for the particular formula in this verse that it is not spoken by a Greek (Paris on wounding Diomedes)

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analysis of I.11.379 as the exception to the restriction that speeches framed by (X) || kai eukhomenos epos ēuda or (Y) hōs ephat’ Argeioisi d’akhos genet’ euxamenoio are spoken by a warrior immediately after killing his enemy in single combat and for the particular formula in this verse that it is not spoken by a Greek (Paris on wounding Diomedes)

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analysis of section II attestations, i.e. secular eukhesthai reporting speech (absolute usage)

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in a list of secular eukhesthai reporting speech (absolute usage)

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