Homer Iliad 11.336

A. T. Murray (Translator)

Iliad. Homer. A. T. Murray (Translator). London. 1924-1925.

Sponsored by Perseus Project, Tufts University.

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Current edition Perseus

Iliad (English) (Homer. The Iliad, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1924-1925.)

Editions (1)
Ἰλιάς Perseus (Homer. Homeri Opera, Volumes 1-2. Monro, D. B. (David Binning), editor; Allen, Thomas W. (Thomas William), editor. Oxford: Clarendon Press, 1908-1920.) — 11.336 focus
Translations (8)
Iliad Perseus (Homer. The Iliad of Homer, rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. London: Longmans, Green, and Co, 1898.) — 11.310 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 11.336 focus
And now the son of Kronos as he looked down from Ida ordained that neither side should have the advantage, and they kept on killing one another. The son of Tydeus speared Agastrophos, son of Paion, in the hip-joint with his spear. His chariot [340] was not at hand for him to flee with, so blindly confident had he been. His attendant [ therapōn] was in charge of it at some distance and he was fighting on foot among the foremost until he lost his life. Hector soon marked the havoc Diomedes and Odysseus were making, and bore down upon them with a loud cry, followed by the Trojan ranks; [345] brave Diomedes was dismayed when he saw them, and said to Odysseus who was beside him, “Great Hector is bearing down upon us and we shall be undone; let us stand firm and wait his onset.”
English (William Cullen Bryant, 1870) (OCR draft) Experimental (English (William Cullen Bryant, 1870)) — 11.336 focus
Next they seized a car
Which bore two chiefs, the bravest of their host, -
Sons of Percosian Merops, who was skilled
395
Beyond all men in portents. He enjoined
His sons to keep aloof from murderous war.
Yet did they not obey him, for the fate
That doomed the twain to death impelled them on;
And Diomed, the mighty with the spear,
400
Spoiled them of life, and bore their armor off,
A glittering prize. Meantime Ulysses slew
Hippodamus, and next Hypirochus.
The son of Saturn looked from Ida's height,
And bade the battle rage on either side
405
With equal fury: both the encountering hosts
Slew and were slain. Tydides with his spear
Smote on the hip the chief Agastrophus,
Whose steeds were not at hand to bear him thence
In flight, for his unwilling charioteer
410
Held them at distance, while their master rushed
Among the foremost warriors till he fell.
Hector perceived his fall, as through the files
He looked, and straightway hastened to the spot
With shouts; and after him came rapidly
415
The phalanxes of Trojans. Diomed,
The great in battle, shuddered as he saw,
And thus addressed Ulysses, who was near: -
"Lo! the destroyer, furious Hector, comes!
Let us stand firm, and face and drive him back."
420
He said, and cast his brandished lance, nor missed
The mark: it smote the helm on Hector's head.
The brass glanced from the brass; it could not pierce
To the fair skin; the high and threefold helm -
A gift from Phœbus-turned the point aside.
425
The chief fell back, and, mingling with the throng,
Dropped on one knee, and yet upheld himself
With one broad palm upon the ground, while night
Darkened his eyes. The son of Tydeus sprang
To seize his spear, which now stood fixed in earth
430
Among the foremost warriors. In that time
Did Hector breathe again, and, having leaped
Into his chariot, he avoided death,
By mingling with the crowd; while, spear in hand,
Brave Diomed pursued him, shouting thus: -
435
"This time, thou cur, hast thou escaped thy doom,
Though it was nigh thee. Phœbus rescues thee-
The god to whom thou dost address thy prayers -
Whene'er thou venturest mid the clash of spears.
Yet will I surely slay thee when we meet,
440
If any god be on my side; and now
I go to strike where'er I find a foe."
English (Alexander Pope, 1720, ed. Watson, 1857) (OCR draft) Experimental (English (Alexander Pope, 1720, ed. Watson, 1857)) — 11.336 focus
Great Jove from Ide with slaughter fills his sight,
And level hangs the doubtful scale of fight.
By Tydeus' lance Agastrophus was slain,
The far-fam'd hero of Pæonian strain; 1
Wing'd with his fears, on foot he strove to fly,
440
His steeds too distant, and the foe too nigh;
Through broken orders, swifter than the wind,
He fled, but, flying, left his life behind.
This Hector sees, as his experienc'd eyes
Traverse the files, and to the rescue flies;
445
Shouts, as he pass'd, the crystal regions rend,
And moving armies on his march attend.
Great Diomed himself was seiz'd with fear,
And thus bespoke his brother of the war:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 11.336 focus
English (George Chapman, 1611, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1611, ed. Hooper 1857)) — 11.336 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 11.336 focus
English (F. W. Newman, 1856) (OCR draft) Experimental (English (F. W. Newman, 1856)) — 11 focus

New Alexandria Commentaries

Gregory Nagy

Rhapsody 11 marks the point in the Iliad where Patroklos is drawn into a fatal pattern of impersonating Achilles. Pivotal is the story that Patroklos hears from the old hero Nestor. My comments here on Iliad 11 work around Nestor’s story at I.11.670–803 as analyzed in the book Hippota Nestor by Douglas Frame, 2009:105–130.

draft js image errorNestor and his sons sacrifice to Poseidon. Attic red-figure calyx-krater, ca. 400–380 BCE. © Marie-Lan Nguyen / Wikimedia Commons, via Wikimedia Commons.

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In the words of Diomedes, Hector is a pēma ‘pain’ for the Achaeans, I.11.347. The pain that he inflicts on them is visualized by way of the verb kulindesthai ‘roll’ in this same verse, I.11.347. The comparison that is implied by this verb becomes explicit at I.13.136–142, where we will see the menacing image of a boulder that breaks off from mountainous heights overhead and starts rolling downward from above, ever increasing in speed as it nears ground zero: only when the boulder has reached a level plain does it finally stop ‘rolling’, as expressed by the verb kulindesthai at I.13.142 (see H24H 5§10). In the framing verses of I.13.136-142, this visualization of the menacing boulder that is rolling down from the heights above is being compared to Hector himself as he rushes toward the Achaeans. The same visualization is implicit in the use of the verb kulindesthai ‘roll’ at I.11.347, where Hector is pictured as a pēma ‘pain’ that is rushing toward his enemies. See also the comment on I.17.098–101, where the death of Patroklos is viewed retrospectively as a great pēma ‘pain’, I.17.099, that was sure to kulindesthai ‘roll’ down from the heights like some boulder and to crush anyone daring to attack a warrior who is being protected by a god. And the same visualization of a breakaway boulder is implicit also in the combination of pēma ‘pain’ with kulindesthai ‘roll’ at O.08.081 of the “micro-Iliad” that is narrated at O.08.072–083, which is the First Song of Demodokos. In this song, at O.08.081, the ‘beginning of the pain [pēma]’ is pictured at the very beginning of the overall narrative: the pēma ‘pain’ is starting to ‘roll’, as expressed again by way of kulindesthai, and we see further at O.08.082 that this pain will be rolling toward Trojans and Achaeans (=Danaans) alike. Ultimately, both sides in the Trojan War will feel the pain, and it is all because Zeus willed it to be this way: everything will happen the way it will happen ‘because of the plans [boulai] of Zeus’, O.08.082 (Διὸς μεγάλου διὰ βουλάς).

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Leonard Muellner

analysis of the attestations of eukhesthai + aorist infinitive (and the series to which this verse belongs)

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anomaly of the formula in this verse, namely, the complement to eukhomai is not a noun (e.g. name of divinity) but a pronoun

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in a list of examples of eukhesthai + dative, and in a list of anomalous attestations (divergent inflection of eukhesthai, has a relative pronoun in dative instead of a noun, and not in ritual-narrative sub-genre)

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